Afleveringen
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Adam, Brett, and Chris collectively watched practically every single Pixar Short, from the early CGI experiments in the 80s to Academy Award nominees and winners to DVD extras and the still-running "SparkShorts."
Exhausted from endless Cars Franchise tie-ins, though more optimistic about Toy Story, this episode flies between love and admiration to disappointment.
Listen in to hear which Pixar shorts we love, which disappointed us, and which sparked a heated debate with "soulless content" accusations.
Don't worry, it ends on a note of positivity as we discuss the co-op program, an initiative we were all thoroughly ignorant of, but resulted in some of the best work from Pixar employees.
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Are all war films horror? Someone on today's panel will claim so - but in that case - where can we draw the lines? Join us as we try to define horror and, more controversially, make bold claims that some huge horror films, including The Omen, don't qualify.
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Zijn er afleveringen die ontbreken?
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Join us as we see where we fit in on the scale between Grown Ups and Jeanne Dielman, accidentally diss a bunch of people as being part of a hive mind, and stumble onto moments of self-awareness and discovery.
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We may love cinema, but some movies are just pure torture. In this episode, we will reveal our picks for the worst movie ever made, dive into what makes us hate (or dislike) films in general, and, as a provocative bonus, reveal which critically acclaimed darlings we have rated 1/10.
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Can returning champion [NAME REDACTED] hold onto their title against new and old foes? Tune in to the 2nd edition of Talking Images' Big Quiz Show to see which of the hosts actually know what they're talking about.
P.S. Be sure to check out our first Quiz Show episode as well.
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Clint Eastwood's westerns are iconic! His more "contemporary" westerns ... less so.
In this episode, we discuss each of the 7 times Eastwood directed and starred in Western masterpieces like Unforgiven and odd quasi-western misfires like Bronco Billy.
Can we find anything connecting them? Is there a line running from High Plains Drifter to Cry Macho? Oh, and how many of his characters were ghosts? Listen in and find out.
Timestamps:
00:00:00 - Intro 00:14:23 - High Plains Drifter 00:29:20 - The Outlaw Josey Wales 00:43:07 - Bronco Billy 00:50:06 - Honkytonk Man 01:01:01 - Pale Rider 01:10:14 - Unforgiven 01:30:09 - Cry MachoPssst ... Space Cowboys is not discussed in this episode, but we might get to it in the future. Want to here us talk about Eastwood some more? Let us know on ICMForum.com.
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We did it! We have recorded 100 episodes (+ a pilot) of our extremely niche film podcast, and it seems some people care!
Join us as we walk down memory lane, reveal our most cringe-worthy, as well as proudest moments, and share our so-far hidden stats of the most listened-to episodes.
We'll also reveal our unpopular film opinions, which just might become future episodes.
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What's wrong with Tom? How can we break through to him? Join our intervention/hateful interrogation of why he has no interest in watching more documentaries.
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Do people still read, or should all communication about film now be in the form of memes?
In this episode, we reveal what film magazines we still read (for some, it is zero), why we review films ourselves (are we just screaming into the void?!), and discuss whether Letterboxd could be throwing reviews a lifeline (though the joke reviews always seem to win out).
We'll also explore what we actually want from film reviews, decry spoilers, shake our heads at heavy plot descriptions and try to give tips to writing reviews in today's TL:DR generation.
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The death threats are flying in this episode as Lauren comes face to face with a loud and proud strategic voter.
Join us as we discuss whether strategic voting has its place in pushing up under-watched gems, changing narratives, or solidifying the canon—or if those who do it are just dirty, rotten liars and cheats.
We will also finally open up about the controversial Sight & Sound results of 2022 and whether or not we think the results were genuine.
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Eric Rohmer was in his 70s when he delivered his final official cycle, Tales of Four Seasons. How do these 4 films stack up against his legendary Moral Tales or Comedies and Proverbs cycles? How do they capture the seasons, let alone youth? Was he still on point?
Join us as we talk through A Tale of Springtime (1990), A Winter's Tale (1992), A Tale of Summer (1996), and An Autumn Tale (1998) in chronological order, and break down their themes, how they fit together, and how they make us feel.
Timestamps:
Intro: 00:00:00 A Tale of Springtime: 00:08:26 A Winter's Tale: 00:24:12 A Tale of Summer: 00:43:59 An Autumn Tale: 01:05:28 -
What makes a list exciting or worth working on? In this episode, Sol takes the host's chair as we dive into exactly what types of film lists we enjoy working on, what makes them great, and, to throw in some negativity, what lists we wouldn't touch with a barge pole.
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No Barbie?! No Oppenheimer?! So, what the hell did we pick? Listen in as Chris, Sol, and Tom reveal their top 10 favourite films of 2023.
Let us know how much you agree/disagree, or if we put you on the path of some hidden gems, on ICMForum.com.
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Has Pixar lost the magic they once had? And if so, how did it all go so, so wrong? Can we blame it on Disney? Join us as superfans and nay-sayers clash over the past, present, and future of Pixar Animation.
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Can we name a single original film from the last 10 years? Can you?! Listen in and find out as we somehow end up bickering over whether originality even exists.
We will also try to pinpoint the most original films of all time, and discuss whether or not originality truly matters. That is, if originality exists at all, as Sol doesn't really seem to think so.
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Do we want to oppress you and decide what you can and cannot watch? Listen in to find out!
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Is Hiroshi Teshigahara on the shortlist of the greatest Japanese directors of all-time? Sol certainly thinks so, yet Chris will admit he has none of the master's films in his own top 1,000 - much to Sol's despair.
There's no denying that Teshigahara made one of the biggest Japanese classics in his trippy Woman in the Dunes, but what of his other films?
Why are so many of them struggling with distribution, and are they worth seeking out?
In this episode, we will go through each of his 7 features, as well as his lauded documentary, Antonio Gaudi, and answer that very question.
Timestamps:
Intro: 00:00:00 Why Sol Thinks Teshigahara is an All-Time Great: 02:32 Woman in the Dunes: 00:08:33 Pitfall: 00:20:36 The Face of Another: 00:31:10 Man Without a Map: 00:46:31 Summer Soldiers: 00:53.31 Antonio Gaudi: 01:02:26 Rikyu: 01:11:38 Go-Hime: 01:18:26 -
Who's the biggest cinephile? Find out as we play Cinephile: A Card Game in our Season 4 finale.
We also have the audacity to invent a new rule we think improves the game.
Happy new year!
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Was Sean Connery the best Bond? Apparently not! At least according to our panel.
Join us as we rank the actors who played the iconic superspy, talk about our favourite and least favourite films from the franchise, and give our opinions on who should step into the tuxedo next.
The last question took a bit of a turn as we all seemed to want it to be Pierce Brosnan ... as he is now, in his 70s, and doing an old-Bond film ala Logan. Are we high, or is that a genuinely good idea?
Oh, and would Bond being gay make things interesting? Sol really seems to think so.
Timestamps:
Intro & Secret Panel: 00:00:00 Best Bond: 00:10:00 Worst Bond: 00:25:00 Best Bond Films: 00:38:29 Worst Bond Films: 00:52:19 Best Bond Songs: 01:03:05 No Time to Die: 01:08:34 Where Should The Franchise Go Next: 01:19:30 Should James Bond Be a Gay Black Woman?: 01:23:08 Who Should Play Bond Next: 01:27:49 -
Watching the Moral Tales Cycle is witnessing a great director be born, experiment and find his voice, but how good is Eric Rohmer's most famous cycle? Do the early no-budget films hurt it, and how do we deal with the generally loathsome, holier-than-thou mortalising male leads looking to have little adventures?
We will also address why on earth Rohmer chose to pill a George Lucas before George Lucas by making the 4th film of the cycle before the 3rd, discuss where to start and how well the series actually works as a single entity with a clear progression from story to story.
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