Afleveringen
-
Back in August, at Cory Wongâs Syncopated Summer Camp in Nashville, Wong hosted a late-night interview and hang session with Italian guitar hero Matteo Mancuso. If you werenât there, youâre in luck: This weekâs episode of Wong Notes features that exclusive rendezvous in its entirety, recorded live in front of an audience of camp attendees.Mancuso unearths his roots on the guitar, from starting on the electric guitar to learning Deep Purple, Led Zeppelin, and Jimi Hendrix while using his fatherâs finger-picking style. âLater on, I discovered about the pick, but I was too lazy to start again,â says Mancuso, who shouts out other fingerstyle players like Wes Montgomery and Django Reinhardt.
Mancuso credits his unique playing vocabulary to his atypical approach to the instrument, which meant he had to âfind some solutions to some technical problemsâ that he encountered while learning to play. What kind of warm-ups does he turn to when he wants to get his fingers and brain moving? Mancuso has a few thoughts, but it all has to be âgoal-oriented.â
Mancuso and Wong, both veteran bandleaders at this point, swap advice and techniques on heading your own band, arranging, and writing, plus scores of other obscure tricks of the trade. Tune in and listen to get the goods.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Matteo Mancuso: https://www.matteomancuso.net/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Presented by DistroKid
-
Phishâs Trey Anastasio is back again on this weekâs extra-special episode of Wong Notes. The expansive conversation goes from the mundane to the massive: Trey shares the meaningful gift he bought himself for his 60th birthday, reflects on his most meaningful song, dissects boredom and nostalgia in the streaming era, and names the young bands impressing him most these days.
Then, Trey and Cory dig deep into the songwriting process, and Trey reflects on how his songwriting has (and hasnât) changed over his length career: âMaybe itâs some kind of human nature, that youâre kind of fighting against who you actually, really are,â he offers. He then opens up the files and plays few unreleased (and vintage) demos! At this stage in his career, what is Trey Anastasio hoping to accomplish, and has his approach to making music changed? Tune in to find out.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Trey Anastasio: https://trey.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Presented by DistroKid
-
Zijn er afleveringen die ontbreken?
-
Imagine being in a band with your best friends for over 40 years, and each night you step on stage you get to play one more show. Thatâs exactly what guitarist Trey Anastasio and his bandmates in Phish think about right before every sold-out arena or amphitheater show. âWe're all hyper aware now, every night,â mentions Anastasio. âI mean, we just love it so much. It's like, I can't wait for the tour to start.â Anastasioâs energy and passion is infectious, even when he isnât talking about music. Bring up hockey, 6L6-based amps, or even his generationally deep Iowa roots and watch as his eyebrows raise.
We had to do something special for the 100th episode of Wong Notes. We caught up with Trey while he was preparing for a November tour with his solo band. In part one, Cory Wong brings Anastasio in with some hockey talk before diving straight into his current full-circle journey with his rig, and he reveals a bit of an epiphany that all true gearheads know, but sometimes are afraid to admit.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Trey Anastasio: http://trey.com
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Presented by DistroKid
-
This go around, Cory Wong is joined by Pino Palladino and Blake Mills. Palladino, a Grammy-winning bassist, has collaborated with everyone from Erykah Badu and Keith Richards to John Mayer and the late, great DâAngelo. Millsâ resumĂ© includes work with Bob Dylan, Fiona Apple, and Joni Mitchell. The duo has been around the block.
Wong probes all corners of their creative processes, from the purpose of the music they make, to dealing with âunnaturalâ elements of the creative process, to layering parts on a record, to different approaches to melody. As you read, Palladino and Mills have worked with some of the greatest musicians and writers of the past century. Theyâve got a lot of wisdom to share.
Tune in to learn from some of the best in the biz.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Blake Mills: https://www.blakemillsonline.com/
Visit Pino Palladino: https://pinopalladinoblakemills.komi.io/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Presented by DistroKid
-
Welcome back for a special episode of Wong Notes! If you couldnât make it to Coryâs Syncopated Summer Camp, this oneâs for you: It features Wong and his Flyers bandmatesâNate Smith on drums, Joe Dart on bass, and Mark Lettieri on guitarâin a live masterclass recording from this summer, as they jam and break down an original composition.
The group starts off with a rowdy rip through the tune (which, apparently, didnât go so well when they played it in Italy) before slowing down its constituent parts and highlighting Lettieriâs thoughtful arrangements. Each member of the band takes a turn explaining their approach to jamming and improvisingâand how to know when trouble is coming. (For Smith, itâs when one player tries to âforce an agenda.â)
The most important instrument for a successful jam and songwriting session? Your ears: It all comes back to listening. So listen in and learn with the best on this exclusive instalment.
Recorded LIVE at the Syncopated Summer Camp presented by Dreamcatcher Events: http://dreamcatcher-events.com
Listen to the full episode here: https://bit.ly/WongNotes
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG:
-
On this episode, James Bay joins Cory Wong from backstage at the 9:30 Club in Washington, D.C. (It takes Wong all of 10 seconds to recognize and name the green room.) Bay is still supporting his fourth full-length record, Changes All the Time, and Wong picked up on a different guitar approach on the new album. Bay walks him through how his playing matched the collectionâs title.
Bay also reveals the first solo he learned to play (or, rather, failed to learn to play; itâs a Bon Jovi hit), and how Jack Whiteâs philosophy of struggle against his instrument has shaped Bayâs relationship to his own guitars. As bandleaders, Wong and Bay both have plenty of experience hiring players to join them in studio and on the road, so what do they look for when selecting colleagues? Tune in to find out.
It wouldnât be a chat with a Minnesotan guitarist without some Prince talk, so stick around to learn the appropriate etiquette for covering The Artist when touring his home state.
Listen to the full episode here: https://bit.ly/WongNotes
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit James Bay: https://www.jamesbay.com
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Presented...
-
Sound the alarms, tell your neighbors, hire a banner plane: Wong Notes is back. Cory Wongâs beloved podcast returns after a healthy break, and this exciting comeback episode features Wong in conversation with Gooseâs Rick Mitarotonda.
The Connecticut rock bandâs guitarist and vocalist talks through the bandâs origins and position in the jam-band and broader music scenes, and Wong and Mitarotonda debate an ancient, critical question: Can jam bands actually write great songs?
The duo talk through their philosophies on recording, staying sharp on your instrument, all-star moments and standout players in the jam community, and feeling misunderstood as an artist. Like a good jam set, there are plenty of rich tangents, fascinating rabbit holes, and unexpected insights, so tune in and keep your ears open.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Goose: https://www.goosetheband.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Presented by DistroKid
-
Welcome back for a special season finale of Wong Notes!
Weâve saved one of the best for last: Brad Paisley.The celebrated shredder and seasoned fisherman joins host Cory Wong for one of this seasonâs most interesting episodes. Paisley talks his earliest guitar-playing influences, which came from his grandfatherâs love of country music, and his first days in Nashvilleâas a student at Belmont University, studying the music industry.
The behind-the-curtain knowledge he picked up at Belmont made him a good match for industry suits trying to force bad contracts on him.
Wong and Paisley swap notes on fishing and a mutual love of PhishâPaisley envies the jam-band scene, which he thinks has more leeway in live contexts than country. And with a new signature Fender Telecaster hitting the market in a rare blue paisley finish, Paisley discusses his iconic namesake patternâwhich some might describe as âhippie pukeââand its surprising origin with Elvisâ guitarist James Burton.
Plus, hear how Paisley assembled his rig over the years, the state of shredding on mainstream radio, when it might be good to hallucinogenic drugs in a set, and the only negative thing about country-music audiences.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Brad Paisley: https://www.bradpaisley.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
-
Legendary shredder Joe Satriani was the first ever guest on Wong Notes, so it makes sense that heâs the first returning sit-in with Cory Wong. Satch is busy as ever, juggling enough projects to make a normal guitaristâs head spin. But Satrianiâs not a normal guitarist.
He teases a new song with Sammy Hagar, plus delves into the intricacies of Eddie Van Halenâs playing and why he canât quite replicate itâevery guitarist has their strengths and deficiencies, claims Satch. And believe it or not, Satriani didnât figure standing in front of huge crowds to be one of his strengths when he was younger. Fate figured otherwise.
Satriani goes deep on one of his favorite tools, the Sustainiac pickup, and talks about how itâs defined his playingâjust like his trademark sunglasses, even in dark rooms. (âStupid idea, right?â he jokes.)And young guitarists, listen up: Satriani has some wise words on the importance of rigorous practice while youâre budding on the instrument. The big takeaway? Learn. The. Notes.
Listen to the full episode here: https://bit.ly/WongNotes
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Joe Satriani: https://www.satriani.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
-
Grace Bowers just released her debut record, 2024âs Wine on Venus, with her band the Hodge Podge, but sheâs already one the most well-known young guitarists in America. On this episode of Wong Notes, Bowers talks through the ups, downs, and detours of her whirlwind career.
Bowers started out livestreaming performances on Reddit at age 13, and came into the public eye as a performer on social media, so sheâs well acquainted with the limits and benefits of being an âInstagram guitarist.â She and Cory talk about session work in Nashville (Bowers loathes it), her live performance rig, and Eddie Hazelâs influence.
Bowers plugs the importance of networking as a young musician: If you want gigs, you gotta go to gigs, and make acquaintances. But none of that elbow-rubbing will matter unless youâre solid on youâre instrument. âNo oneâs gonna hire you if youâre ass,â says Bowers. âPractice is important.â
Tune in to learn why Bowers is ready to move on from Wine on Venus, her takes on Nashville versus California, and why she hates âthe blues-rock label.â
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Grace Bowers: https://www.gracebowers.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
-
You might not know Greg Koch, but weâll bet your favorite guitarist does. In 2012, Fender called the Wisconsin blues-guitar phenom one of the top 10 best unsung guitarists, and in 2020, Guitar World listed Koch among the 15 best guitar teachers. Heâs been inducted into the Wisconsin Area Music Industry Hall of Fame. Koch is a bonafide midwest guitar god.
He joins Cory Wong on this round of Wong Notes for this meeting of the Middle-America minds, where the duo open with analysis of music culture in Wisconsin and MinnesotaâKoch taught at Saint Paulâs now-shuttered McNally Smith College of Music, which Wong attended. Koch and Wong zero in on the blues roots of most modern music and talk through soloing theories: It can be as easy or as hard as you want it to be, but Koch shares that he likes to âpaint himself into a corner,â then get out of it.
Koch and Wong swap notes on the pressures of studio performance versus the live realm, and how to move on from mistakes made onstage in front of audiences. Plus, Koch has created scores of guitar education materials, including for Hal Leonard. Tune in to find out what makes a good guitar course, how to write a guitar book, Kochâs audio tips for crystalline live-stream sessions, and why he still prefers tube amps: âI like to crank that sh*t up!â
Visit Greg Koch: https://www.gregkoch.com/
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by...
-
Mike Stern has been around the block. The jazz-guitar virtuoso earned his stripes through the â70s and â80s in New Yorkâs jazz scene, playing 6-string with drummer Billy Cobham before tapping in with artists like Miles Davis and Jaco Pastoriusâeven at a time when guitar wasnât necessarily a cornerstone piece of a jazz outfit. In this episode of Wong Notes, Stern fills Cory Wong in on the ups and downs of 50 years spent in one of the most complex and underappreciated music genres.
Stern made the leap to New York from Boston when Davis invited him to join his band (back when jazz was the pop music of the day, notes Stern), but it was a rocky rideâStern says he and many other musicians were âbottoming outâ from addiction, until a friend went sober and convinced them to give sobriety a try. Stern talks about Milesâ hidden love for the guitar, and how he succeeded in fitting into non-guitar environments.
Wong and Stern touch on the decline of arts spaces and cultures in America (thanks, Stern says, to misallocated funding), playing gigs where the band outnumbers the audience members, the benefits of running the same rig in every room, and how to pick the right pickâfor Stern, that involves a bit of wig glue. Tune in to get the details, and be sure to check out our 2018 Rig Rundown with Stern, too.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Mike Stern: https://www.mikestern.org/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG:
-
Bluegrass music is bigger than a genre. Itâs become an entire world of ideas and feelings in the popular American imagination. And musician Jerry Douglas has been a key part of its celebration and revival over the past 30 years. âIt's an old form of music that came from people in the south playing on the porch and became this juggernaut of a genre,â says Douglas. âItâs a character. It's a physical music.â
Douglas has racked up an impressive cabinet of accolades, including Grammies, American Music Association Awards, and International Bluegrass Music Association Awards. Heâs been dubbed the CMA Awardsâ Musician of the Year three times, and played with everyone from Allison Krauss and Elvis Costello to Bela Fleck and John Fogerty. Heâs an encyclopedic guide to contemporary American roots music, and on this episode of Wong Notes, he walks Cory Wong through the most important moments in his 50-year career.
Tune in to hear Douglasâ assessment of bluegrassâ demanding nature (âHonestly, there's not so many genres nowadays that require as much technical facility as something like bluegrassâ), whatâs required of roots players (âGet it right, get it fast, make it hookâ), and why the O Brother, Where Are Thou? soundtrack connected with so many listeners. Wondering how to get involved with session work? Douglas says thereâs no one-size-fits-all answer, and what worked for him might not work today. The key is to be dynamicâand know when to keep your mouth shut.
There are plenty of gems in this interview, like Douglasâ thoughts on what makes a good solo, but the most significant might be Douglasâ big takeaway from decades of sitting in on communal roots-music sessions. âWe can play in all genres,â says Douglas. âWe just have to listen.â
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Jerry Douglas: https://jerrydouglas.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG:
-
At 26, Blu DeTiger is the youngest musician ever to have a signature Fender bass guitar. The Fender Limited Player Plus x Blu DeTiger Jazz Bass, announced in September, pays tribute to the bassist and singerâs far-reaching impact and cultural sway. Sheâs played with Caroline Polachek, Bleachers, FLETCHER, Olivia Rodrigo, and more, and released her own LP in March 2024. In 2023, Forbes feature her on their top 30 Under 30 list of musicians. So how did DeTiger work her way to the top?
DeTiger opens up on this episode of Wong Notes about her career so far, which started at a School of Rock camp at age seven. Thatâs where she started performing and learning to gig with othersâshe played at CBGBâs before she turned 10. DeTiger took workshops with Victor Wooten at Berklee followed and studied under Steven Wolf, but years of DJing around New York City, which hammered in the hottest basslines in funk and disco, also imprinted on her style. (Larry Graham is DeTigerâs slap-bass hero.)
DeTiger and Wong dish on the ups and downs of touring and session life, collaborating with pop artists to make âtimelessâ pop songs, and how to get gigs. DeTigerâs advice? âYou gotta be a good hang.â
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Blu DeTiger: https://www.bludetiger.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
-
There probably arenât too many artists out there as busy as Mark Tremonti. Aside from his celebrated careers in alt-rock mainstays Creed and Alter Bridge, the guitarist, songwriter, and singer organizes guitar and songwriting clinics while on tour; has a line of signature PRS gear; and cut a 14-track charity record, Mark Tremonti Sings Sinatra. Did we mention heâs aiming to become a pinball kingpin, too?
Tremonti joins Cory Wong on this episode of Wong Notes to dig into his musical trajectory since the late â90s, when he blasted to the top of the charts with Creed. The band drew comparisons to other grunge-era staples like Pearl Jam, which irritated Tremonti but pleased Stapp. Tremonti discusses the gulf between the bandâs popularity and the critical backlash they received: âPeople can be cruel, but itâs part of the world. You gotta deal with it.â
Tremonti analyzes what makes a good riff and why everything in âthe middleâ is boring to him, and unveils his songwriting and demoing routines. (âI think melody is the most important part of everything,â he says.) But his biggest passion project these days is his step into classic crooner music. Inspired by his daughter to do a charity project to benefit the down syndrome community, Tremonti recorded a Frank Sinatra covers album, complete with more than a dozen musicians who played with Olâ Blue Eyes himself.
Tune in to hear all about Tremontiâs artistic life, plus a peek at what happens during his pre-show guitar and songwriting clinics on Creedâs fall 2024 tour. Expecting him to demonstrate some ferocious warmups? Think again: âI play like grandmaâs in the room,â says Tremonti.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Mark Tremonti: http://marktremonti.com
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG:
-
âSkunkâ Baxter has had an interesting career. The Washington, D.C.-born musician was one of Steely Danâs founding members in the early 1970s, and played on some of their most iconic numbers, like Canât Buy a Thrillâsâ âReelinâ in the Yearsâ and âDo It Again,â or Pretzel Logicâs âRikki Donât Lose That Number.â Then, he moved on to join the Doobie Brothers, from roughly 1974 to 1979, where he fatefully invited Michael McDonald into the band. After that stint, he became a go-to session player for artists like Rod Stewart, Joni Mitchell, Dolly Parton, and Donna Summer, and a touring performer for Elton John and Linda Ronstadt, among others.
That was just the beginning. Baxterâs interest and background in electronics, science, and recording technology gained him a position in the U.S. defense industry. Turns out, a lot of digital music gear shared similar principles with emergent defense tech. âBasically, a radar is just an electric guitar on steroids,â says Baxter, noting the same four fundamental forces at work over everything in our universe.
Wong and Baxter trades notes on how to navigate studio sessions (âJust shut the hell up,â offers Baxter), early conversions of pitch into digital signals, and how Baxter cut his solo on Donna Summerâs âHot Stuffâ on a $25 guitar. And can mediating between artists and producers feel like high-stakes hostage negotiations? Sometimes.
Visit Skunk Baxter: https://www.jeffskunkbaxter.com/
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
-
Jason Newsted spent 15 years holding down the low end in Metallica, playing bass for the band from 1986 through 2001. That era included records like âŠAnd Justice For All and MetallicaâAKA The Black Albumâplus the iconic S&M live album with the San Francisco Symphony.
But that was just the beginning for Newsted, an artistic polymath who has since pursued a life of balance and creative freedom. On this episode of Wong Notes, he opens up to Cory Wong about why he left Metallica, and details the âOlympianâ physicality and discipline that hard international touring requires. Newsted needed a break; the band wanted to keep going. âYou gotta sometimes give it a minute,â he says.
Newsted shares his thoughts on Dave Mustaine and his predecessor Cliff Burton, and goes deep on the issue of cellphone usage at concerts. (Spoiler alert: He doesnât like it very much, and heâs got good reasons for his disdain.) But Newsted isnât just a performer. He talks about his painting and the way that practice differs from music-making, plus his private artistic journeys with theremin, mandolin, and sequencers and loopersârabbit holes he might not have gone down if he stayed in Metallica. âI donât say no to any medium,â he says.
Maybe leaving Metallica created the need to explore. âI did not get to fulfill that journey,â he says, âso Iâm making up for it.â
Listen to the full episode here: https://bit.ly/WongNotes
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG:
-
We know what youâre thinking: Dave Navarro is gonna talk about the onstage brawl. But Cory Wong starts this episode of Wong Notes with an important caveat. This show was recorded long before the awful breakdown and confrontation between Navarro and Janeâs Addiction vocalist Perry Farrell, so donât expect any salacious gossip. But that just makes this episode all the more interesting.
Navarro talks Wong through his formative influences, from Hendrix, Zeppelin, and the Doors to Maiden, heavy metal, and goth. That melting pot, he says, became one of Janeâs Addictionâs calling cards: âPerry and Eric [Avery] ended up in a band that is influenced by bands they hate,â laughs Navarro, who geeks out on Rush and prog-rock.
Navarro discusses how Janeâs Addiction has a propensity for jamming live, a practice developed out of a mutual appreciation for nontraditional song structures. But the delineations can sometimes go wrong. âWe do run into trainwrecks,â says Farrell. âSometimes weâll find ourselves in a part that weâre vibing on, and weâll keep going, and Perry doesnât know what weâre doing. Heâll come in and itâs in the wrong place, and weâre fucking him up.â
Tune in to hear Navarro talk his ârabbit hole de jourâ practice style, how to exercise your fingers and your brain, and a lead technique he calls âthe Navarro smear.â All this and more on this latest episode of Wong Notes.
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Dave Navarro: https://www.instagram.com/davenavarro/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by...
-
Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes, the country-guitar hero tells host Cory Wong how he conquered the worldâand what keeps him chasing new sounds on his 6-string via a new record, High, which releases on September 20.
Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: âWhen I stop singing, [my guitar] wants to say something, and he says it in a different way.â Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995.
Itâs a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players.
And in case you didnât know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits heâs a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: âIâm not chasing tone, Iâm pursuing inspiration.â
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Keith Urban: https://keithurban.com
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
Twitter: https://twitter.com/wongnotespod
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
-
This time on Wong Notes, guitar legend Kurt Rosenwinkel joins Cory Wong to go deep on all things jazz. The genre has always been a haven for free-thinkers and adventurers, so itâs little surprise when Rosenwinkel reveals that heâs incorporated a Fractal FM9 into his live rigâthough itâs still working in tandem with a good olâ Fender tube amp.
Rosenwinkel divulges the details on his âsofter, darkerâ attack, which combined with his approach to toneâincluding a fair bit of top-end roll-offâconstitutes a big piece of his signature sound. Rosenwinkelâs forthcoming live record, The Next Step Band (Live at Smalls 1996), captures this sound in the place that formed it: New York City. Rosenwinkel takes Wong back to the halcyon days of the cityâs kinetic 1990s âhardcoreâ bebop and free-jazz scene, where Mitch Bordenâs legendary Smalls Jazz Club was an artistic hotbed (and crash pad) for players of all stripes.
Nowadays, more and more artists are forming their connections online rather in a jazz club. But can TikTok and Instagram replace an all-night jazz joint for up-and-coming players?
Tune in, and be sure to check out Kurtâs career-spanning new Ultimate Book of Compositions.
Listen to the full episode here: https://bit.ly/WongNotes
Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong
Visit Kurt Rosenwinkel: https://kurtrosenwinkel.com/
Hit us up: [email protected]
Visit Cory: https://www.corywongmusic.com
Visit Premier Guitar: http://premierguitar.com
IG: https://www.instagram.com/wongnotespod
Produced by Jason Shadrick and Cory Wong
Additional Editing by Shawn Persinger
Presented by DistroKid
- Laat meer zien
