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A podcast on music and capitalism hosted by Saxon Baird and Sam Backer. Dropped every other week.
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Betoniniai blokai – dieną snaudžiantys, nakčiop budinami arkadinių šviesų ir elektroninės muzikos. Suturėti šiuolaikinį meną bandančios galerijos. Skverai – vieną akimirką vieniši, kitą – sklidini gyvybės. Viską, tarsi linijos, įrėminantys šaligatviai. Žmogus ir jo nuolatiniai pakeleiviai šiose džiunglėse – menas, kultūra, muzika. Įvykiai. „Tarp gatvių“ – apie miestą žmogui. Žmogų miestui. Miesto žmogų. Kiekvieną ketvirtadienį 14.00 val. Laidos ved. Kristupas Naraškevičius.
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In the My Life Through Music Podcast I share and guide likeminded lovers of music through my life while aligning the influential and meaningful moments with the songs and music that were there at the time, or describes the thoughts, feelings, and emotions I was experiencing at those places and those times. If you love and appreciate all varieties of music the way I do, then you are invited to take your own walk down memory lane as you reconnect with the beauty and power of the internal playlist that has been with you your entire life and is waiting to be brought back to life once again!
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Nors pokalbis – trečiadienio rytą laidoje „Atmerk akis“, bet lengvas lyg bare penktadienio vakarą: apie gyvenimo būdą, muziką ir tik truputį – apie sportą su žinomu šalies atletu.
Ved. Marius Andrijauskas. -
If you enjoy hilarious banter and discovering new music, The Cut Music is the show for you! Join Mike, Brad & The Moosh each week as we build a 10 track playlist ranging from the popular to Indie. For more content, head to thecutmusic.com*Music tracks are only available when listening to the show on Spotify.
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Čia dalinamės įžvalgomis apie konkursą, o epicentre – šalių dainos ir nacionalinė atranka. Klausydamiesi mūsų nepasigesite „medinių bajerių“, skirtingų nuomonių ir geros nuotaikos!
Podkastuose kalba Dūzė Pua nariai: Tadas Paškevičius, Lukas Gylys, Lukas Kačiušis ir Rytis Skamarakas. -
enough. is a podcast which aims to shine light into the darkened corners of the music industry while discussing the ways we can and should improve ourselves and, in turn, our community. This podcast may contain graphic descriptions of sexual abuse and assault, including rape. These accounts can be triggering, especially for those who have also experienced sexual trauma.enough. is hosted by Kendra Sheetz and Rich Gill. Support this podcast: https://podcasters.spotify.com/pod/show/enoughpodcast/support
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Tales, fables, and knowledge from Adam Ronin and friends. Join your host as we share stories about the nostalgia, music, film, pop culture, life and more. All stops pulled, no holds barred.
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I’m gonna be posting music that I made myself so I hope you all like it and enjoy.
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Pegei uma musica e fis um pouco da minha
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It's my podcast everything u want u will get from stories to music
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Welcome to The Arms Wide Open Podcast! Every week we will have a wide ranging discussion around rock music centered on a single album and artist.
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In this series, various members of the underground group Goofy Guys dip into the archives to upload some unreleased treasures from their archives. Along the way, they offer commentary that is probably not the least bit useful. It also sounds like there might be a little alcohol involved.
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Wake up and make up👅
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„LRT OPUS muzikos žinios“ – tai koncentruotai pateiktos svarbiausios tos savaitės alternatyviosios muzikos naujienos, parengtos LRT OPUS muzikos ekspertų. Kiekvieną penktadienį, 8, 11 ir 16 val., per LRT OPUS. Ved. Unė Liandzbergytė ir Ramūnas Zilnys.
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This is a great way for me to interact with my music fans and social media followers. I hope to continue this awesome experience with you all! Looking forward to having musical guests!
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STC RADIOS Morning Show is the first show of the day and is live Monday To Friday starting at 8 am the 2 amazing hosts Gabe & and Declan will always make you feel awake and ready to go in the morning. Listen Live NOW: stcradio.com
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Debbie Smit en Sofia Dragt zijn, naast dat ze al ruim 10 jaar vrienden zijn, beide muzikanten die produceren. Debbie werkt als theatermaker, zangeres en songwriter. Sofia werkt naast de pop muziek ook als componist en producer voor film en media. De productieknopjes zijn het verlengde van hun schrijf proces en hier praten ze maar al te enthousiast over! Vandaar dat ze bedachten om hun gesprekken erover als podcast op te nemen zodat gelijkgestemden ook lekker mee kunnen genieten. En dit nu in samenwerking met muziekplatform Inside Audio!
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How Taylor Swift’s “Shake It Off” Ushered Female Pop Into the Future
Among Taylor Swift’s indelible catalog of zeitgeist-capturing smash singles, none represents a more decisive pivot into ambitious pop dominance than her chart-shattering 2014 single “Shake It Off”. Musically a defiant upbeat departure from the melodramatic country-pop that launched her career, lyrically “Shake It Off” marked Swift’s watershed declaration of emancipation from public criticism through kinetic self-acceptance. Both composition and mantra-ready chorus resonated explosively, propelling Swift to ascend as the voice of her generation on the strength of outside-the-box artistic liberation.
By 2014, Swift had already amassed critical accolades and multiplatinum sales over four albums spanning nearly a decade in the spotlight since age 16. But rather than capitalize on established success formulas, Swift took startling risks with “Shake It Off”, reinventing her musical persona without warning. Trading vulnerable breakup balladry for swaggering horns, marching drums and shamelessly dorky verses about bad dancing, Swift made an ecstatic bid for fearless artistic ownership. Her playfulness felt iconoclastic in a pop realm then still unaccustomed to transparency from female stars beyond tabloid drama exploitation.
Yet beneath that cheerful rhythmic bounce, “Shake It Off” reveals deeper personal epiphanies reclaiming Swift’s joy after years of weathering emotionally taxing criticism in an unforgiving public eye. Her lyrics confront tormentors head-on while dismissing the damage bluntly through the repetition of the titular hook. She urges tuning out disparagement through self-celebration. Rather than censoring raw reactions to pain though, Swift leans into unease sassily, exposing societal gendered double standards. Cathartically she chooses to laugh at misplaced judgments on her worth or talent.
With “Shake It Off”, Swift ultimately redefined commercial pop boundaries through lyrics marrying the struggle to triumph over the commonplace burden of other’s projections. The track established her poignant yet galvanizing brand of musical inspiration rooted in resilience. Both sonically upbeat and thematically awakening, “Shake It Off” signaled Swift’s flowering into the chief emotional translator of millennial female experiences.
From those very first confrontational lyrics, “Shake It Off” announces itself as Swift’s line in the sand defending creative liberty by rebutting criticism directly. She calls out perpetual judgments from “the liars and dirty, dirty cheats of the world” for thinking they can still “take her down”. Then with newfound maturity, she exposes harsh scrutiny as more toxic to targets than sources, determining she can simply tune out unproductive detractors without engaging.
Swift doubles down on owed autonomy in the second pre-chorus singling out “the fakers” who leverage malicious gossip and salacious headlines purely for entertainment. Having endured years as media rags’ favorite clickbait controversy magnet for daring to be a young woman navigating romance openly, she again opts out of reaction cycles that only benefit those stirring turmoil.
So when Swift unveils her signature rallying cry to simply “Shake it off, shake it off”, she provides permission for weary listeners to disempower bullies by forfeiting their harmful judgments any lingering currency or accuracy. She coaches fans to allow fleeting public embarrassments to roll off our backs smoothly by leaning into passionate personal purpose instead, our self-belief armor against detractors.
Throughout, Swift models radical acceptance of all self-perceived flaws from awkward dance skills to fashion faux pas. Playfully she flips every shortcoming named on its head until radiating self-love powerful enough to turn mockery into celebration. With winking genius, she guts criticism’s sting by embracing supposed missteps first.
Swift later elaborated on the cathartic creative process in the studio where this musical pivot felt fully liberating. She called the horn-laced production “a sonic bath” soothing the accumulated sting inflicted by years steeped in self-doubt from external voices. Swift attested to escaping that echo chamber of shielding perceived weaknesses to be judged made loudly proclaiming unconditional self-acceptance through lyrics that deeply healing. She recognized fans craved that modeling of courage too.
Accordingly “Shake It Off” resonated explosively upon release in summer 2014, majorly redefining Swift's artistic trajectory going forward. The track blasted airplay records and became her first bonafide global smash crossover, outselling every 2014 single besides megahit “Happy”. Swift attributed its meteoric success to how “Shake It Off” arrived as an emotional lifeline for young women feeling similarly discouraged into self-consciousness.
With that cultural antennae attuned, Swift soon marshalled pop dominance on her own terms, becoming synonymous with daring vulnerability, and political activism alongside number-one hits. “Shake It Off” stood as a watershed mark of her assuming creative reigns. Where country radio once bounded her inventiveness, Swift now freely hybridized musical styles to match raw lyricism.
When embarking on global stadium tours too, Swift transmuted “Shake It Off” into her emboldening encore anthem, catapulting from trap doors in sequined leotards to sizzle energy to a fever pitch. Like a choreographed metaphor, Swift dramatically shed past constraints before tens of thousands echoing the chorus with tearful elation. Together artists and audiences wordlessly sealed a covenant pursuing self-love and purpose above outside voices.
In 2023, nearly a decade since its release, “Shake It Off’s” legacy as Swift’s career-rocketing fight song endures stronger than ever with new generations discovering its empowerment. TikTok dollies regularly revive the track as euphoric shorthand for overcoming all manners of adversity or injustice through solidarity. Swift even partnered with Spotify to release uplifting “Shake It Off” remixes naming societal biases still requiring shaking off - from anti-LGBTQ legislation to climate change denial.
Clearly Swift struck generation-defining magic with “Shake It Off” that fateful summer precisely by boldly marrying musical innovation to psychological healing insight well ahead of pop peers. Where female icons before relied on image spectacle or vocal acrobatics alone, Swift invited mass intimacy through compassionate accountability instead. And a decade later, pop remains filled with disciples she’s paved space for from Selena Gomez to Olivia Rodrigo actively erasing stigmas around women’s mental health issues through smash hits.
But most resonantly, Swift sustains that solidarity with fans growing up alongside her by upholding “Shake It Off” as a guiding light whenever adversity strikes. Each show’s climactic mirrorball explosion into its jubilant chorus becomes a ritual rebirth summoning strength together. The song remains both balm when coping privately and amplifying battle cry declaring collective triumph.
Indeed nearly 10 albums later, Swift endures as critic-proof pop's most ingenious visionary precisely by inspiring human connections around struggles no external success could shield her from either. The resonance is evident in every voice raised to cheer “Shake It Off’s” audacious chorus in unison makes clear Swift’s genius was ensuring nobody needs weather objectification or self-doubt alone in the dark anymore. Not when there exists an ever-brightening beacon guiding whole generations toward confidence’s dawn. Thanks for Listening to Quiet Please. Remember to like and share wherever you get your podcasts.
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