Afleveringen

  • This week we kick off our Pride Month curation. OK, OK so we thought Pride Month was in July instead of June. Be we are taking ownership of our clanger and calling this 'Milking Pride Month'!!!

    We start by revisiting one of the most controversial LGBTQ+ films ever released: The Killing of Sister George (1968). Part psychological drama, part soap-industry satire, and part time capsule of queer Britain, it's a film that was groundbreaking, provocative, and deeply problematic all at once.

    Click here to watch the film on YouTube

    We explore the remarkable journey from Frank Marcus's hit stage play to Robert Aldrich's uncompromising film adaptation, starring the incomparable Beryl Reid alongside Susannah York. At its heart is June "George" Buckridge, the hard-drinking star of a popular BBC soap whose personal life begins to unravel as rumours spread that her character is about to be written out. As her career collapses, so too does her volatile relationship with her much younger partner, Childie, while television executive Mercy Croft quietly orchestrates events from the sidelines.

    But this episode is about much more than the film itself.

    In our Pride Corner, we travel back to Britain in the late 1960s to explore what life was really like for LGBTQ+ people. We discuss the limited and often stereotyped representation of lesbians on screen, the social and legal landscape following the partial decriminalisation of sex between men in 1967, and the extraordinary importance of London's legendary Gateways Club, one of the few places where lesbian women could meet openly. The film's scenes inside the club now serve as a rare and fascinating record of a community that was seldom seen on screen.

    We also ask whether The Killing of Sister George deserves its reputation. Does it simply recycle harmful stereotypes of predatory, unhappy lesbians, or was it reflecting the harsh realities and prejudices of its time? We unpack the film's voyeuristic additions, controversial seduction scene, complicated power dynamics, and why many LGBTQ+ audiences have had such divided reactions over the decades.

    Along the way we celebrate the outstanding performances, uncover behind-the-scenes stories, and consider why, despite its flaws, The Killing of Sister George remains an important piece of British queer cinema and an invaluable snapshot of LGBTQ+ history.

    It's funny, uncomfortable, heartbreaking, occasionally infuriating—and one of the most fascinating films we've covered for Pride.


    GAZER HOMEWORK: Next week we focus on the 40 Minutes documentary 'Rent Boys" from 1984. Click here to watch. Please be aware the programme covers very sensitive topics!

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  • Pour yourself a Gin and Tonic, grab the olives, and dust off your Demis Roussos LP', because this week we're stepping inside one of the most gloriously awkward evenings in British television history: Abigail's Party.

    Originally broadcast as part of the BBC's Play for Today in 1977, Mike Leigh's masterpiece of social discomfort has become one of Britain's defining television dramas. But what makes a play about drinks, small talk and endless passive aggression so endlessly watchable nearly fifty years later?

    We explore the remarkable improvisational process that created the production, the unforgettable performances—especially Alison Steadman's iconic Beverly—and the fascinating story behind the music, including why some of the original songs had to be replaced from the original stage production.

    We revisit Beverly and Lawrence's disastrous drinks evening, where every refill of gin, every cigarette, and every painfully polite conversation nudges the guests closer to complete emotional collapse. Along the way we ask whether the play's attitudes to class, gender, race, smoking, drinking and marriage feel dated today—or whether Mike Leigh was cleverly exposing these behaviours rather than celebrating them.

    As always, we also travel back to the year itself. Our Culture Corner revisits Britain in 1977, from the Silver Jubilee and the rise of punk to disco, Northern Soul, inflation, trade unions, televisions with three channels, and a time when having a telephone at home was still something of a luxury. We also look back at the biggest chart hits, the programmes everyone was watching, and the events shaping everyday British life.

    It's funny, painfully recognisable, occasionally tragic, and proof that sometimes the most gripping drama comes from simply putting five people in a suburban living room and letting them slowly destroy one another with cheese and pineapple sticks.

    Just don't mention Abigail... she's having a much better party than this one.


    GAZER HOMEWORK: Next week we focus on the 1968 cult classic UK film 'The Killing Of Sister George' from 1968. Click here to watch on YouTube

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  • Hello Gazers!

    We're recording this week's Gazette bright and early this week because the UK has once again transformed into a country completely unprepared for temperatures above "pleasant." If you hear the occasional background noise, blame the open windows—we're choosing fresh air over melting.

    With everyone reminiscing about the legendary summer of 1976, we decide to put nostalgia under the microscope. Was it really Britain's golden summer, or have we collectively edited out the hosepipe bans, wildfires, crop failures, water shortages and thousands of heat-related deaths? We take a look at the facts, chat about why every generation thinks theirweather was different, and ask whether climate change has made "once-in-a-lifetime" summers far more common than we'd like.

    There's also plenty of postbag to get through as we read your thoughts on our recent Who's Afraid of Virginia Woolf?episode and reveal what's coming next: the gloriously awkward world of Abigail's Party.

    Elsewhere, we swap television and film recommendations—including The Boys in the Band, Galaxy Quest, and Silkwood—pay tribute to legendary music executive Clive Davis and the extraordinary artists whose careers he helped shape, and catch up with the latest news from The Fizz.

    As always, the conversation wanders delightfully off course, taking in politics, skincare, Madonna ticket plans, and the sort of random tangents that seem to happen whenever two middle-aged gay men start with the weather and refuse to stop talking.

    Grab something cold to drink, find the nearest fan, and join us for another week of nostalgia, news, pop culture and mildly overheated opinions.

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  • Click here to watch Who's Afraid Of Virginia Woolf on YouTube

    Hello Gazers!

    Pour yourself something strong because this week we're spending an evening with cinema's most gloriously dysfunctional couple: George and Martha in 1966's Who's Afraid of Virginia Woolf?

    Fresh from a faculty party, the pair invite younger couple Nick and Honey back for what should be a quiet nightcap. Instead, everyone embarks on a marathon session of drinking, bickering, psychological warfare, emotional oversharing, and the sort of relationship dynamics that would have a modern therapist quietly reaching for the emergency exit.

    Before diving into the chaos, we take a trip back to 1966 with a Culture Corner packed with the news stories, television, music, and cultural moments that surrounded the film's release. We also explore the remarkable production itself: Mike Nichols' directorial debut, its astonishing 13 Oscar nominations, five wins, and its lasting place in film history.

    Naturally, we can't discuss the movie without talking about Elizabeth Taylor and Richard Burton, whose famously turbulent real-life romance was almost as dramatic as anything happening on screen. The result is a pair of performances so convincing you'll occasionally forget they're acting and wonder whether the cameras simply happened to capture a real domestic argument.

    As the evening unfolds, we unpack George and Martha's increasingly cruel "games," the mystery surrounding their invented child, and the collateral damage inflicted upon poor Nick and Honey, who really should have left after the first drink. We discuss gender roles, ambition, academic snobbery, middle-class anxieties, and whether anyone in this film has ever experienced a healthy conversation.

    Surprisingly, despite all the emotional carnage, we find the film far less problematic than many of the titles we've covered. Instead, it's a sharp, uncomfortable, often funny examination of marriage, illusion, and the stories people tell themselves to get through life.

    Plus: Oscar trivia, admiration for Sandy Dennis, a look at how the film helped push Hollywood towards a more adult era, and plenty of appreciation for a movie that proves you don't need explosions when you've got Elizabeth Taylor armed with a martini and a devastating one-liner.

    It's funny, heartbreaking and exhausting: All words that have been used by critics to describe The Problematic Gaze at one point or another!

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  • Hello Gazers!

    This week we're recording remotely because Britain has once again entered its annual tradition of becoming completely incapable of coping with weather. As temperatures soar, we compare heatwave survival strategies, including tinfoil-covered windows, strategic fan placement, and the increasingly tempting idea of simply lying on a cold kitchen floor until September.

    The conversation quickly drifts from sweaty complaints into climate change, extreme weather, and the surprising possibility that Britain's future may depend on one unlikely hero: the beaver. Yes, beavers. We discover how these industrious little rodents have helped reduce flooding in Scotland and discuss the possibility that they could one day be hard at work around Greater London. Frankly, they've got a better public-relations team than most politicians.

    Elsewhere, we celebrate 75 years of The Archers, discuss one particularly dramatic storyline, and wander into a conversation about BBC budget cuts, public broadcasting, and why everyone seems to have very strong opinions about the licence fee.

    There's also the usual collection of things that caught our attention during the week, including political nonsense, social media surprises, and the unexpected success of a nostalgic Generation Game clip that clearly struck a chord with viewers. Meanwhile, Lee Dr Lee prepares a second date at The Black Cap, proving that not everything in modern life is doom and gloom.

    Plus: recommendations for Young Offenders, the podcast Empathy for the Devil, Apple TV's Your Friends and Neighbors, and a preview of next week's episode on Who's Afraid of Virginia Woolf?—a film featuring almost as much shouting as a British social media comment section.

    Stay cool, stay hydrated, and remember: if the beavers can keep working through a heatwave, so can we.

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  • Hello Gazers! This week we're heading back to 2006, a magical time when low-rise jeans were a public menace, reality television ruled the schedules, and everyone seemed to have very strong opinions about eyebrows. Our destination is the pilot episode of Ugly Betty, the comedy-drama that asked an important question: what happens when a genuinely decent person wanders into one of the worlds most ruthless industries?

    Before entering the glossy chaos of Mode magazine, we stop off for a Fashion Corner packed with 2006 nostalgia, revisiting the television shows, headlines, and chart hits that shaped the world into which Betty Suarez first appeared.

    We then dive into the pilot itself, following Betty, an intelligent and ambitious young woman from Queens whose lack of conventional fashion-magazine glamour unexpectedly lands her a job assisting Daniel Meade. Officially she's hired for her skills. Unofficially she's hired because Daniel's father believes she's the one woman in New York his notoriously distracted son won't try to seduce.

    As the episode unfolds, we explore how Ugly Betty simultaneously challenges and reinforces beauty standards. The series deserves credit for questioning superficial ideas of attractiveness, yet it also relies heavily on jokes about Betty's appearance, braces, clothes, and supposed "ugliness." Nearly twenty years later, we ask whether the show's approach still works and whether audiences would embrace it in quite the same way today.

    Along the way we discuss the contrast between Betty's loving, working-class Latina family and the cold, competitive world of high fashion, examine the sexism and nepotism surrounding Wilhelmina's treatment at Mode, and look at how the series intersected with emerging conversations around body positivity and campaigns such as Dove's Real Beauty initiative.

    Plus: comparisons with The Devil Wears Prada, memories of 2006 pop culture, workplace politics, impossible beauty expectations, and a reminder that fashion may change every season, but human insecurity remains stubbornly timeless.

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  • Hello Gazers! In this week's Gazette we're checking in from the worlds of fitness, fandom, and television uncertainty as Dave embarks on a new health journey involving a gym membership, swimming, and the shocking revelation that exercise may actually be good for you. Whether his back agrees remains an ongoing investigation.


    Elsewhere, we discuss our recent Star Trek social media clips and uncover some fascinating audience preferences. It turns out that Leonard Nimoy and Nichelle Nichols can still command attention across the internet, while poor William Shatner discovers that not every captain can win every battle.


    On the viewing front, Lee recommends Traitors India, while Dave takes us into the strange and unsettling world of Bring Me The Beauties, the HBO/Sky documentary exploring former male model Hoyt Richards, the mysterious Eternal Values movement, and the kind of cult story that leaves you repeatedly asking, "How did this happen?"


    Our listener mailbag is also overflowing. We hear from Bill in San Francisco about an AI-generated Karen Carpenter-style song, while Rocky in Australia continues our ongoing voyage through Star Trek and Doctor Who history, touching on Galaxy Quest, and the joys of classic science fiction. Another listener shares memories of the moon landing and thoughts Ugly Betty, proving once again that Problematic Gays listeners have collectively experienced absolutely everything.


    And then there's Doctor Who. With news that there will be no Christmas special, that Russell T Davies and Bad Wolf are stepping away from the BBC partnership, and that the series is heading out to tender, we discuss what might come next for Britain's most famous Time Lord. Could a new format breathe fresh life into the show? Should the series reinvent itself? And is fandom ever truly prepared for change?


    Plus: cults, swimming, science fiction, AI music, and the usual amount of completely unqualified television commissioning advice. Just another week at PG Towers.

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  • Hello Gazers! This week we're boldly going where we've occasionally gone before: into the wonderfully strange universe of Star Trek. Following a recommendation from listener Fiona, we beam aboard the final episode of the original series, 1969's Turnabout Intruder, a story featuring body-swapping technology, interstellar jealousy, and gender politics that have aged about as well as a pint of milk left on the bridge of the Enterprise.


    Before tackling the episode itself, we explore Star Trek's fascinating journey from ratings disappointment to cultural phenomenon. Cancelled after just three seasons, the series found new life through syndication, conventions, devoted fandom, and enough influence to inspire everything from mobile phones to space exploration dreams.

    We then dive into Turnabout Intruder, in which Captain Kirk and former lover Dr. Janice Lester exchange bodies through a mysterious "life energy transfer." Janice's motivation? Her bitterness at being excluded from command opportunities in Starfleet because she is a woman. What follows is part science-fiction thriller, part gender commentary, and part accidental time capsule of late-1960s attitudes.


    Along the way, we discuss the episode's portrayal of female ambition, the persistence of the "hysterical woman" stereotype, echoes of the "mad woman in the attic" trope, and William Shatner's memorable performance choices once Kirk finds himself inhabiting Janice's body. We also ask whether the episode is critiquing sexism or simply reproducing it, sometimes in the very same scene.


    Thankfully, the conversation also celebrates Star Trek's wider legacy: its diverse casting, progressive social allegories, technological predictions, and enduring ability to inspire generations of fans. Because for every baffling decision made in Turnabout Intruder, there are a million reasons why Star Trek remains one of the most influential and beloved television franchises ever created.


    Set phasers to analysis. This one's a fascinating, frustrating, and very problematic journey into the final frontier.

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  • Click here to listen to Dr Lee and Dave on the Everyone's A Little Queer Podcast


    Hello Gazers! This week’s Problematic Gazette begins in the traditional fashion: with unexpected background noise, minor technical chaos, and the startling discovery that we had somehow planned our Pride Month content for July!!


    After owning our spectacular scheduling error, we discuss why Pride still matters in 2025. From rising homophobia and online "straight pride" arguments to the quieter burdens of shame that many LGBTQ+ people continue to carry, we reflect on why visibility, community and celebration remain as important as ever. Along the way, Lee shares a moving diary entry from Kenneth Williams written in 1966, whose observations about loneliness, identity and being reduced to a joke still feel painfully relevant today.


    Elsewhere, we discuss Russell T Davies' increasingly unsettling drama Tip Toe and explain why it feels less like fiction and more like a warning siren with a production budget. We also chat about our recent appearance on the Everyone's a Little Queer podcast and the conversations that followed.


    There are listener messages, fascinating chart trivia involving Abba Gold's seemingly immortal presence in the UK Top 100, and considerable excitement over Madonna launching Pride Month with a free Times Square performance and new music. Plus: more love for Rivals, an unexpected It's a Royal Knockout reference, and yet more evidence that popular culture is far stranger than either of us remembers.


    Happy Pride Month, everyone. Even if it took us a little longer than expected to realise it had already started.

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  • Click here to watch along to our YouTube Party Playlist featured in this episode!


    Hello Gazers! Break out the bunting, inflate the balloons, and check the expiry date on the party snacks — The Problematic Gaze has officially reached its second birthday and 100th episode of our main show!


    Broadcasting live from the grand ballroom of PG Manor (capacity: two hosts and a worrying number of themed playlists), we celebrate the milestone with listener questions, musical memories, and a journey through a YouTube mixtape that quickly reminds us just how strange popular culture used to be. Along the way we revisit songs that somehow made it onto the radio despite lyrics about underage romance, obsessive surveillance masquerading as love, and enough cultural appropriation to keep a university seminar busy for a fortnight.


    The celebrations continue with a deep dive into controversial adverts from decades past, including chocolate campaigns that definitely wouldn't survive today's focus groups, aftershave commercials fuelled entirely by misplaced confidence, and drinks adverts that somehow became embedded in the national consciousness. As ever, nostalgia proves to be a dangerous place.


    We also answer Gazers questions about how we choose topics, our favourite and least favourite episodes, standout performers from the films and television we've covered, dream movie-night selections, and what our lives look like away from the microphones. There are quick-fire dilemmas, unexpected revelations, reflections on coming out across different generations, and a heartfelt discussion about why we started the podcast and the wonderful community that has grown around it.


    Plus: laughter, memories, occasional emotional sincerity, and enough birthday chaos to power us through the next hundred episodes. Thank you for listening, thank you for your support, and thank you for proving that being problematic is always better together.

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  • Hello Gazers! With our 100th main episode and second birthday approaching faster than Dave can buy unnecessary items in Soho, this week’s Problematic Gazette is a gloriously unedited soundcheck special from PG Manor.


    As bunting plans reach critical levels, we dive into Netflix’s three-part Kylie Minogue documentary, covering everything from her Neighbours beginnings and chart domination to health battles, heartbreaks, reinventions, and the ongoing Tension Tour. Naturally, this leads to the sort of intense cultural analysis you’ve come to expect from two men who could happily spend an hour discussing Kylie’s catalogue.


    Elsewhere, we recount a lovely Soho catch-up with Matt Baume and an LGBT history tour, while Dave reports from the front lines of retail confusion and Dr Lee shares details of a late-night date followed by the inevitable consequences of being no longer twenty-five.


    We also reflect on the passing of Michael Keating and Judith Chalmers, discuss the indignities of approaching fifty, and compare notes on surviving a British heatwave armed only with caffeine and misplaced confidence.


    Plus: upcoming viewing plans including Star City, Ponies and SNL UK, praise for Race Across the World champions Joe and Kush, frustration at reports surrounding the Southport riots, and increasingly frantic preparations for the centenary celebrations. Will there be cake? Will there be bunting? Will either of us remember what happened in episode one? Tune in and find out.

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  • Hello Gazers! As a heatwave hits the UK, we're getting HOT HOT HOT! We conclude Sex Month by sliding dramatically across the interrogation-room floor into 1992’s Basic Instinct — a film containing ice picks, cigarette smoke, deeply suspicious therapy ethics, and more uncrossed legs than Brighton Pride!


    This week we unpack Paul Verhoeven’s gloriously trashy erotic thriller, from its Hitchcock and noir inspirations to the infamous Sharon Stone interrogation scene that launched a thousand paused VHS tapes and at least three decades of cultural arguments. Along the way we discuss Michael Douglas once again playing a man who absolutely should not be trusted with police authority, the spectacularly chaotic sexual politics of the early 90s, GLAAD protests, and whether the film is genuinely subversive or simply what happens when several powerful men are left unsupervised with cocaine and studio money. 


    There’s also a nostalgic Culture Corner dive into 1992 Britain, chart hits, and the end-of-series exhaustion that comes from spending four weeks analysing the male gaze while slowly becoming victims of it ourselves. Plus: ratings, disagreements, existential dread, and a tease for our upcoming 100th-episode birthday spectacular.

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  • We return from the luxurious broadcasting hubs of PG Towers and PG Manor to survive a British heatwave that has left us sweaty, confused, and emotionally fragile. Dr. Lee has a spiritual encounter with a dragonfly in the garden, while Dave nearly proposes marriage to a dishy car-wash attendant after a deeply awkward tipping incident.


    We revisit the national trauma caused by our Porky’s episode, discuss Britain’s endless obsession with class after a Guardian survey revealed everyone now identifies as “polyclass,” and somehow connect it all back to our episode on Keeping Up Appearances because of course we do.


    There’s also talk of our upcoming collaboration with Bernard from Everyone’s A Little Queer Podcast, including a surprisingly thoughtful debate about reclaiming the word “queer”.


    Plus: Rivals is peak 80's perfection, murder-marriage documentaries, Strictly gossip involving Josh Widdicombe, listener letters, Kylie Minogue praise bordering on religious devotion, and ominous teasing of next week’s Basic Instinct episode. 

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  • In this episode, we revisit Porky’s (1981), the hugely successful teen sex comedy set in 1954 Florida, to ask the important question: was this ever actually funny, and could it possibly be made today?


    Alongside the film, we take a trip through 1981 in our Culture Corner, covering everything from Charles and Diana’s wedding and the UK inner-city riots to the Scarman Report, the devastating tornado outbreak, and a year packed with cultural milestones including “Ghost Town,” “Don’t You Want Me,” Bucks Fizz, Cats, Only Fools and Horses, Brideshead Revisited, Chariots of Fire, and the first London Marathon.


    We break down the Porky's obsession with sex, voyeurism, revenge plots, and locker-room humour while unpacking its male gaze, racism, antisemitic subplot, fat jokes, and deeply juvenile tone—ultimately finding it far duller, and strangely tamer, than its scandalous reputation suggests.


    To watch Porkies on YouTube Click Here

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  • We are back after a week away and apparently the world survived without our opinions on Eurovision, AI, and 1970s sex comedies — though only just. This week we answer listener letters, discuss Cilla Black’s fifty-seven emotional interpretations of “Alfie,”, defend Confessions of a Window Cleaner as the cinematic equivalent of finding chips on the floor and still eating them, and prepare emotionally for Eurovision.


    Our Dave (AKA Judith Chalmers) reports from Dubrovnik with urgent passport warnings for the middle-aged and disorganised, while Dr. Lee worries that AI will destroy the planet, steal everyone’s jobs, and probably start writing this podcast description.


    Plus: George Michael, Freddie Mercury, Rocky Horror memories, Emma Willis rumours, Star Trek teasing, and preview our next Sex Month episode with Porky’s looming on the horizon like a grubby cultural comet.

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  • In the second week of our Sex Season, we pull on our nylon overalls and climb the ladders of 1970s British cinema to revisit Confessions of a Window Cleaner — the cheeky box-office phenomenon that somehow became the biggest British hit of 1974. We unpack Timmy Lea’s endlessly episodic adventures in window cleaning, accidental voyeurism, and improbable seduction while asking: what exactly made these “saucy” comedies so wildly popular before home video and internet porn?


    Along the way we discuss Robin Askwith, censorship, class aspiration, sexism, consent, the male gaze, and why the film is simultaneously tame, uncomfortable, ridiculous, and fascinating as a cultural time capsule.


    In Culture Corner: the three-day week, Lord Lucan’s disappearance, IRA bombings, ABBA winning Eurovision, Britain’s biggest singles, children’s TV landmarks, Tom Baker becoming Doctor Who, Princess Anne’s kidnapping attempt, publishing highlights, and the Miss World scandal that shook the crown.


    To watch Confessions Of A Window Cleaner on YouTube: Click Here

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  • We kick off Sex Month on The Problematic Gaze by diving headfirst into Alfie, the swaggering, unsettling snapshot of 1960s masculinity that still raises eyebrows today.


    We explore how Michael Caine’s charismatic performance—paired with that infamous fourth-wall-breaking narration—pulls us into Alfie’s world, even as his misogyny and emotional detachment push us away. We unpack the film’s origins in Bill Naughton’s play and Lewis Gilbert’s direction, while confronting its most jarring elements: the casual disposability of women, the cutting language, and the harrowing illegal abortion sequence that still lands with force.


    But we don’t stop at the screen. We place Alfie squarely in the contradictions of 1966 Britain—Swinging London’s promise of liberation colliding with the realities of Harold Wilson’s Britain, economic uncertainty, the shadow of the Aberfan disaster, and the ongoing shifts of decolonization. Against a backdrop of chart-topping music and cultural change, we ask whether Alfie reflects this moment in time—or critiques it.


    By the end, we’re left wrestling with a film that is as compelling as it is uncomfortable: bold, bleak, and still deeply problematic.


    You can watch Alfie on YouTube. Click here


    GAZER HOMEWORK: Next week we turn our lens to 1974's sec comedy 'Confessions Of A Window Cleaner'. Click here to watch on YouTube

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  • We record a live, unedited “Problematic Gazette” update from PG Manor while planning upcoming episodes that launch our “sex season,” starting with Alfie and continuing with films from later decades. We swap stories about accidentally overhearing loud sex through an open bungalow window, along with past experiences of disruptive noise in shared spaces.


    We also dive into what we’ve been watching lately, including Hacks, The Comeback (and its AI-written sitcom plotline), Netflix’s The Unchosen (a cult thriller), and ITV’s Secret Service (a modern spy drama). Along the way, we share our interest in The Devil Wears Prada sequel, unpack the origin and meaning of “jumping the shark,” and read listeners E-Mails.

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    Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!


    Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze. 

     

    And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!

    Hosted on Acast. See acast.com/privacy for more information.

  • For the first time ever, we visit 1991 on The Problematic Gaze to focus on class comedy caper Keeping Up Appearances. Hyacinth’s number is mistaken for a Chinese takeaway, she prepares for a church concert, Richard fears early retirement, Rose considers becoming a nun, and the farce culminates with Hyacinth fainting after discovering Rose and the vicar in a cupboard.


    We place the sitcom within its wider historical and cultural moment, reflecting on 1991’s defining events—from the Gulf War and recession to rising unemployment, the death of Freddie Mercury, an IRA mortar attack on Downing Street, the birth of the World Wide Web, early steps toward the Premier League, the Maxwell scandal, and the launch of The Big Issue, alongside charts and TV ratings of the time.


    Our discussion centers on British class anxiety, accents, and aspiration, exploring how the show both mocks and reinforces class stereotypes. We also highlight the standout performance of Patricia Routledge as Hyacinth and delve into trivia surrounding the rest of the cast too!


    Watch our chosen episode of Keeping Up Appearances on Youtube


    GAZER HOMEWORK: Next week we kick off our SEX season with Alfie from 1966

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    Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!


    Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze. 

     

    And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!

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  • In this episode of The Gazette, we banter about a new haircut and Vin Diesel’s twin brother before one of us shares a story about accidentally "having tea and scones" with both members of an identical twin pair—who, thanks to different hair and facial hair, didn’t look identical at all. We get into how Sweet Transvestite has become a full-blown earworm, and talk through generational gaps and Madonna at Coachella, where audiences seem more focused on filming than watching.


    That spirals into a broader chat about “two-screen” viewing and whether streaming TV is being simplified for increasingly distracted audiences. We also put out a call for your ideas and messages ahead of our 100th main episode and second birthday, and catch up on Hacks season five.


    Elsewhere, we touch on a new Netflix gender-role comedy, the questionable quality of Carry On Emmanuelle, a Daily Mail piece about “tacky” watches, and our outrage that Karen Carpenter’s 1979–80 solo album was shelved—with the cost unfairly deducted from her royalties.

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    Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!


    Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze. 

     

    And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!

    Hosted on Acast. See acast.com/privacy for more information.