Afleveringen
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The Punk Ethos is defined by anti-authoritarian and anti-establishment views, carried out in a DIY fashion. Is there anyone in Classical Music truly doing this, or is elitism too deeply ingrained in the culture?
I explore the roots of punk, the differences between punk as a genre and as an ethos, and finally I give my 3 favourite classical music “punks.”
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - The Origins of Punk
7:55 - Disco, LGBTQ+ and Kneecap
12:20 - Support your local Punk
14:40 - Why Classical Music ISN’T Punk
18:55 - Franz Liszt and Clevage
25:55 - Stockhausen and Polyamory
34:17 - Currentzis and Big Boots
Hosted on Acast. See acast.com/privacy for more information.
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How a freak accident in 1930's Hungary led to Francis Poulenc writing the most played flute and piano piece in the world, as well as an opera about a set of flying female breasts.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Summer and Healthy Practice
2:35 - Who is Monsieur Poulenc?
12:15 - True Crime in Hungary
19:10 - Patreon Ad Read
21:08 - PostBestMateDecapitation Era
24:35 - Flying Breasts
26:50 - The Flute Sonata
Hosted on Acast. See acast.com/privacy for more information.
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Zijn er afleveringen die ontbreken?
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I tell the stories of an awful music school I worked for through the lens of Homer’s Odyssey.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Making a balls of Homer AND Joyce
5:25 - I. Calypso and Coronavirus
11:00 - II. The Laestrygonians and Fake Reports
18:01 - III. The Sirens and Illegal Pay
22:22 - IV. The Sun God and Copyright Breaches
25:20 - V. Scylla and Cleaning Pish
33:25 - A Break, Dear Listener
36:09 - VI. The Cyclops and Manuel Labore
44:03 - VII. Ithaca’s King and Crocodile Tears
Disclaimer: This episode is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this podcast are either the product of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
Hosted on Acast. See acast.com/privacy for more information.
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We did it, ladies and gents and all in-between. 50 episodes of Inline G. Join me as I had 5 pints of Guinness and a Strawberry Ice vape and rated my top 5 flute pop culture moments. I also had a wee chat about the importance of creativity as an artist and how it’s essential to your mental health.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - How drunk am I?
2:50 - Creativity and Legitimacy as an Artist
7:50 - Loving Failure
12:05 - The Art of Podcasting
22:00 - 5th Place, Pies from America
26:00 - 4th Place, Yazz Flute
29:10 - 3rd Place, Morrison’s Van
33:25 - 2nd Place, Juicy
36:35 - 1st Place, Weird
Hosted on Acast. See acast.com/privacy for more information.
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Looking back to Pythagorean Theorem, I explain the origins of musical notes, the difference between Just Intonation and Equal Temperament, and how as a result; to truly play in tune as a flutist. I also tried my hand at my best Jordan Peterson impression, and had a dig at the people of England. All in a day’s work.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Welcome, Potential New Listener
6:05 - Pythagoras and Sexy Maths Teachers
10:14 - The Harmonic Series on The Flute
15:23 - A Plea, Dear Listener
17:37 - Equal Temperament
22:58 - Audio Examples of Temperament Differences
31:00 - Practical Tips for True Tuning
33:51 - A Note on the Brits
39:59 - Why do we Tune to A at 440Hz?
Hosted on Acast. See acast.com/privacy for more information.
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The flute podcasting world is a rapidly growing one, but there’s one podcast that’s stood the test of time; the reliable stalwart of consistent excellence that is Talking Flutes. I’ve been a fan since the early days, and without it, Inline G wouldn’t exist. So it brings me great pleasure to FINALLY twist the arm of host Jean-Paul Wright into coming on here and giving us the crossover younger Gareth dreamed of.
Not only a podcaster, Jean-Paul is also the Managing Director of Trevor James Flutes, having previously worked with Sankyo and Miyazawa, as well as being a trailblazer in the field of musician’s mental health.
This is a lovely, positive episode talking about validity as musicians, what art means to us and how to look after ourselves. It also has some of the best anecdotes Inline G has ever seen; including the origin story of the red socks, told publicly for the first time ever.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Intro from Beyond the Grave
3:21 - Red Sock Origin Story
7:20 - Flute Beginnings and Teenage Crushes
10:07 - Crozier, Dower, Wibb and Military Music
20:07 - Performance Anxiety and THAT BBC Story
24:46 - Musician’s Mental Health from the 80s to today
31:31 - Changes in the Flute Market
39:17 - Flute Podcasts and Paolo Maldini
46:46 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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This week’s Inline G couldn’t have had a more serendipitous timing, as I sat down with the brand new (as in, 2 days brand new!) permanent Principal Flute of the WDR Funkhausorchester; Marianna Busslechner.
Formerly at the Staatskapelle Dresden orchestral academy, Marianna chats about her experiences going directly from playing under Christian Thielemann to improvising jazz solos at the WDR.
We also chatted about her now professional connections with Die Maus and Tatort, and I finally get to ask a guest their favourite Arctic Monkeys song.
You can find Marianna on social media @MariannaBusslechner
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Someonee check on old Inline G
3:23 - Experiences so far at the WDR Funkhausorchester
11:46 - What is the a Funkhausorchester?
18:02 - Die Maus
23:45 - Tatort
31:55 - Marianna’s incredibly special Muramatsu
39:10 Staatskapelle Dresden Academy
45:27 - Arctic Monkeys and Disco Tunes
51:22 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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Inline G return’s to it’s roots this week; hungover with a world-class flutist, sipping on a Spezi and chatting about all the big issues of the flute world.
One of my personal best mates, French superstar orchestral musician and soloist Alice Brie was in town, and after a long night of Guinness until 4am, we emerged at 11am for a podcast.
Alice chats about everything from her experiences as a child prodigy, studying at the CNSM as a teenager, her orchestral debut at l’Opéra de Paris at just 18, right through to French v German tonguing and the role kindness plays to becoming better musicians.
This was a delight of an episode. I’m away for a nap and a kebab now x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An introduction
3:32 - A Hungover Hello and Growing Up a Prodigy
11:42 - Orchestral Beginnings
15:23 - Gold Muramatsu’s
20:04 - Creating Safe Teaching Spaces
29:35 - The French Flute School
35:02 - The Police Orchestra
46:58 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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After I waxed lyrical on Episode 28 of this podcast about Julien Beaudiment’s latest album, “California Dreamin’”, it was an inevitability that I would coax him on here. He found himself in Sunny Köln whilst on tour with The London Symphony Orchestra recently, and thus here we are.
Julien and I chatted about his time in orchestras in The UK, France and The US, as well as his nervousness before concerts, a shared love of apfelschorle and inevitably; The French Flute School.
There’s also an incredibly special sneak peak of Julien’s upcoming solo album at the very end of the episode. I can’t stress how lucky you guys are to hear this first; a true Inline G exclusive.
Merci mes potes x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Une petite introduction
3:23 - Julien Beaudiment with the LSO
10:04 - Pre-performance Nerves and why they’re useful
13:17 - London and Paul-Edmund Davies
20:34 - The French Flute School and Professor Beaudiment
31:39 - Two Gold Sankyos
38:55 - California Dreamin’
51:31 - Quick Fire Questions
59:04 - A very special exclusive
Hosted on Acast. See acast.com/privacy for more information.
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On the 12th April of this year, Vulture magazine published an article entitled “A Hidden Sexual Assault Scandal at the New York Philharmonic.”
It details an alleged sexual misconduct case from 2010, and the various related ongoings since then.
I am delighted to welcome the author of this landmark piece, Sammy Sussman, on to Inline G to talk about it, the various reactions and the potential implications for the classical music world.
Please also be aware that this episode contains descriptions of abuse, which some may find triggering.
This was a landmark episode, and I am thrilled that guests of this calibre feel comfortable to tell their story on Inline G.
Slán
Chapters:
00:00 - An Exceptional Episode
02:53 - Sammy Sussman on Inline G
05:23 - The Vulture Article and A Timeline of Events
15:13 - The NY Phil’s Immediate Reaction and the Tenure System
21:58 - MeToo and 2018 Developments
28:23 - Gender Disparity in the Case
31:14 - 2020 - Current Day Developments
36:48 - Reactions, Statements and Further Questions
50:39 - Classical Music’s Culture of Abuse
56:13 - Why Sammy, Various Cultures and Further Thoughts
1:09:52 - Thank You
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Hosted on Acast. See acast.com/privacy for more information.
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Coming to you fresh from the Emerald Isle herself, this week’s episode features the the Principal Flute of The National Symphony Orchestra of Ireland (and proud fellow owner of an Irish accent); Catriona Ryan.
After a few Instagram DMs, Catriona managed to squeeze me into her exceptionally busy schedule after a rehearsal to sit down together in the National Concerto Hall in Dublin and chat all things flute.
From platinum Brannens and the importance of Orchestral Blending to a shared admiration of irish trad players and String, this episode has a wee something for everyone.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Irish Hello
3:34 - Studying with Trevor Wye (amongst others)
12:45 - A word on the Piccolo
18:30 - Orchestral Firsts (and our Jimmy)
27:15 - Concertos and Blending
30:35 - Platinum head Brannens
34:42 - Classical Music in Ireland
44:20 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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This week I'm answering questions from you, dear listeners. From how to busk, non-institutional performance opportuniies, sexiest flute performances and my favourite American Flutists; I answered ALL of them.
I forgot to plug the Patreon this week but here; if you enjoyed this episode, consider subscribing to the podcast and leaving a thumbs up or five star review. It helps a huge amount keeping this podcast alive.
Cheers everyone x
Chapters:
0:00 - Why I'm doing this to myself
2:00 - The NY Phil Scandal
3:50 - Busking and GETTING PAID
13:42 - Favourite Flute Chamber Music
16:28 - Mainstream Flute (an embarassing Enter Shikari Story)
18:40 - Attractive Flute Performances
20:42 - Will Ferrell and why Celtic music is so good
23:55 - Debussy and The England B Team
26:53 - Favourite American Flutists
30:15 - Teaching Vibrato on Flute
34:00 - Canada and Female Composers
37:52 - My 5k Sankyo and favourite keys
Hosted on Acast. See acast.com/privacy for more information.
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It’s the piece every flutist dreads; and I’m here to change the narrative. So grab your copy of Ibert’s Flute Concerto, pour yourself something tropical and join me as we analyse everything that makes this concerto a damn good time.
From Ibert’s potential links to Elvis and 101 Dalmatians, to n analysis of the structure and practice tips; this episode will cover everything you might need to know about the flute repertoire’s crown jewel (certainly enough to impress your teacher or any juries you come up against.)
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - A Guinness Driven Intro
2:39 - Jacques Ibert: A History of
11:27 - Ibert’s Unique Style and The Structure
15:22 - 1st Movement Analysis
22:42 - Patreon Read
24:17 - 2nd Movement Analysis
29:21 - 3rd Movement Analysis
37:20 - Goodbye with Petri
Hosted on Acast. See acast.com/privacy for more information.
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Coming straight from the Tonhalle Zürich, this week’s guest is Italian superstar, former Nielsen Competition winner and Karajan Academy graduate; Alberto Navarra.
Alberto very kindly took some time out of his busy schedule to sit and chat all about this debut album on Orchid Classics, featuring three monster flute concertos; The Mozart Flute and Harp, Reinecke and Nielsen, all with the Odense Symphony Orchestra.
We also chatted a bit about his experiences studying with Jacques Zoon, Emmanuel Pahud, Andrea Oliva etc and his surprising love for System of a Down.
Alberto’s album is available on CD or streaming on all your usual platforms.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Welcome back, my wee mates
2:48 - Alberto Navarra on orchestral firsts
6:07 - The Album, recording and photoshoots
16:15 - The Berlin Philharmonic Karajan Academy
27:10 - Former teachers and the Italian Flute School
32:04 - Alberto’s gold Muramatsu
37:41 - Alberto as a teacher
40:07 - Winning Nielsen
46:18 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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Straight from Zürich, this week's episode features French Mezzo-Soprano (and my best mate) Jade Ghersi; along with her wee hairless cat Thérèse.
We chat about the difference between dog and cat people, and have a quiz guessing which composers were which (join in and send me your score!)
We then move onto the flute and our link to animals; birds.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Another week, another intro
3:15 - Differences between Cat and Dog owners
8:28 - Composer Quiz: Cats or Dogs?
26:03 - Composers writing about Cats and Dogs
33:20 - Flutes and (sigh) birds
41:55 - Animal Stories and Cat Duets
45:50 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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I know I say this every week, but this episode was legitimately one of my favourite Inline G episodes. My guest is American flutist, professor, academic AND friend of the podcast; Dr Brianne Little.
Brianne came on at my request to chat about one thing; her Doctoral Thesis on the flute concerto “To Notice Such Things” by Rock and Roll Hall of Famer and founding member of Deep Purple; Jon Lord.
The piece itself is a stunning, cinematic masterpiece and Brianne has been working tirelessly for years to get it the recognition in the flute repertoire it deserves; and now I (and hopefully all of you) will join her in the good fight.
This episode also features the first EVER time I’ve had to beep out a swear word on Inline G; a landmark moment.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Excitable Intro
2:57 - Inline vs Offset and some background
9:55 - Who is Jon Lord?
13:28 - Concerto for Deep Purple (THAT Bleep)
21:00 - Who is John Mortimer?
25:25 - To Notice Such Things
50:29 - Quick Fire (ish) Questions
Hosted on Acast. See acast.com/privacy for more information.
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Sandwiched in between all the flute superstar guests here on Inline G is the Irishman’s Christmas; St Patrick’s Day. So this week, we take a break from the flute intellectualism (and the flute in general) as I sat down with Niall from Sligo to curate a true Irish Person’s St Paddy’s Day playlist.
From The Dubliners and Pogues to Westlife and Boyzone, we go through everything that gets Irish people turnt on the big day (including the mythical Irish Lock-in.) Fair enough; it took us a wee while to get to the music. We’re Irish and we had a few pints: sue us x
The playlist is here:
https://open.spotify.com/playlist/0l85UE5gPAwQszG5UIY4NJ?si=d3e94c29b5cf4afa
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Intro
1:30 - Patreon with a Twist
4:00 - Qualifications and Mexico
6:10 - Irish Inventions and Irish News
14:38 - The Playlist: A Pair of Rovers
28:02 - Pints of Porter and Ex Girlfriends
36:00 - Christy Moore and Thin Lizzy
46:45 - Boy Bands: An Irish Tradition
57:10 - Ireland v Britain: A Musical History
Hosted on Acast. See acast.com/privacy for more information.
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Ok, I know, this episode is longer than usual. BUT, I simply couldn’t cut anything out, this conversation was flute gold from start to finish. So please use the chapters if you want to split it up, and DO NOT MISS Alexis’ History of Flutes; yous are being spoiled.
I often speak of my Holy Trinity of period flute players, and Alexis Kossenko is a cornerstone of them. Therefore I’m beyond buzzed to having him on to chat everything from The French Flute School, to Alain Marion, Conducting and Academia’s role in performing.
I also can’t recommend Alexis’ YouTube channel “Les concerts de Pan” enough; an essential resource for all flutists.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An intro to our guest
2:35 - Inline vs Offset G
7:42 - Studying with Alain Marion
15:15 - The French Flute School
18:20 - The V Word
23:25 - The Importance of Academia
33:35 - Other Arts for a Musician
35:25 - A History of Flutes
59:10 - Louis Lot
1:03:20 - Flutists as Conductors
1:10:10 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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I continue to collect my personal favourite flutists on Inline G this week, with folk music expert, author, recording artist, multi-instrumentalist and all-round icon; Philippe Barnes.
Philippe's brand new record, The Clearwater Sessions, with Tom Phelan on piano comes out fittingly on St Patrick's Day (17th March 2024), so we sat down and had a chat about it, and the 18 year journey from the cult album The Madrid Sessions. We also discussed Philippe's varied career in television and recording, as well as his love for Boyz II Men.
The Clearwater Sessions is available on CD, Vinyl and Streaming, and you can get more info on Philippe's website over at www.PhilippeBarnes.com
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Intro from Philippe's Biggest Fan
3:33 - Philippe on Inline G, Seamed Tubes and other flutey things
10:05 - The Differences between Irish and Scottish Music (and weather)
22:00 - The V-Word
25:40 - The Madrid Sessions
35:08 - The Clearwater Sessions
50:50 - Brian Finnegan and Flook
56:21 - Dickson, Glass, Bowie and Prince
1:04:55 - Quick Fire (ish) Questions
Hosted on Acast. See acast.com/privacy for more information.
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Toxic Masculinity has became a buzzword in modern society (and with good reason) so today, I’m here to firstly analyse the term itself, before looking at the relationship it has with abusive behaviour.
I then go into some examples from both the Classical Music and Flute Worlds, before ending with some possible antidotes to the toxicity.
Warning: This isn’t the usual happy-go-lucky Inline G episode you might be used to. I talk about themes of abuse that some may find upsetting, so if you’re not in the right headspace for that, go check out another episode and I’ll see you next week x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit.
Smooches x
Chapters:
0:00 - A wee catch-up and some disclaimers
3:25 - Defining Toxic Masculinity
7:08 - Support the Podcast
8:42 - My own (limited) experiences
15:00 - Toxic to Abuse
16:07 - Abuse in Classical Music
18:25 - Abuse in the Flute World
23:43 - Why am I doing this episode?
25:15 - Some antidotes to Toxic Masculinity
Resources if you’ve suffered from or witnessed abuse:
HelpMusicians..org.uk
Your Student’s Union
Your Local Musician’s Union (ie The ISM in The UK)
Hosted on Acast. See acast.com/privacy for more information.
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