Afleveringen
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In this episode, we are in conversation with Dr. Craig Walton, a planetary scientist based at ETH Zürich and the University of Cambridge. Craig’s work spans the origins, evolution, and distribution of life in the Universe.
In this podcast, we chat about cosmic dust, the origins of life on Earth, and phosphorus—a key element for life, known as the ‘bringer of the light of day’, and its more fiendish nickname, “The Devil’s Element”. In a paper published in Nature Astronomy in February 2024, Craig and his colleagues note that life on Earth probably originated from “reservoirs of bio-essential elements” such as phosphorus, sulfur, nitrogen, and carbon. But our earth rocks are relatively poor in reactive and soluble forms of these elements. So where did they come from? Apart from meteorites and asteroids, they could have also found their way to earth through cosmic dust, mineral grain aggregates of less than 3 mm derived from asteroids and comets. And glaciers provide settings capable of both locally concentrating cosmic dust and initiating closed-system
aqueous prebiotic chemistry in cryoconite holes, self-sustaining puddles or lakes.In a more poetic turn, we talked about meteorites, which has been termed by Elizabeth Grosz
as the ultimate outsider, a cosmological imponderable that might burst through the perceived
limits of the known. Craig noted that these materials speak at a deeper level about where we
come from and how we should live. Potentially, all life derives from these cosmic gifts. We
are really made of stardust. Everything about meteorites and their eviscerated metallurgic
intensity speaks to their incredible durability. We then moved on to Craig’s PhD thesis on phosphorus, the backbone of DNA and our metabolism. It cycles through ecosystems in a mostly closed loop as organisms live, die and decay. This remarkable element, crucial for global food production, allows our civilization to flourish. However, with its overuse, we now face the dangers of fertilizer run-off such as algal blooms which can lead to ocean anoxic events which have been correlated with mass extinctions. For four and a half billion years, life has recycled minerals and resources, but we humans take them for granted. We churn through these resources, dump them in the oceans and move on. It can’t end well.Outside of research, Craig writes science fiction as well as science communication articles on
a wide range of topics. If you want to hear more from Craig about all of the above, you can follow him on Twitter/X @lithologuy for updates.The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes.
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In this episode, host Susan Mathews is in conversation with Kathryn Yusoff, Professor of
Inhuman Geography at Queen Mary University of London. Her transdisciplinary research
addresses the colonial afterlives of geology and race as a site of planetary transformation and
social change. Her research is published in A Billion Black Anthropocenes or
None (University of Minnesota Press, 2019) and Geologic Life: Inhuman intimacies and the
Geophysics of Race (Duke University Press, 2024).The conversation centres around the science of geology and its epistemic and field
practices. In her book Geologic Life, Yusoff notes that geology, which emerged in the late
fifteenth through nineteenth centuries as a Eurocentric field of scientific inquiry, was a form
of earth writing riven by systemic racism, complicit in the building of colonial worlds and the
destruction of existing earths. The origin stories of earth and scripts of race are natal twins.
Both mineralogical material and the subjugated person, such as on racial lines, were
categorized as ‘inhuman’. She approaches this work not through a linear historical geography
but through undergounds (as footnote, mine, appendix, subtending strata, and stolen suns)
that reveal subterranean currents.Part of the task is to bring this whiteness down to earth through counter-gravities such as
insurgent geology, non-fossil histories and questioning stratification. Broadly, Black, Brown,
and Indigenous subjects whose location is the rift have an intimacy with the earth that is
unknown to the structural position of whiteness. This inhuman intimacy represents another
kind of geo-power: the tactics of the earthbound. So, whether it be through growing food, or making music such as the Blues, or the earth as a revolutionary compatriot, there have
always been persistent resistances against these racialized relations.Yusoff speaks of the paradigm of the mine, which encapsulates this presumption of
extraction. She speaks of how material value is stabilized in the present from skyscrapers to
palm plantations, but both inhuman mineral “resources” and subjugated labouring people are
relegated to the underground. The mine has also inspired carceral forms such as the prison
complex.For a more reparative geophysics, we need to embrace practices that don’t start from the
division between bios and geos and actually understand the earth and minerals as part of a
kin relationship with a more expansive understanding of how the human comes into being.
The separation between biology and geology is purely a kind of historical effect of disciplines
and disciplining practices. These changes are even more important in the Anthropocene,
where we have what she terms as a “white man’s overburden” with tech bros or
predominantly White Western men deciding the future of Earth. Geobiology is a relational
affair, and we need to see geology as a praxis of struggle and earth as iterative and
archiving of those struggles.The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes.
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Zijn er afleveringen die ontbreken?
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In this episode, host Susan Mathews is in conversation with Dr. Ambika Aiyadurai, an anthropologist studying wildlife conservation with an interest in human-animal relations and community-based conservation. Her monograph Tigers are our Brothers: Anthropology of Wildlife Conservation in Northeast India was published in 2021. She has written extensively on issues of caste and indigeneity in the environmental sciences and academia in India.
Ambika completed a PhD thesis in Anthropology from the National University of Singapore in 2016, and currently teaches at IIT, Gandhinagar in India.
Susan and Ambika speak of how social hierarchies impact what ‘earth’ means to its various inhabitants. For some a safe haven, for others a dangerous, hostile place. In the Indian context, this is evidenced by the deliberate invisibility of caste in environmental studies and in Indian academia. The exploitation of nature and the perpetuation of caste hierarchies are inextricably linked, with purity and pollution playing significant roles in determining access and exclusion. The lives and livelihoods of people of marginalised communities are often entwined—in a daily connection or a daily struggle—with the fabric of nature itself. Caste and class determine access to land, water, forest, pasture land.
The ‘environment’ is conceptualised as apolitical and asocial, like a kind of a local terra nullius. The social is absent from environmental studies and discourse. Nature is seen as separate from, and devoid of, humans. Indigenous worldviews, like that of the Mishmi in Arunachal Pradesh, where Ambika has worked, challenge this dichotomy, seeing instead a continuum of human, non-human, and spirit worlds. However, for a long time, wildlife conservation research and practice has ignored these communities and their knowledge.
The conservation model of ‘protected areas’ is offshoot of the dominant ‘development’ practices. The state and scientists view the forest as a place to be measured and mapped, assigning it economic value. Both protected areas and infrastructure like dams and highways cut through geographies inhabited by indigenous peoples, making them ecological refugees.
The same notions of purity and pollution lead to the idea that people need to be evicted in order to conserve, a dark history of our national parks in our country.
In finding answers to how we can approach repair and reparation in these academic and other conflict zones, Ambika speaks about the need to shift power structures, change our classrooms, to push for diversity among students, teachers and practitioner, to revamp our syllabi and be active in frontline activism.Dr. Ambika Aiyadurai is trained in natural and social sciences with masters’ degrees in Wildlife Sciences from Wildlife Institute of India and Anthropology, Environment and Development from University College London funded by Ford Foundation. In 2017, she was awarded the Social Sciences Research Council (SSRC) Transregional Research Junior Scholar Fellowship. She has two co-edited volumes, Ecological Entanglements: Affect, Embodiment and Ethics of Care (2023) and More Than Just Footnotes: Field Assistants in Wildlife Research and Conservation (2023). She is currently Associate Professor in the Department of Humanities and Social Sciences at IITGN.
The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes.
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We start Season 4 of The Subverse, which will focus on “Earth”, with a conversation with David George Haskell, a writer and biologist. We focus on his latest book, Sounds Wild and Broken, which explores the story of sound on Earth. It was a finalist for the 2023 Pulitzer Prize in Nonfiction and the PEN E. O Wilson Literary Science Writing Award. In it, David writes about how, three and a half billion years ago, sunlight found a new path to sound: life.
The wonders of Earth’s living voices emerged after hundreds of millions of years of evolution that unfolded in communicative silence. From the ancient cricket Permostridulus which bears the earliest known sound-making structure, a ridge on its wing, this sonic creativity was spurred on by some amazing marvels, anatomical and otherwise. They range from insect wings and flowering plants to ciliary hair and even human milk.
Now, both land and water are far from silent; fish drum and twang, whales sing, birds chirp and wings buzz. The sonic diversity of the world is rooted in the divergent physical worlds and social lives of animals and the happenstances of history. Every species has a logic, a grammar, to its sound making. And still, the process of hearing is one of unity at the cellular level. Sound also travels across oceans, creating a sort of global unity in sonic communication.
Sound is ephemeral, instantly dissipating, and yet can be older than stone. So, in listening to animal voices around us, we are taken back into deep time and legacies of sonic geology. But it is also a ledger of loss. Our species is both an apogee of sonic creativity and the great destroyer of the world’s acoustic riches. As we get noisier, we diminish sonic soundscapes, bequeathing the future an impoverished sensory world.
This sensory crisis is an important measure of the environmental crisis, and a powerful untapped tool for environmental justice. How do we create a poetics and politics of listening? We tend to think of experiences of beauty and of creativity as somehow separate from politics and ethics, but Haskell points out that they are deeply intertwined. We are embodied sensory beings. As a species, we need to gather and celebrate the voices of non-human beings.
Technological advances have allowed us to record these soundscapes to check on the health of ecosystems. But when we get too reliant on technology, we ignore the wisdom of the people who have lived in the forest for centuries and don’t need gadgets to gauge the health of the forest, or to protect it. David spoke of the generative capacity of sound which comes from life and interconnection. He closed with an invitation to take a few minutes of each day and listen, without judgement or expectation, and let sound do its work.
The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes.
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In today's episode, we bring you Stories from the Subverse. Siddharth Pandey, a writer, artist, and historian, extols the wonders of moving, and allowing oneself to be moved. The simple act of walking becomes radical, with the potential to shirk Nazi commands in Munich, to reclaim fresh air and majestic mountain views from imperial exclusivity in Shimla, to change, create and stir the imagination.
As he moves through the mountains, Siddharth challenges their apparent immobility, not just in the liveliness that they host and nurture, but in their very genesis. Every step he takes literally shaping perceptions and perspectives, the scene constantly adjusting itself, illustrating another gift of movement: the affordance of variety, of diversity, and of perpetual newness. A transformative magic Siddharth explores in his book, Fossil.
Attuned also to non-generative transformation, Siddharth tackles the ostensible contradiction in celebrating the glory of mountains as we hurtle forward into the maw of the Anthropocene.
Drawing on the work of Harvard critic Elaine Scarry, he shows how beauty “decentres”, for we are no longer the focus. Our initial focus on the beautiful object is followed by a cultivation of care; an act of movement in a growing field of relations. Music is an important expression of the innate rhythms and cadences of these landscapes.
From the Himachali folk songs that Siddharth’s mother sang to him in his early childhood, to the sense of vastness and longing so typical of the desert panoramas of Rajasthan, or the uplands of Celtic Europe. Earthy tunes that seemed to literally stem out of the landscape they sang of. Mountains far near and far inspired a need to compose. And Siddharth heeded that call, creating tunes that captured journeys through his beloved Himachali landscape and beyond. Some of these tunes are generously intertwined in this story.This story was produced by Tushar Das. You can find him on Instagram and his work on the Brown Monkey Studio website. We also thank Vaaka Media for their logistical support.
Music in this story:
The piano compositions in this story, A Ride to Annandale and a fragment of Flow, have been composed and performed by Siddharth Pandey. The Himachali folk song Udi Jaaya has been performed by the folk artist Anita Pandey (on the vocals) and Siddharth Pandey (on the piano).About Siddharth Pandey:
Siddharth Pandey is a writer, cultural historian, visual practitioner and musician hailing from the Shimla Himalayas. Educated in India and the UK, he holds a PhD in Literary and
Material Culture Studies from the University of Cambridge. His first book Fossil was
published in 2021, and was a finalist for the 2022 Banff Mountain Literature Awards. -
In this episode, Susan Mathews narrates an eccentric story of fire, an intangible and odd element. She begins with lines from William Blake’s “The Tyger”, which invites us to partake of creation and the paradoxes of the divine, with an equal measure of wonder and terror evoked through fire. But fire is more than just combustion and volatility, a chemical reaction or an ecological stimulus. The history of fire and the history of life are twin flames.Lynn Margulis and Dorion Sagan write in their wonderful book What is Life? that one answer to the titular question is that life is the transmutation of sunlight. It is the sun become the green fire of photosynthesizing beings, the natural seductiveness of flowers and the warmth of the tiger stalking the jungle in the dead of night. The character of burning over deep time is one with twists and turns. It started with a spark of lightning but for fire to become a planetary force, it needed oxygen and fuel. Stephen Pyne, a prolific historian of fire and the first guest in this podcast season, outlines three fires. Plants set ablaze by lightning were the first, humans aiding and abetting fire the second and the third fire is where humans burn lithic landscapes. No longer bounded by season, sun or natural rhythms, this fire without limits made us geological agents. It is also a fire of empire and slavery, of loss and destruction. From a celestial and originary green fire we now see terrifying red plumes and a rising blue fire of the oceans. The world is out of pyric balance.
So how do we rewrite this story? In the second half of this episode, Susan introduces some exciting ideas that help us think through fire differently, starting with the myth of Prometheus. In this tale, the role of Pandora is often ignored, downplayed, or forgotten. Elissa Marder, in an article entitled Pandora’s Fireworks describes Pandora, created out of clay and water, as a kind of counterfire (anti puros), a technological counterpart to divine fire. Pandora establishes the defining limits of the human and reminds us of our connection with the rest of the biosphere.
From Pandora’s pyrotechnics, we move to the ‘pyrosexual’, a term she borrows from the work of Nigel Clark and Kathryn Yusoff in their article titled Queer Fire: Ecology, Combustion and Pyrosexual Desire. Clark and Yusuff peel back the metaphors of fire and sex and suggest instead a deep, conjoint history of sexual desire and fiery consummation. By contextualizing the ‘pyrosexual’ within the wider economy of earth and cosmos, they seek ways to escape industrial capitalism’s current hyperconsumptive cycles of accumulation. They remind us that plants are sexual beings and challenge more ‘orthodox’ environmentalisms that curb desire and renouncing of pleasure. Fire being a boundary between biologic life and inhuman materialities, it offers a track that restructures the asexual-sexual binary with lateral forms of agency and modes of desire. What else, they ask, can we do with a planet of fire?Susan ends with a tribute to Alexis Pauline Gumbs, a poet and writer who inspired much of
Season 2 on water and this one on fire. In a powerful piece published in Harper’s Bazaar this year, she writes that menopause is a powerful lens through which to look at this hot planetary crisis. Apart from the similarities, such as planetary hot flashes caused by toxic environments, menopause is also a liminal space of possibility. She asks whether underneath all this heat, we are meant to learn something about change.
Special thanks to Tushar Das and Brown Monkey Studio who added the wonderful effects
and sound designed the episode. -
In this episode, host Susan Mathews has a revealing conversation with Professor Pompa Banerjee on fire and gendered and ritualised violence in historical and current practices.
Prof. Banerjee teaches courses in early modern literature and culture at the University of Colorado, Denver. Her work focuses on the literary and cultural dimensions of Europe’s cross-cultural encounters in the global Renaissance, especially in the ways they shape identity in the age of discovery. She also studies the unexpected crossings between European witches and Indian widows, and has written extensively on these subjects as well as early modern literature and travel, Shakespeare, and modern Indian adaptations of Shakespeare.
In this episode, we spoke of fire’s symbolism and its role in ritualised violence, embodying and enforcing socio-political ideologies that dictate gender roles for women. We refer specifically to her book Burning Women: Widows, Witches and Early Modern European Travellers in India (New York: Palgrave Macmillan, 2003), where she pores through European travel narratives from 1500 to 1723, where representations of Sati were conventional, even de rigeur, in travelogues of India, and which coincided with successive waves of witch-hunts in Europe. Despite these synchronous occurrences, the ritualised burning in both cases and the burning as public spectacle, these early travel narratives make no correlation between widow burning and witch burning, what Prof. Banerjee terms as a ‘literary haunting’.
One reason for this erasure is that practices were coded very differently—the sati’s burning as a heroic sacrifice and the witch’s burning as legitimate retribution. While both women were considered insensible to pain, one was through ascension to literal divinity while the other was through the machinations of the devil. In these theatrical burnings, female bodies become sites of storytelling and ideological reformation. In both practices, the woman is placed centre stage, as it is the witnesses who provide validation and who receive the story being told. The Sati’s deathless love for her husband, itself a tool of economic control, became instrumental in recasting the ideal European wife. We also speak of how the British, in the later colonial period, used narratives of the barbaric practices of brown people to assert their moral right to rule.
Finally, we delved into the possible origins of this connection between female subjectivity and
deviance. We spoke of the exclusive power women held and hold over the hearth and life-sustaining
domestic functions and how these were reconstructed through male fantasies as dangers. Fire has been used in contradictory motifs of resurrection, purity, cleansing, punishment, deification and transcendence, a running theme of course being the disciplining of female desire and sexuality. Women’s bodies become the sites of dispute every time society undergoes upheaval. And the only way to counter these narratives are understanding them and remembering how they’ve been used in
the past.You can find more about Prof. Banerjee’s work at the University of Colorado at Denver website:
https://clas.ucdenver.edu/english/pompa-banerjeeThe Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at www.darknlight.com for episode details and show notes.
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Dear listeners, this week we return to The Subverse. In this episode, Susan Mathews is in conversation with Bhumika Saraswati, an independent photographer, journalist and filmmaker. We look at how extreme heat is embroiled in caste and labour in India. We speak about Bhumika’s present visual project which focuses on dalit women in agriculture in Uttar Pradesh, India and the impacts of heat, and an earlier short film she had done on workers in crematoriums during the covid-19 pandemic in New Delhi, India, an occupation which is surrounded by fire and heat hazards. The presence of both the women in the fields and the workers at cremation sites is a consequence of various historical, social and economic conditions and even government practices that reinforce caste-based labour practices. Whether it is discussions of those who are ‘most vulnerable’ to heat in air-conditioned rooms, or people visiting a crematorium only interacting with the priest, these are people made invisible or seen through a mainstream gaze, in life and in media.
Bhumika navigates the restrictions placed on her as a single woman visiting places with high crime
rates, to explore the intersections of caste, class and gender that dalit women in agriculture contend with. In the midst of life-threatening levels of heat, limited protective gear and restrictive clothing, they grow the food that sustains us all. Bhumika captures the sisterhood between these women and the ingenious ways they make their limited resources work. We also briefly touched on how the caste system has restricted access to water and how certain kinds of violence are tied to the lack of basic amenities provided to certain citizens.In 2022, Bhumika was awarded a UNFPA-Laadli Media Award for Gender Sensitive Work and in 2023, she was awarded a Human Rights Press Award by Human Rights Watch (HRW) and the Journalism School of Arizona State University, United States of America for her short documentary film, Lives of Sex Workers and Their Children. You can find her on Instagram @bhumikasaraswati and on X at @Bhumikasara, and for the project on women, heat, communities see @heat.southasia.
The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes.
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Arcx is all about literary inspiration. In this episode, we speak to short story writer, editor and novelist, Vajra Chandrasekera.
Vajra’s work is largely in the realm of speculative fiction, and he has published over a hundred pieces since 2012 in various formats. Notably, his work has been featured in Analog, Clarkesworld, West Branch, and The Los Angeles Times. He has also been nominated for the Theodore Sturgeon Memorial Award for his short story, The Translator, at Low Tide. Additionally, he was also nominated for the British Science Fiction Association award for Best Non-fiction. His debut novel, The Saint of Bright Doors was released in July 2023. His short stories have been featured in several anthologies including The Best Science Fiction of the Year, The Apex Book of World SF, and Transcendent: The Year’s Best Transgender Speculative Fiction. Vajra was also part of the editorial team at Strange Horizons, and in his role as fiction editor, worked closely with several writers from all over the world. He’s also passionate about initiatives that protect the political and artistic freedoms of Sri Lankan writers and artists who have been censored and imprisoned by the state.
In this episode, we sit down to discuss some classic desi themes: colonialism, intergenerational trauma, and overblown family drama. We also touch on destiny, friendships, revolution, and terrible science fiction adaptations.
You can follow Vajra on Twitter at @_vajra and on his website Vajra.me.
Read Vajra’s Work:
The Saint of Bright Doors (Novel)
The Translator, at Low Tide
Theses on the Scientific Management of Goetic Labour
Rhizomatic Diplomacy
Terminus
Running the Gullet
On the Origin of Specie
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In this episode, we speak to doctor and speculative fiction writer Usman T. Malik. Usman’s work has been published extensively, and featured in platforms such as Strange Horizons, Tor.com, Black Static, and Nightmare.
In 2014, he became the first Pakistani to win the Bram Stoker Award for Short Fiction for his work The Vaporization Enthalpy of a Peculiar Pakistani Family. He also won a British Fantasy Award in 2016 for The Pauper Prince and the Eucalyptus Jinn. The story was also nominated for Nebula, Locus, and World Fantasy awards. He has also received Locus award nominations for his stories In the Ruins of Mohenjo-Daro and The Fortune of Sparrows. In 2018, he received another Stoker nomination for Dead Lovers on Each Blade, Hung.
In this episode, we discuss the importance of accurate history, authentic storytelling, the often missed nuances of desi stories, and the horror of everyday realities.
You can follow Usman on Twitter @usmantm
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In the sixth episode of this season, host Anjali Alappat talks to journalist, editor, and author Payal Dhar.
Payal Dhar primarily writes for middle grade and young adult audiences, and her extensive catalogue of work includes Satin: A Stitch in Time, Slightly Burnt, Hit for a Six, There's a Ghost in My PC, and It Has No Name. More recently, Payal has published two books in the Sands of Time series: The Prophecy and The Key. Payal’s work has also been featured in anthologies like Shockwave! and Other Cyber Stories, Year's Best Young Adult Speculative Fiction 2014, and Music of the Stars and other Love Stories. Payal also edited Eat the Sky, Drink the Ocean, a collection of short stories by Indian and Australian writers.
In this episode we chat about retelling and redefining stories, the difficulties of being the chosen one, found family and the dynamics of those relationships, and physics of world building. You can follow Payal on Instagram at @Payal.dhar
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In the fifth episode of this season, host Anjali Alappat speaks with Saad Z. Hossain, the author of the best-selling Djinn series, which includes Djinn City, The Gurkha and the Lord of Tuesday, Kundo Wakes Up and Cyber Mage.
Saad's debut novel, Escape from Baghdad! was a finalist at the Grand Prix de L'imaginaire in 2018. The Gurkha and the Lord of Tuesday also received critical acclaim and was a finalist at the Locus Awards and the IGNYTE awards in 2020. Kundo Wakes Up, the sequel to The Gurkha and the Lord of Tuesday, was published in 2022, and made it to the Locus list of Best Novellas for 2022. It was also longlisted for the British Science Fiction Association Awards that year.
In this episode, we discuss classic literature, writing for fun, the importance of a snarky protagonist, Jane Eyre vs. Jane Austen, A.I in developing countries, philosophy, broken people, and of course, djinn.
You can follow Saad on Twitter @saadzhossain
Authors, books and media referenced in this episode:
The Far Pavilions by M. M. Kaye
Pride and Prejudice by Jane Austen
Mansfield Park by Jane Austen
Persuasion by Jane Austen
Sense and Sensibility by Jane Austen
The Count of Monte Cristo by Alexandre Dumas
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In episode four, host Anjali Alappat chats with author and editor, Shweta Taneja. Shweta is best known for her urban fantasy Anantya Tantrist series, but has also received recognition for her work in children's books. Her non-fiction book—They Found What?/ They Made What?— was a national best-seller. She also recently published a new sci-fi novel for kids called Kungfu Aunty vs Garbage Monsters.
Additionally, Shweta’s short story, The Daughter That Bleeds, was nominated for the Grand Prix de l’Imaginaire in France in 2020. She also won the Editor’s Choice Award for Best Asian Science Fiction (2018) in Singapore for the piece.
Her book They Made What? They Found What? Earned her the Publishing Next Award in 2021 and nominations for the Valley of Words Awards and the AutHer awards. She was also honoured with the Best Writer Award at ComicCon India in 2013 for her graphic novel, The Skull Rosary.
In this episode, we discuss world-building, dark humour, writing urban fantasy for an Indian audience, Tantrism, patriarchal power structures, and forging your own destiny,
You can follow Shweta on Twitter @shwetawrites
Authors, books and media referenced in this episode:
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Going Postal by Terry Pratchett
Buffy the Vampire Slayer
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In episode three, host Anjali Alappat talks to Yudhanjaya Wijeratne, science fiction author, data scientist, and researcher. Yudhanjaya is the author of The Slow Sad Suicide of Rohan Wijeratne, Numbercaste, The Inhuman Peace, The Inhuman Race, and The Salvage Crew.
More recently he was awarded the Gratiaen Prize for Literature for his yet-to-be published book The Wretched and the Damned. Yudhanjaya has been nominated for a Nebula award in 2022, and in 2021, he was featured in Forbes’ 30 under 30 list.
Yudhanjaya is also the co-founder of Watchdog, a fact-checking organisation created to counteract misinformation and propaganda in Sri Lanka.
In this episode, we discuss A.I, his non-traditional road to publication, how real life can be as absurd as fiction, colonialism, space economics, the horrors of reality TV, poetry, and the importance of forging connections.
You can follow Yudhanjaya on Twitter @yudhanjaya
Read Yudhanjaya’s work:
The Slow Sad Suicide of Rohan Wijeratne
Numbercaste
The Inhuman Race
The Inhuman Peace
The Salvage Crew
Omega Point
The State Machine
Authors, Books and media referenced in this episode:
The Discworld series by Terry Pratchett
The Dark Tower series by Stephen King
Dark Souls
BioShock
System Shock
Final Fantasy 7
Ulysses by Alfred Tennyson
The Saint of Steel series by T. Kingfisher
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In Season 2, we continue our conversations with South Asian sci-fi, fantasy and speculative fiction writers, tracing their ideas from conception to execution.
In the second episode of this season, Anjali Alappat speaks with author and editor Tashan Mehta. Her debut novel, The Liar’s Weave, is a wonderful mix of myth and magic, chronicling the exploits of a teenage boy in 1920s India who has tremendous power and poor judgement — a potent mix. We discuss relearning how to write, plurality in storytelling, astrology taken very seriously, the desire to shape your own destiny, the complexity of sibling relationships, and the power of lies. We also touch upon her soon-to-be released book, Mad Sisters of Esi, an epic story that includes god machines, a festival of madness, a museum of collective memory, a whale of Babel, and of course, sisters.
Tashan's short stories have been featured in several anthologies including the Gollancz Book of South Asian Science Fiction Volume 2 and Magical Women.
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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Arcx is all about literary inspiration. In Season 2, we continue our conversations with South Asian sci-fi, fantasy and speculative fiction writers, tracing their ideas from conception to execution.
In the first episode host Anjali Alappat chats with author, editor, lawyer and critic Gautam Bhatia. Gautam’s debut novel, The Wall (2020), and its sequel, The Horizon (2021), are filled with fascinating world building, complex characters, and fabulously convoluted plotlines. If you love twists and turns, beautiful prose, and some good old fashioned anti-establishment thinking, these are the books for you. Additionally, Gautam is part of the editorial team at Strange Horizons magazine, and his work with them has resulted in several award nominations. His writing has also featured in publications like Interzone Magazine, Mint, British Science Fiction Association Magazine, Scroll.in, The Caravan, and more.
In this episode, we discuss how all fiction is political, unlikable protagonists, urban revolution, the foibles of human nature, betrayal, and origin myths. You can follow Gautam on Twitter @gautambhatia88
Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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In this episode, The Subverse explores the progression in the use of metals and its impact on the trajectory of human evolution,the role of fire and its symbolism in understanding artefacts, art history, culture, and dance. Susan Mathews speaks with Prof. Sharada Srinivasan, a professor at the National Institute of Advanced Studies in Bangalore, India, who studies archaeological artefacts and metallurgy.
Through the study of artefacts, we can better understand the history of technology and the progression of metals in civilization. This also helps inform the conservation of artefacts and get better insights into archaeology and art history. In her own work, she has made landmark contributions such as the analysis of bronzes in South India using lead isotopes to identify its metallurgical characterisations and studies on ancient mining and metallurgy in South India.
We looked at the fire element in several ways. First, we explored the trajectory of human evolution and its intrinsic links to the increasing ability to master fire. The progressive use of metals and metallurgy was pivotal, and we find that presently no device or pursuit lacks an element of combustion technology. From the hearth to kilns and fiery furnaces, unknown forms and embellishments were forged for the good and for the bad. We spoke about some of these contradictions in the application of heat to metal and some of the gender divides that followed this fiery progression.
Prof. Srinivasan brings up interesting illustrations of the ancient art of lost wax casting in India, the making of carnelian beads and the role of women in ceramics, such as Kota women from the Nilgiris. The conversation covered fire symbolism and cultural references in Vedic literature, Buddhist iconography, Tamil Sangam poetry and the Nataraja bronzes.
Professor Sharada Srinivasan was elected as an International Honorary Member of the American Academy of Arts and Sciences in Archaeology in 2021. She received the Padmashri, India’s fourth highest civilian award, in 2019 and has made pioneering contributions to the study of archaeology and history of art from the perspective of engineering applications.
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In this episode, Susan Mathews speaks with Dr. Bharat Jayram Venkat about the unequal distribution of the effects of heat. For this, we travel to 19th and early 20th century colonial India where heat is a persistent problem for the British empire and a burgeoning climate science is sutured to racial difference. These histories inform contemporary crises as knowledges of heat continue to evolve in an unequal world.
Dr. Bharat Jayram Venkat is an associate professor at UCLA’s Institute for Society and Genetics with joint appointments in the Departments of History and Anthropology. His current work focuses on the experience of thermal inequality in contemporary India and the United States, the history of how heat has been studied and its effects over the long twentieth century. He is also director of the UCLA Heat Lab.
With accelerating climate change, one of the fallouts is extreme heat. In this conversation, Dr. Venkat defined thermal inequality, which is not just the differential impact of heat, but the unequal distribution of heat effects. These effects are filtered or mediated by our environments, by our lives and by the social and political infrastructures that determine how vulnerable we are to heat. The UCLA Heat Lab employs interdisciplinary methods to study the experience of thermal inequality.
We spoke in some detail about a journal article he wrote in 2022 on race and thermal sensation in late colonial India. We discussed ‘tropicality’, how central the problems posed by heat were and how various kinds of bodies were understood to be differentially affected by heat, producing both biological variation and pathology. Meteorology and racial ideology intersect in the late 19th and early 20th century and climate science is sutured to racial difference.
The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at for episode details and show notes.
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In this episode, Susan Mathews is in conversation with Prof. Robert Romanyshyn—an Emeritus Professor of Psychology at Pacifica Graduate Institute, and an author of eight books including Victor Frankenstein, the Monster and the Shadows of Technology: The Frankenstein Prophecies (Frankenstein Prophecies). Romanyshyn’s special area of concern is the psychology of technology, especially in terms of the climate crisis and impact of digital media on our social structures.Much of his life’s work has been devoted to understanding Mary Shelley’s Frankenstein, a gothic horror tale that, as he points out, has been prophetic in many ways. In his book Frankenstein Prophecies, he asks eight questions that uncover how Shelley’s classic work haunts our world. Combining Jungian theory, literary criticism, and mythology, he seeks answers to the query at the heart of this book: who is the monster?
In keeping with the theme of fire in this podcast season, we spoke of the symbolism of fire—both ambiguous and double-edged. In Greek myth in particular, the symbolism of fire is bound up with the myth of Prometheus, one of many stories which explains how humankind came into possession of fire. We zoomed in on the fire related metaphors in Frankenstein (exemplified in the subtitle ‘The Modern Prometheus’, alluding to the Greek fire myth), and how many of these speak to our present ecological crises. There’s fire as lightning that struck down a tree early in the book; the use of electricity and galvanism; the digging up of the dead in cemeteries and charnel houses as analogous to the mining of fossil fuels; solar light versus moonlight; and the Monster running away to the Arctic north, promising to burn in a pyre after Victor Frankenstein’s death. We also discuss a different kind of fire, which is not just a burning down or a melting away or extraction of fossil fuels, but a counter-fire. Counter-fire as in the hope left in Pandora’s jar. In speaking of this fire, Romanyshyn also speaks of splendour of the simple, the extraordinary in the ordinary, the miracle in the mundane, fire as living spirit, and Natura Naturans, the Anima Mundi.
Robert Romanyshyn has published essays in psychology, philosophy, literary and education journals, written a play about Frankenstein’s Monster, done radio and TV discussions as well as online interviews, webinars, podcasts and made a DVD movie of his trip to Antarctica. In addition, he has given keynote addresses at conferences, lectured at universities and professional societies, and conducted workshops in the U.S., Europe, Australia, South Africa, Canada, and New Zealand. Check out his website at https://robertromanyshyn.jigsy.com. For his courses, check out www.jungplatform.com .
The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at www.darknlight.com for episode details and show notes.
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In Season 3 of The Subverse, we are journeying into ‘fire’. In this opening episode, we speak with Prof. Stephen J. Pyne, a fire historian, urban farmer, and emeritus professor at Arizona State University, U.S.A. Pyne has written over 40 books, most of which are centred around fire. In this conversation, we focus on his book The Pyrocene: How we Created an Age of Fire, and What Happens Next, published in 2021. Apart from being such a prolific scholar of fire, Stephen J. Pyne spent 15 seasons with the North Rim Longshots, a fire crew at Grand Canyon National Park, 12 as crew boss, with another three seasons writing fire plans for other national parks. He lives in Queen Creek, Arizona. His next book is a fire history of Mexico.
Susan and Stephen discuss how fire is, for humans, our defining ecological trait. We are unique fire creatures on a unique fire planet, and as keepers of the flame, we need to somehow get the right mix of fire in the world to balance our interests and those of others. In his book, Pyne proposes a fire-centric perspective on how humans continue to shape the Earth. The book renames and redefines the so-called Anthropocene according to humanity’s primary ecological signature, which is our ability to manipulate fire. As he states in the book, “the sum of our fire practices is creating a fire age that is equivalent in stature to the ice ages of the Pleistocene.” In the narrative he lays out, the pyric prism he uses is what he terms as an ecological three-body problem.
The history that Pyne narrates chronicles three fires. First-fire is the fire of nature that appeared as soon as plants colonised continents, about 420 million years ago. Thanks to cooking, a dependence on fire became coded into hominin DNA. Second-fire was an act of domestication, perhaps the model for all pyrotechnologies, in which people had transformed wildfire into hearth and torch. Third-fire is qualitatively different. Pyne points out that third-fire burns lithic landscapes no longer bounded by ecological limits. With a source of combustibles, which are essentially unbounded, inadequate sinks for the effluent, from cooking food and landscapes, we are now cooking planets. The sum of Earth’s three fires is creating the fire-informed equivalent of an ice age, and instead of ice amassing more ice, fire is generating more fire. This pyric transition also means that fire vanished as a serious object of inquiry. Fire with its flame, glow, heat, and crackle has been reduced to the most elemental chemical and physical expressions, each isolated and engineered, so that what had been ‘fire’ became ‘combustion,’ and combustion has become only its constituent parts. What we erased were traditional and indigenous knowledges of living with fire.
The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.
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