Afleveringen
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Mike talks with journalist and author Andrew Buss to discuss his new book, I Am McLovin: How Superbad Became the Biggest Comedy Hit of Its Generation. Released in February 2025, Buss's book offers a comprehensive oral history of the 2007 film Superbad, exploring its creation, cultural impact, and enduring legacy.
In their conversation, Mike and Andrew explore the film's production process, its reception upon release, and its lasting influence on the comedy genre. They also discuss the personal anecdotes and behind-the-scenes stories that Buss uncovered during his research, providing listeners with an intimate look at the making of this iconic film.
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Mike kicks off a fresh month of Patreon picks alongside Cullen Gallagher and Rob St. Mary to unpack the satirical brilliance of Tomás Gutiérrez Alea's 1966 gem, Death of a Bureaucrat. When a revered Cuban sculptor invents a revolutionary bust-making machine only to meet his untimely demise at its mechanical hands, bureaucratic absurdity kicks into high gear. Buried proudly with his labor card, the sculptor inadvertently sparks a Kafkaesque quest as his widow and nephew wrestle hilariously with red tape, relentless officials, and ridiculous obstacles—all in pursuit of the one document standing between them and survival. Special thanks to Patreon supporter John Redford for this sharp, comedic dive into the madness of bureaucracy.
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Zijn er afleveringen die ontbreken?
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Mike White engages in a conversation with filmmaker Elijah Sullivan about his 2024 documentary, The Hole Story. The film investigates the mysterious appearance of a 60-foot man-made hole on California's Mount Shasta in 2009, which sparked over a decade of speculation and intrigue.
Elijah explores the challenges of documenting such an enigmatic subject, the process of gathering diverse perspectives, and the broader implications of the public's captivation with mysteries. They also discuss Sullivan's approach to storytelling and his experiences filming on location at Mount Shasta.
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The shield is back in action! Mike is joined by Chris Stachiw of The Kulturecast to take on Captain America: Brave New World (2025), the latest chapter in the Marvel Cinematic Universe. With Anthony Mackie stepping into the role of Captain America, the film explores Sam Wilson’s challenges as he navigates political intrigue, old enemies, and new threats—including the return of Tim Blake Nelson’s Samuel Sterns, now fully embracing his role as The Leader.
Directed by Julius Onah, this entry also introduces Harrison Ford as President Thaddeus “Thunderbolt” Ross and teases the rise of the Serpent Society. But does Brave New World deliver a worthy continuation of the Captain America legacy, or is it another symptom of the MCU’s growing pains? Mike and Chris dissect the film’s storytelling, action sequences, and its place within the ever-expanding Marvel mythology.
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Whoopbruary concludes with a look at Theodore Rex (1996), the buddy cop dino flick that had Whoopi Goldberg stars as the cyber-enhanced supercop Katie Coltrane, begrudgingly partnered with the titular Theodore Rex -- an ambitious, wisecracking, impeccably dressed dinosaur with a badge and a dream.
Joining Mike to excavate this fossilized oddity are Brad Jones and Razzie-nominated screenwriter Kevin Lehane, who help unearth the film’s bizarre production history, its straight-to-video fate, and its legacy as one of Hollywood’s strangest contractual obligations. Plus, we hear from the mastermind himself, writer/director Jonathan Betuel, who sheds light on the film’s wild journey from concept to cult curiosity.
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Whoopbruary keeps the action rolling with Fatal Beauty (1987), a hard-hitting crime thriller starring Whoopi Goldberg as tough-talking detective Rita Rizzoli. Directed by Tom Holland and based on a script by Bill Svanoe, the film follows Rizzoli as she battles to keep a deadly designer drug off the streets. Co-hosts Rob St. Mary and Kevin Lehane join the discussion, and we’ve got exclusive interviews with writer Bill Svanoe and director Tom Holland to break down the film’s mix of action, comedy, and social commentary.
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Whoopbruary rolls on with Burglar (1987), a comedic crime caper starring Whoopi Goldberg as Bernice Rhodenbarr -- Hugh Wilson’s reimagining of the literary burglar created by Lawrence Block. With Bobcat Goldthwait bringing his signature chaos as her loyal sidekick and G.W. Bailey on her trail, this one’s packed with familiar faces and offbeat energy. Guest co-hosts Kevin Lehane and Cullen Callagher join the discussion, plus we’ve got an interview with Lawrence Block himself.
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Pirate radio takes center stage as The Projection Booth tunes into 40 Watts from Nowhere (2025), the riveting true story of an underground FM station broadcasting from the shadows of 1990s Los Angeles. Host Mike White sits down with the film’s director, Sue Franklin, to explore the rebellious spirit behind the airwaves, the challenges of bringing this real-life outlaw operation to the screen, and the cultural impact of independent radio in the pre-internet era.
Catch it at the Slamdance 2025 film festival.
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Whoopbruary is here! We're dedicating a whole month to the incomparable Whoopi Goldberg, spotlighting a trio of films she made after her powerhouse performance in The Color Purple—plus one extra for good measure. Kicking things off is Jumpin’ Jack Flash (1986), the high-energy spy comedy directed by Penny Marshall. Whoopi stars as Terry Doolittle, a quick-witted computer technician who unwittingly stumbles into international espionage when she makes contact with a British spy. With a script originally penned by David H. Franzoni, Whoopi's signature charm is on full display.
Ian Brownell joins this month's co-host, Razzie-nominated writer Kevin Lehane, for a fun discussion of where and how this fits into Whoopi's filmography.
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George A. Romero’s Resident Evil is one of the greatest "what could have been" stories in horror cinema. Filmmaker Brandon Salisbury discusses his documentary, which explores the legendary director’s unmade adaptation of the iconic video game, diving into the history, the scripts, the concept art, and the behind-the-scenes drama that kept Romero’s vision from reaching the screen. Featuring insights from those who were there, this episode uncovers the alternate universe where the zombie master himself brought Resident Evil to life.
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Buckle up for a journey through the absurd, anarchic, and audacious as The Projection Booth takes on Jean-Luc Godard's Weekend (1967). Hosts Mike White, Rob St. Mary, and Andrei Idu (who requested the episode via Patreon) dive headfirst into Godard's biting critique of consumerism, class, and chaos, dissecting the film's surreal narrative, infamous tracking shots, and unapologetically subversive tone. From the traffic jam to the revolutionaries, they explore how this incendiary masterpiece continues to provoke and puzzle audiences decades later.
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Mike White is joined by Maurice Bursztynski and Suzen Tekla Kruglinska to explore Hal Ashby's Being There (1979), a satirical masterpiece based on Jerzy Kosinski’s novel. This listener request from Patreon supporter Jordan Nash examines the story of Chance, played brilliantly by Peter Sellers, a sheltered, developmentally delayed man who steps out of isolation after his caretaker's death. Wandering the streets of Washington, D.C., Chance is swept into the elite world of Eve Rand (Shirley MacLaine) and influential power players, including the President (Jack Warden), thanks to a series of misunderstandings. The trio delves into the film's themes of perception, power, and simplicity, discussing its layered satire, unforgettable performances, and enduring relevance.
Professor Aaron Hunter, author of Authoring Hal Ashby: The Myth of the New Hollywood Auteur, discusses the film's evolution from Kosinski's novel to the screenplays by Robert C. Jones to the final film.
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Mike welcomes writer/director (and fellow Michigander) Anna Baumgarten for a heartfelt conversation about her award-winning 2021 film Disfluency. This intimate exploration of a young woman's journey to recover from trauma and rediscover her voice captures the raw vulnerability of healing and self-discovery. Anna shares the personal inspirations behind the film, the challenges of portraying mental health and emotional resilience on screen, and the creative choices that brought Disfluency to life.
Visit https://www.disfluencymovie.com/ for more details.
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We dive into Red Lights (2012), a psychological thriller that blends skepticism, belief, and the enigmatic world of psychic phenomena. Written and directed by Rodrigo Cortés (Buried), the film stars Sigourney Weaver and Cillian Murphy as a pair of investigators determined to expose fraudulent psychics. Their sights are set on Simon Silver (Robert De Niro), a legendary blind performer whose mysterious powers defy explanation—or do they?
Co-hosts Rod Lott and Ryan Luis Rodriguez team up to discuss this layered tale of science versus the supernatural, unraveling its twists and themes. Along the way, they explore why this overlooked gem from James Brummel's Patreon request deserves a closer look. Is Red Lights a misunderstood thriller or a missed opportunity? Tune in and decide for yourself!
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The Projection Booth dives deep into the shadowy corridors of power with Alan J. Pakula's All the President’s Men (1976), a landmark film about the Watergate scandal that brought down a presidency. This special episode, co-hosted by Robert Bellissimo and Andras Jones -- who requested the film for Patreon Request Month -- delves into the gripping story of Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), as they unravel the conspiracy that reached the highest levels of government.
With a razor-sharp script by William Goldman and Pakula’s masterful direction, the film captures the intensity of investigative journalism and the political paranoia of its time. Join us as we explore the making of this cinematic powerhouse, its relevance today, and the passion behind Redford’s drive to bring this story to the screen.
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We continue another Patreon month with a pick from Andrew Henrickson: 24 Hour Party People. Join Mike White, Father Malone, and Axel Kohagen as they dive into Michael Winterbottom's electric chronicle of the Manchester music scene, told through the eyes of the ever-charismatic Tony Wilson, played by Steve Coogan. From Factory Records to the legendary Hacienda, the film brims with unforgettable moments and a who's who of '80s post-punk history, including standout performances by Lenny James, Paddy Considine, and more.
We were supposed to speak with screenwriter Frank Cottrell Boyce again for the episode but it didn't happen this time.
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On this special episode, Mike talks with Sharif Nakhleh, director of Dread Zeppelin: A Song of Hope (2024), and producer Jason USA. This compelling documentary charts the bizarre, brilliant journey of the band Dread Zeppelin, blending reggae, Led Zeppelin covers, and a touch of Elvis for a sound and story like no other. Mike unpacks the film’s creation, its exploration of musical eccentricity, and its celebration of the enduring power of hope and creativity.
Find out more at https://www.chibson.com/blogs/blog/dread-zeppelin-a-song-of-hope-new-documentary
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Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film’s layered narratives, its haunting aesthetics, and its enduring impact.
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Mike dives into the deep end with Patrick Jankiewicz, the author of Just When You Thought It Was Safe: A JAWS Companion. From the film’s iconic legacy to its ripple effect on Hollywood and pop culture, Patrick unpacks the behind the scenes of the shark that changed everything. It’s a fascinating look at the making of a masterpiece, the sequels, and why JAWS still has us afraid to go in the water.
Buy it at https://amzn.to/4fFJOxQ
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Explore the dualities of morality, fate, and human frailty in Crimes and Misdemeanors (1989), Woody Allen's masterful blend of dark comedy and philosophical drama. To close out 2024 and our Patreon-requested series, Mike White welcomes Andras Jones and Keith Gordon for a spirited discussion of this haunting tale. With Martin Landau and Allen himself leading parallel storylines—one of an ophthalmologist spiraling into ethical darkness, the other of a struggling documentarian chasing unrequited love—the film weaves an intricate tapestry of guilt, ambition, and existential reckoning. Along the way, a blind rabbi offers wisdom (and serves as a poignant metaphor) as the characters navigate their moral crossroads.
The episode features an interview with Woody Allen's friend and biographer Eric Lax who describes Allen's process and the evolution of Crimes and Misdemeanors.
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