Afleveringen
-
Summer blockbuster season is officially heating up here at We Drink & We Watch Things, and we are kicking off our high-octane July lineup with a return to the absolute pinnacle of cinematic bloodbaths: Simon McQuoid’s newly released Mortal Kombat II. It turns out we needed a drink just to handle the pure, unadulterated CGI gore.
To steel our nerves for the arena, Mackenzie has designed our cocktail this week - Kitana's Revenge - a gorgeous and delicious tequila concoction that looks exactly like it sounds. Trust us, after watching what this movie does to its characters, you’ll need it.
This week, we tackle the massive new additions to the roster, starting with Karl Urban’s delightfully cocky, washed-up, convention-circuit iteration of Johnny Cage. We dissect the absolute madness of the narrative - from the 10th consecutive tournament stakes to the chaotic interdimensional politics of Outworld - and break down the arrival of fan-favorites like Kitana, Jade, and Martyn Ford’s massive, menacing Shao Kahn. We also gloat over our favorite crowd-pleasing, gory fights, marveling at how a movie can be so unapologetically unhinged with its bisections and impalements while still trying to give us a genuine emotional arc about Cole Young and a redeemed Kung Lao. It’s a loud, silly, and delightfully brutal adaptation that hits like a straight punch to the jaw.
If you’ve spent the last month practicing your upper-cuts, or if you just want to hear us debate whether Karl Urban successfully channels the classic arcade energy of the 90s, this is the round you've been waiting for. We’re blending our inner gaming nerds with our usual casual, cocktail-fueled banter, making this an explosive start to our 2026 Summer Blockbusters marathon. FINISH HIM!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
We have reached the glittering grand finale of our Pride Month celebration on We Drink & We Watch Things, and we are going out in style! For our "T" selection in the lineup, we are packing our bags, boarding a battered lavender bus named Priscilla, and heading deep into the Australian outback with Stephan Elliott’s iconic 1994 masterpiece, The Adventures of Priscilla, Queen of the Desert. Pour yourself something absolutely fabulous - perhaps Lemar's It's Not Purple, It's Lavender cocktail - as we journey into the heart of the desert, where the heels are high and the survival instincts are higher.
This week, we celebrate the extraordinary trio at the center of this road trip: Hugo Weaving’s conflicted Tick/Mitzi, Guy Pearce’s chaotic, high-energy Adam/Felicia, and Terrence Stamp’s absolutely sublime, deeply dignified performance as Bernadette, a trans woman navigating grief and a world that rarely understands her. We bask in the film's legendary visual triumphs - from the towering silver lamé gown on top of the bus to the jaw-dropping lip-sync numbers in the middle of nowhere - and break down Oscar-winning costumes that managed to turn flip-flops into high fashion. Most importantly, we examine the film’s striking balance between brilliant camp comedy and raw, necessary commentary on homophobia, transphobia, and the revolutionary act of queer joy simply refusing to hide.
If you’ve ever wanted to watch three drag queens conquer the outback to the tune of Gloria Gaynor, or if you just want to hear us rave about a film that changed the landscape of queer cinema forever, this is the curtain call you've been waiting for. We’re blending our deep adoration for this vibrant classic with our usual casual banter to bring our Pride Month run to a triumphant, sequin-covered close. Finally, a fabulous ending!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Zijn er afleveringen die ontbreken?
-
Pride Month hits the highway this week on We Drink & We Watch Things as we move into our "B" selection, tackling Alfonso Cuarón’s sizzling, groundbreaking 2001 road movie, Y Tu Mamá También. It’s time to have a Charolastra Shooter - if you know you know - as we pack our bags and head out on a spontaneous Mexican road trip toward a fictional beach that might just change everything.
This week, we unpack the fluid, charged dynamics of the film's central trio: Diego Luna’s Tenoch, Gael García Bernal’s Julio, and Maribel Verdú’s captivating, enigmatic Luisa. We analyze how Cuarón treats sexuality not as a rigid label, but as an honest, evolving expression of youth, intimacy, and unspoken desire - culminating in that famously intense, barrier-breaking night that alters the boys' friendship forever. We also examine the film’s dual layers, looking at how the breathless, hormones-first journey of the characters contrasts with the narrator's melancholic observations about the shifting political and economic landscape of Mexico passing right outside their car windows.
If you love movies that blend raw, uninhibited coming-of-age energy with a deeply poetic sense of time and place, this episode is a must-listen. We’re blending our fascination with the film's complex character study with our usual casual banter, making this a brilliant, sun-soaked third chapter in our Pride Month celebration. Life is like surf, so give yourself away to the sea!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Pride Month keeps the celebration moving on We Drink & We Watch Things as we transition from the quiet, burning embers of 18th-century France to the bright, neon-soaked drag capital of South Beach. For our "G" selection in the lineup, we are throwing it back to 1996 for Mike Nichols and Elaine May’s sublime masterclass in comedic farce: The Birdcage. Mix yourself something wonderfully refreshing - perhaps Lemar's "Straight" Bourbon - and get ready for a family dinner where absolutely nothing goes according to plan.
This week, we celebrate the legendary chemistry between Robin Williams and Nathan Lane, looking at how Williams plays the perfect, anchored straight man (pun intended) to Lane’s fiercely dramatic, Barbara Bush-redefining Albert. We bask in the glorious, scene-stealing supporting work of Hank Azaria as the perpetually barefoot Agador Spartacus and Gene Hackman as the ultra-conservative Senator Keeley, who unwittingly ends up in the drag escape of a lifetime. We also break down the film’s incredible heart, discussing how beneath the chaotic Martha Graham choreography, the "eco-friendly" naked-boy pottery, and the frantic attempts to pass as straight, it is a deeply moving portrait of unconditional love and a radical defense of queer families.
If you can instantly recite the difference between a John Wayne walk and a regular walk, or if you just want to hear us gush about the comedic genius of an Elaine May screenplay, this episode is pure joy. We’re blending our adoration for this comfort-movie masterpiece with our usual casual banter, proving that when the world gets crazy, sometimes you just have to give 'em a little bit of Fosse, Fosse, Fosse!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Pride Month is officially taking over on We Drink & We Watch Things! For the entire month of June, we are celebrating LGBT representation in cinema by breaking it down by the letters: one lesbian-focused masterpiece, one classic gay comedy, one iconic bisexual drama, and one legendary transgender anthem.
To kick off the month, we are diving into our lesbian-focused selection: Céline Sciamma’s breathtaking 2019 romance, Portrait of a Lady on Fire. Set fire to a glass of Mackenzie's The Canvas & the Flame as we head to an isolated island in 18th-century Brittany, where every glance is loaded with tension.
This week, we bask in the incredible chemistry between Noémie Merlant and Adèle Haenel, analyzing how Sciamma constructs the "female gaze" to create a romance that is intensely passionate without ever feeling exploitative. We break down the film’s stunning, painterly cinematography, the complete lack of a traditional musical score (which makes the rare moments of music absolutely explosive), and the devastatingly perfect use of Vivaldi’s Four Seasons in the final frame. We also talk through the heartbreaking reality of their temporary freedom and why this film stands as a modern masterpiece of queer cinema.
If you love romances that burn slowly but deeply, or if you just want to hear us rave about a film where a single look can break your heart, this is the episode for you. We’re blending our deep appreciation for this visual triumph with our usual casual banter, making this a beautiful and powerful launch for our Pride Month celebration.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
We have finally reached the finish line... and honestly, we barely made it out alive. Four movies, four deep dives, and four custom cocktails, all recorded in one single, grueling day. To close out our Space MAYhem marathon, we are tackling the absolute nadir of our recording schedule: the infamous, delayed sci-fi remake filmed under strict lockdowns, War of the Worlds, starring... Ice Cube and Eva Longoria.
To survive this final stretch, we had to double down on our drink menu. First, we are introducing "The Impassioned Project"- a concoction Lemar cooked up to power us through. We both absolutely detested this movie, so we also had to throw back a shot just to find the strength to keep the microphones turned on.
This week, we rip into the baffling creative choices of this production, from the painfully obvious green-screen backgrounds to the total lack of chemistry between Ice Cube’s intensely angry protagonist and Eva Longoria’s profoundly confused co-lead. We laugh through the pain of the low-budget digital alien effects, question how an H.G. Wells adaptation managed to feel so small and claustrophobic, and chronicle our own mounting exhaustion as the movie dragged on. It’s a therapeutic, hilariously hostile review of a cinematic trainwreck that should have stayed locked in the vault.
If you want to hear two podcast hosts completely lose their filters, cross the finish line of a brutal marathon, and bond over shared cinematic trauma, this is the finale you've been waiting for. We’re blending our mutual hatred for this flick with our usual casual banter to bring Space MAYhem to a chaotic, tequila-fueled, and slightly lightheaded close. Thank goodness it's over!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
We’ve officially crossed the halfway mark of our Space MAYhem marathon, and the fatigue is real, but the energy is high! We are still pushing through our single-day recording marathon, and for movie number three, we are throwing it back to the absolute gold standard of 90s summer blockbusters: Roland Emmerich’s 1996 explosive spectacle, Independence Day.
To survive this round of the marathon, we are shaking up a cocktail as on fire as the movie itself: Mackenzie's "Victory Cigar Old Fashioned"- a sweet and smoked take on a classic, that smells exactly like an alien mothership going down in flames.
This week, we bask in the peak-90s charisma of Will Smith punching aliens in the face, Jeff Goldblum using a 1995 PowerBook to take down a technologically superior civilization with a literal computer virus, and Bill Pullman delivering one of the greatest cinematic speeches of all time. We laugh at the glorious absurdity of the science, marvel at the practical effects that still look better than most modern CGI, and debate whether there is a single better scene in cinema history than Judd Hirsch complaining about his lawyer while the world ends.
If you want to hear us get deeply nostalgic about the peak era of popcorn cinema while we slowly lose our minds on hour six-ish of our recording day, this is the episode for you. We’re blending our childhood love for this blockbuster giant with our usual vibes, making this the most explosive stop yet on our Space MAYhem itinerary. Today, we celebrate our Independence Day!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
We’re moving into the second leg of our Space MAYhem marathon, and things are getting much quieter - and much more terrifying. For those keeping track at home, we’re still on that same high-speed recording day, and we’ve officially swapped the "competence porn" of Project Hail Mary for the wordless, nail-biting dread of Brian Duffield’s 2023 sci-fi horror, No One Will Save You.
The "Space MAYhem" custom cocktail for this round is Lemar's concoction - The Isolated Incident. It’s the perfect companion for a movie that features only five spoken words in its entire 93-minute runtime.
This week, we admire Kaitlyn Dever’s incredible physical performance as Brynn, a woman living in forced isolation who suddenly has to defend her home from an extraterrestrial invasion. We analyze the film’s unique approach to the "Grey" alien trope, looking at how the invaders use telekinesis and parasitic control to turn Brynn’s town against her - though, as we discuss, the town was doing a pretty good job of that on its own. We also examine the film’s shocking ending and its exploration of grief and redemption, asking the big question: would you rather be shunned by your neighbors or accepted by a community of possessed puppets?
If you love home invasion thrillers with a cosmic twist, or if you just want to hear how our voices are holding up as we enter the second half of our one-day recording spree, don’t miss this one. We’re blending our technical appreciation for the film's sound design with our usual casual banter, proving that even in space (or a quiet farmhouse), no one can hear you scream... but they can definitely hear us talk about it.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Welcome to a brand-new month and a brand-new challenge here at We Drink & We Watch Things! This is Space MAYhem. Over the next four weeks, we’re bringing you four interstellar adventures, but there’s a twist: Lemar and Mackenzie watched all four movies and recorded all four episodes in one single, high-orbit day. That means four movies, four deep dives, and four custom cocktails, all within 11 hours. If we start sounding a little lightheaded by the end of the month, you’ll know why.
To kick things off, we are starting with the film we’ve both been dying to talk about - the highly anticipated 2026 adaptation of Andy Weir’s Project Hail Mary. Mackenzie has lived and breathed the book, and we both fell head over heels for this cinematic version. Pour yourself our first drink of the marathon - a energizing, solar-flaring concoction we’re calling "Astrophage Ignition" (heavy on the caffeine, light on the gravity) - and join us as we wake up on a spaceship with no memory and a very important job to do.
This week, we celebrate Ryan Gosling’s pitch-perfect return to space as Ryland Grace, capturing that signature Weir "competence porn" where science is the only way out of a death trap. We marvel at the visual effects that bring the Hail Mary to life, but more importantly, we gush over the debut of cinema’s new favorite companion (no spoilers here, but fist bump to the VFX team). We also examine how the film handles the book’s non-linear structure and the high-stakes mission to save a sun that’s being eaten from the inside out.
If you love hard science, unlikely friendships, or just want to hear us kick off our most ambitious recording stunt yet while we’re still relatively sober, this is the episode for you. We’re blending our obsession with the source material with our usual casual banter, making this a stellar launch for Space MAYhem. Evolution, am I right?
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
We’ve reached the final curtain call for our Cate Blanchett spotlight here on We Drink & We Watch Things, and we’re closing out with the performance that officially turned her into an Oscar winner: Martin Scorsese’s 2004 epic, The Aviator. It’s the ultimate meta-cinematic challenge - one of the greatest modern actresses stepping into the sensible shoes of the greatest Golden Age actress, Katharine Hepburn. Mix yourself something classic and sophisticated - perhaps a Howard's Punch by Mackenzie - and let’s head to the golf course.
This week, we examine the sheer audacity of Cate’s "impersonation-turned-performance," looking at how she mastered that iconic, rapid-fire New England lockjaw and the athletic, "don’t-fence-me-in" energy that defined Hepburn. We break down her electric chemistry with Leonardo DiCaprio’s Howard Hughes, specifically that brilliantly uncomfortable family dinner at the Hepburn estate where two different worlds of American aristocracy collide. We also discuss the film’s stunning visual evolution, as Scorsese uses "two-strip" and "three-strip" Technicolor effects to mirror the era, and how Cate manages to shine through the stylized, vibrant hues as a woman who was "too much" for any one man to hold onto.
If you love the glamour of Old Hollywood, the technical precision of a master at work, or just want to hear us debate if anyone else could have pulled off "Hot Dawg!" with such conviction, this is the perfect finale. We’re blending our awe for her first Academy Award-winning turn with our usual casual banter, making this a truly legendary conclusion to our first Actress Month run.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Cate Blanchett Month reaches its crescendo this week on We Drink & We Watch Things with the film that many consider the definitive performance of Cate Blanchett’s legendary career: Todd Field’s 2022 psychological powerhouse, Tár. This isn't just a character study; it’s a clinical, chilling, and deeply immersive descent into the architecture of power and the erosion of a soul. Pour yourself something precise and sophisticated - Mackenzie's Reputation Reviver OR Tártini, perhaps - as we take our seats for a masterclass in controlled chaos.
This week, we analyze the sheer physicality of Cate’s transformation into Lydia Tár, from the authoritative sweep of her conducting baton to the sharp, tailored suits that act as her armor. We examine the film’s haunting ambiguity, looking at how it uses a world of high-culture prestige to explore very modern questions about "cancel culture," the separation of the artist from the art, and the ghosts - literal or metaphorical - that haunt those at the top. We talk through the grueling intensity of the Juilliard masterclass sequence, the unsettling sound design that mirrors Lydia's unraveling, and why this performance feels like the ultimate culmination of everything Cate has been building toward since Elizabeth.
If you love intellectual thrillers, complex anti-heroes, or just want to hear us marvel at an actress operating at the absolute peak of her powers, this is the episode you’ve been waiting for. We’re blending our deep respect for the film’s precision with our usual casual banter, making this a truly symphonic highlight of our Cate Blanchett Month journey. The podium is hers - are you listening?
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Cate Blanchett Month takes a cosmic, neon-drenched turn this week on We Drink & We Watch Things as we dive into the Marvel Cinematic Universe to witness Cate Blanchett at her most delightfully wicked: Taika Waititi’s 2017 technicolor blast, Thor: Ragnarok. It’s time to pour yourself a drink that’s as bold and dangerous as our guest of honor - Lemar's Hella Fire, perhaps - as we head to Asgard to meet the sister Thor and Loki never knew they had.
This week, we celebrate Cate’s turn as Hela, the Goddess of Death, and how she managed to create one of the most charismatic and genuinely threatening villains in the entire MCU. We examine her incredible physical presence - from the effortless way she catches Mjolnir to the iconic antlered headgear - and talk through how much fun she clearly had playing a character who is unapologetically powerful and bored by everyone else's rules. We also highlight the film’s shift toward improvisational comedy, the vibrant "Jack Kirby" visual style, and why Hela stands out as a masterclass in how to bring gravitas and theatrical flair to a superhero blockbuster. And why we want more of her!
If you love a villain who steals every scene they're in, or if you just want to hear us gush about Cate’s ability to command an entire army with just a flick of her wrist, this is the episode for you. We’re blending our adoration for her range with our usual casual banter, making this a high-voltage highlight of our actress Month journey. Kneel before your Queen!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Cate Blanchett Month continues as we shift gears from the throne rooms of England to the open roads of the American West with the 2001 crime-comedy, Bandits. This week, we’re looking at a completely different side of Cate Blanchett - trading the white lead makeup for a messy red wig and a kitchen-sink existential crisis. Grab a drink- maybe try this week's Split Decision cocktail - as we join the "Sleepover Bandits" on a heist that’s less about the money and more about the company.
This week, we celebrate Cate’s surprising comedic timing as Kate Wheeler, the neglected housewife who accidentally hijacks a bank robbery and ends up in a "permanently temporary" love triangle with Bruce Willis and Billy Bob Thornton. We examine her frantic, high-wire energy - especially that iconic kitchen dance to "I Need a Hero" - and analyze how she holds her own against two massive leading men, effectively becoming the heart and the brains of the operation. It’s a discussion about the chemistry of an unlikely trio, whether or not Lemar would like this more if he'd seen it when it came out, and why this role proved that Cate could master the "messy American" just as easily as the British monarch.
If you love a good road movie, a smart caper, or just want to hear us debate how this one holds up, this is the episode for you. We’re blending our appreciation for her versatility with our usual casual banter, making this a fun, fast-paced second stop on our Cate Blanchett Month tour. Who knew being kidnapped could be so revitalizing?
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Welcome to April, and we are rolling out the red carpet for our first-ever Actress Month! We’re kicking things off with a deep dive into the filmography of the incomparable Cate Blanchett, beginning with the 1998 breakout that turned her into Hollywood royalty: Elizabeth. Pour yourself a glass of something regal - perhaps Mackenzie's cocktail this week, The Red Fox - as we travel back to a 16th-century England filled with shadows, whispers, and a young woman forced to trade her heart for a crown.
This week, we trace the transformation of Elizabeth from a vibrant, romantic girl into the formidable, white-masked "Virgin Queen" who ruled with an iron fist. We marvel at Blanchett’s ability to command the screen with just a flicker of her eyes, capturing the terrifying transition from vulnerability to cold, calculated power. We also examine Shekhar Kapur’s visceral, thriller-like direction, the lush but claustrophobic costume design, and the standout supporting turns from Geoffrey Rush and Joseph Fiennes. It’s a conversation about the high cost of leadership, the erasure of the self for the sake of the state, and the exact moment we all realized a legendary talent had arrived.
If you love historical dramas that feel more like political horror, or if you’ve always wanted to know why this performance is considered the gold standard for period acting, this is the episode for you. We’re blending our obsession with Cate’s craft with our usual casual banter, making this a truly majestic start to our Cate Blanchett Month celebration. Long live the Queen!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
We’ve reached the bittersweet finale of Love Stinks! Month here on We Drink & We Watch Things, and we’re closing out our "Not-So-Love-Love-Stories" with Damien Chazelle’s 2016 neon-soaked daydream, La La Land. It’s time to mix up something sophisticated but a little sharp - perhaps Mackenzie's Lillet-ing Go - as we follow Mia and Sebastian through the traffic jams and jazz clubs of Los Angeles, where the pursuit of a dream often costs more than you’re prepared to pay.
This week, we examine the film’s central conflict: the agonizing choice between the person you love and the life you’ve always wanted. We explore the chemistry between Emma Stone and Ryan Gosling, the vibrant, primary-colored cinematography, and the haunting "City of Stars" melody that anchors their journey. Most importantly, we unpack that devastatingly beautiful seven-minute epilogue, debating whether the "happily ever after" montage was a celebration of what they gave each other or a heartbreaking reminder of the life they had to surrender to reach the top. It’s a conversation about timing, the reality of "the one that got away," and why sometimes the most romantic thing you can do for someone is let them go.
If you love musicals that ground their fantasy in the harsh light of reality, or if you’ve ever wondered if your success was worth the sacrifices you made along the way, this is the perfect curtain call for the month. We’re blending our adoration for the film's craft with our usual casual banter, making this a spectacular, tear-jerking conclusion to our second annual Love Stinks! marathon. Here’s to the fools who dream, even if they have to dream alone.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!
Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
-
Love Stinks! Month continues its mission to dismantle the "happily ever after" this week on We Drink & We Watch Things with the 2009 indie-staple, 500 Days of Summer. This is the ultimate "not a love story" about a boy who meets a girl, and it’s an episode where our own perspectives are as non-linear as the film’s timeline. Grab a drink - maybe try Lemar's Sweet Disposition - and join us as we revisit the greeting-card-writer’s guide to heartbreak.
This week, we tackle the sharp divide in our viewing experiences, as Mackenzie grapples with Tom’s projection and entitlement, while Lemar navigates his own deep-seated nostalgia for this quintessential hipster time capsule. We examine Tom’s selective memory, looking at how he ignores every "we should just be friends" warning to chase a soulmate fantasy that only exists in his head. We discuss the brilliance of the iconic "Expectations vs. Reality" split-screen sequence, the Hall & Oates dance number that captures the peak of infatuation, and why Zooey Deschanel’s Summer is often unfairly vilified for simply being honest about what she wanted. It’s a conversation about the danger of romanticizing "bizarro crap" in common and the painful, necessary growth that comes when the seasons finally change.
If you’ve ever found yourself staring at a closed door hoping it would open, or if you just want to hear us debate whether Tom is a hopeless romantic or a "nice guy" nightmare, this is the episode for you. We’re blending our conflicting takes with our usual casual banter, making this a perfectly polarized addition to our month of Not-So-Love-Love-Stories. This is not a love story, but it is definitely an episode you’ll love.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at [email protected].
-
Love Stinks! Month continues its march across the moors this week on We Drink & We Watch Things as we confront the year's most scandalous and polarizing adaptation: Emerald Fennell’s 2026 reimagining of Wuthering Heights. This isn’t your grandmother’s Brontë; it’s a hyper-stylized, anachronistic, and deeply provocative "bodice-ripper" that trades Victorian restraint for BDSM, heavy-metal corsetry, and a Charli XCX soundtrack. Pour yourself something dark and intoxicating - perhaps our cocktail take on Yearning - and join us as we discuss why this film has everyone from literary scholars to Barbie fans talking.
This week, we analyze the relationship between Margot Robbie’s fashion-doll Cathy and Jacob Elordi’s long-haired, seething Heathcliff. We examine Fennell’s decision to strip away the novel’s second generation to focus entirely on the toxic, cyclical lust of its leads, and we talk through the film’s shocking, "Saltburn-esque" flourishes - like the horse-bridle-and-shackle games that redefine Heathcliff’s legendary cruelty. We also consider the controversy surrounding the casting and the film's unapologetic rejection of historical accuracy in favor of creating a "sensory experience" that feels like a teenage girl's fever dream of the 1840s.
If you’re a Brontë purist ready to clutch your pearls, a fan of Fennell’s brand of "campy depravity," or just want to hear us debate whether a story about two people "driving each other mad" is a romance or a red flag, this is the episode you’ve been waiting for. We’re blending our critique of its provocative choices with our biggest disagreement in recent memory, making this a truly wild second chapter in our month of Not-So-Love-Love-Stories. Be with us always - take any form - just don't miss this one!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at [email protected].
-
March is back, and that means we’re leaning into the mess with the return of Love Stinks! Month - our annual deep dive into the "Not-So-Love-Love-Stories" that make us cringe, cry, and question everything. We’re kicking things off with the ultimate manifesto for the death of romance: Roger Avary’s 2002 chaotic collegiate trip, The Rules of Attraction. Grab a drink try our Emotional Vampire cocktail - as we head to Camden College, where the only thing more plentiful than the drugs is the total lack of genuine connection.
This week, we tackle the polarized reactions between us, as Mackenzie struggles with the film’s relentless nihilism while Lemar holds onto his nostalgia for this mid-aughts time capsule. We examine James Van Der Beek’s aggressive pivot away from Dawson's Creek as the "sexual vampire" Sean Bateman, Shannyn Sossamon’s doomed pining for the absent Victor, and Ian Somerhalder’s heartbreakingly misdirected search for intimacy as Paul Denton. We also break down the film’s flashy, hyper-stylized techniques—from the famous split-screen hallway encounter to the dizzying European montage—and debate whether the movie’s bone-deep cynicism is a truthful portrait of youth or just "directorial masturbation."
If you’ve ever loved someone who didn't even know you existed, or if you just want to hear us argue about whether these characters are "horrible people" or just tragically human, this is the episode for you. We’re mixing our conflicting perspectives with our usual casual banter, making this a perfectly messy start to our month of cinematic heartaches. Just remember: at Camden, the party never ends, even when the romance is long dead.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at [email protected].
-
Our Oscars Run continues this week on We Drink & We Watch Things with the most over-caffeinated and divisive contender in the race: Josh Safdie’s Marty Supreme. This isn't just a sports movie; it’s a chaotic, 1950s-set "ping-pong nightmare" that plays like a heist film where the only thing being stolen is glory. Pour yourself our cocktail of the week - The Hydrator - because this movie doesn't let you breathe for its entire 149-minute runtime.
This week, we talk through Timothée Chalamet’s electric, polarizing performance as Marty Mauser, a spindly, obsessive table tennis hustler who treats every match like a life-or-death battle for his own soul. We examine the film’s unique, frantic energy - reminiscent of Uncut Gems - and analyze Gwyneth Paltrow’s stylish return to the screen as the glamorous, world-weary Kay Stone. We also highlight the incredible supporting work of Odessa A’zion, who brings some much-needed humanity to the chaos as the woman Marty leaves in his wake. It’s a discussion about the toxic drive for the American Dream, the absurdity of professional ping-pong, and whether Chalamet’s "anti-hero" swagger is enough to finally nab him that Best Actor statue.
If you’re tracking the Oscar race with Mackenzie or just want to hear us debate whether a movie about a "sociopathic screwball" can actually win Best Picture, this is the episode for you. We’re blending our awe for the film's kinetic style with our usual casual banter, making this a high-speed highlight of our Oscars Month journey. Don’t look away - you might miss the serve!
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at [email protected].
-
Oscars Month takes a vibrant, neon-soaked turn this week on We Drink & We Watch Things as we dive into the year's most unexpected Academy darling: the animated powerhouse KPop Demon Hunters. It’s not every year that a high-octane, genre-bending musical makes it into the Best Picture conversation, but this film has danced its way into the hearts of critics and audiences alike. Grab our Darkness & Harmony cocktail - extra points if it has sparkles - and get ready for an episode that is as high-energy as a sold-out stadium tour.
This week, we admire the stunning, boundary-pushing animation style that blends hyper-kinetic action with the sleek aesthetic of the music industry. We talk about the infectious, chart-topping original songs that have made this a frontrunner for Best Original Song, and how the film manages to balance its flashy demon-slaying sequences with a surprisingly grounded story about sisterhood and the pressures of fame. We also weigh the odds of its Oscar success, discussing whether the Academy is finally ready to reward a film that feels so unapologetically modern and fun.
Whether you're following Mackenzie's Oscar tracker or just want to hear us rave about the coolest animated film in years, this is the episode for you. We’re blending our excitement for the film's creativity with our usual casual banter, proving that even a quest for the golden statue can have a killer beat.
This episode VIDEO is live on YouTube AND Spotify!
Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at [email protected].
- Laat meer zien
