Afleveringen
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I am beyond thrilled to bring you this episode with an old friend, playwright Lindsey Ferrentino. Lindsey has had an incredible career thus far with plays like "Ugly Lies the Bone," "Amy and the Orphans," and "This Flat Earth," making their way to major New York City stages all in the span of a few years.
In 2024, she's celebrated the success of a new musical in London, an adaptation of the Oscar Winning Best Picture, "The Artist," starring Robbie Fairchild, AND the opening of "Queen of Versailles," a musical co-written with Stephen Schwartz in Boston. Her play "Fear of 13" based on the documentary of the same name and starring Adrien Brody will open at the Donmar Warehouse this October, and is already sold out.
Despite all the giggling and joking we do in this episode, Lindsey imparts some pretty incisive wisdom based on her experience. And because of our friendship, I had a good time asking her some of the tougher questions from my arsenal.For more information about Lindsey visit: https://www.lindseyferrentino.com/
Stay up to date with her latest projects here: Fear of 13 and Queen of Versailles (coming to Broadway 2025-2026)
Not to toot my own horn... but I think this episode is a must-listen for any playwright starting out or navigating the early years of their career. And I hope you will too. So don't be shy: give it a share! Thanks for tuning in <3
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Welcome back to a new season(??) of Upstage Left! After a long hiatus we're back with actor Kim Blanck who plays Ruza Wenclawska in Broadway's Suffs. We're so excited to be talking our dear friend who's been singing and acting on New York stages for more than a decade. You may have seen her in MCC's Alice by Heart or Dave Malloy's Octet at the Signature Theater.
Kim's unconventional journey as a musical theater phenomNavigating the industry as a HAPA actorHow she ended up in the Broadway production of Suffs after she thought her journey with the show was over
In this episode we discuss:This episode was a joy to record, and even more a joy to listen back to. We hope you enjoy, and stay tuned for more episodes this season!
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Music by David Hilowitz
Learn more about Kim HERE!Support the show
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Zijn er afleveringen die ontbreken?
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After a long hiatus, we return with an interview with veteran stage, TV, and film actor: Reed Birney!
the three times Reed has tried to leave the businessthe challenges that came with his "big breaks" early onand advice he'd give to his younger self
Since his Broadway debut in 1976, Reed has graced many a stage and screen. He won a Tony award in 2016 for his portrayal of the dad, Erik Blake, in Stephan Karam's The Humans. You've seen him in one of his many roles on Broadway and off. Or perhaps in his more recent film work, including: The Menu and Mass.
In this episode, Rachel & Reed talk about:If you're craving more conversations about theater, check out Rachel's conversations with the artists over at Manhattan Theatre Club; most recently with Rajiv Joseph.
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Daniel K. Isaac is a very busy man! So we were especially excited that he made the time to chat with us. In this episode Rachel & Daniel discuss:
the upcoming 2022-23 theater season and the Asian theater-makers on stage!how he turned a 2 line role on Billions into 72 episodes and counting being the only children of single, immigrant mothers (and how they humble us)It was truly a delight to chat with Daniel. Not only is he incredibly prolific, but he's also such a graceful and lovely human. Is there a more soothing voice you could listen to for 50 minutes? We think not.
Check him out in Noah Diaz's You Will Get Sick currently playing at Roundabout Theatre Company, and catch him any time on Showtime's Billions.
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We are thrilled to chat with Downtown Theater Icon: Paul Lazar. From making appearances in movies that became cult classics (Married to the Mob, Silence of the Lambs, Old Boy, Snowpiercer), to his recent Broadway appearance in Macbeth directed by Sam Gold with Daniel Craig and Ruth Negga -- following Paul's career is like a game of Where's Waldo? You never know where you'll spot him next!
Early beginnings - how Paul found his way into the Downtown worldThe current state of "Downtown Theater" - what is it? And where is it now?What it's like to work so closely with his wife, choreographer and co-founder of Big Dance Theater, Annie-B Parsons
In this episode we talk:You can currently see Paul in Maria Irene Fornes's seminal work: Mud/Drowning at Mabou Mines, alongside May 2019 guest: Wendy Vanden Huevel.
If you liked this episode and want to hear more -- check out Manhattan Theatre Club's Beyond the Stage podcast! The latest episode features our host chatting with playwrights: Martyna Majok and Jeff Augustin. With a handy discount code to their upcoming plays at MTC in the shownotes!
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In this episode, Rachel speaks with veteran TV, stage, and film actor: Deirdre O'Connell.
Didi's trick for auditioning for TV & FilmHer experience doing Corsicana right after her Tony winWhat it was like for her starting out as a newbie in New York
Didi is the 2022 Tony Award winner for Best Actress in a Play for her portrayal of Dana Higginbotham in Lucas Hnath's Dana H. She is also the recipient of the Lucille Lortel Lifetime Achievement award this year, and has racked up multiple awards over the years, including a 2005 Obie for Sustained Excellence. Rachel was eager to find out more about Didi's process and what it takes to maintain such a storied career.
Tune into this episode to learn:For any theater practitioner, this is truly not an episode to be missed. You can catch Didi in this Lincoln Center's production of Sarah Ruhl's Becky Nurse of Salem this fall. Or watch her Tony acceptance speech as a reminder to keep doing what you're doing.
Follow the podcast at: @upstageleftpodcast
Like, subscribe, or leave us a review here!
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For the 32nd episode, we decided it might be a good idea to introduce our listeners to the host of this podcast: Rachel Lin. After much convincing, Rachel zooms with social media manager and actor, Kendall Cafaro, to discuss Rachel's time in the theater and how this podcast came to be.
the artistic communities & spaces Rachel has been a part ofsome goals and hopes for the podhow Upstage Left has fared through the pandemic, and how we're feeling about theater at large now that shows are up and running
Recorded in April of 2022, turn in to learn about the actor, writer, and person asking the questions. Kendall & Rachel discuss:Thank you so much for tuning in. As always, you can find us on IG @Upstageleftpodcast and on Twitter @Upstageleftpod
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Rachel chats with playwright & screenwriter, Anchuli Felicia King, whose play Golden Shield is currently running at Manhattan Theatre Club through June 12. Her work also includes White Pearl which world premiered at the Royal Court in London and has received productions at the Studio Theatre in DC, as well as Sydney Theatre Company earlier this year. She is also on the writing team of the new HBO Max original series The Baby.
how Felicia ended up becoming a writer, despite not having set out to be oneFelicia's relationship to writing BIG plays and tackling global issues in multiple languagesher ambitions, which actually fall outside the realm of theater
In this episode Rachel & Felicia discuss:Tickets and info for Golden Shield can be found HERE. Did you know if you are under 35 you can access $30 tickets at MTC? Learn more HERE.
The article in Howlround Rachel mentions briefly HERE.
Follow us on Instagram @UpstageLeftPodcast
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In this episode, Rachel chats with Taylor Reynolds - one the most in demand theater directors currently working off-Broadway, and a producing artistic leader of The Movement Theatre Company. This season her work included: Tambo & Bones at Playwrights Horizons, Man Cave by John J. Caswell Jr. presented by P 73, and Songs About Trains playing at the New Ohio Theatre through April 18.
Taylor's approach to these larger than life theatrical new worksHow Taylor made her way as a director, forgoing the assistant/associate routeTaylor's relationship to the 'white gaze' and how it's continually changing
Rachel & Taylor talk about:Visit our sponsors: Northwestern University Press @
nupress.northwestern.edu and use POD20 to receive 20% off
Follow us on Instagram @upstageleftpodcast or on Twitter @upstageleftpod -- we love to hear from you!
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Angle Of Light by David Hilowitz
Underscore:
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Rachel chats with Billy Carden, the current leader of her artistic home, Ensemble Studio Theatre. With almost 50 years in the biz and close to 30 as an artistic director (first at HB Playwrights Foundation & Theatre, then at EST), Billy is a wealth of theater history and knowledge.
The two speak about:
- the acting job that took him to the Public & Lincoln Centre
- what it was like to direct Uta Hagen
- and the legacy he's leaving behind: "the quality of the how people talk to each other on stage"
It was a thrill to walk down memory lane with Billy, and remember the places he's been and consider what he hopes next for the historic theater he's leaving behind.
This episode is made possible by Northwestern University Press and their new release: This is my Office and Notes on my Mother's Decline two plays by Andy Bragen with a foreword by Sarah Ruhl. Get 20% off this book and all other titles by the imprint with code POD20 at nupress.northwestern.edu. Be sure to visit their website to see what's available!
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Rachel chats with the dramaturg behind the newsletter, Nothing For the Group, Lauren Halvorsen. Before starting the weekly missive offering theater round-ups, reviews, and takes, Lauren was the associate literary manager at Studio Theatre in DC. Prior to that she worked at the Alley in Houston and the City Theatre in Pittsburgh.
These two nerd out on the current state of theater and what might be coming up next in the 2022-2023 season. Lauren talks about how no longer working in the industry has landed her in the perfect position to be a voice that speaks to the inequities and hypocrisies within our institutions. Tune in to hear her clear-eyed perspective now that she longer drinks the kool-aid.
You can subscribe to Nothing for Group HERE - it's free! Wishing you a happy & safe holiday season. Congratulations! You made it through 2021. We will see you in the new year.
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In this episode Rachel chats with Tedra Millan, one of New York's most celebrated young talents! Teddi originated the role of #46 in Sarah Delappe's The Wolves that world premiered at Playwrights Realm, and went on to Lincoln Centre production (that was made available for streaming earlier this year). Teddi has also been on Broadway in the revival of Noel Coward's Present Laughter (starring Kevin Kline), as well as the New York premiere of On the Shore of the Wide World by Simon Stephens at the Atlantic, and Happy Talk by Jesse Eisenberg produced by the New Group.
where it all startedhow everything changed for Teddi after grad schooland what's up next for this busy actor
These old friends catch up about:But really...these two just shoot the shit for a little while.
The movie she is currently shooting is a thriller called The Lot . You can catch her next in LA at the Geffen Playhouse in the west coast premiere of Power of Sail with Bryan Cranston and Amy Brenneman.
Thanks for tuning in!
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It's back-to-school season, and in this episode Rachel is taking notes from multi-hyphenate theater maker Vichet Chum. Rachel & Vichet met years ago working on a festival of short plays written by high school students, and since then Rachel has watched as Vichet has grown from actor to actor/writer to sought after playwright and industry leader. In this episode, they recount parts of his journey together.
Vichet's experience writing, producing, and performing in his one man showHow Vichet first came to writing and how his process has developedVichet's involvement with AAPAC and the Visibility Report released earlier this yearThe importance of penning the Cambodian-American experience in different forms
Highlights include:We're thrilled to catch up with this writer/performer before two of his newest plays premiere in the 2021-2022 and 2022-2023 seasons at the Alley Theatre (Houston, TX) and Steppenwolf, respectively. Look out for all the things Vichet is up to!
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For more info about Vichet: http://www.vichetchum.com/
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In this episode we speak with casting director: Conrad Woolfe, who has worked in casting for over a decade. He cut his teeth at Telsey and Company, one of New York's largest casting offices focused on film, theater, and television. Now, based on the West Coast, Conrad has started his own company: Conrad Woolfe Casting.
The role of the casting director in bringing projects to lifeThe responsibility of the casting director in shaping the worlds we see on stage & screenConrad's hopes for the future, and how the industry might change
Rachel & Conrad reminisce about the early years of their friendship, and how Conrad found his way to casting. They also chat about:For more information about Conrad visit: https://www.conradwoolfecasting.com/
Conrad's IMDB
Follow him on Instagram: @ConradWoolfe
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In this episode Rachel catches up with acclaimed stage, film, and TV actor: Catherine Curtin. After making her Broadway debut in Six Degrees of Separation in 1990, Cathy made her way onto stages large and small before appearing on screens everywhere. Today she is known for her roles as Wanda Bell on Orange is the New Black, Claudia Henderson on Stranger Things, Joanne on Insecure , and many many more.
Growing up in New York CityThe early years of her careerWhy she doesn't work in the theater anymoreHow she built her career in TV & Film
In this episode we chat with the Cathy about:This month, Cathy's latest film, Werewolves Within premieres at the Tribeca Film Festival. We so enjoyed recording this conversation with the hilarious and effervescent Cathy Curtin. Give this episode a listen to find out more about one of New York's busiest actors.
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In this episode Rachel speaks with one of the directors of Soho Rep and a co-founder of Radical Evolution: Meropi Peponides. The two met over a decade ago while Meropi was still an MFA student at Columbia. As the theater industry continues to have conversations about change, and what that might look like, we were excited to 1. gain a better understanding of what leadership looks at one of downtown's bedrock institutions. 2. Learn more about what how those decisions were made, and where they might be going.
Dramaturgy!the organization of theatrical organizationswhat makes a Soho Rep artistthe piece of advice Meropi would give in a development process
They chat about:Learn more about Soho Rep and its initiatives here.
Check out Radical Evolution.
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Josh Gelb is a director, performer, writer, & producer whose work is often visceral, surprising, and bold. Pre-pandemic his play Jazz Singer, which he co-wrote, directed, and performed in, received a critically acclaimed run at Abrons Arts Center. After performance venues closed, Josh built out his closet and created Theater in Quarantine, streaming fully realized theatrical experiences live from his home.
the creation of Theater in Quarantine and its evolutionhow Josh keeps up with the demanding production schedulehopes & expectations for theater out of quarantine
Theater in Quarantine is free to watch, and available on #TiQ's Youtube Channel. Co-helmed by Katie Rose McLaughlin, TiQ presents a brand new show live, every three weeks. Recent productions have included collaborations with some of theater's most exciting players. If you're new to TiQ, Heather Christian's I Am Sending You the Sacred Face is a great place to start.
In this episode Rachel & Josh talk about:For more info on the artist and the work visit:
Joshua William Gelb
Theater in Quarantine
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Rachel & Martyna recorded this episode in late April. While it was only 5 months ago, in some ways, it feels like an entirely different lifetime. As summer draws to a close, and we head into fall, Rachel can't think of a better time to share this episode with one of her theater heroes.
Martyna Majok is the 2018 pulitzer prize winner in drama for her play, Cost of Living. Other plays include: Queens, Ironbound, and Sanctuary City. She is a Yale School of Drama and Juilliard alum, a former PoNY fellow at the Lark, Women's Project Lab member, and Ensemble Studio Theatre Youngblood.
In this episode Rachel & Martyna talk about what she's finding comfort in during these unprecedented times, how she ended up working in the theater during her University of Chicago days, and the advice she'd give her former self during her first year in New York.
More about Martyna at: http://www.martynamajok.com/
Information about her latest production Sanctuary City here.
Follow us on Instagram: @upstageleftpodcast
Twitter: @upstageleftpod
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Monet Hurst-Mendoza and Ugo Chukwu are #relationshipgoals. They also happen to both be fantastic theater artists in their own right.
Monet's play Torera was slated for production at the Long Wharf Theatre this fall, pre-pandemic. She is former Emerging Writers Group member, current member of the Kilroys, and a staff writer for Law & Order: SVU. She also has her own Wikipedia page.
And you've probably seen Ugo in a play at one of the many Downtown Theater Establishments. In fact, Helen Shaw dubbed him "one of our best downtown actors." Most recently spotted in: House Plant by Sarah Einspanier at NYTW Next Door, and was in rehearsals for Lunch Bunch, also by Einspanier before the City shut down. Other recent work includes: Do You Feel Anger?, [Porto], and What To Send Up When It Goes Down.
I miss the theater. I miss seeing plays. I miss seeing friends in plays, and seeing friends at the plays we're seeing friends in. Chatting with Monet & Ugo felt (almost) like old times. We talk about astrology, what we hope to see change in our industry, and why Ugo is always talking about quitting acting.
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or on Twitter: @upstageleftpod
Leave us a friendly review or subscribe wherever you get your podcasts!
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In this episode, Rachel speaks with C.A. Johnson - the playwright of All the Natalie Portmans, which premiered at MCC this February. C.A.'s play The Climb was part of the 2019 Cherry Lane Mentor Project, and her work has also been produced at the Contemporary American Theater Festival, and Strawdog Theatre in Chicago.
C.A. and Rachel speak about life during COVID, and the state of the American Theater during this long overdue uprising. C.A. talks about the experience of her first New York run - what it was like to be in the room, the ups, and the downs. We talk about the uncertain future of theater, and what she wishes she had known before starting out on the journey of being a playwright.
More information about C.A. HERE.
Mentioned in this episode:
MCC Theatre
American Contemporary Play Festival
Strawdog Theatre
C.A. also writes for T.V.
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