Afgespeeld
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Light, within nature, has always drawn us in, held our attention, and revealed marvels through its variegated displays. Coleridge said that the “eye is to light like lover to the beloved.” Light and human attention share a very deep relationship. And with our attention increasingly drawn towards a luminous focal point that is manufactured, it becomes more and more difficult to experience something essential that exists in the meeting point between us and the light of nature around us. This meeting point has been envisioned as a place of revelation, of germination, of ideation, and as the home of the imaginal itself. At this meeting point, the architectures and harmonies of nature reveal themselves to us and we see right into our own relationship with ourselves, each other, and the world — and so it informs our perceptions of truth, ecology, art, beauty, harmony, and justice. All in that little place where the light of our attention meets the light of the natural world.
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Stories of lightning and lightning-bearers pervade global mythology. With so many tales of mighty gods who punish mortals with lightning it can be easy to view the presence of lightning in the myths as simply a metaphor for power or brute force. Yet the lightning myths go a lot deeper than this. Across the world, the traditions most familiar with states of ecstatic rapture use a common language of lightning. This lyrical episode re-awakens the story of Semele, mother of Dionysus — herself incinerated by lightning — and uses it as an entry point into a network of global myths and traditions that sing of lightning as a central aspect of the rapturous experience. Across the globe, we find a common somatic language of interiorized lightning from the Dionysian mysteries to the Kuṇḍalinī traditions of India to the Sufi illuminationist traditions to the trance practices of the Kalahari. In an era when Kuṇḍalinī is a buzzword, Zeus is a scorned adulterer/patriarch, and the story of Semele is a scholar's footnote, this episode seeks to restore somatic sanctity to the force of living lightning that has guided ecstatic practice for millennia. Listen with headphones, preferably in a quiet meditative space, and maybe even in the dark.
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Science fiction writers and tech enthusiasts have long spoken of a digital Metaverse — a virtual otherworld that, as the narrative goes, is the logical next phase in human technological development. This Metaverse serves a deep mythosomatic function — it satisfies our collective need for otherworlds, for trance, for mythic narrative, for journeying, and even for shapeshifting. Yet it does so removed from all somatic context — without the accompanying ritual, without any somatic sacrifice, without the sweat of the dance or the fast or the vision quest and without providing any larger contextual purpose or individual/cultural renewal. The brokers of the new digital Metaverse seek to sell us a shamanic otherworld, while traditional access to such otherworlds takes place through the simplest of all vehicles — the body. Traditional trance practices harness breath, movement, vocal invocation, and artistic visioning as portals to otherworlds, whose ultimate purpose is not escape, entertainment, or distraction but to re-invigorate our relationship with this world. And so the magisters of tech veer into what, according to the myths and fairy tales, is profoundly dangerous territory — misusing the power of the otherworld, harnessing mass trance-induction techniques for profit rather than for communal transformation and renewal. Tech dystopias, shapeshifters, plant beings, Tantric meta-anatomies, fairy woods and more... on this episode of The Emerald.
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