Afleveringen
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Wendell Pierce is working as hard as ever. He says he's motivated by the "ticking clock of mortality" — and the desire to challenge himself as an actor. He's currently starring in the Shakespeare Theatre Company production of “Othello.” He spoke with Tonya Mosley about aiming for a trifecta of TV, film and theater roles, why he almost left ‘The Wire,’ and caring for his late father.
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For more than a decade, actor Laverne Cox has been one of the most visible trans women in America. But the ‘Orange Is the New Black’ star says she spent most of childhood keeping herself hidden. Cox spoke with Tonya Mosley about the bullying she endured, pursuing a dance career before acting, and the anti-trans culture shift of the last few years. Her memoir is ‘Transcendent.’
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Pope Leo XIV’s Creole family roots inspired New Orleanian journalist Susan Saulny to research her Creole great-uncle who moved to Chicago, identified himself as white and never returned. She describes her journey to reunite her family. Her piece in the New York Times is called "A Family Secret No More."
As the United States turns 250, scholar Eddie Glaude Jr. has blunt advice: “America has to grow up.” In ‘America, U.S.A.,’ the Princeton African American Studies professor looks at the country through the lens of its previous anniversaries and centennials. "The divided soul of the nation is in full view," he says.
Book critic Maureen Corrigan shares three book recommendations: ‘The Family Man,’ by James Lasdun, ‘The Hill,’ by Harriet Clark and ‘A Beautiful Loan,’ by Mary Costello.
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‘In Savings and Trust,’ historian Justene Hill Edwards tells the story of the Freedman's Bank. Created for formerly enslaved people following the Civil War, its collapse cost depositors millions. She spoke with Tonya Mosley about how this part of history reverberates today.
Also, we remember South African pianist, composer and bandleader Abdullah Ibrahim. He died Monday, at age 91. His song “Mannenberg” was an anthem during the fight to end apartheid. Jazz historian Kevin Whitehead shares an appreciation, and we listen back to Terry Gross’s 1989 interview with him.
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Siddiq grew up in Houston with a largely absent father. In his new stand-up special, he paints a picture of the flawed man he admired – and reflects on his own experience as a parent. Siddiq spoke with Tonya Mosley about his upbringing, his time selling drugs, and making the leap from prison to comedy.
Also, film critic Justin Chang reviews ‘Toy Story 5.’
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New Yorker writer Ben Taub tells Dave Davies that while the idea of acquiring Greenland is out of the headlines, it hasn’t been dropped by Trump. Taub describes how his ongoing efforts have broken the trust of our allies. "People are just completely exhausted and worn down. ... That trust cannot be rebuilt," Taub says.
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Jesse Wegman talks to Dave Davies about James Wilson. A brilliant lawyer who helped craft the U.S. Constitution, Wilson lived a colorful life and died as a Supreme Court justice on the run from the law and creditors. Also, David Bianculli reviews the Prime Video series 'Spider-Noir.'
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Glaude's book, 'America, U.S.A.,' looks at the country through the lens of its previous anniversaries and centennials. Today, as in the past, he tells Tonya Mosley, "the divided soul of the nation is in full view." As the 250th anniversary approaches, he says it's time for the U.S. to acknowledge the ways it has failed to deliver on its founding principles. "America has to grow up. It can no longer hide in its adolescence," he says.
Also, Maureen Corrigan recommends three books to help you jump into summer reading.
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Fifteen years after ‘The Book of Mormon’ made its Broadwaydebut, original cast members Andrew Rannells and Josh Gad once again took thestage as Mormon missionaries — this time at the 2026 Tony Awards. The musicalis a satirical — sometimes affectionate, sometimes offensive — look atMormonism and youthful naïveté. Rannells and Gad spoke with Terry Gross abouttheir first impressions of the show, how their voices have changed, and how the songs in 'The Book of Mormon' are a tribute to musical theater.
Also, Clarke Peters played Det. Lester Freamon in ‘TheWire’ and now plays a retiree in the supernatural thriller ‘The Boroughs.’ Hespoke to Terry Gross about both series, and about his continued work as anactor. “I picked this profession so that I would have longevity, so that Icould still be acting at 100, if it comes to it,” he says.
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In the new film 'Pressure,' Scott plays an Armymeteorologist advising military officials on the date for the D-Day invasion.He spoke to Terry Gross in 2024 about playing a killer conman in ‘Ripley’ andthe “hot priest” in ‘Fleabag.' Plus, we listen back to Terry Gross’ 2003 interviewwith French-Iranian artist and writer Marjane Satrapi, who died June 4. Satrapi'sgroundbreaking graphic novel ‘Persepolis’ introduced readers to lifein Iran during the Islamic revolution and the Iran/Iraq war. And Justin Changreviews ‘Disclosure Day.'
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Johnson says he’s not shy about sharing his insecurities onstage. "One of the most connected attributes of the human condition... is just being flawed," he tells Terry Grosss. "We reallyconnect with people on their faults." Johnson’s new comedy specialis Symphony.
Also,Martin Johnson reviews ELEPHANT, a new album by jazz trumpeter AdamO'Farrill.
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O'Connor stars as a cybersecurity expert who decides theworld deserves to know the truth about alien life in the Steven Spielberg film DisclosureDay. He speaks with Tonya Mosley about preparing in secret to star in thesummer Blockbuster, why he initially had no interest in playing Prince Charlesin The Crown, and why he gets sick after completing almost every role.
David Bianculli reviews new documentaries about Martin Short and LorneMichaels.
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The biggest World Cup ever starts this week. Laura Williamson, editor in chief of The Athletic, describes how sky-high prices, travel restrictions, politics and the Ebola outbreak are impacting fans. Williamson also discusses President Trump’s UFC event on the White House lawn.
Ken Tucker reviews Kacey Musgraves’ album ‘Middle of Nowhere,’ which he says pairs well with the music biography ‘Gary Stewart: I Am From the Honky-Tonks.’
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Fifteen years after ‘The Book of Mormon’ made its Broadway debut, original cast members Andrew Rannells and Josh Gad once again took the stage as Mormon missionaries — this time at the 2026 Tony Awards. Created and written by Trey Parker and Matt Stone (the duo behind ‘South Park’), along with veteran Broadway composer Robert Lopez, ‘The Book of Mormon’ follows two young missionaries sent to try and bring Mormonism to a Ugandan village. The musical is a satirical — sometimes affectionate, sometimes offensive — look at Mormonism and youthful naïveté. Rannells and Gad spoke with Terry Gross about their first impressions of the show, mishaps onstage, and regretting their decision to leave when they did.
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Maggie O’Farrell wrote the novel ‘Hamnet’ and co-wrote the screenplay for the film adaptation. She has a new book called ‘Land,’ about a father and son mapping 19th-century Ireland after the devastation of the Great Famine.
Book critic Maureen Corrigan reviews the latest by classics scholar Mary Beard.
Also, we hear from historian Elizabeth Stordeur Pryor. She has spent much of her career tracing the N-word through slavery, Jim Crow, the civil rights movement, and hip hop. For a long time she kept it a secret that her father was Richard Pryor, the man who put the word at the center of American comedy. "I was a scholar of the N-word — and so, obviously, is he." Her new book is ‘Something We Said: Richard Pryor, a Notorious Word, and Me.’
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The Tony Awards are this Sunday. To celebrate, we’re listening back to two award-winners from our archive: Alan Cumming, who played the emcee in ‘Cabaret’ in three different productions, and Angela Lansbury, who starred in Stephen Sondheim’s ‘Sweeny Todd,’ as Mrs. Lovett who baked Sweeney’s victims into pies.
Also, Justin Chang reviews two new horror films: ‘Obsession’ and ‘Backrooms.’
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Peters’ credits include police Detective Lester Freamon in ‘The Wire,’ a Vietnam veteran in Spike Lee’s ‘Da 5 Bloods,’ and now a retiree in the supernatural thriller ‘The Boroughs’ on Netflix. Peters spoke with Terry Gross about his long career on stage and screen, his singing voice, and why he relocated to London in the ‘70s. “I picked this profession so that I would have longevity, so that I could still be acting at 100, if it comes to it,” he says.
Also, David Bianculli reviews the Apple 10-part miniseries ‘Cape Fear.’
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Pope Leo XIV’s Creole family roots inspired New Orleanian journalist Susan Saulny to research her Creole great-uncle who moved to Chicago, identified himself as white and never returned. She describes her journey to reunite her family. Her piece in the New York Times is called "A Family Secret No More."
Also, TV critic David Bianculli reviews the Netflix series ‘The Boroughs.’
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O’Farrell’s 2020 novel ‘Hamnet’ was adapted into an award-winning film last year. She co-wrote the screenplay. It’s about the grief Shakespeare and his wife Agnes struggle with after their son, Hamnet, dies of the plague, and how that grief leads him to write the play Hamlet. O’Farrell’s new novel, ‘Land,’ is about the lives of an Irish family living in the aftermath of the Great Famine. Even though she writes historical novels, she tries not to lean too much into history: “I find there’s nothing that makes me put a book down faster than if somebody is trying to show me that they’ve done all their homework,” she says. ‘Land’ is in part based on her family.
Critic Maureen Corrigan reviews Classicist Mary Beard’s new book ‘Talking Classics.’
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Historian Elizabeth Stordeur Pryor has spent her career tracing the racial slur, the N-word, through slavery, Jim Crow, the civil rights movement, and hip hop. But what she didn't tell most of her students, even some of her colleagues, was that her father was the comedian who put the word at the center of American comedy – Richard Pryor. "I was a scholar of the N-word — and so was he,” she tells Tonya Mosley. Her new book, ‘Something We Said: Richard Pryor, a Notorious Word, and Me,’ is part memoir, part history of a word her father, late in his career, decided to never use again.
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