Afleveringen
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Here is an improvisation on Jazz Archtop when I was starting to play around with parts of the song Gennaio (the later acoustic version is on the album - check that out below!)
For new subscribers, the point of the podcast, apart from providing some free and hopefully enjoyable music, is to sketch out song ideas that will eventually get recorded properly and released on streaming platforms.
You can stream my first album for free on most platforms, here are a few links
š Spotify Link. ā¤ļø Apple Music Link š Bandcamp
Enjoy, Ben
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This is an improvisation on acoustic guitar around a new piece called āSong for Jakeā working in a few new chord ideas. Enjoy! Please drop any comments you might have in the comments section, like, forward or subscribe to help me get some traction please šFor new subscribers, the point of the podcast, apart from providing some free and hopefully enjoyable music, is to sketch out song ideas that will eventually get recorded properly and released on streaming platforms.
You can stream my first album for free on most platforms, here are a few links
š Spotify Link. ā¤ļø Apple Music Link š Bandcamp
Enjoy, Ben
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Zijn er afleveringen die ontbreken?
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This is an improvisation around the foundations of a new song idea called āNeveā for baritone guitar. You can catch the tik-tok-unfriendly video here in substack notes, if that takes your fancy.For new subscribers, the point of the podcast, apart from providing some free and hopefully enjoyable music, is to sketch out song ideas that will eventually get recorded properly (this was recorded on my iPhone) and released on the streaming platforms.
You can stream my first album for free on most platforms, here are a few links
š Spotify Link. ā¤ļø Apple Music Link š Bandcamp
Enjoy, Ben
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This is an improvisation from Friday night around a new tune called āSong for Jakeā. Hope you enjoy, Ben
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A new recording of an old song I wrote, with the āforgottenā middle section, hope you enjoy. Ben
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Our most streamed song this year on Spotify and other platforms, the Song of The Ayahuasca Labrador comes to the free podcast here on substack.
If you love Aya Labra and want to read more about his adventures in the future, smash that like button and share this post to all and sundry!
Have a wonderful, restful Christmas and New Year from The Alfalfa Mail.
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I posted this tune a while back in a note as āUntitled Songā and now it has a working title, which means āJanuaryā.
Iāve been playing it on the baritone and spanish guitar too, and so itās evolved a bit since this recording.
Hope you enjoy it.
Ben
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Recorded a guitar track this evening and itās turned into something quite good, here is a first take before it gets mixed and posted to Spotify etc. hope you like it. Any comments, feedback welcome as usual š¾āš¼
Ben
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This oneās for the Jazz Fans. So iāve been meaning to re-record this short tune forever, and if you can believe, itās 20 years since I recorded this in 2005. I didnāt ever really try to go back and re-learn it because I never had the kind of guitar around that could get this sound again. Now I have, I tried to play it again - failing miserably! I managed to stumble through the changes until 30 seconds in then for the life of me cannot find the chord that comes in after the short blues run.
Itās kind of funny to me, drawing complete blanks, as Iām going by ear and never wrote this down in any kind of notation. Iām quite pleased with the chord sequence and how it modulates about, this is how I hear things sometimes and thereās no real logic going on with this one.
Do I need to enlist the help of a professional? š¤
ā
Itās fair to say, I was deeply affected by the playing of Bill Frisell on the 1997 album Angel Song with Kenny Wheelerās band. It was haunting, spacious, full of light and dark, and it wasnāt til years later that it occurred to me that he was almost providing a piano-like accompaniment to the band, maybe even reminiscent of the British jazz pianist John Taylor, Wheelerās long time collaborator.
John Abercrombie had been the first pick by Wheeler for the recording, but producer Manfred Eicher had suggested Frisell, and Wheeler agreed.
A few years later the band toured, and in a funny twist of fate, Frisell was unavailable so Abercrombie stood in.
My best friend, and partner at the time, took me on the train to see it for my birthday - it was Wednesday 27 January 1999 at the Leeds Irish Centre.
Words canāt conveyā¦ the beauty, light, pathos - every member of the band was outstanding, elevated by Wheelerās haunting chamber-jazz.
Some things live on in memory, suffused with golden light This was one of those nights.
Notes from the The Independent, Phil Johnson, 1999
https://www.independent.co.uk/arts-entertainment/arts-jazz-far-too-many-notes-1074899.html
āBut the wild card in the Angel Song recording was the presence of the guitarist Bill Frisell. Manfred Eicher, the producer of the album, had originally suggested a trio date, but Wheeler wanted a harmony instrument and put forward the name of guitarist John Abercrombie, with whom he had played many times. Eicher countered with the suggestion of Frisell and Wheeler accepted. It was also the producer's idea that the recording should not feature a drummer.
In retrospect, both of Eicher's suggestions seem crucial. The absence of drums allows the silence at the heart of the music to shine through, and Frisell's ethereal atmospherics bring with them the feel of the pedal-steel guitar in country music, which suits the melancholy temper of the compositions perfectly.
Bill has that cowboy thing and I wondered whether it would suit my tunes, but it does," Wheeler says. "I do like that kind of uncluttered music. It's like he is the country, whereas John Abercrombie is the city. When Bill plays I see cowboys; with John, I think of taxis." Despite the replacement of the rural with the urban, you know that the music on the tour is still going to be, well, beautifulā
And it was.
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Brought to you live by Shelby Grant The Alfalfa Mailās correspondent on-the-ground Down Under. Here is a sneak preview from her interview with local folk legend Barry from Wallaroo, giving his take on life in The Walla as itās affectionately called, and recounting a few of his rib-tickling tales, some of which involve the odd frosty or two.
Look out for the full-length episode, set to drop soon. We hope you enjoy this little tidbit and that you all tune in for the full episode in a few days time.
As ever, thanks for being a listener and stay safe. Til the next time, cheers and no worries. š¦
āāā know someone who might enjoy the podcast? Share the link āāā
āāāāāāā youāve found your tribe, now subscribe āāāāāāā
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***Now updated with First Ever Audio Podcast Commentary*** [Contains Explicit Language]
(Song begins at 03:40 if you want to skip the audio intro)
Saturday night, the evenings are drawing in and the air is cool. Soon the leaves will turn golden and fall.
Remembering Du Fu ęē«, my favourite poet and maybe the greatest of all, in any language. Recorded this in the studio this evening, itās almost ready so Iām posting up here for free, and when I do the final mix in a few days will publish on Spotify etc. Hope you enjoy!
as soon as you subscribe, youāll remember you donāt believe any of this mumbo-jumbo, and before you know it youāll feel right as rain
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Hereās a short improv on the Steinberger baritone guitar, itās tuned B to B (I think - the sender may have deliberately detuned it for shipping š as you should) so a whole step lower than a standard guitar with a secret weapon - a piezo pickup in the bridge, I just plugged this in twirled a few knobs and found a good sound - this has a little bit of the piezo dialled in and I think itās pretty sweeet. Let me know what you think in the comments. Thereās a few new songs in the pipeline, ones iāve been wanting to record properly but needed a guitar like this to do it. There may be a bit of a Bill Frisell vibe in there somewhere, I doubt Iāll have any complaints. Take care Friend-Oās and donāt lose your head.
Tickety Boo!
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Itās Friday night people and Iām returning to my Gaelic roots, cocobolo from Downpatrick in hand, workshopping a new old song called āAnnieslandā. Itās been a long time since I played Irish music, and Iāve thoroughly embarrassed myself trying to keep time and play two parts together, but Iāll look back one day and see how much I have improved, is what Iāve told myself. Hence why some say the Irish musicians are the best in the world.
Proper recording fresh from the studio in a week or so.
SlĆ inte Mhath
Ben š¾
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Recorded on my MacBook years ago, I always meant to re-record this properly, with parts 2 & 3. Hoping to do that this year.
NB you can subscribe on Apple Podcasts, Spotify podcasts is not working and Iām still looking into this.
Alternatively, you can copy the RSS Feed address to listen and subscribe on your preferred podcast application. Thanks āŗļø
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a song I wrote after visiting the town of CefalĆ¹ in Sicily
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Here is an improvisation today using the Mesa Express amplifier which I havenāt played with for a while. Itās really a versatile all rounder tube amp switchable between 5 and 25 watts power output. As ever, if you like it or have any thoughts let me know in the comments, Enjoy! Ben
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Listen to more of my music on all your favourite platforms here
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Playing through an amp today, the Schertler David Wood 80W. Hope you enjoy it, itās improvised so naturally has a lot of mistakes! :Ā¬)
Listen to more of my music on all your favourite platforms here
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