Afleveringen
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How did an Academy Award nominated director helm whatâs widely regarded as one of the worst movies ever made? 2003âs âGigliâ gave us Bennifer 1.0 and torpedoed writer/director Martin Brestâs career. Find out how NOT to reverse engineer a romcom - especially when your main characters are a straight man and a lesbian. Ben Affleck and Jennifer Lopez do their best, but thanks to one of the craziest post-productions weâve ever covered, âGigliâ does its worst.
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A bereft budget! Malfunctioning motorcycles! Two dogs looking for love in all the wrong places! This week, Chris & Lizzie speak with the writer/director/star of Garden State, Zach Braff, on how he made 2004âs little indie that could, Danny DeVitoâs unlikely role in getting the film made, and just how, exactly, he scored the soundtrack of the decade.
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Zijn er afleveringen die ontbreken?
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A specter of a script! A lead prone to ghosting! A soul-wrenching schedule! This week, Chris & Lizzie cross the streams with 1984âs supernatural success story, Ghostbusters. Learn how a cabal of Canadian comedians created an American classic and how John Belushi haunted the film more literally than you may know.
*CORRECTIONS:
*Chris incorrectly stated that Gremlins was the first film to receive a PG-13 rating. Though it helped prompt the invention of the PG-13 rating (created on July 1, 1984), Gremlins was given a PG rating. The first film to receive this new designation was Red Dawn, released in August of 1984.
*Lyndsey Buckingham caught some undeserved strays in this episode - he'd actually recently written Holiday Road for National Lampoon's Vacation and made quite a bit of sense as Reitman's choice to write the Ghostbusters theme.
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This week, Faye Dunaway and Roman Polanski square off in one of the messiest on-set feuds of all time. Chinatown may be one of the greatest movies ever made, but between hair plucking, tv throwing, and alleged urine tossing, the production was an absolute disaster. Special guest Paul Scheer (Unspooled, How Did This Get Made) joins Lizzie & Chris to discuss the insane making of the 1974 Jack Nicholson classic, and the complicated legacy it leaves behind.
Check out Paul's memoir, Joyful Recollections of Trauma.
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How did a director trapped in Harvey Weinsteinâs movie jail, an action star who nuked his most recent film, and a childrenâs studio in crisis make one of the most influential horror films of all time? Join Chris & Lizzie as they find out why Toni Collette was less than thrilled to land her part, why Michael Cera didnât score the lead role and how M. Night Shyamalan came to embrace the unexpected power of a PG-13 rating.
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Armorer Larry Zanoff (Django Unchained, Captain America: Winter Soldier, The Matrix Resurrections) is a combat veteran, a bonafide gunsmith, and a weapons trainer for both actors and law enforcement officers. Join us for a discussion on the responsibilities of an on-set armorer, cross-collaboration with departments you wouldn't expect, and what we need to learn from the rare but devastating on-set firearm tragedies that have captured Hollywood headlines for decades.
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A film that set the mold for R-rated comic book adaptations, but is perhaps most famous for putting its enigmatic star Brandon Lee on the map⊠and taking him off it forever. Lizzie walks Chris through a production riddled with problems long before Leeâs untimely death, who else almost played Eric Draven and the filmâs surprising connection to John Wick. They're also joined by an expert, armorer Larry Zanoff, to break down the on-set shooting of Brandon Lee.
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What do Pee-wee's Playhouse, Stand By Me and Howard the Duck have in common? All played pivotal roles in the creation of John Singleton's Boyz n the Hood! This week Chris & Lizzie are joined by guest Jonathan Braylock for a deep dive on one of the greatest debut features of all time - from Ice Cube's bombed audition to John Singleton's insistence that he direct the film... one month out of film school. Make sure to check out Part 1 of this two part coverage!
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What do Pee-wee's Playhouse, Stand By Me and Howard the Duck have in common? All played pivotal roles in the creation of John Singleton's Boyz n the Hood! This week Chris & Lizzie are joined by guest Jonathan Braylock for a deep dive on one of the greatest debut features of all time - from Ice Cube's bombed audition to John Singleton's insistence that he direct the film... one month out of film school. Make sure to check out Part 2 of this two part coverage!
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An interview with Dave Chameides, legendary and award-winning steadicam operator whose career has spanned Donnie Darko, St. Vincent, The Tragedy of Macbeth, E.R., The West Wing, and Ozark. Join us as he talks to us about the joys, challenges, and evolving nature of his crucial role on film productions.
For more on Dave and the art of camera operating be sure to check out his podcast, The Op.
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An on-set love triangle, a mid-shoot divorce, and costumes even Prince wouldnât wear. This week producer David Boman takes Chris & Lizzie on a voyage through The Fifth Element: a movie conceived by a 16-year-old only to become the most expensive European film ever made and put the then-unknown Milla Jovovich on the map.
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What took a fake wedding, a real knife, and a willingness to literally die for the shot to pull off? The end... of LOST! This week, Chris & Lizzie close the books on the divisive series, exploring how it could have gone on much longer, recent allegations of a toxic work environment, and how even President Obama knew not to mess with the LOST fan base.
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*CORRECTIONS: Chris mispronounced writer/producer Monica Owusu-Breen's name.
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This week, Chris and Lizzie chat with legendary script supervisor Jessica Lichtner. Ms. Lichtner's credits include a long-running collaboration with Martin Scorsese (most recently Killers of the Flower Moon), West Side Story, Knives Out, John Wick, The Twilight Saga: Breaking Dawn Parts 1 & 2, and many many more. Join us as we discuss what a script supervisor does in each phase of production, how to effectively communicate on set, and some great advice on working in the industry from a bonafide pro.
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No script? No problem! This week Chris & Lizzie crash into the insane gambit that became LOST. Learn how J.J. Abrams, Damon Lindelof and their incredible production team turned around the most expensive pilot ever made⊠in 90 days⊠and how the man who greenlit the project paid the price.
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Starring Clint Eastwood, directed by Walter Hill and set in 1880s San Francisco? This week, Chris & Lizzie dive into one of John Carpenterâs most subversive films - learn how Kurt Russell did everything in his power to avoid having to fight, Dennis Dun and John Carpenter made Wang Chi the real hero, and how Eddie Murphy stomped on all of it.
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Itâs Tom Hardy vs. everyone in part 2 of our coverage of Mad Max: Fury Road! Lizzie & Chris learn how the tempestuous star and Charlize Theron almost came to blows, why he apologized to George Miller after seeing the film and the bumpy post-production road to Oscar valhalla!
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Join Lizzie as she guides Chris through a film that took almost 20 years to make it to the screen, how it was aided by a talking pig and dancing penguins, Charlize's fight to be in the fight, and why the ghost of Heath Ledger haunted its director.
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Starring Robert De Niro, Laurence Fishburne and Matt Dillon? This week, join Chris & Lizzie as they learn how Spike Lee fought the powers that be to bring his 1989 classic to life! From executives' hand-wringing over riots (that would never happen) to last-minute budget cuts and an all-time Oscar snub, Do the Right Thingâs continued success and relevance is a testament to the power of an incredible cast and crew.
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Was The Omen the most cursed movie ever made? Or was it just⊠the 70âs? Join Lizzie & Chris as they explore the series of tragic, strange, and mysterious events that plagued Gregory Peck and the crew of 1976âs horror classic The Omen. Could it be true that the devil didnât want this movie to be made?!
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What do you do when the number one on your call sheet wonât stop farting? Embrace it! This week, Chris & Lizzie travel to the Klatu Nebula to cover Galaxy Quest, a nearly perfect film almost undone by a terrible marketing campaign. Learn how this production survived the loss of its first director, on-set script changes, and Alan Rickmanâs despair at working with Tim Allen to become one of David Mametâs favorite films.
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