Fictie – Filipijnen – Nieuwe podcasts

  • Before the story ever begins, American Horror Stories gently asks for one small act of trust: every advertisement is placed right at the beginning of each episode, so once the darkness settles in, nothing pulls you out of the experience. It’s a quiet agreement between you and American Horror Stories—support the show first, then sink fully into the fear, uninterrupted, the way horror is meant to be felt. You press play, you breathe, and you remember that familiar moment when night feels heavier and your thoughts grow louder.

    American Horror Stories is where Supernatural Horror stops being something you watch and becomes something you recognize. It feels like that second glance down a dark hallway, the one you swear moved. Ghosts aren’t just ghosts here; they are memories that refuse to stay buried. Demons don’t scream—they whisper, sounding a lot like your own doubts. Every exorcism in American Horror Stories mirrors the quiet battles you fight alone, the parts of yourself you wish you could cast out but can’t. Dracula isn’t only a legend; he’s hunger, desire, and the cost of needing too much. Paranormal activity isn’t spectacle—it’s the slow realization that something in your life has shifted, and you don’t know when it started.

    American Horror Stories understands how vampires feel familiar, how werewolves resemble the versions of ourselves we try to hide. The witch in American Horror Stories isn’t just magic; she is power reclaimed after being ignored. Psychological Horror seeps in quietly, because fear rarely announces itself. Fear lives in your chest long after the episode ends. Trauma echoes in silence. Grief shows up uninvited, sitting beside you. Paranoia grows from questions you can’t stop asking. Revenge feels tempting, even when you know the cost. Relationships strain under secrets. Even the unspeakable—like a school shooting—appears not to shock, but to explore the scars left behind.

    American Horror Stories builds its Supernatural Horror from Folk whispers and Cosmic dread, where Survival Horror isn’t about monsters but endurance. Forest paths close behind you. Snakes slither through ancient fears. Cosmic horror reminds you how small you are. Survival becomes a question of will. Urban legends feel too close to home. Blackstone symbols hint at hidden systems. Freemasons suggest power behind curtains. Darkness presses in, especially under Texas skies where heat, war, and violence blur morality. Even the holiday season bends, turning Christmas horror into something hauntingly intimate.

    American Horror Stories isn’t just a podcast—it’s a mirror. You come for ghosts, demons, exorcism, Dracula, paranormal activity, vampires, werewolves, and the witch, but you stay because you recognize yourself. You hear Supernatural Horror and realize it sounds like your own thoughts at 3 a.m. Psychological Horror feels like your inner dialogue. Fear becomes familiar. Trauma feels named. Grief feels seen. Paranoia feels understood. Revenge feels questioned. Relationships feel fragile. American Horror Stories listens back when you thought no one could.

    As each episode unfolds, American Horror Stories invites you deeper, where Folk tales bleed into Cosmic terror, where Survival Horror tests who you are when everything is stripped away. The forest closes in. Snakes coil. Urban legends breathe. Blackstone secrets surface. Freemasons linger in the background. Darkness settles over Texas nights marked by war and violence. Even Christmas horror becomes a reminder that fear doesn’t take holidays.

    By the end, American Horror Stories doesn’t leave you empty—it leaves you changed. You feel lighter for having faced something real. You recognize parts of yourself you thought were unspoken. American Horror Stories becomes a place where Supernatural Horror, ghosts, demons, exorcism, Dracula, paranormal activity, vampires, werewolves, the witch, Psychological Horror, fear, trauma, and grief all exist not to break you, but to remind you

  • “Poe’s Basement” tells the story of Vincent Pastorelli, the caretaker and head docent for the last home of Edgar Allan Poe in The Bronx. Given that Poe pioneered the detective story, it seems only fitting that after Vincent moves in the mysteries begin to pile up. Does Poe’s ghost still haunt the cottage? Why does everyone in the neighborhood seem to have an agenda? And who is the mysterious person hanging around the cottage at night, the one in the red raincoat?

    This six part radio drama will follow Vincent as he uncovers the story behind a decade’s old crime, and the ghosts—both living and dead—that still haunt the northern Bronx.

  • Meet Cute Presents: Scissor Kick. Jamie and Summer are total opposites, but when they’re thrown together during the US Women’s Soccer Team’s drive for the World Cup win, they need to learn to work together. Turns out they make the perfect team and their on-field chemistry quickly starts affecting their relationships on and off the field.

    Binge the full story here.

  • Horror stories that will keep you up at night

  • James Fenimore Cooper's second novel, The Spy (1821), is based on Sir Walter Scott's Waverly series, and tells an adventure tale about the American Revolution. The protagonist is Harvey Birch, a supposed loyalist who actually is a spy for George Washington, disguised as 'Mr Harper.' The book brought Cooper fame and wealth, and is regarded as the first great success in American fiction. (Summary by Gord MacKenzie)

  • Dive into Jane Austens delightful satire of Gothic novels in Northanger Abbey. Follow the charming Catherine Morland as she navigates the complexities of love, friendship, and her own vivid imagination. This witty tale reveals the perils of overindulgence in fiction while celebrating the joys of youthful romance.

  • A collection of traditional English fairy tales. (description by Joy Chan)

  • Meet Cute Presents: Reign Check. After getting dumped and having her nonprofit defunded, a defeated Morgan breaks down in Heathrow while waiting for her flight home for her sister’s Christmas wedding. But when a handsome stranger with a sexy accent, Sebastian, comes to her rescue and offers to pose as her boyfriend to keep her family at bay, Morgan starts to believe there might be some hope and romance left in the world. Little does she know that Sebastian is also looking for an escape to avoid his own family... the Royal Family.

    Binge the full story here.

  • Meet Cute Presents: Camp Firefly, an audio romantic comedy. Young love flourishes when Emma and Levi meet as nerdy camp counselors at the rustic Camp Firefly. What starts as a summer romance–full of campground hijinks–grows into much more as they try to keep the fires burning through breakups, reunions, college, and a proposal gone awry. Binge the full story here.

  • Giving you your dose of digital drama!

    This podcast features unconventional yet relatable Filipino life experiences. From work stories, family relationships, and love stories this podcast will surely make you feel seen, understood, and less alone in the everyday chaos of Filipino life.

  • Matutuklasan mo ang mundo ng mga aswang, engkanto, at nilalang ng alamat—mga salaysay ng kilabot. Bawat episode ay kwentong bumabalot sa kulturang Pilipino, puno ng aral at hiwaga. Kung hanap mo'y kakaibang karanasan sa pakikinig—ito na ’yon . Pakinggan ang Mga Kwento ni Tom B at hayaang magkwento ang dilim.

  • Blaine Maxwell is dead.


    The dean of Bisonwood University was found pulseless, hunched over his desk last Friday at 10:57 a.m.


    It's Monday. Any student who solves his murder within the week gets $75,000 in free tuition.


    Police Chief Jackson will squash the lottery before it starts.


    And Iya Baxter (fourth year criminology) is going to win.

    Show created by Sisan Fregene. For a cast list, transcripts, or to become a supporter of the show, visit thecampusgame.ca

  • ORAS NA NAMAN NG ATING KWENTUHAN!
    Mga totoong kwento, mga naranasan sa pag-ibig, mga totoong kababalaghan, mga natutunan sa buhay at mga piksyon na kwento galing sa mga gustong story sa wattpad mula sa malilikot na isipan ng ilang Pilipinong ang nais kiligin, masaktan at tindigan ng balahibo. Mga natutunan sa pag-ibig na hindi pa nararanasan, mga salaysay na hindi pwedeng husgahan hangga’t hindi nararanasan. Mga kwentong kapupulutan ng aral, ng purong hilakbot.
    Ang KWENTUHAN NI ERIKA ay dedikado sa pagbibigay ng LOVE/LIFE ADVICES, WATTPAD STORYTELLING at TRUE PHILIPPINE GHOST STORIES.

  • Just two bestfriends 5,000 miles away catching up every week! Listen in to hear what we have to say about the latest trends, news, or just life in general!!

  • What is it like inside the life of a person who cannot hear, whose reality is silence? In eloquent, sensitive style, Herbert Collingwood admits us to his deaf world where there are times of beauty and terror, humor and frustration, but always joy. He deals with such realities as “Head Noises and Subjective Audition,” “The Whispering Wire,” and ''The Terror That Flieth By Night.” Collingwood has authored many books such as, “Andersonville Violets,” “Hope Farm Notes,” and numerous articles on agriculture. - Summary by Larry Wilson

  • Early biography of Charles Dickens published just 17 years after Dickens' death. Summary by Colleen McMahon

  • Original Award-Winning Audio Stories., Full Cast Productions, and Podcasts. The Official Home of HG World, Hidden Harbor Mysteries, Radio Free Gozeria, The Diary of Jill Woodbine, Seven 'til Sunrise, and other podcasts.

  • Join LibriVox readers as they present the eighth installment of captivating monologues from Shakespeare’s timeless plays. This collection features 20 diverse performances that showcase the brilliance of William Shakespeare (April 26, 1564 – April 23, 1616), widely regarded as the greatest playwright in history. With works spanning tragedy, comedy, and romance, each monologue offers a unique emotional journey, whether it imparts a lesson, highlights Shakespeares masterful character portrayal, or evokes laughter and tears. Prepare to be moved, as each piece resonates differently with every listener, inspiring some to even record their own interpretations. (summary by Shurtagal)

  • Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. (Summary by Wikipedia)