Afleveringen

  • On today’s episode we have an in-depth interview with the godfather of electronic music in Ireland, Roger Doyle. A composer, keyboardist and producer, he’s been writing music for over 50 years.

    Starting in the Royal Irish Academy Of Music, he went on to develop his craft at the Dutch Institute Of Sonology and later the Finnish Radio Experimental Music Studio. His curiousity around new technology and recording techniques led him to using the Fairlight CMI - an early sampler and synthesizer that changed the course of modern music. In 1986, his group Operating Theatre released the single Spring Is Coming With A Strawberry In The Mouth. Although at the time of release the song didn’t have much impact, it's gone on to become a cult classic, with acclaimed US singer Caroline Polachek releasing a very popular cover of the song earlier this year. Naturally, we talk about this, and other compositions over the years, as well as Roger’s ceaseless appetite for writing new work. All featured songs are used to be kind permission and available to purchase on Roger Doyle's bandcamp page. His latest album We Who Live Under Heaven was released on the 9th August.

    Featured songs:

    1. We Who Live Under Heaven (part 1)
    https://rogerdoyle1.bandcamp.com/album/we-who-live-under-heaven

    2. Cool Steel Army https://rogerdoyle1.bandcamp.com/album/cool-steel-army

    3. Spring Is Coming With A Strawberry In The Mouth (Lopez/Doyle) https://rogerdoyle1.bandcamp.com/track/spring-is-coming-with-a-strawberry-in-the-mouth-doyle-l-pez

    4. Coat Hanger Kisses https://rogerdoyle1.bandcamp.com/track/coat-hanger-kisses

    5. Solar Eyes https://rogerdoyle1.bandcamp.com/track/solar-eyes

    6. Finn-estra (Part 1): https://rogerdoyle1.bandcamp.com/track/fin-estra-part-1

    7. We Who Live Under Heaven (part 1) https://rogerdoyle1.bandcamp.com/album/we-who-live-under-heaven

    8. Paavo’s Engagement - https://rogerdoyle1.bandcamp.com/track/paavos-engagement

    9. We Who Live Under Heaven (part 3) - https://rogerdoyle1.bandcamp.com/track/we-who-live-under-heaven-part-three

    Caroline Polachek - Spring Is Coming (Cover): https://www.youtube.com/watch?v=p95zDvzO5Es

    Stockhausen - Hymnen: https://www.youtube.com/watch?v=SV4Uy-3b0c8

    Roger Doyle explains the CMI Fairlight in 1983: https://www.youtube.com/watch?v=j4RjUIjHlFo

    Roger Doyle performs Baby Grand on The Works: https://www.youtube.com/watch?v=QEKJD2Avda4

  • Today's episode of the IMRO Podcast is focused on We’ve Only Just Begun, the annual three night music festival, taking place in Whelan’s in Dublin, on the 8th, 9th and 10th of August.

    The festival started in 2018, aims to platform female and non-binary musicians and over the years, its featured acts such as Pillow Queens, Soda Blonde, Sorcha Richardson to name but a few. This year’s lineup features 23 acts, across two stages, and ahead of the festival, Danny Carroll spoke with a couple of the acts performing this week, as well as the festival’s organiser Shauna Watson.

    Coming up we’ll be hearing from DeCarteret, a singer from Co. Clare who likes to make lo-fi beats and classical music. We also have an interview with Stella & The Dreaming, an emerging, piano based singer-songwriter from Waterford.

    You can find out more about the full line up and tickets at www.weveonlyjustbegun.ie

    Tracks featured:

    1. DeCarteret - Trip Me

    2. Stella & The Dreaming - First Time

    3. Stella & The Dreaming - A Short Ballad For Frankie And All That We Shared (in E Flat)

    4. DeCarteret - Pray For You

    5. DeCarteret - MYAEROPLANE

    Follow Stella & The Dreaming here: https://www.instagram.com/stellaboooooooo/

    Follow DeCarteret here: https://www.instagram.com/shortladydecarteret/

  • Zijn er afleveringen die ontbreken?

    Klik hier om de feed te vernieuwen.

  • On today’s episode we’re focused on the provision of Artists Workspaces in Ireland.

    Specifically, this episode was made in response to the recent Government initiative, providing €6 million euro in funding towards artist spaces nationwide.

    The Pilot Scheme, in collaboration with Local Authorities intends to increase the stock of artist workspaces in cities and towns across the country.

    Launching the initiative last month, Minister For The Arts Catherine Martin said “I have been acutely aware of the pressures that artists and creatives, including those in the electronic music sector, have faced in finding suitable workspaces”

    This initiative follows on from the 2023 Dublin based Space To Create scheme, which will see the development of 60 artist workspaces in the capital and to find out more about what this will entail, Danny Carroll spoke to three people with a keen interest in how the initiative may benefit artists and communities and whether it goes far enough.

    First off, we’re going to hear from Coilin O’Reilly. As well as being the Chief Executive of Carlow County Council, he’s the chair of the Rural Development, Community, Culture and Heritage Committee, also known as the RCCH.

    Coilin was kind of enough to give some background on how the initiative came about and some of the practicalities of what it will entail.

    Also giving us his perspective today is Aengus Ó Snodaigh, Sinn Fein TD and spokesperson on the Arts. Aengus is of the opinion that the initiative and 6 million euro put forward is “a modest amount”, and makes the case for more investment in the arts and its value to Irish society.

    Finally, we hear from Dublin City Council’s Arts Officer, Ray Yeates. Ray represents one of the local authorities trying to source and redevelop spaces for use by artists.

    For any musicians listening, wondering when they’ll be able to move into a workspace, it’s going to take a minute or two, but we hope you find this episode interesting in the meantime.

  • On this episode of the IMRO Podcast, we have an interview with the ambient lo-fi artist Hevi.

    Hevi, is a Turkish musician and producer based in Istanbul. Since 2018, he’s been producing lo-fi hip hop inspired by themes of nighttime and nostalgia.

    Currently he has over 519,000 monthly listeners on Spotify, and in this episode of the IMRO Podcast, he spoke to Danny Carroll about his musical journey.

    From using a free trial of recording software with $5 earphones, to working 12 hour days in his family butcher shop, creating music in the wee small hours of the morning


    Featured Music:
    Good Old Backyard
    Snow
    Solitude After A Party

    https://open.spotify.com/artist/4vv1FFVqxnHyQFLmWxjizb?si=cGhtFuhDSPG0QCnXrHleEA

  • Today have the third and penultimate conversation from our Label Focus mini-series presented by Zara Hedderman. So far we’ve heard from Willie Stewart of Nyahh Records and Joey Edwards from Pizza Pizza Records and in this episode, you’ll hear Zara speaking with Michael Roe, label and artist manager with Faction Records.

    Faction Records is coming close to reaching a massive milestone of 20 years in business after it was founded by Ken Allen in 2006. You may remember a compilation CD from around that time called Faction One and featured bands like Director, The Immediate, Republic of Loose and Future Kings of Spain amongst others. Today, populating Faction’s roster of artists are a number of firm favourites with critics and audiences such as Sorcha Richardson, Niamh Regan, Martin Hayes, and Jape.

    Over the course of the chat Michael delved into the many ways that the industry is changing and how he and his colleagues at Faction work with their artists to develop their careers and prepare them to build their audience base and engage with international markets. In this regard, the conversation explores different elements of the business-side of the artist-label relationship and how important it is to have a plan but also not fear failure along the way. Zara and Michael discuss the impact of artists self-releasing their music and how that’s changing the overall landscape and the importance of the relationships artists build with various media outlets and journalists.

    We’ll have another episode, the final one in this series, very soon, but until then, here’s Michael Roe of Faction Records.

    Keep up to date on Faction Records here:
    https://www.instagram.com/factionmusicie

    Music featured:

    Annamoe Drive - Procrastination
    https://anamoedrive.bandcamp.com/track/procrastination

    Niamh Regan - Madonna
    https://niamhregan.bandcamp.com/track/madonna

    SĂ©an Joyce - My Face
    https://www.youtube.com/watch?v=rrE9V3Ccs7I

  • In this episode of the IMRO Podcast, we report back from the Music Current Festival 2024.

    Music Current is an annual contemporary music festival produced by Dublin Sound Lab, and taking place in the Project Arts Centre and Contemporary Music Centre in Temple Bar. The festival showcases contemporary Irish and new international electronic music as well facilitating workshops, professional development classes and public panel discussions.

    This years festival took place in April and Danny Carroll spoke to some of the people involved as well as doing a bit of interactive volunteering.

    Over the course of the next half hour we will hear from the festival director Fergal Dowling, the Irish sound artist and performer Lara Gallagher, and Pieter Mathhynssens, the co-artistic director of Nadar Ensemble, a Belgian contemporary music ensemble, that Danny performed with during the festival.

    0:00 - Danny Carroll intro

    1:18 - Fergal Dowling Interview

    7:40 - Lara Gallagher Interview

    15:45 - Nadar Ensemble rehearsal and interview with Pieter Mathhynssens

    Featured music:

    Tak Ensemble - Mouthpiece 28 (composed by Erin Gee) and featured on the Oor:

    Eryk Salvaggio - Flowers Blooming Backwards Into Noise:

    Lara Gallagher - Leap Of Foals

    Nadar Ensemble - Drie (rehearsal audio) - composed by Serge Verstockt

    Lara Gallagher - https://laragallagher.art/
    Nadar Ensemble - https://nadarensemble.be/
    Music Current - https://www.musiccurrent.ie/2024/

  • On today's episode we’re bringing you the second installment of a mini-series of conversations from Zara Hedderman that explore the various practicalities, challenges and, of course, the joys of running a record label in Ireland. In the first episode, we heard from Leitrim-based Willie Stewart of Nyahh Records, who shared great insights into the label’s catalog and more, since that episode has come out there’s been announcements of exciting forthcoming releases to come from Nyahh so do keep an ear out for them!

    Today, we make the journey (in our imaginations, at least) from Leitrim to County Louth, parking up in Dundalk where we’ll hear from Joey Edwards - co-founder of Pizza Pizza Records, sound engineer extraordinaire and musician in his own right. Founded in 2018, Pizza Pizza Records, is an independent artist-led label, and it struck gold with its inaugural release Wednesday, the critically acclaimed and Choice Prize nominated debut from Just Mustard. That album not only announced Just Mustard as an act that audiences outside of Ireland were getting excited about, but it immediately asserted Pizza Pizza Record’s reputation of a label working with the best in Ireland’s independent acts up and down the country and certainly one worthy of being bookmarked to keep up with the buzzing independent scene. Today, the label’s roster has expanded to include Clara Tracey, Elaine Malone, Trick Mist, The Altered Hours, and Larry and Elephant.

    In this episode, Zara and Joey talk about Wednesday’s impact on Pizza Pizza Records and the initial period of operating as a label, how they maintained momentum and how things progressed from that first offering. Notably, Just Mustard have since signed to Partisan Records – with Fontaines DC and Aoife Nessa Frances as labelmates – and Joey, who co-manages the band, reflects on the ways that working with Partisan has inspired different ways to keep Pizza Pizza going sustainably while keeping audiences engaged. In this regard, community and connection – aside from providing a platform for excellent independent Irish artists - were two things Joey kept circling back on when discussing the label’s evolution and the general DIY climate both locally and abroad. We touched on the role of physical media given Pizza Pizza’s viny-forward MO and its importance within the foundation of DIY communities whether it’s finding like-minded people in local record shops or in the queue at the merch table after a gig. You never know where a conversation will take you!

    Thanks so much for joining us again, and for all your wonderful feedback on the Nyahh Records conversation, it’s greatly appreciated. We hope you enjoy learning about Pizza Pizza Records in this episode and maybe afterwards are inspired to set up your own independent label. We’ll be back soon, but until then, here’s Joey Edwards of Pizza Pizza Records.

    Featured songs:

    Larry - Liar
    https://larrymusic.bandcamp.com/album/larry

    Just Mustard - Deaf
    https://justmustard.bandcamp.com/album/wednesday

    Elaine Malone - My Baby's Dead (Redux)
    https://elainemalone.bandcamp.com/album/pyrrhic

    0:00 - Zara Hedderman intro link

    3:20 - Pizza Pizza Origin and Joey’s background in music

    11:00 - Label Model or inspiration

    13:00 - First release, Just Mustard’s debut album Wednesday

    19:30 Co-managing Just Mustard, learning from other industry experts

    25:30 - Changes since Pizza Pizza began in 2018

    27:10 - Vinyl focus for the label

    33:20 - Creating a sense of community via records

    35:30 - Discussion on streaming and valuing music

    38:10 - Elaine Malone

    43:45 - Advice for other people considering starting a record label

  • On today’s episode, we are focused on something different - an initiative first started in February 2019, called ‘Me & My Music’

    ‘Me & My Music’ brings together Musicians and Students in secondary schools across the country

    The workshop series teaches students the fundamentals of songwriting and allows them to create an original composition over the course of a school day.

    They also get the chance to meet a professional songwriter and learn more about the music industry and their creative process.

    In recent months, songwriter and educator Luan Parle has been hosting these workshops and I caught up with her (and her special guests) in a couple of schools to find out more.

    So, over the course of this episode you will be hearing from Luan and the music students at St. David’s in Greystones, we meet the Wicklow singer-songwriter Anna-Mieke, we speak with the students at Loreto school in Dalkey, and also hear from musician Ronan Kealy, better known to you and I as Junior Brother.

    0:00 - Danny Carroll intro link

    1:30 - Luan & St. David’s Class writing a song

    8:30 - Anna Mieke interview and performance

    (featured songs Seraphim, Warped Window)

    https://annamieke.bandcamp.com/music

    18:40 - Junior Brother Interview and performance

    (featured songs Good Friday, Hungover At Mass)

    https://juniorbrother.bandcamp.com/music

    22:15 - Students at Loreto Dalkey

    23:20 - Niamh Penston, teacher at Loreto Dalkey

  • In the first of a series of interviews focused on Irish record labels, today Zara Hedderman brings us an in-depth chat with Willie Stewart of Nyahh Records.

    Based in County Leitrim, Willie Stewart started Nyahh Records in 2021 and it’s described as a “home for sound collectors, noise makers and music builders”. A musician and member of Woven Skull, a filmmaker and no stranger to working within the realm of record labels having operated the Hypnagogic Tapes label, Stewart has been connected to and steeped in Ireland’s underground scene for several years and has become an leading figure in illuminating and spreading the tremendous music being made by artists working within this immersive world via Nyahh.

    Wille spoke to Zara about what led to the label’s inception and explored some of the fascinating releases that have come out such as Ian Lynch’s debut solo album as One Leg One Eye, which is a truly captivating body of work that completely transports you right from the moment you step into it. And that transportative quality is omnipresent across the various releases and is something that connects them. Whether it’s the compilations covering Sean Nos singing or experimental music in Ireland between the ‘60s and ‘90s taking audiences to different eras or the wonderful collaborations between Natalia Beylis & Eimear Reidy inviting you to wander through vast and intricately detailed sonic settings, Nyahh’s releases are not only enjoyable to listen to, but they feel essential in what they open the audience to.

    In this episode, we hear about the continued interest in Ireland’s underground artists - past, present and future, and consider the elements that have ignited a curiosity amongst audiences. Willie speaks about the passion and process involved in creating the brilliant compilations that the label have put out and the debut album from Mohammad Syfkhan called I Am Kurdish, which has been critically acclaimed both in Ireland and in international music press and a lot more in between.

    Songs featured in this episode:

    1. Mohammed Syfkhan - I Am Kurdish
    2. One Leg One Eye - Bold And Undaunted Youth
    3. Michael Frank Ó Confhaola - Róisín Dubh
    4. Roger Doyle - Tape Piece One

    All songs featured can be streamed & purchased via the Nyahh Records bandcamp page: https://nyahhrecords.bandcamp.com/music

    You can stay up to date on future Nyahh Records releases and events on Instagram: https://www.instagram.com/nyahh_records/

  • On today's episode of the IMRO Podcast we're delighted to bring you an in-depth interview with Moonchild Sanelly.

    For the uninitiated, Moonchild is a South African singer, songwriter and designer, one of the biggest in fact - she's collaborated with everyone from BeyoncĂ© to Gorillaz, developing a sound she’s dubbed 'Future Ghetto Funk'.

    Originally from Port Elizabeth, Moonchild grew up in a musical family - her parents loving jazz, her brother a hip-hop producer, and her cousins were kwaito dancers

    She moved to Durban, where she studied fashion, becoming known as a designer and spoken word artist performing in the cities poetry scene, before later moving to Johannesburg, and establishing herself as one of the most popular voices in South African music.

    She’s released two albums to date, with work on her third album nearly complete and in a wide-ranging conversation with Danny Carroll, she spoke about the craft of commercially successful songwriting, collaborations new and old, finding her way in the music industry, plans for the future and much more beyond all that.

    1:33 Most recent feature work
    4:10 Recording her new album abroad with Johan Hugo (Self Esteem, Mumford & Sons, M.I.A)
    7:50 Key themes of her new album
    09:10 Collaborating with Self Esteem
    10:00 Moonchild’s passion for collaboration, participating in songwriting camps
    16:10 Moonchild’s early experience in poetry scenes and studying fashion and finding her sound
    21:45 Family influence
    25:00 What’s inspiring Moonchild now?
    25:30 Moonchild on Damon Albarn
    26:20 Learning from Beyonce and being an independent musician
    27:30 Establishing an identity, moving to Johannesburg and protecting her look
    28:30 Rejecting defeatist mentality
    31:30 Anxiety that comes with success
    35:00 How to disappear in a crowd
    36:20 Importance of Moonchild’s sewing machine and manifesting
    39:30 Female empowerment and women in South African society
    40:50 Lineage of defiant South Afrian singers making an impact
    42:20 Writing for sync and collaboration
    43:30 Signature vocal
    44:40 Being conscious of her audience and writing hooks
    47:05 Influence and impact of her music and representation
    49:15 How to sonnetise your emotion - distilling emotion into hooks. Not fearing being commercial
    54:30 Writing about relationships
    56:50 Reflecting on past experiences in songs
    61:50 Plans to make the moon shine bigger

    Featured songs: Demon, Red Eye

    Follow Moonchild on Instagram: https://www.instagram.com/moonchildsanelly
    Stream and purchase her music here: https://moonchildsanelly.ochre.store/

  • On today’s episode of the IMRO Podcast, we have insights and expertise from Brian d’Souza.

    Brian is an award-winning sound artist, DJ, music producer and live performer with a masters in music psychology and sound design

    In 2007, he founded the playlist curation and music strategy company Open Ear, going on to work with thousands of brands around the globe including Nike, Google, Dr. Martens, Selfridges, UEFA, Tate Modern, and many more.

    In a wide-ranging conversation with Danny Carroll, Brian talked about the psychological benefits of music, his experience of establishing a brand identity via playlisting and some of the dos and don’ts for businesses using music.

    1:00 - Brian Introduces himself discusses his background in psychology and music

    3:25 - Research into music in business

    6:00 - Establishing brand identity via music

    9:20 - Discussion of brands Brian has worked with.

    13:00 - Playlisting for Dr. Marten’s

    15:00 - This isn’t background music, it’s foreground music

    17:00 - Involving store staff in the music curation process

    19:20 - Curating for key dates around the year, keeping it topical

    21:00 - A sense of locality in music choices

    22:30 - Doing a course in sound therapy and exploring the relaxing benefits of music

    26:30 - Mistakes businesses make around music in their premises - speakers and architecture

    31:55 - Musical mistakes - Christmas music

    34:00 - Increasingly broad-minded listeners due to accessibility of music in the digital age

    36:30 - Brian’s current projects and utilising sound therapy techniques

    38:00 - Final recommendations for businesses

    Find out more about Brian's work here: https://www.briandsouza.in/

    www.ambientflo.com

    & support his music here: auntieflo.bandcamp.com

  • On today's episode of the IMRO Podcast we meet Ahmed With Love. Releasing music since 2019, he’s quickly made a name for himself as a versatile and creative storyteller collaborating with like minded peers in Rory Sweeney, E The Artist and Bricknasty to name a few.

    He spoke with Danny Carroll back in September, just after staging Clash At The Quays as part of the Dublin Fringe Festival. A unique gathering of musicians and wrestlers, the evening featured performances from Negro Impacto, EFÉ, Julie Louise Knifefist, KhakiKid, Curtisy and the man himself.

    Going on to win a Judges Choice award as part of the festival, Ahmed dropped by the IMRO office the day after, reflecting on how the show came together, his creative process, developing a musical community and his hopes for the future.

    Stream Ahmed With Love's music here:
    https://open.spotify.com/artist/1qYmvB1zTqFQRaRL6j2ZuK?si=em7qTLHDRkasjE9EsAGk-g

    Songs featured:
    World Cup!
    Full Plate
    Pebbles
    Punto
    Men On A Mission

    D*MP featuring Curtisy: https://open.spotify.com/track/3a4pI8KVLMpcm4w42IPXaT?si=6e157b1c344b42c0

  • On today's episode we're bringing you conversations from a sunnier time, August in fact, when Danny Carroll travelled to the Treaty City - Limerick, and met some of the musicians performing at FĂ©ile na GrĂ©ine festival 2023.

    FĂ©ile na GrĂ©ine is a free festival of emerging and experimental music, entirely volunteer led, with a DIY perspective, the festival celebrates art and community in an attempt to provoke moments of joy in spaces and places across Limerick city. This years festival takes place 23-25 August if you’d like to save the dates!

    As well as hearing from two of the FĂ©ile na GrĂ©ine organisers, Chris Quigley and Diarmuid O'Shea, we’ll be hearing from the harpist MĂ©abh McKenna, lo-fi singer-songwriter Robbie Stickland, synth-wave artist Coolgirl, and the indie-rock trio Search Results.

    1:30 - Chris Quigley & Diarmuid O’Shea from FĂ©ile na GrĂ©ine
    7:10 - Search Results
    17:45 - Coolgirl
    24:10 - Robbie Stickland
    30:10 - MĂ©abh McKenna

    Féile na Gréine host a showcase gig in London on Thursday 14th March:
    https://irishculturalcentre.co.uk/event/glor-nua-x-feile-na-greine-st-patricks-takeover/

    Follow Féile na Gréine on Instagram for more on the 2024 festival:
    https://www.instagram.com/feilenagreine/?hl=en

    Robbie Stickland’s second album, 'Lastingness' can be streamed/purchased here:
    https://robbiestickland.bandcamp.com/album/lastingness

    Search Results debut album 'Information Blip' can be streamed/purchased here:
    https://searchresultsdub.bandcamp.com/album/information-blip

    Coolgirl's 'Failed Reboot' EP can be streamed/purchased here:
    https://coolgirl4lyfe.bandcamp.com/album/failed-reboot-2

    Follow MĂ©abh McKenna on Instagram for more on her music and upcoming live dates:

  • On today's episode we’re focused on the Borderline Festival.

    Borderline is a two day event supported by IMRO, held in the Workman’s Club on the 15th and 16th of February showcasing forward-facing music from Ireland and abroad

    The inaugural event is being organised by the promoters Singular Artists, and ahead of the two day showcase Danny Carroll spoke with some of the people involved.

    Coming up we have interviews with Joe McVeigh from the Belfast noise-punk quartet Enola Gay, we will be speaking with the Dublin based indie-pop artist EFÉ, and before all that we have a chat with Simon Merriman from Singular Artists.

    Simon spoke about curating the bill for this event, some of the logistical challenges involved and also his excitement for the current state of Irish music

    Since 2020, EFÉ has released two EPs of distinctive, dayglo bedroom pop, marked by a strong visual aesthetic and playful music videos. We caught up just before Christmas to reflect on 2023 and hear about plans for the year ahead including her new single Truth Truth.

    Our final interview on today’s episode, is with Joe from the band Enola Gay. Formed in Belfast in 2019, Enola Gay have become known for their outspoken lyrics, and genre bending approach to punk. Joe spoke about how the band formed, their early influences and what we can expect from them in 2024.

    Visit - https://www.borderlinefestival.com/ to find out more about the event and tickets.

    You can watch the video for EFÉ's new single here - https://www.youtube.com/watch?v=U20gpE-e4LU

    You can stream/purchase Enola Gay's latest EP here - https://enolagay1.bandcamp.com/album/casement-ep

  • On today's episode of the IMRO Podcast, we're in the company of Julie and Fiachra from NewDad

    NewDad are a quartet originally from Galway, now based in London, that have just released their debut album Madra to much acclaim. Just before the album dropped last week, they spoke to Danny Carroll all about it - topics include working with producer Chris W. Ryan, the influence of bands such as Broadcast and Just Mustard, the unlikely trad connection for the group and the very early days of the band, back in 2017, when they were called...Blank!

    Featured songs:
    1. Let Go
    2. In My Head
    3. Madra
    4. White Ribbons

  • Today, we bring you the first of a two-part exploration into Ireland’s Night Time Economy; where we’ll look at what it is, who it affects, where we’ve been going wrong, and its current status as we approach 2024.

    From this two part focus, presented by Zara Hedderman, you’ll see just how broad this topic is and how it extends way beyond headlines about nightclubs staying open until 6am. There’s so much more involved in the process of positively reframing Ireland’s Nightlife - from community-focused initiatives, creating employment, utilising cultural spaces to their fullest potential, the expansion of transport systems and developing policies which endeavour to keep venues alive and thriving instead of having to close their doors, as we’ve seen all too frequently in recent years.

    In many ways, this isn’t just about strengthening the economy in this realm (although that is a significant element), this is also about reinstating a strong sense of community underpinned by culture.

    Part One features a conversation between Zara and Sunil Sharpe. A globally renowned DJ and Producer, Sharpe has performed in a number of cities around the world and experienced first-hand how proper infrastructures regarding nightlife culture can enhance the overall experience. He’s also the figurehead of the Give Us The Night Campaign - an independent volunteer-led organisation who have worked tirelessly to promote the importance of modernising Ireland’s archaic legislation, with some bills dating back to 1935.

    Sunil is extremely passionate about this topic, and in this conversation he gives us thorough insights into the “why” and “how” Give Us The Night have been campaigning for change with the aim of vastly improving Ireland’s Nightlife economically, socially and culturally. If, after listening to this episode you’re looking for more information on how you can help or get involved, you can visit GiveUsTheNight.com and you can also find them on social media.

    We’ll be sharing Part 2 with you soon, but until then, here’s Sunil Sharpe in conversation with The IMRO Podcast.

  • We’ve already shared the first part of an exploration into Ireland’s Night Time Economy, where DJ and Give Us The Night campaigner, Sunil Sharpe gave us a comprehensive overview of the topic.

    In this episode, the concluding part, Zara Hedderman interviews Mark Davies and Deputy James Lawless.

    Something discussed in Part One was the importance of a Night Time Economy Advisor - also known as Night Mayers in other parts of the world. As of this year, this role is being piloted in 9 cities across Ireland: in Cork, Dublin, Limerick, Sligo, Buncrana, Galway, Kilkenny, Longford and Drogheda, where Mark Davies is presently working as its first ever Night Time Economy Advisor.

    Mark spoke to Zara about his previous experiences working with Cardiff County Council and as a DIY musician and describes how they help him effectively navigate his current position. He also explains exactly what’s involved in the role of Night Time Economy Advisor - from organising community workshops, finding ways to enrich and elevate independent musicians and venues and much more.

    Zara also speaks to Deputy James Lawless of Fianna Fail. Deputy Lawless was appointed Chair of the Committee on Justice back in 2020, and a crucial component to reforming Ireland’s licensing laws centres on the Sale of Alcohol Bill. In November of 2023, The Joint Committee on Justice published their report on Pre-Legislative Scrutiny of the General Scheme of the Sale of Alcohol Bill, 2022. Deputy Lawless speaks about what’s involved with this bill and how it will impact Ireland’s Night Time Economy, as well as giving some indications into when we can anticipate this bill to complete its legislative journey and herald a new era of what we hope will be an even more vibrant and inviting foundation to a modernised night time culture in Ireland.

    Thanks for listening, I hope you’ve enjoyed these episodes and we’ll be back again soon.

  • Singularity is a rarity in any artform, but Gavin Friday is as distinctive an artist now as he was in the late 70s to mid-80s when he was the primary focal point of the unclassifiable Virgin Prunes. In this episode of the IMRO Podcast, Gavin Friday talks to Tony Clayton-Lea about his life in music and art, his solo work, his enduring friendship with U2 and his forthcoming album.

  • In this edition of the IMRO Podcast we meet David A. Tapley, the songwriter behind indie-rock outfit Tandem Felix

    Last week saw the release of the second Tandem Felix album, 'There's A New Sheriff In Town'. An eclectic, sometimes dark collection of songs, the album draws upon an impressive set of guest musicians, with Tapley and producer Stephen Dunne collaborating once again on an inventive, widescreen approach to production. Over the course of this episode David talks to Danny Carroll about the origins of Tandem Felix, the evolution of the new world-weary LP and the influence of his collaborators.

    1. Finger On The Button
    2. Tell Yer Loved Ones (2013)
    3. Making Dinner On Valentine's Day (2019)
    4. Sick
    5. There's A New Sheriff In Town
    6. I Don't Feel Welcome When You Bring Me To Your House
    7. The Kitchen
    8. The Name Of The Game
    9. Message Of The Afternoon
    10. The Losing Streak
    11. Watching TV For The Hell Of It

    All songs featured can be purchased on the Tandem Felix Bandcamp page: https://tandemfelix.bandcamp.com/album/theres-a-new-sheriff-in-town

  • In this edition of the IMRO Podcast we are looking at international touring - from visa requirements to customs procedures, there's a number of crucial aspects that artists need to be aware of when touring abroad.

    Over the course of this episode Danny Carroll speaks to a diverse range of industry experts, discussing how artists best prepare themselves - particularly when attempting to tour the US and UK. Featured on this episode are the insights and opinions of US based legal attorneys Fiona and Ray McEntee, attorney and immigration expert Matt Covey, the music manager Maya Cullen-Petrovic and Dublin Chamber of Commerce Export Services Manager Richard Brown.

    Matt Covey - https://www.tamizdat.org/ & https://www.covey.law/

    McEntee Law Group - https://mcenteelaw.com/

    Maya Cullen-Petrovic - https://www.jawdroppermgmt.com/

    Richard Brown - https://www.dublinchamber.ie/Export-Services/ATA-Carnets