Afleveringen
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Two months after the death of Joy Division’s vocalist Ian Curtis, the remaining members of the band decided to release their second and final studio album, Closer. Matt makes his third appearance on the podcast to talk about their effect on the post-punk era and the later version of the group, New Order.
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DistroKid Artist Of The Week: Chris Berardo
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Elton John’s ninth studio album served as an autobiographical tale of the early portion of the careers of both Bernie Taupin (the Brown Dirt Cowboy) and Elton (Captain Fantastic). Mike Portnoy sits down with Josh to talk about the first album to ever debut atop the Billboard 200 charts.
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DistroKid Artist Of The Week: Dream Theater
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Zijn er afleveringen die ontbreken?
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From 1974 to 1975, Kiss released three albums: Kiss, Hotter Than Hell, and Dressed to Kill. The albums helped establish a cult following for the band but were commercial failures. Paul, aka “Star Child” joins Josh to discuss the decision to release an album that captured their live energy, which turned out to be a breakthrough for the band.
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DistroKid Artist Of The Week: Solitary Friends
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The Struts lead singer Luke Spiller talks about the raw power of one of his biggest influences, and the biggest influence of rock bands for decades: T. Rex and their sophomore album Electric Warrior
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DistroKid Artist Of The Week: Luke Spiller
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Here’s a preview of “To Hell with Poverty!”, a new audiobook from Jon King, legendary frontman of iconic post-punk band Gang of Four. “To Hell with Poverty!” documents King’s story from a south London slum and working-class background to international success as core musician, lyricist, writer, and producer in the legendary post-punk/funk band Gang of Four. King’s memoir takes the reader on a journey full of raucous adventures from his childhood and teenage years, to the height of Gang of Four’s success in the seventies and eighties. Thrown off Top of the Pops, truncheoned by police at an anti-Nazi rally, coming of age in the heart of the Leeds music scene and the UK post-punk movement, mingling with Hells Angels and other undesirables, supported by bands like R.E.M. and playing with the likes of the Police, Iggy Pop, and the BuzzcocksâKing’s time with Gang of Four is rich with jaw-dropping stories. Find “To Hell with Poverty!”, from Pushkin Industries, on Spotify, Audible, Pushkin.fm, or wherever you get audiobooks.
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"(Sittin' On) The Dock of the Bay" was supposed to mark the beginning of a new phase in Otis Redding's career, not an ending. Nick Thune sits in to talk about one of Josh’s favorite solo artists and some of the top songs Redding produced, including the first ever posthumous #1 single in the US, The Dock Of The Bay.
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DistroKid Artist Of The Week: Jalen Ngonda
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OK Computer was designed as a deliberate reaction against the grunge movement of the 1990s. Josh talks about one of his favorite bands with Nick Swardson, covering tracks like “Karma Police” and “Paranoid Android”, and the genius that is Thom Yorke.
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DistroKid Artist Of The Week: Unbelievable Truth
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The multi-platinum selling double LP “1999” mixes rock, synthpop, and Prince’s brand of funk. It was also the first time “The Revolution” was involved in the creative process of a Prince album. Anthony Fantano joins Josh to discuss the album that pushed the iconic and mysterious artist towards his peak.
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DistroKid Artist Of The Week: The Convenience
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The Very Best of Linda Ronstadt is a combination of her two greatest hits albums, with 16 of the 21 songs coming from when she was consistently atop the charts, with the remaining five songs sourced from her late-'80s/early-'90s adult contemporary comeback. Peter Asher discusses what it was like to work with Linda on some of her most famous tracks.
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DistroKid Artist Of The Week: Margaret Cho
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Let’s Get It On is a pivotal soul recording that also increased the popularity of funk in the 1970s. The commercially successful album also established Marvin Gaye as a sex icon. Chris Redd joins Josh to discuss the sultry-sounding album.
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DistroKid Artist Of The Week: Avant, featuring Ke Ke Wyatt
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Imperial Bedroom’s success was due to the intense collaboration between Elvis Costello and Producer Geoff Emerick, who had engineered some of the later work of the Beatles. Greg Proops joins Josh to discuss Costello’s seventh studio album and his time on Whose Line Is It Anyway?
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DistroKid Artist Of The Week: Ben Kweller
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Metallica is a massive name now, and their first big step towards stardom was when they released their third album. Joe Manganiello joins Josh to talk about one of his all-time favorite bands and the impact the thrash metal album had for decades to come,.
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DistroKid Artist Of The Week: Dark Chapel feat. Black Label Society Guitarist Dario Lorina
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My Aim Is True is influenced by a wide variety of genres, from punk, new wave, and British pub rock to elements of 1950s rock and roll, R&B, and rockabilly. In an interview, Costello stated that the songs are motivated solely by "revenge and guilt". Lisa Loeb joins Josh to discuss the impact and influence that this album had on her.
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DistroKid Artist Of The Week: Josh Ritter
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Unlike previous albums from the band, Exodus moves away from story-telling and transitions to themes of change, religion, politics, and sexuality. Ian Edwards joins Josh to discuss his connection to Marley while growing up in Jamaica.
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DistroKid Artist Of The Week: Stephen Marley feat. Jack Johnson, Bobby Weir & Wold Bros
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The Who had established themselves as one of the best live acts in the world by the end of the 1960s. Two shows were scheduled to capture that for what would become today’s album. Michael Shannon stops by to talk about the influence this live album and The Who had on both him and his band.
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DistroKid Artist Of The Week: Frogbelly
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-The duo of DJ Morty Coyle & Wayne Federman return to talk about one of the more overlooked bands from the British Invasion era, The Byrds.
Long Description
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This album is the most eclectic and experimental in the Byrds' catalog. The album’s content ranged from folk and country music to psychedelic and electronic music. DJ Morty Coyle & Wayne Federman go through the tracks with Josh and discuss the end of David Crosby’s time with the band.
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DistroKid Artist Of The Week: Cory Marks
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The third studio album by Stewart is a mix of hard rock, folk, and blues styles. It went to number one in the United States and the UK, including Rod's breakthrough hit, "Maggie May”. Wayne Federman is back to discuss an album right in his wheelhouse: Early 1970s rock and roll.
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DistroKid Artist Of The Week: Paul Carrack
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After releasing Something/Anything, Rundgren said he evolved as an artist and reached beyond writing about love and relationships. The proficient Producer and Musician produced every track on the album and performed all of the instruments on three of the four sides. W. Kamau Bell stops by to talk about the different moods of the album.
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DistroKid Artist Of The Week: Allie Crow Buckley
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Unlike most of his solo records, Bob collaborated with various artists on this release like Emmylou Harris and Eric Clapton. “Desire” marked Bob’s heavy resurgence on social themes. Dan Fogler, who plays Dylan's Manager Albert Grossman in "A Complete Unknown", and Josh do a track-by-track breakdown of Dylan’s seventeenth studio album on the podcast.
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DistroKid Artist Of The Week: Joe Ely
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This album and its singles earned Carpenters eight Grammy Award nominations. They won for Best New Artist and Best Contemporary Vocal Performance by a Duo, Group or Chorus for the album. Wayne Federman stops by to discuss their distinctively soft musical style.
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DistroKid Artist Of The Week: Andy Bender
https://youtu.be/OghL3gpbEM4?si=SXjvcxHlTAPS8Akn
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