Afleveringen
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Let's celebrate/commemorate America's independence with an amazing new double book, DECLARATION ILLUSTRATED / EMANCIPATION ILLUSTRATED (Drawn & Quarterly). R. Sikoryak rejoins the show to talk about adapting foundational American documents (verbatim!) with a mind-blowing array of comic art parodies, ranging from the Fabulous Furry Freak Brothers to Jump Start to Check, Please! to Thanos! We talk about how this project spun out of his CONSTITUTION ILLUSTRATED in 2020, why he decided to include the Emancipation Proclamation and the Gettysburg Address alongside the Declaration of Independence, how he gave himself some pretty strict rules about which artists and characters he could and couldn't use, including not re-using artists he used in his Constitution (which meant employing 200 different artists' styles over the course of these books), and his goal of trying to bring the whole history of American comics into these books. We get into what it's all taught him about America, the ways these documents show how America changed, why he doesn't take offense at being a called a rip-off artist, and why he conceives of these books like a quilt. We also discuss whether he's more sensitive about parodying art by living artists or dead ones, why he wants to get back to comics-parody adaptations of classic books and plays, the ways that access to comprehensive digital comics archives is both good and bad for his work, the artists he wishes could have included in these books, why he brought in many African-American artists and characters in the Emancipation portion of the book, but still found room for Barney Google & Snuffy Smith, the page that almost broke him (okay, it was his Emil Ferris parody), his series of 8-page comics stories for Tom Hanks' first novel (!), and a lot more. Follow Bob on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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After a 12-year Virtual Memoriesgap, Katie Skelly is back to celebrate her fantastic new graphic novel, HEAVEN (Fantagraphics)! But that's not all: she's also got the Bad Girl Tarot II (Kickstarter closing July 16, 2026), her horror comics anthology, Viscere, and the Thick Lines podcast! We talk about how she restructured her life and creativity post-lockdown, how she wound up marrying Jaime Hernandez, moving to LA, abandoning the Mets, and finding a community of cartoonists (spoiler: community is the thread that runs through Katie's art and life), the funny tweet about The Weeknd that inspired HEAVEN, why she designed this new tarot deck to be like a prop for a movie you'd want to live in, and why she didn't learn from my example and avoid making her own podcast. We get into how writing Ed Piskor's obituary broke her, and the episode in Ed's life that she takes as a cautionary note, the festival that drew her into the comics world, how she measures herself against her yearly Nabokov read, why she's pretty much done with social media, the flight delay that led to her next comics project, and more! PLUS, Katie reads my tarot as we talk about what it'll take for me to finish my book! Follow Katie on Instagram, and subscribe to her Substack and the Thick Lines podcast (co-hosted by Sally Madden) • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Zijn er afleveringen die ontbreken?
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With his amazing new book, THE MIDNIGHT SPECIAL: The Secret Prison History of American Music (WW Norton), author Colin Asher explores how the criminal justice system changed the course of twentieth century music. We talk about how Elmo Hope's Sounds from Rikers Island album inspired the book, how he chose the five artists to focus on — Huddie "Lead Belly" Ledbetter, Elmo Hope, Johnny Cash, Ike White, and Tupac Shakur —, the history of the carceral state, criminality and the popular images of Black and white "outlaw" artists, and how many artists' careers were shaped, derailed, inspired by prisons. We get into the tightrope act of using Johnny Cash as a counterpoint to the racial dynamics of the book (as well as the work Cash did for prison reform), why he had to close the book with the story of Tupac and his mother, Afeni Shakur, and how hip-hop developed in response to America's mass incarceration movement, how the philosophy of incarceration shifted from rehabilitation to punishment, Musicambia's work to bring music education into prisons, and what it means to pursue the arts for personal growth, even when you're on death row. We also discuss how some arts writing can suck the joy out of the arts, why he prefers discussing art in relation to society rather than in relation to other works of art, why he made playlists for The Midnight Special, how playing vinyl records makes music a choice instead of wallpaper, the "burn the world down and replace it with an utopia" phase of his youth, the secret origins of his writing career, his dream projects (incl. the novel he's noodling on), and more. Follow Colin on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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During my recent LA weekend, I asked author, pal, and past guest Kate Maruyama if she'd be interested in interviewing me, and for some crazy reason, she said yes! So this time around you get me doing my best not to ask the questions, and just letting it fly, as we talk about the history of the podcast, my dream list of pod-guests, my semi-fake erudition, why we should practice arts we're no good at, my thoughts on mortality and progeny, the gentle change of years, the legend of the fire defenses of the Beinecke Library at Yale, and a ton of stories. Follow Kate on Bluesky and Instagram, and subscribe to her newsletter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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"A letter is a joy of Earth — It is denied the Gods —," sez Emily Dickinson (#1672), and THE MAN WHO READ EVERYTHING: The Literary Letters of Harold Bloom (Yale University Press) proves it! Heather Cass White rejoins the show to talk about editing Harold Bloom's letters for the book, her history with him and what she learned about him over the course of the project, and how the letters revealed a less determined Bloom and how she empathized with the struggles he went through in his career. We get into the people whose correspondence she included — Alvin Feinman, Northrop Frye, AR Ammons, John Hollander, John Ashbery, James Merrill, Henri Cole, and Ursula K Le Guin — and all the writers and critics she wishes she could have included, the books and projects Bloom proposed but never completed (or started) over the years, the fun she had writing the footnotes, the one person Bloom was intimidated to meet, Bloom's role in the Canon Wars 30-40 years ago (and my practice of checking off books from The List at the end of The Western Canon), where he fell on Ashbery vs. Ammons, and whether marriage is the true subject of literature. We also discuss how her next book on the correspondence of Elizabeth Bishop and Marianne Moore is the opposite of this one, her go-to books to teach American fiction, why she dropped out of Knausgaard before the finish line, how students have & haven't changed over a quarter century of teaching, her late arrival to Surfjan Stevens' music, how I solved her long-standing question about a moment from Bloom's memorial, and a lot more. Follow Heather on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Happy Pride! Let's get Queer As Comics! Writer, critic, curator, publisher and broadcaster Paul Gravett rejoins the show to talk about curating a fabulous new exhibition, Queer As Comics, to help launch the Quentin Blake Centre for Illustration! We talk about what makes comics queer (it's not just an issue of sexuality), the artists and comics he wishes he could have included in the show, the challenges of exhibiting comics as opposed to paintings, and why Queer As Comics' survey of 65 artists covering 80 years of history "starts with the Finnish" (as in Tom of Finland and Tove Jansson). We also get into the endlessness of Tove Jansson's life & creativity (and why Paul's committed to writing a big book about her anyway), his first exposure to queer comics (and again, why all comics are queer), how it feels to see the Quentin Blake Centre come to life and to see Quentin still making art in his 90s, and more. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Welcome to Mundo Mendo! I visited artist and writer Luis Mendo in Karuizawa, Japan for a wide-ranging conversation about art, creativity, community and more. We talk about how he left design and embraced drawing and illustration, why he created the Mundo Mendo platform so fans/members can support his art and stories (and get an annual print edition of his work), the limits of money and the joy of making art, and how artists can escape "working for Mr. Zuckerberg" and stop chasing likes on Instagram. We get into how internal change has to be accompanied by an external change, the challenge of not having a client, his critique of AI "art", and the tension between world of numbers & metrics and the world of serendipity. We also discuss the creative residency he & his wife ran, Almost Perfect, his love of old movies, how the creative life can be a chain of projects, what brought him to Japan and what keeps him there (even if he feels like a foreigner wherever he is), his newsletter that highlights other illustrators and artists, why I should be a male model in Japan, and a lot more. (Plus, after the conversation I share a story about my Japan business trip and some Kafkaesque flop-sweat moments.) Follow Luis on Instagram and Bluesky, and support MUNDO MENDO and subscribe to The Illustrated • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Can people change? How continuous is identity? With YOU'VE CHANGED: The Promise and Price of Self-Transformation (William Morrow), Benoit Denizet-Lewis explores the concepts of personal change and change-in-the-world, the ways we find identities and community, and the peril of changing into our parents (haha). We talk about how we define change and transformation, what happens when we think we've changed but the people in our lives don't notice any difference, how his husband feared that he would change too much in the writing of the book, and how the American narrative of change equals "overcoming one's problems." We get into how he made his own story of change and addiction part of the book (while guarding his privacy), whether change involves finding a core self or something new, whether redemption is possible for people who committed heinous crimes, what happened the time he got scientifically tested about his sexual preferences, and the chapter he wishes he could've included in the book. We also discuss who he's reading, whether the therapy that works for him now would have helped when he was younger, how one can prioritize one's own happiness while the world is (let's say) ending, his hallucinations in Esalen, and a lot more. Follow Benoit on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Philosopher and biographer Clare Carlisle converses & communes with me over her new book, TRANSCENDENCE FOR BEGINNERS: LIFE WRITING AND PHILOSOPHY (NYRB). We talk about her existential moment of being invited to give the Gifford Lectures on natural theology and how it led her wonder what she could say about the knowledge of God, how writing biographies raised philosophical questions on the nature of a life in its entirety, how flexible the notion of transcendence is (and why it doesn't have to be "rising above" the world so much as "spreading out" into it), how the lecture mode and how it offered her an opportunity for a different writing voice, and how she adapted those pieces into this book. We get into the possibility of communion and transmission, the tension between biography and philosophy, the harmfulness of the notion of attainment and what that implies of the seeking of wisdom, and what happens if you're like Kierkegaard and you hear The Call but don't know what it's calling you to do. We also discuss her philosophical love affair with Spinoza and his philosophy of interconnectedness, the bridge she discovered between Spinoza and Indian traditions, the influence of past guest Celia Paul on the lectures, and more. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Pull up a chair, enjoy a kasha varnishke, and listen to me and Josh Alan Friedman talk about his kaleidoscopic novel, ALL ROADS LEAD TO GREAT NECK (Wyatt Doyle Books/New Texture)! We talk about the momentous years he spent in Great Neck as a kid and why he set his novel in 1970, the ne'er-do-wells and drug addicts he knew (and emulated) in school, how Great Neck has changed since his "glory days," and the larger-than-life Yiddishkeit ghost who haunts the novel. We get into how he managed to weave Irving Berlin, Floyd Patterson, and Leslie West into the story, how his wife got him to finish the book by putting up post-it notes in their kitchen about each chapter, and how he reconstructed 1970 Great Neck from his collection of the notes girls used to pass in schools and the letters his friends sent him from reform school. We also discuss life after losing his dad, Bruce Jay Friedman, in 2020, how he used to take his 14-year-old pals to see showings of Bruce Jay's play Steambath so they could catch the nude scene, how it felt to see pieces of his childhood transformed in his dad's stories (incl. a visit to Las Vegas), what's left of the New York of his heyday and why he misses Joe Franklin, the play he's writing about his chauffeur days, his retirement from his lifelong guitar career after a carpal tunnel diagnosis, and more. Follow Josh on Instagram and Facebook • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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With THE WONDERFUL WORLD THAT ALMOST WAS: A Life of Peter Hujar and Paul Thek (FSG), Andrew Durbin brings us a masterful biography of a pair of artists, their art, gay life pre- and post-Stonewall, and more. We talk about his first exposure to each of their art, why he restricted the biography to the years Paul and Peter were together/around each other (1956-1975), how queer lives are often oriented around death and why he wanted to affirm life with this book, when a biographer can let his subjects go, and why he prefers Thek over Hujar. We get into the ephemerality of much of Thek's art installations, Hujar's dissatisfaction with commercial photography and the struggles with getting photos taken seriously as art, the triangle they formed with Andrew's hero, Susan Sontag, Thek's belief that marrying the right woman (Sontag, at one point) would have "fixed" him, his regret at not getting to interview Joseph Raffael for the book, and how meeting Ann Wilson changed the course of the book. We also discuss how Andrew became an art-writer/-editor by accident, how NYC has changed since he left 6 years ago, why young people are enthusiastic about his Thek and Hujar, why he needs to decompress from writing about history, how art criticism feeds his fiction and poetry, and more. Follow Andrew on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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With REAL LIFE COMIX: ONLY IN NEW YORK (Cosmic Lion Productions), editors Dean Haspiel and Doug Latino bring together 66 fantastic cartoonists and writers to tell 51 autobiographical comic stories about NYC . . . and I'm among them! We got together to talk about the book & its publishing history, the incredible lineup Dean and Doug have assembled (including ~20 of my past pod-guests — like Roz Chast, Drew Friedman, Jonathan Ames, Karl Stevens, Jennifer Hayden, Ben Katchor, and Moby — and a ton of other great cartoonists!), why no one's made a New York City-centric autobio-comics anthology before, what makes for an "Only In New York" story & why I went with a tough one for my 2-page comic, and why YOU NEED TO SUPPORT THE KICKSTARTER (ending May 8, 2026) to help bring it to print! (Yes, we talk about other stuff, like My Joe Franklin Story, what I've learned on hiatus, what Doug & Dean have learned about editing, the challenges of bringing non-comics-writers into the book, why I don't 'think' comics, my favorite Deadly Sin, and more.) Follow Dean on Bluesky and Instagram, and subscribe to his Substack • Follow Doug on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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With The Dark-Robed Mother: A Memoir (Wesleyan University Press), poet-translator-professor Rachel Tzvia Back explores her life with high-functioning depression, weaving Ancient Greek myth, poetry, family history, interviews, and more into an amazing tapestry of life in the dark forest. We talk about the challenge of structuring the arc-less nature of depression, the shame of not being completely debilitated by her illness, how the myth of Demeter and Persephone helped her translate and understand her experience as a mother and a daughter, what it means to be the mother who fails and why she included interviews with her adult children in the book, whether there's a therapeutic aspect to writing a memoir like this, and how much of a departure this book was from her poet-roots. We also get into how she found herself in Greek and Roman myths in contrast to her orthodox Jewish upbringing, how she manages to bridge the Athens and Jerusalem divide as a teacher, her family's roots in Israel and what the country has become since she moved back 40+ years ago, what it's like to live life under rockets and how normalizing it affects us, our takes on Achilles and Odysseus, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Essayist Sven Birkerts, one of my favorite past pod-guests, welcomes me back to the mic for a conversation about writing, art, mortality, resistance, technology, and selling rare books! We talk about what he's learned about writing from his Substack essay-experiment, how he rediscovered his bookselling persona with his daughter, what he gets from audiobooks, the pros and cons of knowing your audience, and more. Plus, I talk about my book-in-progress, what I've learned from stepping back from the weekly podcast routine, why I'd like to see Dylan play one more time before one or the other of us is gone, and where this podcast might be going, among other stuff. Follow Sven on Instagram, subscribe to his Substack, and check out his and his daughter's rare bookstore, Birkbooks, at eBay and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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Essayist Sven Birkerts, one of my favorite past pod-guests, welcomes me back to the mic for a conversation about writing, art, mortality, resistance, technology, and selling rare books! We talk about what he's learned about writing from his Substack essay-experiment, how he rediscovered his bookselling persona with his daughter, what he gets from audiobooks, the pros and cons of knowing your audience, and more. Plus, I talk about my book-in-progress, what I've learned from stepping back from the weekly podcast routine, why I'd like to see Dylan play one more time before one or the other of us is gone, and where this podcast might be going, among other stuff. Follow Sven on Instagram, subscribe to his Substack, and check out his and his daughter's rare bookstore, Birkbooks, at eBay and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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For his 2025 year-end wrap-up, Gil's putting the podcast & newsletter on hiatus: talk about your crazy New Year's resolutions! He talks about how he recognized It Was Time For A Break, whether or not this podcast is what gives his life meaning, what he might get up to (HINT: it's WAY past time he finishes writing his Instax book), and how months of depression after his dad's death left him feeling like he was out of options. He gets into his 2025 highlights and why he needed to visit his photo library to overcome his amnesia, the hairiness of his professional life, the thrill of receiving holiday cards from his arts-heroes, the blessings of this world, and a lot more. It's the last episode for a while, so GIVE IT A LISTEN! • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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It's time for our year-end Virtual Memories Show tradition, now celebrating its thirteenth anniversary: The Guest List! I reached out to 2025's pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they're hoping to read in 2026! Twenty-six guests responded with wonderful, idiosyncratic, and illuminating book recommendations: Jonathan Ames, Kayla E., Dan Goldman, Dean Haspiel, Jennifer Hayden, Rian Hughes, Paul Karasik, Glenn Kurtz, David Leopold, Seth Lorinczi, Sacha Mardou, Kate Maruyama, Whitney Matheson, Josh Neufeld, Lance Richardson, Ari Richter, ML Rio, Dmitry Samarov, Jonathan Sandler, Damion Searls, David Shields, Peter Stothard, Tom Tomorrow, Peter Trachtenberg, Cecile Wajsbrot, and Mia Wolff (and me)! This annnual episode of The Virtual Memories Show offers up a huge list of books that you're going to want to read in the new year!
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Let's close out 2025 with graphic memoirist and comics journalist Jonathan Sandler! We talk about his childhood secret origin in comics, the comics course in 2017 that brought him back to the form, the process of turning his grandfather's WWII memoir into a comic, THE ENGLISH GI (with art by Brian Bicknell), and how he really became a comics aficionado after publishing his first graphic novel. We get into how he started the Graphic Memoir blog and began reviewing comics, interviewing cartoonists, visiting exhibitions, and spreading the comics gospel, and why this very podcast has provided him with a ton of inspiration. We also discuss what he's learned from and about interviewing, why he's started drawing his own comics, why he's glad he dived into making The English GI instead of researching all the other WWII graphic novels out there, what the late Tom Spurgeon meant to me and everyone else he met, why the most difficult thing about making comics is choosing what to put in the panels, and more. Follow Jonathan on Instagram and subscribe to his Graphic Memoir blog • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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With THE MASTER OF CONTRADICTIONS: Thomas Mann and the Making of The Magic Mountain (Yale University Press), Morten Høi Jensen brings us a masterful biography of one of the great novels of the 20th century and shows how it and its author speak to our present moment. We talk about Morten's history with Mann's novel, his weeks of research in the sanatoria of Davos and his discovery of how much of The Magic Mountain's world is intact a century later, and how Mann's novel changed for him in the process of writing this book. We get into Mann's political transformation from a nationalist into an antifascist, how art & politics can make for a disastrous mix, Mann's rivalry with his novelist brother Heinrich, and what it was like to write about a novel about life in a TB clinic while in the middle of a pandemic. We also discuss the weird connection I draw between Mann and Thomas Pynchon, how Morten became a literary biographer via the biography of another novel, spiritualism before and after WWI, how he came around on the chapter of The Magic Mountain that bored him in his earlier readings, why Robert Musil resented Mann, whether it's okay to write margin notes and never look at them, and more. Follow Morten on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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With her amazing new book, DANTE: THE ESSENTIAL COMMEDIA (Liveright), scholar Prue Shaw brings us a canto-by-canto journey through Dante's masterwork, interweaving translated verses with her commentary, and serving as a Virgil-like guide to the poem. We talk about how she was inspired by John Carey's The Essential Paradise Lost, why the Paradiso was her biggest challenge, how the poem has changed for her over the course of her life, and why she went with prose translations of Dante rather than verse. We get into Dante's balance of pride in his art and his humility before God, the modern sound of Dante's verse and the challenge of translating Italian into English, what she's learning from helping translate Shelley into Italian, why she wants The Essential Commedia to serve as a gateway drug into Dante, and the nature of language & why the Tower of Babel plays a big role in the Commedia. We also discuss her incredible work on third edition of the Digital Commedia, life after the death of her husband, Clive James, and putting a collection of his final poems together, how an issue of the X-Men turned me on to Dante as a kid, my changing views on Ulysses in the Commedia, why sloth is my fave of the deadly sins, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
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