Afleveringen
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Our still recently minted annual tradition of the off-topic commentary is back! After records by Little Boots and GZA in previous years, we're once again wandering away from Our Thing for our final We Have A Commentary of the year. As voted on by our patrons, we're discussing an Iron Maiden record, 1986's Somewhere In Time in particular! From the band's emerging structural experimentation to its classic galloping metal to the increasingly adventurous themes and topics they were taking on, we have a blast discussing one of our mutual favourite metal bands of all time.
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As an addendum to our main roster Year End coverage, we're poking out of our Tofurkey comas to each pick five tracks from the past year which stuck with us. Separate from our records of the year and honorable mentions, these are club-joints, one-offs, or just damn catchy ditties we wanted to throw some roses at before the the ghost of Dick Clark does the countdown. We're also discussing the lineup of next year's Verboden festival.
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Zijn er afleveringen die ontbreken?
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Wrapping up our week of Year End coverage we have an episode of the podcast discussing some common trends and notable factors in our Top 25 records of the year, some statistical number crunching looking back at previous years' lists, and each of the Senior Staff choosing five honourable mention records from the year which didn't quite make the list. Thanks so much for checking the podcast out, whether you're jumping in to get a crash course in the year's best music or you've stuck with us all year.
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Just ahead of next week's year end coverage, we're playing catch-up on this week's podcast. Four records from Black Nail Cabaret, Orange Sector, Vision Video, and Kite released over the past year which we did not formally write up or discuss but wanted to be on record about before releasing our Top 25 records of the year are taken up here.
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The criteria and membership of a (entirely hypothetical) industrial hall of fame is the subject of this week's podcast. What sort of criteria would be used to evaluate a band's legacy? Who's a shoo-in? Which artists' candidacies might inspire screaming matches and bare-knuckle brawls? How might we ensure that the rivethead equivalent of Harold Baines would not end up enshrined within these (again, entirely hypothetical) hallowed halls? We're talking about all that plus the Sick New World cancellation.
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It’s a down the pipe two albums episode of the podcast this week, as we discuss the cinematic body disco of Molasar and the late period dark electro/electro-industrial hybrid of Novakill’s first record. We’re also discussing the Cleopatra Records AI music controversy, plus announcing the Vancouver spot on the Lana Del Rabies/God Is War tour which we’re co-presenting.
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The debut LP of Wax Trax sleaze peddlers extraordinaire, My Life With The Thrill Kill Kult, is the subject of this month’s commentary podcast. Between the duo of Buzz McCoy and Groovie Mann getting in on the ‘darkened 60s psychedelia’ angle years before it went mainstream, to their placement within Wax Trax and industrial music overall in the late 80s, to the more restrained (and dare we say tasteful?) sounds which crop up in the band’s early work, there’s plenty to discuss.
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In an episode dedicated to splitting the finest of hairs and analyzing the specific dance steps of angels on pinheads, we’re each picking five micro-genres for discussion. Do they exist? Are they distinct from neighbouring styles? What can be learn or take from them? We’re also discussing Metropolis Records’ recently announced charity initiative and corresponding compilation series
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It's a pretty diverse two albums formatted episode this week; we're talking about the freeform, hip-hop and rock tinged EBM chaos of Scapa Flow's final LP Heads Off To Freedom and Marhseaux's big and direct 2013 electro-pop LP Inhale.
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Hey, folks. As we talk about off the top, it's both the larger global news and a much more personal tragedy that we're both wrestling with this week. We're trying not to let that effect the podcast too much, but given the themes and mood of our subject, the first new album from The Cure in sixteen years, a little bit of real life pain is going to sneak its way in. Listening to music we love and talking about it with the people we love has always helped us both, and if us two goofballs talking about Bobby Smith & His Cures helps you with your day in any manner, we'd be humbled and overjoyed.
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On this week's Halloween-themed episode of the podcast, we're simulating an experience that'll be familiar to all DJs: fielding requests at a Halloween party. What tracks from within and without the boundaries of Our Thing might we be happy to play? Which would be anathema to us? Which might we consider if you greased our palms or plied us with liquor? We're also discussing the passing of Winterkälte's Eric De Vries.
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Keeping the momentum going from last week we're sticking with a decidedly industrial pair of records to discuss from Worms Of The Earth and C-Drone Defect. We've also got reactions to the just announced line-ups of next year's Cruel World and Dark Forces festivals.
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The tar-black, mechanically thrashing blast of negativity and angst which is Red Lorry Yellow Lorry's debut LP is the subject of this week's commentary podcast. Talk About The Weather Distilled extant strains of post-punk and goth rock into one of the tightest and noisiest records of its generation, and we're looking at how it fits into the Lorries' own progression as well as the broader musical histories they drew upon and influenced in turn.
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We have a slightly industrial metal themed two albums episode of the podcast for you this week, dear listener, as we chat a record needing no introduction in Killing Joke's Pandemonium and the rare modern industrial metal record which gets us excited about the genre again, Black Magnet's debut LP Hallucination Scene. We're also talking about a surprisingly great Sisters of Mercy live show and what can be gleaned from the latest Sick New World lineup.
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The return of the Pick Five format has us telling on ourselves, revealing some of our own apathies, and possibly taking some contentious positions as we talk about records which we haven't got around to yet. We're also talking about Ministry reformation news, and a video essay about goth and race making the rounds.
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After dalliances with the meaning of goth and post-punk royalty, we’re back to what brought us to the dance on this episode: obscure industrial releases scant few people are aware of. We’re talking about Jean-Luc De Meyer’s science fiction odysseys with 32Crash, and the strange path German collective Ars Moriendi took in linking classic industrial to powernoise. All that, plus some Cure (sorry, more post-punk royalty) and Pixel Grip talk.
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This month's commentary podcast dives into the often overlooked mid-period work of synthpunk pioneers Portion Control. Having an outsized influence on countless EBM and industrial acts, the band's more melodic movements into "post-industrial" with plenty of dalliances with synthpop and post-punk are perfectly captured on ..Step Forward.
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Having just seen Peter Hook & The Light, we’re spending this episode discussing not just Hooky’s presentation of the Joy Division and New Order catalogs, but also how our thoughts and feelings about those two bands have changed over the past thirty years. By equal measures we’ll be getting into the nitty gritty of JD/NO lore and ephemera, but also wrestling with what has and hasn’t changed about ourselves since we first came in contact with music which has never lost its gravitational pull upon us. We’re also talking about some possible Tear Garden news.
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We like to mark every 25th episode of the podcast with some sort of special theme or format, and so on this episode we're taking up the hefty topic of to what degree goth is a subculture tied to music. Grab your snakebite and Aquanet and expect gatekeeping, gateletting, takes spicy and mild, and no small amount of cattiness. We're also talking about the passing of Roli Mossiman, the news of North American And One dates, and a Devours gig.
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It’s a mixed format episode this week, with Alex giving a rundown of his trip to Edmonton for the Purple City Festival this past weekend, including the I Die: You Die showcase stage. Then, we’re switching gears to talk about the era of high technoid via Access To Arasaka’s 2009 LP Oppidan. All that, plus some horseshit about mainstream media’s annual fixation with "goth" fashion around Hallowe'en.
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