Afleveringen
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This conversation between composers Rafael Toral and Samuel Andreyev was conducted on 25 March 2024.
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RAFAEL TORALâS WEBSITE
https://rafaeltoral.net/
PRIVATE LESSONS IN COMPOSITION AND ANALYSIS
Contact me via samuel.andreyev (at) gmail (dot) com
NEW ALBUM COMING 17 NOVEMBER 2023!!
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EPISODE CREDITS
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Legendary guitarist, composer, songwriter, producer and record label mogul Jim OâRourke returns to the Samuel Andreyev Podcast to discuss artists who have influenced him, why he is not thrilled with his album âEurekaâ, and much more.
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EPISODE CREDITS
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Zijn er afleveringen die ontbreken?
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Dr Lola Salem graduated from the Ăcole Normale SupĂ©rieure, Lyon, in 2015 (MA Musicology), the Sorbonne in 2018 (MA Aesthetics and Philosophy of Arts) and the University of Oxford in 2023 (D.Phil. Musicology). Her academic research lies in the fields of 17-18th centuries opera, performers, patronage and material conditions, with a specific focus on law. In 2018, one of her papers won the Young Scholar Prize at the STIMU Symposium, Utrecht. Since 2018, Lola has taught Music undergraduates across the University in Oxford, and since 2022 she has worked as a Lecturer in French at Wadham and St Catherineâs Colleges. At Oriel College, Oxford, Lola is a Lecturer in Music and teaches the following papers: Foundations in the Study of Music, Musical Thought and Scholarship, Historically Informed Performance, Music and Nationalisms, The String Quartet Between Classicism & Modernism, 18th Century Opera. As a child and teenager, she sang and was professionally trained at the MaĂźtrise de Radio France (2005-2010). Later, she became an art critic for I/O Gazette between 2016 and 2020. Since 2022, she regularly publishes in The Critic, a UK magazine, and other media such as Arthwart and Engelsberg Ideas. She is also a Civic Future Fellow and a consultant in London on issues related to education, culture, and the arts.
LOLA SALEM WEBSITE
https://www.oriel.ox.ac.uk/people/lola-salem/
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SAMUEL ANDREYEVâS NEW ALBUM
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EPISODE CREDITS
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Matthew Sheeran is a UK-based composer, violinist and arranger. His new album, arranging music by the American microtonal composer Easley Blackwood, has just been released and can be found at the link below. This interview was filmed on December 18, 2023.
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EPISODE CREDITS
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Ian Pace is a pianist, musicologist and Professor of Music, Culture and Society at City, University of London. This is his third appearance on the Samuel Andreyev Podcast.
IAN PACEâS WEBSITE
https://ianpace.com/
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SAMUEL ANDREYEVâS NEW ALBUM
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Luigi Gaggero is a conductor and cymbalom soloist.
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In Glow of Like Seclusion
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Martin Suckling was born in Glasgow in 1981. After spending his teenage years performing in the National Youth Orchestra of Great Britain and in ceilidh bands around Scotland, Suckling studied music at Clare College Cambridge and Kingâs College London. He was a Paul Mellon Fellow at Yale University from 2003-5, undertook doctoral research at the Royal Academy of Music, and subsequently became a Stipendiary Lecturer in Music at Somerville College, Oxford. His teachers include George Benjamin, Robin Holloway, Paul Patterson, Martin Bresnick, Ezra Laderman, and Simon Bainbridge. He has benefited from residencies at the Royal Shakespeare Company, Aldeburgh Festival, Aspen, and IRCAM, and has won numerous awards including the 2008 Royal Philharmonic Society Composition Prize and a Philip Leverhulme Prize. He is Professor of Composition at the University of York.
DISCOVER MARTINâS ONLINE OPERA âBLACK FELLâ
https://www.black-fell.com/opera
MARTIN SUCKLING WEBSITE
http://www.martinsuckling.com/
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In Glow of Like Seclusion
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Gary Barwin is a novelist, composer, poet. This conversation was recorded 4 December 2023 via zoom.
GARY BARWIN WEBSITE
https://garybarwin.com/bio/
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SAMUEL ANDREYEVâS NEW ALBUM
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Edition Impronta, publisher of Samuel Andreyevâs scores
EPISODE CREDITS
Post production: Philippe Gosselin
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Jim OâRourke is a composer, singer-songwriter, producer, archivist, and former member of Sonic Youth.
JIM OâROURKE ON BANDCAMP
https://steamroom.bandcamp.com/
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Edition Impronta, publisher of Samuel Andreyevâs scores
EPISODE CREDITS
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I had an impromptu discussion with British composer Julian Anderson about harmony. It was recorded in the Hotel de lâHermitage in Monte Carlo, Monaco, on 11 October 2023.
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In Glow of Like Seclusion
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**EPISODE IN FRENCH / EPISODE EN FRANĂAIS**
NĂ© en 1960, Jean-Luc HervĂ© fait ses Ă©tudes au Conservatoire SupĂ©rieur de Musique de Paris avec GĂ©rard Grisey. Il y obtient un premier prix de composition. Sa thĂšse de doctorat dâesthĂ©tique ainsi quâune recherche menĂ©e Ă lâIRCAM seront lâoccasion dâune rĂ©flexion thĂ©orique sur son travail de compositeur, sa rĂ©sidence Ă la Villa Kujoyama de Kyoto un tournant dĂ©cisif dans son Ćuvre. Sa piĂšce pour orchestre Ciels a obtenu le prix Goffredo Petrassi en 1997. En 2003 il est invitĂ© en rĂ©sidence Ă Berlin par le DAAD. Ses deux disques monographiques ont reçu le coup de cĆur de l'acadĂ©mie Charles Cros. Il fonde en 2004 avec Thierry Blondeau et Oliver Schneller lâinitiative Biotop(e). Ses Ćuvres sont jouĂ©es par des ensembles tels que lâEnsemble Intercontemporain, Court-Circuit, Contrechamps, Musik Fabrik, KNM Berlin, Divertimento, Orchestre Philharmonique de Radio-France, Orchestra della Toscana, Berliner Sinfonie-Orchester. Une partie de son travail actuel consiste en des Ćuvres de concert-installation conçues pour des sites singuliers. Il est actuellement professeur de composition au conservatoire Ă rayonnement rĂ©gional de Boulogne-Billancourt et est Ă©ditĂ© aux Ă©ditions Suvini-Zerboni Milan.
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Iridescent Notation
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Dr. Tyler Foster is a mathematician and composer working in machine learning. This conversation was recorded over Zoom on March 23rd, 2023.
MUSIC EXCERPTS HEARD IN THIS PODCAST, IN ORDER:
Voice Leading â Beatmatching Study
This Brutal World
HEAR TYLER FOSTERâS MUSIC
https://soundcloud.com/tyler-foster
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Laurence Osborn (b. 1989) is a British composer currently based in London. His music has been commissioned and/or programmed by the London Symphony Orchestra, London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Ensemble Modern, Britten Sinfonia, The Riot Ensemble, Manchester Collective, 12 Ensemble, GBSR Duo, Ensemble Klang, and Ensemble 360, among others. He has also written for solo performers Sarah Dacey, Mahan Esfahani, Bartosz Glowacki, Zubin Kanga, Lore Lixenberg, Michael Petrov, and Agata Zubel. His music has been programmed throughout the UK, at venues such as The Royal Festival Hall, Queen Elizabeth Hall, The Royal Opera House, Symphony Hall (Birmingham), The Wigmore Hall, Kings Place, LSO St Luke's, St Martin- In-The-Fields, Milton Court, Wilton's Music Hall, Britten Studio (Aldeburgh), The National Portrait Gallery, The Holywell Music Room (Oxford), The Crucible Theatre (Sheffield), Kettleâs Yard (Cambridge), and at Huddersfield Contemporary Music Festival (where he was an International Showcase Artist), St Magnus International Festival, Music in the Round Festival, and Ulverston International Music Festival.
Laurence Osbornâs song cycle Essential Relaxing Classical Hits was nominated for an Ivor Novello Award in 2021. He won the Royal Philharmonic Society Composition Prize in 2017, was runner up in the New Cobbett Prize for Composition (2014) and the International Antonin Dvorak Composition Competition (2013) and was shortlisted for the ICSM World Music Days (2018). Laurence has won student prizes for composition while studying at both undergraduate and postgraduate level, including the Adrian Cruft Prize for Composition and the Royal College of Music Concerto Competition. He has held positions in association with LSO Soundhub (2013-15), Nonclassical (2015-17), and the London Philharmonic Orchestra (2017-18).
SOUND EXERPTS, IN ORDER:
1. Coin Op Automata for harpsichord and string quartet
performed by the Manchester Collective
2. Essential Relaxing Classical Hits, for amplified solo soprano and 6 players
performed by Agata Zubel and Ensemble Klang
3. Absorber, for solo piano and MIDI controller
performed by Zubin Kanga
LINKS
Laurence Osborn official website
Watch video of âAbsorberâ for piano and MIDI controller
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Robin Holloway is a British composer and professor at the University of Cambridge. This conversation was filmed at the composerâs home in Cambridge on 25 January 2023.
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HELP US REACH OUR CROWDFUNDING GOAL!
Wemakeit page
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EPISODE CREDITS
Post production: Marek Iwaszkiewicz
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I spoke with four members of Ensemble Proton Bern immediately following a recording session for my composition âSonata da Cameraâ at the SRF Radiostudio in ZĂŒrich, Switzerland on 19 June 2022. We talked about our forthcoming album with conductor Luigi Gaggero, how our collaboration has evolved over the past 10 years, the advantages and disadvantages of CDs vs vinyl, the peculiar challenges involved in performing contemporary repertoire, and more.
Episode guests:
Jan-Filip ƀupa, cellist
Coco Schwarz, pianist
Martin Bliggenstorfer, oboist
Richard Haynes, clarinet
HELP US REACH OUR CROWDFUNDING GOAL!
Wemakeit page
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Michael Finnissy is a British composer and pianist. This conversation was recorded via Zoom on 27 April 2022.
00:00:00 Introduction
00:01:12 The composition process
00:06:38 Serialism
00:10:05 MFâs critique of Grand narratives
00:13:30 On teaching
00:27:36 On originality
00:38:36 On being an outsider
00:48:13 Present-day obsessions
00:52:13:08 Microtonality
00:55:16:22 Instrumentation
01:00:47:13 How MF works with pitch
01:19:09:16 Patreon question: Drawing inspiration from nature
01:22:14:07 Patreon question: New complexity
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EPISODE CREDITS
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Ian Pace is a pianist, musicologist and professor at City, University of London. This is his second appearance on the Samuel Andreyev Podcast. The conversation was recorded in London, UK on 5 April 2022.
IAN PACE WEBSITE
https://ianpace.com/sample-page/
FOLLOW IAN PACE ON TWITTER
https://twitter.com/ianpacemain?s=20&t=DUDr8v0n9oLmpj0SpOD40Q
IAN PACE WRITINGS
https://openaccess.city.ac.uk/view/creators_id/ian=2Epace=2E1.html
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EPISODE CREDITS
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**EPISODE IN FRENCH / EPISODE EN FRANĂAIS**
Hugues Dufourt privilégie les continuités et les lentes transformations d'un discours musical qui n'est que rarement interrompu. Il conçoit des formes par évolution de masses et travaille sur les notions de seuils, d'oscillations, d'interférences et de processus orientés. Pionnier du mouvement spectral, il lui accorde toutefois une définition plus large, cherchant à mettre en valeur l'instabilité que le timbre introduit dans l'orchestration. Sa musique repose sur une richesse de constellations sonores et harmoniques et s'appuie sur une dialectique du timbre et du temps. Il puise une partie de son inspiration dans l'art pictural, dont il retient essentiellement le rÎle de la couleur, des matiÚres et de la lumiÚre (Dawn flight, quatuor à cordes créé en 2008 à Musica, Le CyprÚs blanc et L'Origine du monde, créés à Musica 2004). Marqué par l'avant-garde française des années soixante, Hugues Dufourt participe aux activités de L'Itinéraire (1975-81) et fonde en 1977 le Collectif de Recherche Instrumentale et de SynthÚse Sonore (CRISS) avec Alain Bancquart et Tristan Murail. Agrégé de Philosophie en 1967, il publie de nombreux écrits. Il est chargé de recherche (1973-85) puis directeur de recherche au CNRS (1985-2009) et crée en 1982 l'Unité Mixte de Recherche "Recherche Musicale" qu'il dirige jusqu'en 1995. Hugues Dufourt a reçu de nombreux prix, notamment en 2000 le Prix du Président de la République pour l'ensemble de son oeuvre, décerné par l'Académie Charles Cros. Ces derniÚres années, Hugues Dufourt a composé des oeuvres aux formations diverses, du piano seul (Tombeau de Debussy créé au Festival Musica 2018) au grand orchestre (Ur-GerÀusch, créé en 2016 par l'Orchestre de la WDR, Les deux saules d'aprÚs Monet créé en 2020 à Vienne par l'Orchestre symphonique de la Radio), en passant par des petites formations (L'atelier rouge d'aprÚs Matisse, créé en 2020 à Varsovie par l'Ensemble Nikel) ou les percussions (Burning Bright, créé par les Percussions de Strasbourg au Festival Musica 2014). La Horde d'aprÚs Max Ernst, pour orchestre, commande du Lemanic Modern Ensemble et de Radio France sera créé au Festival Présences 2022.
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EPISODE CREDITS
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Born in Donetsk (Ukraine), Dina Pysarenko is a pianist, accompanist at the National Tchaikovsky Music Academy of Ukraine, soloist of the Ukho Ensemble Kyiv and a laureate of the Levko Revutsky Award (2014) as well as the 6th International S. Prokofiev Competition (Saint-Petersburg, 2013). While still studying at the Donetsk Specialized Music School for gifted children, Dina was twice a laureate of the International Competition in Memory of Vladimir Horowitz in Kyiv. She graduated with Honours from Sergey Prokofiev Donetsk State Music Academy in 2009, where she studied with Prof. Lidiya Adamenko. Eager to embrace various styles in her repertoire, Dina devotes particular attention to contemporary music: since 2006 she has premiered a number of pieces by living composers, such as Yevhen Petrychenko, Serhiy Piliutykov, Alexandra Karastoyanova-Hermentin and Oleksiy Voytenko, performing at important Ukrainian festivals such as KyivMusicFest, GogolFEST, Donbas Modern Music Academy, etc.
Together with Ukho Ensemble Kyiv under the baton of Luigi Gaggero, she has given the Ukrainian premieres of several important pieces of the 20th and 21st centuries, including à propos du concert de la semaine derniÚre by Samuel Andreyev, ...quasi una fantasia... by György Kurtåg, Kammerkonzert by Klaus-Steffen Mahnkopf, and the Piano concerto of György Ligeti. Dina participated in a conducting masterclass held by maestro Luigi Gaggero with the Ukho Ensemble Kyiv, making her debut as a conduc- tor with Intégrales by Edgard VarÚse (2016) and Epicycle by Iannis Xenakis (2018).
Since 2009, Dina Pysarenko has accompanied the class of Prof. Valeriy Ivko, one of the founders the of Ukrainian domra school. In the 2013/14 season she was accompanist at the Anatolii Solovyanenko Donetsk Opera and Ballet Theatre. She has also participated in three opera productions staged in the National Opera of Ukraine by Ukho agency and directed by Luigi Gaggero: Limbus-Limbo by Stefano Gervasoni (2016), Pane, sale, sabbia by Carmine Emmanuele Cella (2017), and Luci mie traditrici by Salvatore Sciarrino (2018). This interview was recorded on March 9th, 2022.
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EPISODE CREDITS
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