Afleveringen
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.adamgrantwarren.com/
https://realwheels.ca/disability-tour-bus/
About Adam:
Now based in Vancouver, Adam was born and raised in Newfoundland, Canada. He started writing professionally in his early twenties, as a radio columnist for the CBC Morning Show. In that time, he also became Newfoundlandâs youngest ever winner of both the Arts and Letters Award for Fiction, and the George Story Medal of Excellence in the Arts.
Adam then moved west to study â and eventually teach â at Vancouver Film School. His films have since screened as official selections at festivals including Californiaâs Newport Beach Film Festival, the National Screen Instituteâs Online All-Star Reel, and the Vancouver International Film Festival â where Float took home the honours for Best Canadian Short in 2012. In 2016, Conocerlos: Get to Know Them earned him his first BC Film Award nomination for Best Screenwriting.
In dance, Adam is an associate artist with All Bodies Dance Project. His choreography and collaborations have featured at festivals including Vancouver's 12 Minutes Max, Victoria's SKAMpede, and Calgary's Fluid Festival. His current residency at The Dance Centre finds him working alongside TJ Dawe, Su-Feh Lee, and longtime collaborator Naomi Brand on a new solo piece: Good Bully. Beyond his residency, Adam is also part of New Worksâ CanDance Exchange and Propellerâs Digital Disability and Dance initiative in Ottawa.
In the theatre, Adam is a Jessie Award winning actor whose west coast performance highlights include productions of his own shows, Last Train In and Lights, as well as Touchstone Theatre's Kill Me Now, and Realwheels Theatre's CREEPS. Looking ahead, his latest play, Saturday Nights at Axles, is in development at Realwheels, where he is now Co-Artistic Director.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.artsumbrella.com/our-team/nicole-rose-bond/
https://www.peggybakerdance.com/baker-peggy
About Nicole:
Nicole Rose Bond began her formal dance training at York University, graduating with a Bachelor of Fine Arts Dance cum laude in 2005 after being awarded the Grant Strate Award in Dance in 2003 and 2005 respectively and the Harry Rowe Bursary in 2004. Nicole was also featured in The Toronto Star, Arts & Entertainment, Danceâs Class Acts of â05, as one of âTen Promising Young Dancers to Watchâ in January of 2005. Nicole has felt privileged to perform works by esteemed choreographers including Peggy Baker, Patricia Beatty, Tom Brouillette, Susan Cash, Bill Coleman, David Earle, Danny Grossman, Ryan Graham Hinds, Christopher House, James Kudelka, Learie McNicholl, Andrea Nann, Yvonne Ng, John Oswald, Peter Quanz, Peter Randazzo and Andrea Spaziani.Nicole has had three cross country Canadian tours with the Toronto Dance Theatre [TDT]: performing âRiversâ in 2012; âEleven Accordsâ in 2014 culminating in a 2014 Dora Mavor Moore award nomination for Best Ensemble Cast â âEleven Accordsâ; and in celebration of the TDT 50th anniversary following the companyâs tour of Medellin and BogotĂĄ, Colombia in 2017, the TDT toured Canada a third time in 2018. Following the world debut of âWho We Are In The Darkâ in Toronto in 2019, Nicole toured with Peggy Baker Dance Projects along with Sara Neufeld and Jeremy Gara of Arcade Fire to other Canadian cities as well as Den Haag, Netherlands and Guanajuato, Mexico culminating in a 2019 Dora Mavor Moore award nomination for Best Ensemble Cast â âWho We Are In The Darkâ. Whilst residing in Toronto, Nicole has worked as a course director in Graham Technique and Contemporary Dance at York University, Canadaâs National Ballet School and has taught dance classes and workshops within the Toronto School Board. Nicole has also served on the Toronto Arts Counsel Advisory Panel and as a member of the Dance Collection Danse âEncore: Hall of Fameâ Committee and the Heliconian Club.Since moving to Vancouver three years ago, Nicole has been teaching at Arts Umbrella, Modus Operandi and Simon Fraser University and has served as resident choreographer for three independent plays. Nicoleâs choreographic debut in 2022 is now a permanent fixture of Arts Umbrellaâs annual âMixed Nutsâ repertoire.Nicole is passionate about the pedagogy of the Graham Technique whilst honouring those who have come before her. Nicole is beyond grateful that her vocation encompasses doing what she loves and is humbled by, and indebted to, the unique and beautiful arts community that she calls home. About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Zijn er afleveringen die ontbreken?
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.amandasum.com/
Amanda Sum: A Suite Release July 4th 2024 The Cultch Historic Theatre:https://thecultch.com/event/amanda-sum-a-suite-release
About Amanda:
Amanda Sum (she/her) is a performer and creator who dances between theatre and music. Amanda has collaborated on many interdisciplinary theatre based works which have brought her to perform and present works at the Smush Gallery (Jersey City) at On The Boards (Seattle) Fury Factory Festival of Ensemble and Devised Theatre (San Francisco) and Summerworks (Toronto). As an actor Amandaâs recent credits include 4 seasons of the East Van Panto (Theatre Replacement) and Sense and Sensibility (The Arts Club). Amanda's debut indie-pop album New Age Attitudes was released in the fall of 2022. Her music video Different Than Before (directed by Mayumi Yoshida) was JUNO-Nominated for Music Video of the Year and won the SXSW Music Video Jury Award (2023). As Theatre Replacementâs COLLIDER Artist Amanda created New Age Attitudes: Live in Concert. Part pop-up book part performance this experimental theatre piece premiered in the spring of 2023 and is touring this year. She is releasing a new EP in the summer of 2024. Amanda holds a BFA from SFU.
About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.erikamitsuhashi.com/
https://holdonletgo.ca/performance/wherevereverhttps://www.katefranklin.ca/
About Erika:
Erika Mitsuhashi is an interdisciplinary artist and performer living and working on the unceded, ancestral, and occupied, traditional lands of the xÊ·mÉΞkÊ·ÉyÌÉm (Musqueam), SÉlÌĂlwÉtaÉŹ (Tsleil-Waututh), and SkwxwĂș7mesh (Squamish) Nations of the Coast Salish peoples, known as Vancouver, British Columbia. She studied at Simon Fraser University School for the Contemporary Arts receiving a BFA (hons) in dance.
She has had the pleasure of interpreting the work of dance artists including Justine A. Chambers, Ziyian Kwan (Dumb Instrument Dance), Sasha Kleinplatz (Wants&Needs Danse), Rob Kitsos, Vanessa Goodman (Action at a Distance) and Judith Garay (Dancers Dancing) in festivals and platforms such as Vancouver International Dance Festival, Dancing on the Edge Festival, Re-FUSE presented by the Vancouver Art Gallery and PuSh International Performing Arts Festival 2020.
Erikaâs work has taken the form of performance for stage, installation, experimental film, site specific/responsive performance, scenography and projection design. Most recently she has been experimenting with live-stream video and digital spaces as sites for intimacy and choreography of attention.
Her work and collaborative projects have been presented locally and internationally by PAUL Studios Berlin, Powell Street Festival, Toronto Love-Inâs PS:We are All Here series, Surrey Art Galleryâs InFlux, Kinetic Studioâs Open Studio Series, Shooting Gallery Performance Series, Upintheair Theatreâs rEvolver Festival and La Serre's OFFTA festival of live art. She has been supported by organizations including New Works, SummerWorks, VIVO Media Arts, plastic orchid factory, Dance West Network, Boca De Lupo, Theatre Replacement and Company 605 in the creation and development of her works to date.
Locally she engages with two diverse collaborative groups:Mardon + Mitsuhashi and Erika Mitsuhashi & Francesca Frewer.
About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://justineachambers.com/
https://www.katefranklin.ca/
About Justine:
The anchors of Justine A. Chambers movement based practice are found in collaborative creation, close observation, and the idea of choreography as living archive. She is concerned with a choreography of the everyday; with the unintentional dances, as she describes them âthat are already there.â She emerges from the Black American Diaspora, bi-racial and a dual citizen. Her practice extends from this continuum, and its entanglements with western contemporary dance and visual art practices.
Her recent choreographic projects include: Zephyrs, Heirloom, And then this also, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more, Family Dinner, Family Dinner: The Lexicon, Semi-precious: the faceting of a gemstone only appears complete and critical; Enters and Exits and COPY.
Chambersâ work has been hosted at: Libby Leshgold Gallery at ECUAD, Leonard and Bina Ellen Gallery at Concordia, Contemporary Art Gallery (Vancouver), Sophiensaele (Berlin), Burrard Arts Foundation, Nanaimo Art Gallery, Art Museum at University of Toronto, Morris and Helen Belkin Art Gallery, Cantor Fitzgerald Gallery, Mile Zero Dance Society, Festival of New Dance, Agora de la danse, Canada Dance Festival, Dance in Vancouver, Dance Saskatchewan, Dancing on the Edge Festival, New Dance Horizons, The Roundhouse Community Arts Centre, Vancouver Art Gallery and the Western Front.
Chambers is a founding member of project bk, was artist in residence at artist run centre 221A (2017), a selected artist for the Visiting Dance Artist Program at the National Arts Centre (2019-2020), one of three choreographerâs in the Yulanda Faris Choreographerâs Program (2017-2018), and associate artist and artist in residence to The Dance Centre (2015-2017),
Justine has collaborated on projects with:
Digital video artist Josh Hite: COPY: a movement based installation, Incoming, Green Boot Print (The Roundhouse Community Arts Centre, Code Lab and 350.org), Choreography Walk (2015: Vancouver, 2019: Hong Kong, 2019: Vancouver).
Choreographer and dancer Laurie Young: One hundred more
Visual artist Natalie Purschwitz and sound artist Anju Singh: Co-facilitation of Trackings and Trappings â Summer Institute at Plug In Institute of Contemporary Art
Sound artist Elisa Ferrari: EMF Movement Studies.
Visual artist Mike Bourscheid: Idealverein
Dance Artist Alexa Solveig Mardon and scholar Peter Dickinson: Our Present Dance Histories
Visual artist Evann Siebens: Homemade Again.
Dance artist Claudia Fancello: Light Was The Night: Night Shifting.
Musician Ben Brown: Weâre Making a Band
Visual Artist Brendan Fernandes: The Working Move (The Western Front, The Stedelijk Museum)
Contemporary Gamelan Composer Michael Tenzer: Sphinx (Tour of Bali 2013)
Visual artist Jen Weih: Stack of Moves (Wrong Waves Festival 2013)
Visual artists Marilou Lemmens and Richard Ibghy: Is there anything at all left to do be done at all (Trinity Square Video)
Dance artist Deanna Peters: One + the Other (The Cultch and New Dance Horizons)
Chambers, Sadira Rodrigues and battery operaâs Su Feh Lee co-facilitate the monthly forum The Talking Thinking Dancing Body; a conversation about aesthetics, context and artistic processes.
As a dancer, she has worked with a number of choreographers both nationally and abroad. Including: Kate Franklin, ame henderson, sasha ivanochko, battery opera, adelheid dance projects, Company 605, Tara Cheyenne Performance, Oded Graf and Yossi Berg, Wen Wei Dance, Mascall Dance.
Chambers teaches at The School for Contemporary Arts at Simon Fraser University, Working Class, Toronto Community Love-In, Modus Operandi Training Program and Ballet BC. Justine is currently engaged as an artistic monitor for the work of Mardon + Mitsuhashi, and Amanda Acorn.
Chambers is Max Tyler-Hiteâs mother.
About Kate: Kate Franklin was born in North Bay, Ontario. She started dancing at age 5 and got super serious about it at age 10. When she was 13, she left home to attend Quinte Ballet School of Canada in Belleville, Ontario, where she undertook her professional training for the next five years. Now an independent contemporary dance artist, she has spent the past 20 or so years in Toronto/Tkaronto and so-called Vancouver (on the unceded Indigenous territories of the Musqueam, Squamish and Tsleil-Waututh First Nations) wearing almost every "hat" a person can wear in the community, (performer, choreographer, administrator, volunteer, producer, presenter, educator, outside eye, probably a couple other things). She works regularly for local artists Company 605, Justine A. Chambers and Tara Cheyenne Performance, amongst others, as well as being in her eighth season as Associate Artistic Director of four-year post-secondary contemporary dance program Modus Operandi, where she has the responsibility and privilege of teaching a small, dedicated, passionate group of younger dance artists. Kate has taught Yoga and Pilates mat work in the past. About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: Raven Spirit Dance:https://ravenspiritdance.com/ About Starr: Starr Muranko is dancer/choreographer, Mother and Co-Artistic Director with âRaven Spirit Dance. As a choreographer she is most interested in the stories that we carry within our bodies and Ancestral connections to land that transcend time and space. Her work has been shared locally and nationally including the Dance Centre, Talking Stick Festival, Coastal Dance Festival, Dancing on the Edge, Native Earth Performing Arts, Weesageechak Begins to Dance, Impact Festival and InFringing Dance Festival. Featured works include Chapter 21, Spine of the Mother and before7after as well as recent collaborative work Confluence and her current research for a new piece Tracing Bones. A proud company dancer with the Dancers of Damelahamid since 2005, she has toured across Canada and internationally and trained under the guidance and mentorship of the late Elder Margaret Harris. She is currently Artist-in-Residence at Ballet BC alongside colleague and longtime collaborator Margaret Grenier. Starr has facilitated workshops through ArtsStarts, Vancouver Aboriginal Friendship Centre, Native Education College and Vines Art Festival and holds a BFA in Dance from SFUâs School for the Contemporary Arts. She honours and celebrates her mixed Ancestry of Omushkegowuk Cree (Moose Cree First Nation â Treaty 9), French and German in all of her work. www.ravenspiritdance.com About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2024 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: Festival Of Recorded Movement:https://www.f-o-r-m.ca/ https://www.f-o-r-m.ca/the-team The London Contemporary Dance School:https://theplace.org.uk/study About Sophia:My name is Sophia Mai Wolfe (she/her/hers), I am a queer, Japanese-Canadian independent artist whose practice is ever-changing. My practice moves and connects me to live performance, video documentation, curation, festival programming, editing, filmmaking, and directing. I am a grateful guest of what is colonially know as Vancouver on the territories of the xÊ·mÉΞkwÉyÌÉm (Musqueam), SkwxwĂș7mesh (Squamish),and SÉlÌĂlwÉtaÊ/Selilwitulh (Tsleil-Waututh) Nations. My dance practice has led me to performing and touring internationally with companies and independent choreographers such as Company 605, Co-Erasga, Chick Snipper, Cindy Mochizuki, Lisa Mariko Gelley, Kelly McInnes, Antonio Somera, Zahra Shahab, The Only Animal and New World Theatre.
I hold an MA in Screendance from the London Contemporary Dance School, and am the founding Artistic Director of F-O-R-M (Festival Of Recorded Movement). Through completing my MA, I became interested in making work that challenges and slows our attention. I use film and dance to invite connection and empathy towards the bodies we witness on screen, as well as invite sensation within the bodies of those witnessing. I work independently and collaboratively with artists and communities to engage audiences in work that moves them through embodied and imaginative experiences.
I am also involved with videocan as a video archivist and on the research team which is an online archive of Canadian performance directed by Patrick Blenkarn and Milton Lim. I have also curated screenings for New Blue Dance Festival (Toronto), Vancouver Art Gallery, DOTE (Vancouver) and Body+Camera (Chicago).
About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: Kate Franklin:https://www.katefranklin.ca/ Modus Operandihttps://modusoperandi.dance/ MADLAB School of Fitness:https://madlab.ca/ About Kate: Kate Franklin was born in North Bay, Ontario. She started dancing at age 5 and got super serious about it at age 10. When she was 13, she left home to attend Quinte Ballet School of Canada in Belleville, Ontario, where she undertook her professional training for the next five years. Now an independent contemporary dance artist, she has spent the past 20 or so years in Toronto/Tkaronto and so-called Vancouver (on the unceded Indigenous territories of the Musqueam, Squamish and Tsleil-Waututh First Nations) wearing almost every "hat" a person can wear in the community, (performer, choreographer, administrator, volunteer, producer, presenter, educator, outside eye, probably a couple other things). She works regularly for local artists Company 605, Justine A. Chambers and Tara Cheyenne Performance, amongst others, as well as being in her eighth season as Associate Artistic Director of four-year post-secondary contemporary dance program Modus Operandi, where she has the responsibility and privilege of teaching a small, dedicated, passionate group of younger dance artists. Kate has taught Yoga and Pilates mat work in the past. She has been a member of Madlab School of Fitness for the past six years. About Caron:As an athlete Caron was dissatisfied with the current state of women's health and representation in the fitness industry. Many training programs treat male and female athletes the same despite the big underlying difference - hormones. Taking matters into her own hands, Caron has dedicated herself to learning all she can about women's health and fitness so she can support women at all stages of life - teens, menstruating, peri and postmenopausal and pregnant and postpartum - all which require different nutritional support and training stimulus. Caron is an associate coach at Madlab School of Fitness in Vancouver.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links:https://www.thefranktheatre.com/ https://www.thefranktheatre.com/current-productions/how-black-mothers-say-i-love-you Tickets:https://thecultch.com/event/how-black-mothers-say-i-love-you/ Maps of Utopia (In Development): https://www.thefranktheatre.com/current-productions/maps-of-utopia About Fay Nass:Pronouns: She/He/TheyFay Nass is the recipient of Gina Wilkinson Award 2022, a community-engaged director, writer, dramaturg, innovator, producer and educator. They are the Artistic Director of the frank theatre company and the founder/Artistic Director of Aphotic Theatre.
Fay has over 17 years of experience in text-based and devised work deeply rooted in inter-cultural and collaborative approaches. Fayâs work often examines questions of race, gender, sexuality, culture and language through an intersectional lens in order to shift meanings and de-construct paradigms rooted in our society. Fayâs work celebrates liminality and trans-culturalism, and blurs the line between politics and intimate personal stories.
Fayâs work has been presented at PuSh International Performing Arts Festival, SummerWorks Festival, Queer Arts Festival, the CULTCH and Firehall Arts Centre. Her readings and experimental work have been presented at various conferences and artist-run galleries in Spain, Berlin and Paris. Their co-creation project Be-Longing was part of the 2021 New York international Film Festival, NICE International Film Festival and Madrid International Film Festival.
Their most recent credits include: co-creating Be-Longing (the frank theatre), co-directing Trans Script Part I: The Women (the frank theatre and Zee Theatre at Firehall Arts Centre), directing She Mami Wata & the Pussy WitchHunt (the frank theatre at PuSh Festival 2020), co-directing Straight White Men (ITSAZOO productions at Gateway Theatre), and dramaturgy for Camera Obscura (Hungry Ghosts) (the frank theatre & QAF). Fay holds an MFA from Simon Fraser University. Currently, they are doing the Artistic Leadership Residency at the National Theatre School of Canada.
As an artistic leader and a practitioner, Fay has deep and involved relationshipsâboth creative and organizationalâwith a wide spectrum of artists across generations and stylistic practices. As an educator and facilitator, their philosophy and pedagogy are rooted in anti-racism and anti-oppression.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: Ashley Whitehead:https://ashleywhitehead.ca/Natalie Tin Yin Gan:https://nataliegan.com/Lip Service:https://ashleywhitehead.ca/post/185619673729/ever-wonder-what-your-vulva-alter-ego-might-do-ifPulsive Party:https://www.instagram.com/pulsiveparty/ "Pleasure Activism" (book):https://www.akpress.org/pleasure-activism.html About Ashley Whitehead:(they/them) is a multidisciplinary creator and performer, and a third generation European (Swedish, English)-Canadian living on the unceded Coast Salish territories of the Squamish, Musqueam, and Tsleil-Waututh First Nations - also known as Vancouver, BC.
Ashley comes from a background of contemporary dance and clown, is an emerging singer/songwriter, and a sexual health educator. Combining performing arts and education, they love to use humour and play to create accessible, inclusive, and now often informative, performances drawing upon skills in facilitation, interaction, and improvisation.
Ashley has studied with, and been influenced, by numerous, meaningful mentors and teachers including: David MacMurray Smith (Fantastic Space Enterprises), Shirley Gnome, Tiffany Tregarthen and David Raymond (Modus Operandi), Jonathan Stancanto (Inside Voice), Serge Bennathan, and Peter Bingham (Edam Dance).
After creating Pulsive Party with creative partner Natalie Tin Yin Gan and their first full length show âLip Service: Come and get someâ, Ashley pursued a career in sexual health education, and has since graduated from Options for Sexual Healthâs certification program. Ashley currently works as an independent educator and is employed with Real Talk, a sexual health initiative aimed at people living with cognitive disabilities.
Ashley and Natalie share educational videos through Tiktok, and have completed a second show that revolves around a safer sex lesson plan, âLip Service 2: Breaking down Barriersâ that looks to tour to festivals, schools, and conferences in the coming years.
About Natalie Tin Yin Gan: Natalie Tin Yin Gan (éĄć©·ćŠ) is an independent dance artist, writer, and teacher based in so-called Vancouver, on the unceded ancestral lands of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Her practice squats at the intersection of ancestral spirit, somatics, and technology-induced melancholy. Natalie is the Co-Artistic Director of company Hong Kong Exile that explores the historical and contemporary politic of the Chinese diaspora. She is also the smaller half of vulva duo, Pulsive Party. She is a graduate of The Writerâs Studio and a certified teacher of Fitzmaurice VoiceworkÂź. Currently, she is a Narrative Designer at indie video game company, Sunset Visitor Studios. Natalie is a late sleeper, a late riser, a late bloomer, a latecomer, and a late-night snacker. nataliegan.comAbout Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: http://www.saravickruck.ca/ https://www.instagram.com/saravickruck/?hl=en https://bardonthebeach.org/whats-on/henry-v/ http://www.stevenjohncharles.com/music/Hello_World.html About Sara Vickruck:Sara Vickruck (They/Them) is an award winning queer, multi-disciplinary performer, host, musician, song writer, sound designer, and creator currently living on the unceded territories of the Halkomelem speaking peoples. They work both on screen, and on stage in many venues across the country. Sara is a Jessie Richardson award winner and an Equity and Stage West 2020 Emerging Artist award winner. You may know them from the critically acclaimed show Polly Queer Love Ballad, a slam poetry musical, as Mercutio from Bard on the Beachesâ Romeo and Juliet, or perhaps as part of the band The Quarantettes.
Something they are loving right now is building a future with their partner. One thing they wish to have more of in their life is writing and performing music, cause it feels so good. The practice of acting, singing, and creating is important to them because it continues to remind them to return to themselves and confront the things that get in the way of loving themselves and others.
Sara studied Musical theatre at Grant MacEwan University in Edmonton. They have and still do train privately with many acting coaches in Vancouver, such as Scott Swan, and mentored under Mischelle Cuttler in sound design.
You can check them out on Instagram or Facebook @saravickruck or their website www.saravickruck.ca
Some of their music is available on your streaming services, and The Quarantettes can be found on band camp.About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
-
Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: BC Movement Arts Society:https://www.bcmovementarts.com/ Chutzpah! Festival:https://chutzpahfestival.com/ "Body Parts" at The Cultch - Historic Theatre - May 3rd - 6th 2023:https://thecultch.com/event/body-parts/ About Mary-Louise Albert:Mary Louise Albert is based full time in Sointula, British Columbia and is actively growing the BC Movement Arts Society (that she co-founded in 2015 and is the Artistic & Executive Director/Producer of) producing and facilitating a professional contemporary dance series, artist creation residencies, community outreach and digital dance projects in rural and remote coastal communities of British Columbia.
Albert previously held a 15-year position as the Artistic Managing Director of the Norman Rothstein Theatre (NRT) and the multidisciplinary international Chutzpah! Festival.
A former professional dancer, choreographer and teacher, she worked for 20 years nationally and internationally as a solo dance artist and as a company member with the Judith Marcuse Dance Company, Anna Wyman Dance Theatre, Karen Jamieson Dance Company as well as apprenticing with Les Grands Ballet Canadiens. Albert has performed work by choreographers such as Mark Morris, Crystal Pite, Lar Lubabvitch, Robert North, Serge Bennathan, Allen Kaeja, Judith Marcuse, Grant Strate, Peter Bingham, Tedd Robbinson, Judith Garay and Christopher House, to name a few.
She has an extensive teaching background that includes ArtsUmbrella, Sessional Positions at Simon Fraser University School for the Contemporary Arts, Harbour Dance Centre, Goh Ballet and the Portside Academy in Port McNeill, as well as adjudicating for dance festivals throughout Western Canada.
Transitioning from professional dance at the age of 45, Albert won the nationally awarded Eric Bruhn Memorial Award from the Dancer Transition Resource Centre to attend Capilano University and the British Columbia Institute of Technology (BCIT), School of Business, graduating with a Post Diploma of Technology in Business Administration and an Advanced Arts and Entertainment Management Certificate, respectively.
Albert is the recipient of the 2011 Canada Council for the Artsâ John Hobday Award for Excellence in Arts Management, one of two awarded nationally annually. She was an appointed member of the City of Vancouverâs first Arts and Culture Policy Council, was an Executive Board member of Temple Sholom, and was a five-year member of a Program Advisory Committee for the BCIT School of Business. She is a member of the Board of the Gate House Theatre in Port McNeill and a member of the Board of the Sointula Museum Historical Society.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
-
Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
Lee Su-Feh website:
https://www.leesufeh.space/
The Fitzmaurice Institute:
https://www.fitzmauriceinstitute.org/fitzmaurice-voicework
The Nap Ministry:
https://www.instagram.com/thenapministry/?hl=en
Toni Cade Bambara:
https://www.blackpast.org/african-american-history/bambara-toni-cade-1939-1995/
About Lee Su-Feh (she/they) Lee Su-Feh is a performance maker, educator and writer who has spent the last 40 years exploring the human body as a site of intersecting habits and histories. Born and raised in Malaysia, her early training began with a mix of traditional and contemporary South-East Asian dance and theatre, during which she was deeply influenced by teachers and mentors, Janet Pillai, Marion DâCruz and Krishen Jit. The learning environments of Temple of Fine Arts and Kompleks Budaya Negara also left a deep impression. Since then, her explorations in movement and performance have taken her to Europe and North America where she has been influenced by teachers such as Lari Leong, Peter Bingham, Linda Putnam, and Catherine Fitzmaurice; and by artistic encounters and collaborations with David McIntosh, BenoĂźt Lachambre, Zab Maboungou, among others. Alongside this trajectory in performance-making, she has pursued a lifelong study and practice of Chinese martial arts, Qigong and Daoism. She has studied Yang Taiji, Wu Taiji, Chen Taiji, Baguazhang and Xingyiquan with Xu Gong Wei; and Baguazhang with Yang Guo Tai. Since 2010, she has been a student of Fitzmaurice VoiceworkÂź and is currently a certified Lead Trainer of the work. She is a member of the Advisory Group of the Fitzmaurice Institute and participates actively in the international community of Fitzmaurice Voicework teachers. Based on Musqueam, Squamish, Tsleil-waututh Territories, colonially known as Vancouver, Canada, she is Artistic Director of battery opera performing arts society and teaches voice and movement.About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.amandatestini.com/
https://www.stratagemartists.com/amanda-testini
About Amanda:
Amanda Testini (she/her) is an Italian-Canadian performer, choreographer and director based on the unceded and ancestral territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Amanda has worked with Arts Club Theatre Company, Bard on the Beach, the Cultch, Theatre Replacement, Firehall Arts Centre, Belfry Theatre, Opera Kelowna, Gateway Theatre, Savage Society, Theatre Under the Stars, Vancouver Asian Canadian Theatre, Carousel Theatre for Young People, shameless hussy productions, Neworld Theatre, Speakeasy Theatre, Electric Company, Vancouver Opera, Axis Theatre and Banff Centre of the Arts. She is a graduate of Randolph Academy for the Performing Arts Triple Threat Program, Studio 58âs Acting Program, a Jessie Award nominee, and was the Yulanda M Faris Young Artist Stage Director at Vancouver Opera for the 2019/2020 and 2021/2022 seasons. Recently she choreographed and was the standby for the East Van Panto: The Little Mermaid, and coming up she will be the Movement Director on Teenage Dick at the Arts Club. For more info check out www.amandatestini.com or www.stratagemartists.com/amanda-testiniAbout Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
-
Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2022 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.emmalenafredriksson.com/
https://www.taracheyenne.com/ecdysis-by-emmalena
About Emmalena:
Emmalena Fredriksson is a contemporary dance artist living and working in Vancouver, Canada, as a guest on the ancestral unceded lands of the Coast Salish peoples.
Her practice is defined by choreography as a relational practice in the expanded fields of dance, often collaborating with artists of other disciplines, creating choreographic experiences and dance for social events, film, galleries and performance.
Born in Sweden, she received her training at Balettakademien in UmeÄ and at SEAD in Austria. Emmalena has presented choreographic work, performed and taught internationally with Daghdha Dance Company (IE), Canaldanse (FR), Malta University (MT), Pact Zollverein (DE), and Falmouth University (UK) among others.
Based in Vancouver since 2013 her work has been presented in Dancing on the Edge,
The Dance Centre's Discover Dance Series, Dance in Vancouver's Choreography Walk (curated by Justine A. Chambers), Dance Days (Victoria) and at the Audain Gallery. Commissioned by the National Film Board, she co-created Tidal Traces - a VR 360 dance film together with Nancy Lee in 2017. The film has to date had over 35 international screenings.
Emmalena holds an MFA degree from Simon Fraser University and she regularly teaches at Modus Operandi, Training Society of Vancouver, Harbour Dance Centre and Simon Fraser University in Vancouver.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2022 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
PTC (Playwrights Theatre Centre):
https://www.playwrightstheatre.com/
PTC's Block D Program:
https://www.playwrightstheatre.com/programs/block-d/
Universal Limited:
https://www.universallimited.ca
About Joanna:
Joanna Garfinkel is the Dramaturg, Creative Engagement at Playwrights Theatre Centre and co-founder, with Yoshie Bancroft, of Universal Limited. Joanna's focus is in collaborative approaches to new play development, multidisciplinary, and site-specific work; upcoming projects include dramaturgy with ZeeZee Theatre/VACT on My Little Tomato, and the Queer & Trans playwriting unit; UL's development on To the Sea; PTC Associates Kamila Sediego's Engkanto and José Teodoro's Binary Star. She is also working on ongoing dance collaborations, including TCP's Pants. She is the co-creator, with Yoshie Bancroft, of JAPANESE PROBLEM, a site-responsive piece about the Japanese Canadian Incarceration, which has been performed site-specifically in Vancouver, at Soulpepper in Toronto, and in several locations in between. Joanna is struck by the systemic inequities that repeat in Canada, and to troubling those patterns through performance. Other notable credits include Berlin: The Last Cabaret at PuSh 2020, and the multi-award-winning Poly Queer Love Ballad, which toured to Theatre Passe Murailles in 2019. She has been nominated for three Jessie awards, winning one (Critics Choice for Innovation); was awarded the Pure Research grant from Nightswimming Theatre (Toronto), and has received the Sydney Risk award for directing. She moved to Vancouver to get her MFA in directing at UBC, and her focus since has been primarily in new play development, multidisciplinary, and site-specific work. She has trained with Anne Bogart and the SITI Company in New York.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I canât remember the word for I canât remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I canât remember the word for I canât remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2022 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
Hot Brown Honey -The Remix
https://thecultch.com/event/hot-brown-honey-the-remix/
Denise Clarke:
https://www.oyr.org/the-company/the-ensemble/denise-clarke
Nigel Charnock:
https://www.theguardian.com/stage/2012/aug/07/nigel-charnock
Hannah Gadsby:
https://hannahgadsby.com.au/
Tig Notaro:
https://tignation.com/
Mike Birbiglia:
https://www.birbigs.com/
Steve Martin:
https://www.stevemartin.com/
Martin Short:
https://en.wikipedia.org/wiki/Martin_Short
"Necropolis" by Catharine Arnold
https://www.simonandschuster.ca/books/Necropolis/Catharine-Arnold/9781416502487
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I canât remember the word for I canât remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isnât creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I canât remember the word for I canât remember (currently touring). Tara lives on the unceded and traditional territory of the xÊ·mÉΞkÊ·ÉyÌÉm (Musqueam), sÉlilÌwÉtaÉÉŹ (Tsleil-Waututh) and Sáž”wx̱wĂș7mesh Ăxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
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Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2022 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://thompsondaisykaren.wixsite.com/daisythompson/home https://robkitsos.com/ https://www.sfu.ca/sustainabledevelopment/People/laura-marks.htmlAbout Daisy:
Daisy Thompson is a European settler who lives on the unceded territories of the SkwxwĂș7mesh, SÉlÌĂlwÉtaÉŹ and xÊ·mÉΞkwÉyÌÉm First Nations. Through dance practice, performance, and writing, she seeks to extend ideas of the dancing body as a key site for the questioning and interruption of logics of control in relation to culture and identity.About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I canât remember the word for I canât remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isnât creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I canât remember the word for I canât remember (currently touring). Tara lives on the unceded and traditional territory of the xÊ·mÉΞkÊ·ÉyÌÉm (Musqueam), sÉlilÌwÉtaÉÉŹ (Tsleil-Waututh) and Sáž”wx̱wĂș7mesh Ăxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
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Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com © 2022 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386Links:
https://www.oyr.org/the-company/the-ensemble/denise-clarke The Big Secret Book:https://www.oyr.org/the-big-secret-bookhttps://wenweidance.ca/ https://www.makingtreaty7.com Book: âHow To Break Up With Your Phoneâhttps://www.screenlifebalance.com/phonebreakup Beautiful Young Students:https://www.oyr.org/teaching-mentorship/beautiful-young-studentsAbout Denise Clarke:
Denise began working with One Yellow Rabbit in 1983 and became Associate Artist and a permanent member of the Ensemble in 1986. She has created or co-created several shows including The Erotic Irony of Old Glory, Touch, CD Dance, Breeder, So Low, Permission, Featherland, Sign Language, Heavens to Murgatroid, A Fabulous Disaster, Smash Cut Freeze, and wag. In 1997, Denise created the Summer Lab Intensive and as Director continues to welcome a broad range of established and emerging artists from all over the world. She continues to teach, provide master classes, and lecture across Canada and abroad.
Other work includes choreography for Theatre Calgary and Alberta Theatre Projects in Calgary, Edmonton's Citadel Theatre, Crows Theatre, Canadian Stage Company in Toronto, the Belfry Theatre in Victoria, and the Shaw Festival in Niagara on the Lake. Denise has toured extensively in shows including Ilsa, Queen of the Nazi Love Camp, Mata Hari: Tigress at the City Gates, Doing Leonard Cohen, Thunderstruck, Sign Language, and Dream Machine.
On December 30th, 2013, Denise was appointed as a Member to the Order of Canada, one of Canada's highest civilian honours. Prior to this appointment, she was also recognized by the University of Calgary with an Honourary Doctorate from the Faculty of Arts.
Recently Denise wrote The Big Secret Book, An Intense Guide To Creating Performance Theatre.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I canât remember the word for I canât remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isnât creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I canât remember the word for I canât remember (currently touring). Tara lives on the unceded and traditional territory of the xÊ·mÉΞkÊ·ÉyÌÉm (Musqueam), sÉlilÌwÉtaÉÉŹ (Tsleil-Waututh) and Sáž”wx̱wĂș7mesh Ăxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
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Show notes below: Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Productionwww.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.comAbout Naomi Brand:
Originally from Tkaronto (Toronto), Naomi spent ten years dancing on Treaty 7 territory (Calgary), before relocating to the unceded territories of the SkwxwĂș7mesh (Squamish), SÉlÌĂlwÉtaÉŹ (Tsleil- Waututh), and xÊ·mÉΞkwÉyÌÉm (Musqueam) people in 2013. She holds both a BA and an MFA from the University of Calgary and a DanceAbility teaching certificate from founder Alito Alessi. As a performer, choreographer, writer and facilitator Naomi has cultivated a unique artistic practice that spans work with professional dancers to a community-engaged practice with diverse populations. She has danced in the works of many respected Canadian choreographers and her own choreography which ranges from works as a soloist, to large group ensemble pieces have been featured in numerous venues and festivals across Canada as well as in Poland, Italy and Uruguay. In recent years her practice has been focused on values of access and inclusion as she strives to make dance within a context that both creates and speaks to community connection. In addition to her work as Artistic Director of All Bodies Dance Project, Naomi is also a Community Arts Programmer with the Vancouver Park Board and a faculty member at Langara College. Naomi is the recipient of numerous grants from the Canada Council for the Arts, BC Art Council, Alberta Foundation for the Arts, the Social Science and Humanities Research Council of Canada, as well as the Lieutenant Governor of Alberta Emerging Artist Award.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I canât remember the word for I canât remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isnât creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I canât remember the word for I canât remember (currently touring). Tara lives on the unceded and traditional territory of the xÊ·mÉΞkÊ·ÉyÌÉm (Musqueam), sÉlilÌwÉtaÉÉŹ (Tsleil-Waututh) and Sáž”wx̱wĂș7mesh Ăxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
© 2022 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 - Laat meer zien
