Afleveringen
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Dear Snoozecast listenerâhi, itâs Vee.
I wanted to speak directly to you, because many of you have reached out over the past few weeksâsome checking in, some offering kind words, and some understandably worried that something was wrong. First, I want to say: weâre okay. And second: weâre so sorry that we havenât communicated anything sooner.
When N and I slipped into this pause a little over a month ago, it wasnât planned. Life simply caught up with us, and we thought weâd be able to jump right back in. Instead, we realized thatâfor the first time in nearly seven years of Snoozecastâwe needed a real break to reset ourselves and catch up behind the scenes.
Now that weâve stepped back, itâs clear that the best thing for the show, and for us, is to continue this pause through the end of December. Weâll be using this time to get organized so that when we return in January, weâll be in a healthier rhythm to keep Snoozecast going strong.
A Note for Our Premium Listeners
We also want to briefly address our Snoozecast+ and Snoozecast+ Deluxe subscribers.
First, thank youâfor your support, your patience, and your understanding during this unexpected pause. Premium has never been about profit; it simply helps us cover the costs of providing an ad-free version of the show.
During this break, we realized that having two different premium tiers has made production more complicated than it needs to be. So beginning in January, weâll be moving to one unified premium option: Snoozecast+.
Hereâs the short version:
All current Plus and Deluxe subscribers will automatically transition into the new Snoozecast+.
Prices are not increasingâand Deluxe pricing will be coming down to match Snoozecast+.
No action is required on your part for this transition.
Previous Deluxe-only episodes will still be available, although we wonât be producing new monthly Deluxe episodes moving forward.
And for any questions about billingâespecially for annual Deluxe subscribersâweâll send a detailed email once we finalize the technical steps with our premium subscription vendor, Supporting Cast. That email should arrive by early January.
And finally: if you choose to cancel your Snoozecast+ subscriptionâwe completely understand. Weâll always be here for you on our freely available public feed.
We started Snoozecast in 2019 with a single microphone in our closet and no idea whether anyone would listen. Seven years and a thousand episodes later, weâre still here because of youâyour messages, your stories, your kindness, and the trust you place in us every night.
This pause is our chance to make sure the show can continue into the future without burning out behind the scenes. And weâre genuinely excited to return refreshed, steady, and ready to bring you more stories in the new year.
Thank youâtrulyâfor your patience, your support, and your understanding. Weâll talk again in January.
Until then, we wish you rest, comfort, and warmth through the end of the year.
âVee
and all of us at Snoozecast
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Tonight, weâll continue with The Petit Trianon, adapted from An Adventure by Charlotte Anne Moberly and Eleanor Jourdain, first published in 1911. This episode is part of our Spooky Sleep Story series, where we share classic tales of the strange and mysterious. In Part One, the two English academics described an uncanny afternoon walk through the gardens of Versailles in 1901âan experience they could neither explain nor forget.
In this second part, Miss Morison and Miss Lamont revisit the scene and begin to investigate what happened. Their return visits bring no repetition of the strange events, yet each discovery only adds to the puzzle. The vanished paths, missing buildings, and contradictions in the landscape leave them wondering whether they had truly stepped into another century.
What began as a curious outing gradually turns into a quiet obsession. Tonightâs reading follows their continued search for reason amid the unaccountable, and the lingering question of what, exactly, they had walked into that August day.
â read by 'V' â
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Zijn er afleveringen die ontbreken?
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Tonight, weâll read the first half of The Petit Trianon, adapted from An Adventure by Charlotte Anne Moberly and Eleanor Jourdain, first published in 1911. This episode is part of Snoozecastâs 7th annual Spooky Sleep Story series, where we share true and imagined encounters with the strange and unexplained every October. The two English women, both Oxford academics, recorded their uncanny experience while visiting the gardens of Versailles in 1901. What began as an ordinary afternoon outing soon became one of the most famous âtime-slipâ mysteries in modern folklore.
Their book recounts the event through two separate testimonies, each written without the otherâs influence: first that of Miss Morison (Moberly), then Miss Lamont (Jourdain). The pair describe wandering from the lively palace grounds into an oddly still corner of the estateâthe Petit Trianonâwhere they encountered figures, fashions, and a mood belonging to another century. Later, their impressions would be linked to the last days of Queen Marie Antoinette, whose private retreat once stood on the same path.
This episode presents the first half of their written accounts. Next week, in Part Two, weâll continue with the remainder of their storyâand the discoveries that followed, as they began to investigate what truly happened that August afternoon.
â read by 'V' â
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Tonight, at long last, weâll read the final chapter of âGood Wivesâ written by Louisa May Alcott titled âHarvest Timeâ. Itâs hard to believe, but we have been reading this book for the first time as weâve read it to you, and that first chapter was started back in December 2019, when Snoozecast was less than 1 year old.
We took a break after part one concluded in June 2022 to explore other books. By popular request, we reopened the story in 2023, beginning the second part of Little Womenâoriginally published separately as Good Wives.
In our last chapter, âUnder the Umbrella,â Jo, busy but lonely, had often thought of Professor Bhaer and regretted their stiff parting. On a rainy errand she met him beneath an umbrella; as they walked, he gently explained why he had stopped reading her sensational tales, and Jo told him she had left that work behind for truer writingâbringing them closer. In the rain he confessed his love, and Jo happily returned it. They reached the March home soaked but radiant, where Marmee quickly understood, and the chapter closed on Joâs quiet, genuine happiness and the promise of a life with Bhaer.
â read by 'V' â
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Tonight, for the next in our October spooky sleep story series, weâll read an excerpt from âThe Castle of Otrantoâ, a novel by Horace Walpole. First published in 1764, it is generally regarded as the first gothic novel. Set in a haunted castle, the novel produced a new style that has endured ever since, and has shaped the modern-day aesthetic of the goth subculture.
Walpole wrote it at Strawberry Hill, his fanciful neo-Gothic villa, and pitched it as a âGothic storyâ that fused chivalric romance with novelistic realism. Its startling imagesâa colossal helmet from the sky, moving portraits, doors that yield on their ownâfixed the template later taken up by Clara Reeve, Ann Radcliffe, and beyond.
The first edition masqueraded as a Crusades-era manuscript âtranslatedâ by Walpole, a playful hoax that lent the tale mock-antique authority. Manfredâs name nods to Manfred of Sicily, a learned, charismatic king repeatedly excommunicatedâapt echoes for a plot of usurpation and prophecy. In tonightâs excerpt, Princess Isabella flees the tyrant after he demands her hand on the very night his own sonâher betrothedâdies beneath that impossible, fallen helmet.
â read by 'N' â
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Tonight, as part of our annual Spooky Sleep Stories series, weâll read the opening to the novella âThe Willowsâ. It was written by Algernon Blackwood, and first published in 1907.
Two friends drift down the Danube by canoe, threading a maze of shifting channels, sandbanks, and low islands crowded with willow scrub. The riverâs moodsâeddies, gusts, glittering sunâseem to lean in and watch them, and the thickets along the banks gather like a listening crowd. As night closes, the landscape feels less like scenery and more like a presence with its own designsâmost vividly in the willows, which âmoved of their own will as though alive.â
Blackwood was a devoted outdoorsman and a writer fascinated by the numinous in nature; he often suggested that the wilderness is not merely backdrop but a more-than-human realm. âThe Willowsâ helped define early modern weird fiction by trading blood and monsters for unease and awe, its influence echoed by later authors across the genre. H.P. Lovecraft praised it as the finest supernatural tale in English, and readers still come to it for that distinctive sensation of the world turning subtly, inexorably, strange.
â read by 'V' â
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Tonight, for our next Spooky Sleep Story, weâll read Phantasmagoria, a narrative poem by Lewis Carroll first published in 1869. A polite Ghost drops in after midnight and proceeds to instruct his puzzled host in the finer points of spectral etiquette.
Each October we bring back Snoozecastâs Spooky Stories Seriesânow in its seventh yearâour annual run of classics with a candlelit vibe: ghostly, atmospheric, and cozy rather than truly scary. Think creaking floorboards and wry smiles, not jump scares.
Best known for Aliceâs Adventures in Wonderland, Carroll turns domestic life into mock-epic ritual here, mixing puns with parody of Victorian manners. In seven cantos, the Ghost explains everything from haunt-house âhousekeepingâ to courtly forms of addressâan odd, amiable manual for the afterlife delivered with Carrollâs playful logic.
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Tonight, as part of Snoozecast's seventh annual spooky sleep story series, weâll read âThe Haunted Orchardâ written by British author Richard Le Gallienne and published in 1912.
Each October, our Spooky Stories Series features classic tales that are more atmosphere than fright, all candlelight and creaking floorboards. In this one, a quiet country house and its untended orchard hold a lingering presence; whispers of a young woman seen among the trees and a tune that seems to rise with the wind give the story its soft, ghostly pulse.
Born Richard Thomas Gallienne, the author adopted âLe Gallienneâ after college, andâcaptivated by a lecture from Oscar Wildeâleft office work to write poetry and prose. He and Wilde later struck up a brief affair and lasting friendship. Le Gallienne married three times and fathered Eva Le Gallienne, the celebrated actorâdirector. After settling in the United States and later on the French Riviera, he refused to write wartime propaganda and nonetheless kept publishing well into his seventies.
â read by 'V' â
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Tonight, we shall read the next part to Persuasion, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife.
In the last episode, Anne visits her old school friend Mrs. Smith in Westgate-buildings. Though Mrs. Smith lives in poverty and poor health, she is cheerful, resourceful, and glad for Anneâs company.
As their conversation turns to acquaintances, Mrs. Smith seems unusually hesitant when Mr. Elliotâs name arises. At first, she holds back, saying little. But upon realizing how closely Anne is now connected to Mr. Elliot, she finally decides it is her duty as a friend to speak. We will pick up at this point in their conversation.Learn more about your ad choices. Visit megaphone.fm/adchoices
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Tonight, as we are beginning the month that ends with Halloween, weâll read the first half of âThe Diamond Lensâ, a short story by Fitz James OâBrien first published in 1858.
Every October, Snoozecast features our Spooky Stories Seriesâtales with a spectral or uncanny quality, meant to set a certain mood, without keeping you awake. This marks our seventh year of SSS, and weâre beginning with something more curious than chilling.
OâBrienâs tale is steeped in the oddity of early scientific obsession, centering on microscopyâthe study of the unseen through magnification. In the authorâs hands, the microscope becomes not just a tool of science, but a gateway to another world, blurring the line between discovery and delirium.Learn more about your ad choices. Visit megaphone.fm/adchoices
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Tonight, weâll read the 33rd chapter of âAnne of Green Gablesâ, the classic 1908 novel by Lucy Maud Montgomery. This chapter is titled âThe Hotel Concertâ
In the last episode, Anne anxiously awaits the results of the Queenâs entrance examinations along with her friends. When the list is finally published, it reveals that Anne has come in first among all the candidates on the Island, with Gilbert Blythe placing second. Her friends Diana and the Barry family celebrate her success, and Matthew and Marilla express their quiet pride. For Anne, this achievement feels like the fulfillment of her long-held academic dreams and the beginning of new possibilities for her future.
â read by 'N' â
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Tonight, weâll read the second half of "The Adventure of the Greek Interpreter," one of the 56 Sherlock Holmes short stories written by Sir Arthur Conan Doyle. The first half aired last week.
In this tale, we were introduced to Sherlockâs elder brother, Mycroftâwhose deductive gifts may surpass even Sherlockâs, though he lacks the drive to apply them in the field. Mycroft brings Holmes into the confidence of his neighbor, Mr. Melas, a professional interpreter who recently endured a disturbing ordeal. Melas was hired under mysterious circumstances, blindfolded, and taken by cab to an unknown house, where he was compelled to translate under threats from a ruffian named Latimer.
We rejoin the story as Melas recounts to Holmes what he observed inside the house, despite the attempts to conceal its location.
â read by 'N' â
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Tonight, weâll read the first half to "The Adventure of the Greek Interpreter", written by Sir Arthur Conan Doyle. It is one of 12 stories in the cycle collected as âThe Memoirs of Sherlock Holmesâ.
Out of all 56 Sherlock stories, Doyle ranked "The Greek Interpreter" seventeenth in a list of his nineteen favorites. This tale is especially notable for introducing us to Sherlock Holmesâs older brother, Mycroft, whose intellect may even outshine Sherlockâs own, though he lacks his brotherâs energy for detective work in the field. Mycroft instead spends his days in government offices and evenings at the Diogenes Club, a setting that itself became an iconic part of the Holmes universe.
When it was first published in 1893 in The Strand Magazine, the story added an intriguing new dimension to the detectiveâs world, showing readers that Holmesâs brilliance was not entirely unique within his family. The case itself revolves around a kidnapped interpreter and a sinister plot, combining Doyleâs flair for atmosphere with clever twists of reasoning.
â read by 'N' â
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Tonight, weâll read the next chapter of âGood Wivesâ written by Louisa May Alcott titled âUnder the Umbrellaâ. This is also known as the second half of the âLittle Womenâ novel and is considered the 46th chapter as part of that work as a whole.
In our last chapter, âDaisy and Demi,â Megâs twins become the delight of the March household. Meg devotes herself to their care, while John takes special pride in his son, dreaming of the man he will grow into.
The babies charm the entire familyâJo, at first unsure of them, warms up and plays the lively aunt, while Laurie and the others also share in the joy of helping raise the little one.
â read by 'V' â
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Tonight, weâll read about the history of jewelry around the world, from Jewels and the Woman written by Marianne Ostier and published in 1958.
Ostier was the principal designer and artistic driving force behind Ostier Inc., the New York jewelry firm she founded in 1941 with her husband, Oliver. Marianne was an accomplished painter and sculptor before her marriage, while Oliver came from a distinguished line of Austrian court jewelers. The couple emigrated to the United States to escape war, where they rebuilt their lives and careers.
Their firm became known for its distinctive approach to jewelry design. The workshop specialized in bespoke commissionsâone-of-a-kind pieces crafted for private clients, often film stars, collectors, or patrons of the arts.
The book reflects Marianne Ostierâs deep understanding of both the artistry and the history of jewelry. In it, she traces how cultures across centuries and continents have used ornaments not merely as decoration, but also as symbols of power, wealth, protection, and devotion. From ancient amulets and royal regalia to modern design innovations, the story of jewels is inseparable from the story of civilization itself
â read by 'N' â
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Tonight, weâll read all about gemstones from the book Jewels and the Woman, written by Marianne Ostier and published in 1958.
Marianne Ostier was not only an author but also a celebrated jewelry designer in mid-20th century New York. Along with her husband, she ran a renowned atelier that catered to an international clientele, including film stars, royalty, and collectors. Her training as a painter and sculptor in Vienna gave her designs a distinctive artistic sensibility, blending classical elegance with modern lines.
The history of gemstones is as fascinating as their appearance. Ancient cultures ascribed protective and mystical powers to stones, such as amethyst for clarity of mind, or turquoise for safe travel. Over centuries, classification systems emerged to group gems by their mineral composition, as well as their beauty and rarity. Beyond color, jewelers also considered âwaterââa poetic term describing the clarity and brilliance of the stone. A gem of âfirst waterâ is one of near-perfect transparency, prized above all others.
â read by 'V' â
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Tonight, weâll complete the 1928 children's book by A. A. Milne âThe House at Pooh Cornerâ with the last section titled âIN WHICH Christopher Robin and Pooh Come to an Enchanted Place and We Leave Them Thereâ.
In the last episode, Owlâs house had blown down, so Rabbit sent everyone searching for a new one while Pooh tried to make up a song about it, which turned instead into a long hum praising Pigletâs bravery during the storm. Eeyore, feeling left out, announced he had found Owl a new homeâbut it turned out to be Pigletâs. Thinking of Poohâs song, Piglet did a noble thing and offered it anyway. Christopher Robin gently agreed, and Pooh promised Piglet could live with him. So Owl got a house called The Wolery, and Piglet discovered that bravery sometimes means giving up whatâs yoursâand finding comfort in a friendâs paw to hold.
â read by 'N' â
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Tonight weâll read another Australian fairy tale called âThe Fairy Cityâ written by Hume Cook and published in 1925. This story can stand independently on its own, or as a follow up to "The Magic Well" episode that we aired last week.
James Newton Haxton Hume Cook, the author, was an Australian politician who served in Parliament for almost a decade. Beyond his political career, he wrote collections of fairy tales that blended imaginative storytelling with touches of local color, reflecting the desire of early twentieth-century Australians to see their own landscapes and culture represented in childrenâs stories.
âThe Fairy Cityâ is particularly curious in that it draws on imagery of architecture and civil engineeringâdisciplines often thought of as practical and technicalâyet here given a whimsical treatment. Civil engineering, as a field, is one of humanityâs oldest pursuits, shaping daily life through bridges, roads, canals, and other public works. By weaving these concepts into a fairy tale, Cook turned topics usually reserved for city planners and engineers into something children could delight in, imagining a fantastical metropolis where fairies themselves might dwell.
â read by 'V' â
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Tonight, weâll read from âLessons in Chalk Modeling, the New Method of Map Drawingâ written by Ida Cassa Heffron and published in 1900.
At the turn of the twentieth century, education was undergoing rapid changes. Teachers sought creative ways to engage students in subjects that were often taught by rote memorization. Geography, in particular, was considered a cornerstone of a well-rounded education, yet it was sometimes reduced to reciting capitals and drawing borders. Heffronâs work introduced a tactile and visual method known as âchalk modeling,â in which teachers could draw raised relief maps directly on the blackboard to show mountains, rivers, and valleys in a more dynamic way.
Chalk modeling made classrooms more interactive, helping students imagine landscapes and physical features in three dimensions rather than flat diagrams. It reflected the broader educational trend toward âlearning by doing,â a movement championed by reformers such as John Dewey. This method not only made lessons more engaging but also encouraged observation and critical thinkingâskills at the heart of geography itself.
By situating geography in this more hands-on practice, Heffronâs book connected everyday teaching to a field that bridges human culture and natural science. Her ideas gave teachers a practical toolkit to make the world vivid on the classroom chalkboard, turning simple white lines into whole continents of imagination.
â read by 'V' â
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Tonight, we shall read the next part to Persuasion, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife.
Austen began writing Persuasion in 1815, during a period of declining health, yet the novelâs style shows a maturity and restraint distinct from her earlier works. Many readers have noted its quieter, more autumnal toneâreflecting themes of second chances, endurance, and the slow rekindling of love. It was published posthumously along with Northanger Abbey, and stands today as one of her most poignant achievements.
In the last episode, Anne is thrilled to sense Captain Wentworthâs rekindled interest in her at the concert. Mr. Elliotâs vying interest in her apparently leaves Wentworth to storm out early in vexation, and leaves Anne in astonishment.
â read by 'V' â
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