Afleveringen
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“Happy. That’s exactly my problem – that I can’t be happy. Not even when good things happen to me.”
A Gripping Spanish Psychological ThrillerSleep Tight (Mientras Duermes) is a 2011 thriller directed by Jaume Balagueró that delves into the complex themes of obsession, trust, and the violation of personal space. The film follows César, a concierge at an apartment building, and his interactions with the residents, particularly Clara. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about Sleep Tight.
A Slow Burn That Keeps You Guessing
One of the most intriguing aspects of Sleep Tight is how it gradually reveals its central mystery, keeping the audience engaged and guessing throughout the narrative. The film excels at building suspense and creating an atmosphere of unease, as it explores the lives of the apartment building's residents and the role César plays in their daily routines. We discuss how the film's pacing and the careful release of information contribute to the overall sense of tension and anticipation. It's important to note that Sleep Tight is best experienced with as little prior knowledge of the plot as possible, allowing the story to unfold in its own surprising and unsettling way.
Luis Tosar's Mesmerizing Performance
At the heart of Sleep Tight is Luis Tosar's remarkable performance as César, which earned him many accolades. Tosar's portrayal of the complex and multi-layered character is a testament to his acting prowess, as he navigates the emotional depths and motivations of César with finesse. We explore how Tosar's performance is instrumental in driving the narrative forward and keeping the audience invested in the story, even as the film takes unexpected turns.
Other topics covered in our conversation include:
The film's exploration of the blurred lines between public and private lifeThe use of claustrophobic spaces and voyeuristic elements to heighten tensionThe effectiveness of the film's conclusion and its impact on the viewerThe universal themes of loneliness, isolation, and the need for connectionSleep Tight is a masterfully crafted psychological thriller that keeps the audience on the edges of their seats until the very end. With its slow-burn approach to storytelling, atmospheric tension, and a powerhouse lead performance by Luis Tosar, the film offers a gripping and thought-provoking experience that lingers long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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Become a Member here: $5 monthly or $55 annually
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“I like that you made the movies longer, they are better this way.”
Scott Derrickson's nightmare after watching The Ring sparked the creation of Sinister, a chilling tale that taps into the growing fascination with true crime. Co-written with his frequent collaborator C. Robert Cargill, Derrickson's film follows a true crime writer who moves his family into a house with a brutal past, only to uncover a sinister supernatural force at work. Released in 2012, Sinister arrived just as the true crime craze was gaining momentum, with podcasts and television shows exploring the darker side of human nature. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about Sinister.Ethan Hawke's Descent into Darkness
In Sinister, Ethan Hawke delivers a brooding and moody performance as a true crime writer determined to unravel the mystery behind a series of disturbing home movies. As he delves deeper into the investigation, Hawke's character becomes increasingly obsessed, putting his family in danger and blurring the lines between reality and the supernatural. We discuss how the film uses jump scares and horrific imagery to create a sense of dread and unease, keeping the audience on the edge of their seats.
Haunted Houses and Demonic Deeds
One of the key points we explore in our discussion is how Sinister subverts the "haunted house" trope. Instead of the horror being confined to a single location, the film has the demon Bughuul's influence follow the family even after they leave the murder house. This raises questions about the logic of Bughuul's actions and whether the film needed to provide a clearer explanation for his behavior. We debate the effectiveness of this approach and how it contributes to the overall sense of unease that permeates the film.
Sinister Sounds and Creepy Kids
The film's effective use of sound design and lighting to create a creepy atmosphereThe unsettling portrayal of the ghost children and their role in the murdersThe challenges of working with child actors in horror films and how Sinister handles their creepy scenesThe Verdict on Sinister
Sinister is a film that effectively taps into the growing fascination with true crime and delivers a creepy and unsettling horror experience. While the logic of Buhguul’s actions may not hold up under scrutiny, the film's strong atmosphere, effective scares, and thought-provoking themes make it a standout entry in the horror genre. We have a great time discussing the film's strengths and weaknesses, so check it out and then tune in to hear our full conversation. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
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Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
Zijn er afleveringen die ontbreken?
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“How many on the list?”
A Slow-Burn Descent into DarknessBen Wheatley's second feature film, Kill List, was released in 2011 to critical acclaim. The film follows Jay, a former soldier turned hitman, as he takes on a new job with his friend Gal after a traumatic event in Kiev leaves him unable to work for eight months. As Jay and Gal begin their new assignment, they quickly realize that there is more to their targets than meets the eye, and they find themselves embroiled in a dark and twisted conspiracy.
Unraveling the Mysteries of Kill List
In this episode of The Next Reel, we dive deep into the many layers of Kill List. We discuss how the film slowly reveals information about Jay's past and his work as a hitman, keeping the audience guessing until the very end. We also explore the film's shift from what’s been described as a kitchen sink drama to a hitman story and finally to a cult conspiracy, and how Wheatley ties all of these elements together in a satisfying way – at least for us.
Throughout our discussion, we highlight the incredible performance of Neil Maskell as Jay, a man struggling with trauma and rage. We also touch on the film's exploration of masculinity and the ways in which Jay's inability to express his emotions leads to violence and destruction.
Other Points of Discussion
The film's references to Arthurian legend and how they relate to Jay's characterThe twist ending and its impact on the storyThe relationship between Jay and his wife Shel, played by MyAnna BuringThe relationship between Jay and Gal, his best friend and co-worker, played by Michael SmileyThe film's use of violence and how it serves the storyKill List is a film that feels like one that will reward us on multiple viewings, as each watch hopefully will reveal new clues and connections that we may have been missed the first time around. While the ending may be polarizing for some viewers, we found it to be a satisfying conclusion to a story that keeps you guessing until the very last frame.
A Must-See for Fans of Slow-Burn Thrillers
Overall, we thoroughly enjoyed Kill List and its slow-burn approach to storytelling. Ben Wheatley and his wife/co-writer Amy Jump craft a tense and unsettling atmosphere that keeps you on the edge of your seat, and the performances from the entire cast are top-notch. If you're a fan of films that take their time to unravel their mysteries and leave you with plenty to think about after the credits roll, then Kill List is definitely worth checking out. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
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Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
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“They weren’t eating him. They were killing him.”
A Harrowing Tale of Survival in the Alaskan WildernessIn 2011, director Joe Carnahan set out to create a film that would push the boundaries of the survival genre. With a script co-written by Ian Mackenzie Jeffers, based on his short story "Ghost Walker," Carnahan assembled a talented cast led by Liam Neeson to bring this harrowing tale to life. Filming took place in the harsh conditions of British Columbia, Canada, where the cast and crew faced frigid temperatures and unforgiving terrain. Join us – Pete Wright and Andy Nelson – as we kick off the 2013 Fangoria Chainsaw Awards Best Actor nominees series with a conversation about The Grey.
Survival, Philosophy, and the Meaning of Life in the Face of Death
In our discussion, we delve into the film's exploration of survival, philosophy, and the meaning of life. The Grey is more than just a tale of man versus nature; it's a deeply introspective journey that forces its characters to confront their own mortality and find purpose in the face of death. We analyze the powerful performances, particularly those of Liam Neeson and Frank Grillo, who bring depth and vulnerability to their roles.
The film's stunning cinematography and realistic portrayal of the Alaskan wilderness are also topics of discussion. We examine how Carnahan and his team utilized a combination of practical effects, CGI, and real wolves to create a visceral and immersive experience for the audience. However, we also note some inconsistencies in the characters' clothing choices, which occasionally detract from the overall believability of the film. (At least for Pete’s wife.)
Other Points of Interest
The symbolism of the wolf pack and its parallel to the group of survivorsThe use of poetry as a recurring motif throughout the filmThe controversial ending and its post-credits sceneThe film's themes of masculinity, redemption, and facing one's fearsThe Grey is a film that stays with you long after the credits roll. It's a testament to the human spirit and the lengths we will go to survive in the face of overwhelming odds. Carnahan's direction, coupled with the powerful performances from the ensemble cast, makes for a gripping and emotionally charged viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Life moves pretty fast. If you don't stop and look around once in a while, you could miss it."
Talking About Ferris Bueller’s Day Off with our guest, dialect coach William ConacherIn this episode of Movies We Like, Andy Nelson and Pete Wright are joined by renowned dialect coach William Conacher to discuss his fascinating career and the beloved classic Ferris Bueller's Day Off. Conacher shares his journey from actor to dialect coach, working on projects like The Crown, Spencer, and No Time to Die, and the intricate process of teaching actors to master various accents and dialects.
Conacher delves into the art of breaking down accents into teachable components, the importance of finding authentic speech samples, and the challenges well-known actors face when taking on accents, noting that they often receive more scrutiny and criticism compared to lesser-known actors, even when their accents are executed perfectly. He also shares insights on his role as a dialogue supervisor and the nuances of coaching actors in different languages and time periods.
The discussion touches on Conacher's experience working with actors like Kristen Stewart, Rami Malek, and members of the cast of The Crown, as well as his approach to coaching made-up dialects in films like The Chronicles of Narnia: Prince Caspian. Conacher also explores the diversity of London accents and the influence of ethnicity and culture on speech patterns.
Ferris Bueller's Day Off remains a timeless classic that continues to captivate audiences with its wit, charm, and unforgettable performances. William Conacher's expertise and insights into the world of dialect coaching add a fascinating layer to the appreciation of this beloved film. Join Andy, Pete, and William as they celebrate the enduring appeal of Ferris Bueller's Day Off and explore the art of bringing authentic voices to the screen.
Film Sundries
Find William on Instagram or ThreadsWilliam on IMDbWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“It'll be just like in the movies. We'll pretend to be someone else.”
A Winding Road to ProductionDavid Lynch's Mulholland Dr. started life as a television pilot for ABC, but when the network passed on the project, Lynch reworked it into a feature film. The resulting movie is a surreal, non-linear exploration of the dark side of Hollywood, blending elements of mystery, romance, and psychological horror. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about Mulholland Dr.
Dreams, Illusions, and the Seedy Underbelly of Tinseltown
In our discussion, we delve into the film's complex narrative structure and the various interpretations of its plot. At least how we see it. We examine how Lynch uses the concept of dreams and illusions to explore the characters' psyches and the darker aspects of the entertainment industry. The film's cinematography, nominated for a Spirit Award, is also a focal point of our conversation, as we analyze how Lynch and his team create a haunting, dreamlike atmosphere that enhances the story's themes.
Unraveling the Mysteries of Mulholland Dr.
The stellar performances of Naomi Watts and Laura Elena HarringThe film's origins as a television pilot and how it influences the final productLynch's refusal to explain the film's meaning and the audience's role in interpretationThe use of symbolism and recurring motifs throughout the narrativeA Mesmerizing Journey into the Subconscious
Mulholland Dr. is a film that demands multiple viewings and encourages deep analysis. Its enigmatic nature and layered storytelling make it a prime example of Lynch's unique style and vision. While the movie's unconventional structure and surreal elements may not appeal to everyone, it remains a fascinating exploration of identity, dreams, and the dark side of ambition. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
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Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
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What are some other ways you can support us and show your love? Glad you asked!
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"You can’t trust a man’s life to your little notes and pictures.”
REBROADCASTChristopher Nolan’s second film, Memento from 2001, caught a lot of attention on its release. The clever screenplay structure where the story unfolds both forward and backward in time creates an experience much like that of our protagonist Leonard Shelby (wonderfully played by Guy Pearce), a man suffering from anterior grade memory loss. Some people said Memento was too clever for its own good or that it was all style with little substance. Others found it to be incredibly creative with a unique story exploring the psychology of our character. No matter how you approach it, Memento is a film worth looking at in greater depth. Join us – Pete Wright and Andy Nelson – as we kick off our twist endings series called ‘Spoiled. Rotten?’, in which we debate if a film is ruined if you already know the twist. Pete’s selection is Nolan’s 2001 film Memento.
Here’s a hint at what we talk about.
What do we think of twist endings? In the world of twist endings, what are some that work for us and some that don’t? Do we find Memento to be an effective example, even if the twist ending actually happens at the midway point of the chronological story? Guy Pearce is always wonderful, but it’s so great seeing Carrie-Anne Moss and Joe Pantoliano together again right on the heels of their success with The Matrix. How much do we actually understand the story and what are our opinions about what really happened with Leonard, Sammy, and the mysterious John G? Nolan started working with Wally Pfister here as his cinematographer and David Julyan composed music. Do we like the look and music? And how much do we love this film as compared to so many who clearly hate it?
It’s a strong entry into our catalogue and one we’re glad to have discussed. The twists hold up and we have a great time talking about them. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins!
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Film Sundries
Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
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What are some other ways you can support us and show your love? Glad you asked!
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“It’s what I have to work with.”
Adapted from the critically acclaimed Off-Broadway musical, Hedwig and the Angry Inch tells the story of an East German rock star on a journey of self-discovery. Directed by and starring John Cameron Mitchell, the film premiered at the 2001 Sundance Film Festival. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about Hedwig and the Angry Inch.With standout performances from Mitchell as well as Michael Pitt and Miriam Shore, Hedwig wrestles with difficult questions around gender that still resonate today. While our opinions differ on certain story elements, both agree the trailblazing musical remains an artful and subversive work.
We discuss some musical numbers, the complex journeys of Hedwig, Yitzhak, and ‘antagonist’ Tommy Gnosis, as well as supporting roles from Andrea Martin and Stephen Trask. Debates emerge around how the film brings its story to a close through dreamlike imagery. Both come to appreciate Hedwig even more through discussing its timeless message of self-acceptance.
With weighty themes balanced with humor and rock, the film leaves much to contemplate. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
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What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Make a sound and I’m going to drown you in the lake.”
A Sundance Standout That Earned Cinematography HonorsScott McGehee and David Siegel, the directing duo behind The Deep End, began developing the project in the late 1990s. Inspired by the 1940s novel The Blank Wall by Elisabeth Sanxay Holding and the 1949 film adaptation The Reckless Moment directed by Max Ophüls, they set out to create a modern noir thriller centered around a mother's fierce love and protection for her son. With the help of cinematographer Giles Nuttgens, they crafted a visually stunning and emotionally charged film that caught the attention of the Sundance Film Festival and beyond. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about The Deep End.
A Mother's Love, a Son's Secret, and a Blackmailer's Agenda
In our discussion of The Deep End, we explore the central premise of the film – a mother who discovers a dead body and believes her son is responsible. Tilda Swinton portrays Margaret Hall, a woman who makes a quick decision to cover up the crime. As the plot progresses, a blackmailer enters the picture, complicating matters further. While we both appreciate aspects of the film, we find ourselves divided on the effectiveness of the story and Swinton's performance. The cinematography, however, remains a standout element, earning its Independent Spirit Award nomination.
Other Discussion Points
The supporting performance of Goran Visnjic as the blackmailer Alek Spera and how his character evolves throughout the filmThe film's handling of the son's sexuality and the potential consequences of his father discovering the truthThe use of Lake Tahoe as a setting and its contribution to the overall atmospherePacing issues and plot points that we found problematic or unbelievableThe Deep End is an intriguing and visually captivating thriller that sparked a lively discussion between us. While we may not see eye-to-eye on all aspects of the film, particularly Tilda Swinton's performance and the overall effectiveness of the story, we agree that the cinematography is truly remarkable and worthy of its Independent Spirit Award nomination. The film's exploration of complex themes and moral dilemmas makes it a thought-provoking watch, even if it doesn't quite hit the mark in all areas. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I’ve never understood this joke, but then I’ve never been to Earth.”
Shooting for the Stars on a Shoestring BudgetIn 1996, writer/director Cory McAbee set out to make a wholly unique film that blended elements of science fiction, Western, comedy and musical genres. With a background in music and short films, McAbee threw everything he had into crafting the world of The American Astronaut. Shot on stark black and white 35mm film, this low-budget labor of love caught the attention of the Film Independent Spirit Awards, earning a Best Cinematography nomination. Join us – Pete Wright and Andy Nelson – as we kick off the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about McAbee’s 2001 film The American Astronaut.
Traversing the Quirky Universe of The American Astronaut
Our discussion launches into the film's fascinating blend of genre tropes and cinematic influences. The lo-fi special effects, particularly in depicting space travel, somehow work perfectly in the established universe. We marvel at the creative framing and cinematography that elevate the low-budget production design. The memorable musical numbers get us singing along. At the heart of the story, we explore how this space Western playfully taps into themes of masculinity and loneliness across the cosmos.
Further Points of Discussion
Appreciating the authentic, understated performancesNoting the film's multitude of cinematic influencesStruggling with the underdeveloped antagonist storylineReveling in the earworm-inducing soundtrackComparing The American Astronaut to other quirky genre-bendersA Flawed but Ambitious Debut
The American Astronaut is a testament to the power of a singular creative vision. While the ending stumbles a bit in its execution, the totality of Cory McAbee's debut feature is an undeniably striking and inventive piece of independent filmmaking. The cinematography rightfully earns its place among the Film Independent Spirit Awards nominees. Despite the budgetary limitations, this is a film that sticks with you long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Amazon or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThe Next Reel’s Family of Film Podcasts
Cinema ScopeThe Film BoardFreely Adapted (coming soon!)Movies We LikeThe Next ReelThe Next Reel Shorts (retired)One Minute for Old Men (coming soon!)The Saturday Matinée (retired)Silver Linings (retired)Sitting in the DarkThree of a Kind (retired)Trailer Rewind (retired)Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
In this inaugural episode of Cinema Scope, host Andy Nelson is joined by professors Leon Hunt and Chris Hamm to explore the captivating world of wuxia, a Chinese film genre that blends philosophy, action, and legend. They discuss the key elements that define wuxia, such as the chivalrous heroes, period settings, and fantastical elements, as well as the concept of jianghu, a unique world within wuxia stories.
Leon and Chris trace the evolution of wuxia from its roots in early Chinese literature to its influence on other genres, including Hollywood blockbusters. They also highlight notable works like A Touch of Zen, The Bride with White Hair, and Crouching Tiger, Hidden Dragon, analyzing their contributions to the development and popularity of wuxia cinema.
This engaging and informative episode will deepen your appreciation for the richness and complexity of the wuxia genre, inspiring you to explore more of these captivating films.
Film Sundries
Recommended and Discussed MoviesCome Drink With Me on Apple, Amazon, and JustWatchGolden Swallow on Apple, Amazon, and JustWatchThe New One-Armed Swordsman on Apple, Amazon, and JustWatchA Touch of Zen on Apple, Amazon, and JustWatchThe Magic Blade on Apple, Amazon, and JustWatchLast Hurrah for Chivalry on Apple, Amazon, and JustWatchThe Butterfly Murders on Apple, Amazon, and JustWatchSwordsman II on Apple, Amazon, and JustWatchThe Bride with White Hair on Apple, Amazon, and JustWatchCrouching Tiger, Hidden Dragon on Apple, Amazon, and JustWatchOur Letterboxd ListDr. Leon Hunt’s booksKung Fu Cult MastersMario Bava: The Artisan as Italian Horror AuteurChris Hamm’s booksThe Unworthy Scholar from Pingjiang: Republican-Era Martial Arts FictionPaper Swordsmen: Jin Yong and the Modern Chinese Martial Arts NovelJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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“You call it luck. I call it destiny.”
Talking About John Huston’s The Man Who Would Be King with our guest, actor Patrick FabianIn this engaging episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by special guest Patrick Fabian to discuss John Huston's epic adventure film, The Man Who Would Be King. Fabian, known for his roles in numerous TV shows and films, including his standout performance as Howard Hamlin in Better Call Saul, shares his passion for this classic movie and how it inspired him to pursue a career in acting.
Throughout the episode, Fabian delves into his early days as an aspiring actor, from his time as a band president in high school to his decision to pursue a master's degree in theater at Cal State Long Beach. He also shares anecdotes about his experiences working on various television shows and the valuable lessons he learned along the way, such as the importance of persistence and adaptability in the face of rejection.
As the conversation turns to The Man Who Would Be King, Fabian expresses his admiration for the film's sense of adventure, the strong bond between the lead characters, and the captivating performances by Sean Connery and Michael Caine. The hosts and guest explore the movie's themes, its representation of colonialism, and the enduring appeal of its grand storytelling.
The Man Who Would Be King is a timeless adventure that continues to enthrall audiences with its sweeping narrative, unforgettable performances, and exotic locales. Andy Nelson, Pete Wright, and Patrick Fabian's engaging discussion about the film and Fabian's fascinating career journey make this episode of Movies We Like a must-listen for fans of classic cinema and those interested in the world of acting. Join them as they celebrate the enduring power of storytelling and the indelible impact that a single film can have on one's life and career.
Film Sundries
Find Patrick on Instagram, Threads, and X/TwitterWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdThe Next Reel’s Family of Film Podcasts
Cinema ScopeThe Film BoardFreely Adapted (coming soon!)Movies We LikeThe Next ReelThe Next Reel Shorts (retired)One Minute for Old Men (coming soon!)The Saturday Matinée (retired)Silver Linings (retired)Sitting in the DarkThree of a Kind (retired)Trailer Rewind (retired)Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
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Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
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What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“My grandma always said, ‘Family pulling together in times of need will make it strong.’”
The Family That Eats Together: A Discussion of Soul FoodBefore Soul Food hit theaters in 1997, writer and director George Tillman Jr. struggled to get his first feature film made. After selling the script, the production company went under before filming began. Undeterred, Tillman persevered and found new backing from Kenneth “Babyface” Edmonds and his wife Tracey. Their shared vision brought Tillman’s semi-autobiographical story to life. Soul Food went on to become a breakout hit, launching Tillman’s career and sparking an ongoing debate about family, culture, and tradition.
Join us – Pete Wright and Andy Nelson – as we continue the 1998 NAACP Image Awards Outstanding Lead Actress in a Motion Picture Nominees series with a conversation about Tillman Jr.’s 1997 film Soul Food.
Digging into Family, Food, and Forgiveness
In our lively discussion, we dig into the joys and tensions of the Joseph family’s Sunday dinners. We’re divided on the effectiveness of young Ahmad’s voiceover narration as a narrative device. The family relationships feel authentic, with standout performances from the actresses playing the three sisters – Vanessa Williams, Vivica A. Fox, and Nia Long. However, we take issue with some of the easy storytelling choices, especially regarding Lem’s return to prison. The “fairy tale” ending strains believability more for Andy than Pete, but it does raise thought-provoking questions about the role of food and togetherness in absolving past wrongs.
More Food for Thought
Appreciating the film’s universal messages about family bondsMama’s troubling role in cultivating the family’s unhealthy dietBrandon Hammond’s sweet portrayal of young AhmadMichael Beach excelling with an interesting roleDirector George Tillman Jr.’s growth between this film and The Hate U GiveBringing Families Together
Soul Food succeeds in celebrating the aspirational joy of gathering family around the table. While we question some of the storytelling choices, the performances draw us into the sprawling Joseph family. Throughout our conversation, we find plenty to chew on, from fairy tale endings to the competing pulls of past and future. It makes for a nourishing discussion worth tuning in to. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Romance is about the possibility of the thing.”
Love Jones hit theaters in 1997 as writer/director Theodore Witcher’s acclaimed debut. With an eclectic jazz soundtrack and romantic story filled with poetry slams, complex relationships, and career passions, the film earned praise and award nominations. Join us – Pete Wright and Andy Nelson – as we continue the 1998 NAACP Image Awards Outstanding Lead Actress in a Motion Picture Nominees series with a conversation about Witcher’s 1997 film Love Jones.We Are at Odds With These Characters and Their Messy Relationships
In our lively chat, we dive into the characters and their relationships. We discuss how Andy connect’s with Nina and Darius’ messy, on-again-off-again romance and the realistic motivations behind their poor decisions – whereas Pete does not. Though we don’t always agree, we explore their complex connection and the miscommunications and betrayals that plague their path to love. Their story represents one filled with the universal relationship struggles we all face on the road to maturity. But does the script work?
A Few Additional Areas of Conversation Regarding Love Jones
Passionate debate on the casting, particularly of lead actor Lorenz Tate – too young and naive or just right?Our differing views on the authenticity of the script and dialogueExamining the photography backdrop and Nina's career motivationsThe interesting social commentary within the group of friendsOther Notable Discussion Points
Appreciation for the supporting cast like Isaiah Washington and Lisa Nicole CarsonThe effectiveness of the melancholy jazz score and hip soundtrackOur thoughts on the photography capturing life in 1990s ChicagoThe timeless nature of relationship struggles depictedFor a look at the origins of a modern black romance classic, tune in to hear our in-depth conversation on all aspects of Love Jones. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Let’s be realistic. Now, sooner or later, they’re going to get around to offering me a plea deal, and you know that. That’s why you are here to kill me.”
Jackie Brown Rides High in Tarantino’s Homage to BlaxploitationQuentin Tarantino burst onto the film scene in the 1990s with unique stylistic choices and sharp dialogue. After achieving critical acclaim for Reservoir Dogs and Pulp Fiction, Tarantino turned to Elmore Leonard’s novel Rum Punch for his third directorial effort, Jackie Brown. Set in the seedy underworld of gun runners and bail bondsmen, Jackie Brown pays homage to 1970s blaxploitation films while putting Tarantino’s signature spin on the crime thriller genre.
Join us – Pete Wright and Andy Nelson – as we continue our 1998 NAACP Image Awards Outstanding Lead Actress in a Motion Picture Nominees series with a conversation about Tarantino’s 1997 film Jackie Brown.
Fun With Time, Great Performances, and Controversy
We dive deep into Tarantino’s playful use of time jumps, split screens, and flashbacks to reveal the intricacies of the heist plot. The stellar cast shines, especially Pam Grier in the title role and Robert Forster as the bail bondsman helping her out, not to mention turns by Robert De Niro, Samuel L. Jackson, Bridget Fonda, and Michael Keaton. We also touch on the controversy around Tarantino’s use of the N-word. Overall, we find lots to love in this homage-filled film.
More Topics From Our Chat
Beautiful cinematography and lighting choicesForster and Grier’s heartbreaking final sceneKeaton’s surprising but perfect castingThe fantastic soundtrackTarantino’s masterful directing skills on displayGreat discussion of awards snubs and box office numbersFinal Thoughts on Jackie Brown
With its loving homage to 1970s blaxploitation films, great soundtrack, and stellar cast, Jackie Brown shows Tarantino at the height of his powers. We have a great time talking about this underappreciated gem. Check it out, then tune in to hear our conversation. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal Material: Rum Punch by Elmore LeonardLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Memory is a selection of images, some elusive, others imprinted indelibly in the brain. The summer I killed my father, I was ten years old.”
Exploring the Layers of Eve's BayouWith her moody directorial debut Eve's Bayou, independent filmmaker Kasi Lemmons immerses us in a vividly realized Louisiana bayou community in the 1960s. Through the eyes of daughter Eve Batiste, we witness the complexity of her affluent African-American family as simmering secrets threaten to tear them apart. Join us – Pete Wright and Andy Nelson – as we kick off our series looking at the 1998 NAACP Image Awards Outstanding Lead Actress in a Motion Picture Nominees with a fascinating discussion about Lemmons’ 1997 film Eve's Bayou.
Capturing the Complexities of Family
At its core, Eve's Bayou is a film about the intricacies of family - both its warmth and its darkness. We analyze the exceptional performances, particularly from Lynn Whitfield as the dignified matriarch and Debbi Morgan as the insightful aunt. The perspective from daughter Eve gives an intimate viewpoint on the shifting family dynamics.
More to Explore in Eve’s Bayou
Samuel L. Jackson's conflicted performance as the philandering patriarchThe talented young cast, especially lead Jurnee SmollettThemes of adultery, legacy, memory and moralityMagical realism elements with voodoo and psychic powersEve's Bayou offers no easy answers, only thoughtful examination of family bonds tested by adversity. We thoroughly enjoy analyzing this beautifully crafted and moving film. Check it out then tune in! When the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
Talking About Jean-Pierre Jeunet’s Amélie with our guest, Costume Designer Antoinette Messam
On this episode of Movies We Like, we speak with costume designer Antoinette Messam about her incredible career in film and one of her favorite movies, Jean-Pierre Jeunet's magical 2001 film Amélie.
We have a fascinating conversation with Antoinette about her journey into costume design, including rebelling against family expectations, finding her way from fashion to film, and learning on the job. She shares amazing stories about her experience collaborating with directors like Ryan Coogler (Creed), F. Gary Gray (Lift), and Jeymes Samuel (The Harder They Fall, The Book of Clarence), and dressing icons like Sylvester Stallone and Michael B. Jordan.
When it comes to Amélie, we dive deep into the stunning use of color and how it brings the whimsical world to life. Antoinette explains how the color palette was meticulously constructed through collaboration between the director, production design, costume, and more - truly effortless worldbuilding. We also discuss the joyful spirit of the film, Audrey Tautou’s masterful performance, and how the music perfectly complements the visuals.
Our chat with Antoinette gives rare insight into the art of costume design and the magic of movies. Amélie is a vibrant, feel-good film with incredible attention to detail that we highly recommend. We have an amazing time learning from Antoinette's experiences and perspectives on this delightful movie.
Film Sundries
Find Antoinette on the web or InstagramWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“He’s a wily one, that ichthy-demon.”
Waterworld: Sinking Budgets and Soaring SpectacleIn the early 1990s, Kevin Costner was riding high after hits like Dances with Wolves and Robin Hood: Prince of Thieves. He teamed up again with his Robin Hood director Kevin Reynolds for an ambitious post-apocalyptic aquatic adventure called Waterworld. With its massive scale and elaborate water-based sets, the production quickly sank into major budget overruns and production nightmares.
Join us – Pete Wright and Andy Nelson – as we continue the 1995 Golden Raspberry Awards Worst Director Nominees series with a conversation about Reynolds’ 1995 film Waterworld.
Diving Into Our Waterworld Chat
We dive deep into the troubled production and how it still managed to deliver an entertaining aquatic spectacle despite going way over budget. The world building stands out, creating an immersive post-apocalyptic seafaring society even if some plot points strain believability.
More Topics From Our Wide-Ranging Water Chat
How the Hollywood sheen holds it back from grittier cult classics like Mad MaxDennis Hopper's gleeful villainy as the DeaconAppreciating the rich world building and visuals despite flawsThe differences between the theatrical cut and extended Ulysses versionHow it stacks up to other Razzie nominees for Worst DirectorIn the end, we found Waterworld to be a pleasant surprise given its reputation - an ambitious and imaginative, if imperfect, seafaring adventure. Despite its behind-the-scenes troubles, it delivers aquatic action and world building that entertained us.
Tune in to hear our full thoughts! The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Check out our MERCH PAGE for TNR apparel, stickers, mugs and more!
Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
"Thrust it! Thrust it!”
Before the sequins and controversy hit the screen, Showgirls was a script that sparked excitement for its bold take on the glitz and grunge of Las Vegas life. Helmed by Paul Verhoeven and penned by Joe Eszterhas, the duo behind the provocative hit Basic Instinct, expectations were high for this journey into the world of Vegas showgirls. Yet, the resulting film would divide audiences and critics, becoming a cult classic for some and a cautionary tale of excess for others. The backdrop was set for a film that would be discussed and dissected for years to come. Join us – Pete Wright and Andy Nelson – as we continue the 1995 Golden Raspberry Awards Worst Director Nominees series with a conversation about Showgirls.Here's a hint at what we talk about.
In this deep dive, Pete and Andy explore the contentious legacy of Showgirls, a film that's danced its way into infamy. They discuss the film's place in the 1995 Golden Raspberry Awards as a Worst Director Nominee, debating whether the film's over-the-top style was a misguided misstep or a misunderstood stroke of satirical genius. The hosts don't always see eye-to-eye, revealing a schism in their takes on the film's execution and its thematic intentions. They ponder whether Elizabeth Berkley's performance as Nomi was intentionally exaggerated to serve the film's satirical edge or if it was a misdirection that led to its critical panning. As part of their series on the Razzies, they delve into the broader conversation about what the nomination means for Showgirls and its place in cinematic history.
Here are a few other points in our discussion.
The Dickensian description of the film by some and the evolving public opinion over timeThe comparison of Verhoeven's direction in Showgirls to his work in RoboCop and other filmsThe potential allegory of Hollywood and selling out as interpreted by Jonathan RosenbaumThe contrasting performances, particularly Berkley's and Gina Gershon's, and their impact on the film's toneThe undercurrents of power and gender dynamics within the narrativeOur personal reactions to the comedic elements and whether they hit the mark or fell flatAs we peel back the layers of this high-kicking, high-stakes drama, we find a film that's as polarizing as it is fascinating. Despite its Razzie nods and the debates it sparks, Showgirls remains an electrifying topic of discussion for cinephiles and critics alike. Whether you view it as a glittering satire or a cautionary tale of excess, there's no denying the film's unique place in the landscape of '90s cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerYou Don’t NomiLetterboxdJoin the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
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Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!
Star your own podcast journey with the best host in the business. Try Transistor today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Why do you wait? Put it on for it is not a badge of my shame, but your own.”
Roland Joffé took on the challenge of adapting Nathaniel Hawthorne’s classic 1850 novel The Scarlet Letter for the big screen in 1995. With a passion for the source material and a vision to expand the story in ways he felt Hawthorne was restricted from doing, Joffé assembled an impressive cast including Demi Moore, Gary Oldman and Robert Duvall. However, despite his noble intentions, many critics felt Joffé’s reach exceeded his grasp. Join us – Pete Wright and Andy Nelson – as we continue the 1995 Golden Raspberry Awards Worst Director Nominees series with a conversation about The Scarlet Letter.Here's a hint at what we talk about:
We discuss how Joffé's ambitions to elevate the material and expand the story ended up making the film feel overstuffed and unfocused. The heavy-handed symbolism, like the constantly reappearing "red bird of passion," also didn't work for us. And we both found the new "happy ending" Joffé devised to be a disappointment compared to the novel's more downbeat conclusion. However, we do appreciate his attempts to incorporate more of the indigenous American perspective.
Here are a few other points in our discussion:
The overly sentimental score by John Barry... that’s still an amazing scoreWhether the principle cast was well-suited for a period dramaThe absurdity of Robert Duvall's unhinged performance that’s still undeniably entertainingThe unnecessary Pearl voiceover narrationOverall, while we can appreciate some of what Joffé was trying to accomplish, we feel his reach exceeded his grasp in many ways, resulting in a film that feels messy and unsatisfying. But we have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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