Afleveringen
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Nicholas Delbanco returns to the show to celebrate his 32nd book and his first true foray into memoir (or ME-moir), STILL LIFE AT EIGHTY (Mandel Vilar Press)! We talk about how the rediscovery of the 40-page history of art he wrote at eleven years old (!) sparked this project, how he built the book as a mosaic, why he centers it around the homes, totem-objects, and writers in his life, and why he wanted his first memoir to be an act of gratitude rather than a list of complaints. We get into decision to part with some of his library and the books he regrets selling, his long-term interest in literary and artistic reputation and how its study helped him navigate the transition from "promising" to "distinguished" writer, his writing practice and process, and what he learned when recently revising a series of his early novels. We also discuss his embrace of compression and restraint in his later writing, why he'll write a fictional character's poetry but doesn't write poetry on his own, what his family's history and business taught him about the balance between the dutifulness and risks of art, his surprise at how quickly John Updike's reputation waned, what he's learned in his 80s, and a a lot more. More info at our site • Catch up on my 2017 and 2022 conversations with Nicholas • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Cartoonist and animator Dash Shaw returns to the show to celebrate his phenomenal new graphic novel, BLURRY (New York Review Comics). We talk about the decompressed mode he brought to this book, the turning points we encounter in the most mundane situations, his focus on the microscopic moments of doubt we have between two very similar things, and how he settled on the idea of structuring the book around nested stories (& figured out to thread them together by the end). We get into the 2x2 panel regularity of every page of Blurry and how that allowed him to build the book, how the experience of making a Clue miniseries changed his comics-making process, and how Blurry felt like he'd been playing a video game for a long time and then discovered a bonus level. We also discuss his film-making process and how that contrasts with the isolation of making comics, the ways his work tends toward collage, why naturalistic dialogue is another form of stylization, what it was like to grow up in a comics-friendly house, and a lot more. Follow Dash on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Zijn er afleveringen die ontbreken?
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Comics journalist Jess Ruliffson joins the show to talk about the origins of INVISIBLE WOUNDS (Fantagraphics), her collection of stories from veterans of the wars in Afghanistan and Iraq, but we wind up talking about guys' butts, among other things. We get into her focus on male vulnerability, the Tim Hetherington photos that led her to make Invisible Wounds, the differences between soldiers who enlisted pre-/post-9/11, what it's like to come home from war with no idea what to do next, and the new comics she's making with her husband, Ernesto Barbieri, about his work as an ICU nurse. We talk about her upbringing in Mississippi, what she's learned about interviewing and how stories sometimes take shape in retrospect, whether it's "permissible" to tell stories about people in a different demographic, the common thread of moral injury in her work, how she met her husband through an MFA open house, and how she found her way into comics and journalism. We also discuss her frustration at not drawing the butts she wants to draw, her experiences teaching comics and learning to give her students permission, what she's learned from making the Terrible Anvil podcast with Tom Hart, why her therapist insisted she never make a memoir, and more! Follow Jess on The Terrible Anvil podcast • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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For my 600th episode, the great artist Joe Coleman joins the show to celebrate his phenomenal new career-spanning retrospective book, A DOORWAY TO JOE: The Art of Joe Coleman (Fantagraphics). We talk about art, mortality, mythography, history, the corruption of the flesh, the nature of evil, his Odditorium & the power of relics, Dr. Mombooze-o's send-off for his dead parents, playing Whac-A-Mole with T-cell lymphoma, getting arrested for being an Infernal Machine, taxi-driving in NYC's Travis Bickle era, the inspiration of the Hubble telescope, the pagan Celtic roots in Irish Catholicism, what it's like to work on one square-inch of a painting for 8 hours at a time, our respective appearances on the Uncle Floyd Show, playing in the Steel Tips with Patrick McDonnell & Karen O'Connell, and how he found his love and muse in Whitney Ward. (Also, this one's got an interminable intro, so jump to the 15:45 mark to start the conversation.) Follow Joe on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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This one's all about legacies: familial, literary, cultural & institutional! Mirana Comstock joins the show to celebrate the publication of The Algonquin Round Table: 25 Years with the Legends Who Lunch (Excelsior Editions/SUNY Press), by her grandfather, the late literary lion Konrad Bercovici. We get into how Mirana discovered this manuscript, what it meant to edit it & write the intro, what it was like to help bring the Algonquin scene & Konrad's writing to life for a new generation of readers, and the experience of growing up in a multigenerational household of compulsive artists & writers. We talk about why her grandfather's immense literary stature diminished, the nature of charisma and The Aura, the scandal of Chaplin stealing Konrad's script for The Great Dictator, how the Algonquin habitués were the influencers of their time (only with something to say), how the Algonquin scene was like Vienna café society transposed into New York & American capitalism, Mirana's discoveries as she researched the figures in the book, and why there'll never be another book like this one. We also discuss the New-York Historical Society's acquisition of Konrad's papers, her New York and how it's changed, her idea for transforming her family's writing into a meta-stage production, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Artist & illustrator Anita Kunz returns to the show to talk about how art saved her life, as we catch up on her fantastic books, ORIGINAL SISTERS and STRIKING A POSE: A Handy Guide to the Male Nude (Pantheon and Fantagraphics, respectively). We talk about Anita's passion for figure drawing, how disconcerted some male viewers were by Striking A Pose, the difference between drawing women and men and all the tension and dynamics that go into making art from each gender, and why Winston Churchill's granddaughter was none-too-pleased by his appearance in her book. We get into how her 2020 lockdown project of painting one portrait of a badass woman every day evolved into her Original Sisters series, how it feels to be closing in on 500 portraits (!), and how she keeps finding more badass women to paint. We also discuss her transition from an acclaimed illustration career into big art projects, how Barbara Nessim helped her find a gallery (and how she had to get over her fear of gallery owners), the book of parables & fables she's making, how it feels to see her Original Sisters in museum exhibitions (and how much she's looking forward to their big show at the Norman Rockwell Museum), the burden of having to be A Nice Girl In A Small Town growing up, how she makes great art while being racked with self-doubt, the importance of mentors and art-friends, and a lot more. Follow Anita on Instagram, check out the Original Sisters site, and listen to our 2021 conversation • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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With his amazing new book, FEH: A Memoir (Riverside Books), Shalom Auslander explores how the judgmental disgust of FEH infected his life, and what it meant to get sick & tired of the disgust and outrage FEH-stival and look for a way out. We talk about the sense of shame, disgust and self-loathing at the core of our common story, why every bookstore should be called, 'You Suck', his friendship with the late Philip Seymour Hoffman and how they bonded over FEH, and how hard he's worked to find the un-FEH for his kids. We get into how story is our operating system (but what happens when there are bugs in the OS?), how the FEH machine came after his psychiatrist, the notion of misotheism, and his video series UNGODLY where he reads the Bible and asks, 'What if God is the antagonist?'. We also discuss his ultra-orthodox upbringing, how "Jewish heritage" has been subsumed by Holocaust memorials, his antipathy toward the pop-culture Anne Frank and how he rewrote her for HOPE: A Tragedy, his time in the advertising industry and how it led to his TV show Happyish, his bleak Peanuts parody strip that got Jeannie Schulz's approval, the neurological condition where blind people believe they can see and how it parallels our existential state of FEH, the realization that cynicism doesn't mean you're smart (just lazy), and a lot more. Subscribe to Shalom's Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Artist & illustrator Maurice Vellekoop joins the show to celebrate his amazing new graphic memoir, I'M SO GLAD WE HAD THIS TIME TOGETHER (Pantheon). We talk about the midlife crisis that led to the memoir (and the subsequent crisis that almost made him give up), the joy and pain of putting his life on the page, his process of self-discovery as a gay man and an artist, and why his mother hoped she wouldn't live to see the book come out. We get into his (editor) partner's sigh that told him the first draft needed a drastic rewrite, the role sublimation has played in his art & sex life, his accidental technique for drawing himself crying, how the AIDS crisis did & didn't affect his life, his decision on how to depict sex in the book, the incredible color palettes he uses throughout the work, and the realization that he had a 500-page book on his hands. We also discuss life on Toronto Island and what it was like during lockdown, why he'd like to try stage design (just once), his Pride tradition, why publishing a book of erotica was a great stepping-stone for making a memoir, and more! Follow Maurice on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Historian, professor & author Laura Beers joins the show as we celebrate her important new book, ORWELL'S GHOSTS: Wisdom and Warnings for the Twenty-First Century (Norton). We talk about her course on Orwell and the making of the early twentieth century, how the post-Jan. 6 misuse of "Orwellian" inspired her to write this book, and her own path into Orwell. We get into Orwell's balancing act between freedom of speech and obligation to truth, what he meant when he wrote that he was "for democratic socialism, as I understand it," his family's history with Empire and his hatred of inequality, why my favorite of his essays, Inside The Whale, may be the most misunderstood Orwell piece of all (!), and why The Road To Wigan Pier might have the most influence on her. We also discuss the ways to reckon with Orwell's prejudices and especially his misogyny, why students are still coming into college with Animal Farm under their belt, Laura's trip to Barcelona to follow Orwell's steps in the Spanish Civil War, how her chapter on gender involved some deep, critical reading and writing, how we should look at the "blacklist" Orwell provided to the Information Research Dept., how Laura's next book on the politics of infertility sort of dovetails with Orwell's Ghosts, and more! Follow Laura on Twitter and BlueSky and listen to her on Progressive Britain • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Author, publicist and partially involved narrator Robert Pranzatelli joins the show to celebrate his amazing new book, PILOBOLUS: A Story of Dance and Life (University Press of Florida). We talk about the origins of the legendary Pilobolus dance company, his transformational first experience seeing them in 1997, the workshops he took with them and the friendships they engendered, and the "itchy fingers" moment when he realized he had to write their history. We also get into Pilobolus' unique melding of improvisation and dance technique, the joyful challenge of describing their dance pieces on the page, the importance of capturing the time capsule of Pilobolus' '70s roots (and covering All The Affairs, along with the friendships and fallings-out), how Pilobolus was taken seriously by dance critics long after audiences flocked to them, the company's through-line in its 50+-year history and how they managed to continue the tradition of something that was based on overthrowing tradition. Plus we discuss Robert's history as a writer, how Metal Hurlant & Moebius blew his mind as a teen, how he became a book publicist at Yale University Press, his narrow-focus mode of reading, his greatest eBay score, why he got choked up while reading a text he sent Pilobolus' artistic directors after a performance, and more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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With That's Some Business You're In (Zoop), cartoonist-humorist-author Bob Fingerman has created a career retrospective to celebrate (lament?) his 40th year in comics. We got together in LA to talk about that milestone, what it meant to him to bring together decades of his comics, art, and illustration into a single volume, the challenges of writing the narrative to his work-life, and what he learned from looking at the arc of his career. We get into the 'maybe someday' vibe of the big projects he wants to tackle, the process of getting over his younger shame at making comics for, um, 'lower-prestige' (but well-paying) magazines, the distance he needed on his best-known comic, Minimum Wage, the artist's retrospective he really wants to see, why he enjoys creator-owned work instead of someone else's IP, and his true artistic goal. We also discuss the life-changing stuff — like addressing the tension between narcissism and imposter syndrome, the nature of change, the toxicity of NYC, and the need to leave a better memory — while we talk about life in LA, the writers who blew him away and how he can't begin to emulate them, the way his characters changed from punching bags to people, the joy of hummingbirds and small dogs, and a lot more. Follow Bob on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Author & illustrator Swan Huntley joins the show to celebrate her two new books, I WANT YOU MORE (Zibby Books), and YOU'RE GROUNDED: An Anti-Self-Help Book to Calm You the F*ck Down (Tarcherperigee). We talk about how ghostwriting a memoir for a Real Housewife of New York led her to write I Want You More, a thriller novel about fame, identity, and murder, why she uses the first person in fiction and loves the challenge of lying to the reader, how we're seen by others and how we want to be seen, and the fun of writing thrillers and melding character with a big plot. We also talk about how You're Grounded took shape as a melding of words and drawings, how she settled on "anti-self-help", how her various addictions shaped her identity and what it meant to be herself as she overcame (some of) them, how taking up drawing in a writing lull helped bring out different voices, and the need to calm the f*ck down. We also discuss the creation of identity vs. the discovery of identity, why she biked the El Camino pilgrimage solo, the memoir she's working on, the nature of celebrity & our reactions around famous people (& her upcoming essay, "My Best Friend Is Famous"), how she found her place in Los Angeles, and more. Follow Swan on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Legendary cartoonist & artist Stan Mack pioneered documentary comics and bought New York's multitudes to life with Stan Mack's Real Life Funnies (RLF) in the Village Voice, and now he joins the show to celebrate the publication of STAN MACK'S REAL LIFE FUNNIES: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995 (Fantagraphics)! We talk about winnowing down 1,000+ RLF strips to 275 for this book, the comic's secret origin and how we share some Milton Glaser conceptual DNA, what he learned about cartooning and storytelling, the creeping realization that people were actually reading RLF, and how he and the comic grew over 20+ years. We get into whether Real Life Funnies and its snippets of street dialogue could work today when everybody just stares at their phones, how his pre-Voice stint as art director at the New York Herald Tribune made an editor out of him, the moment he realized he was a New Yorker, how he became an activist and used RLF to highlight the squatters' rights movement, the AIDS crisis, and more in NYC, how important the Village Voice was to the city and to America in the '70s and '80s and why we need to bring it out of the pre-digital memory hole (a la DW Young & his new documentary, UNCROPPED), Stan's failure as a backup dancer for Lionel Richie, and a lot more. Follow Stan on Facebook, Instagram and YouTube • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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With his amazing new book, Deaths of Artists (Blast Books), archivist Jim Moske explores art, mortality, media, fame and our secret lives. We talk about his chance discovery in the Met Museum's archives of century-old scrapbooks filled with artists' obituaries, his attraction to the obits' tabloid poetry, and how he fell down the rabbit-hole of figuring out the scandalous, redemptive life of their compiler, Arthur D'Hervilly. We get into what these obits — and D'Hervilly's life — can teach us about art and artistic reputation, the challenges of working with 100+-year-old newsprint, the aesthetic pleasure of historical records, and why Jim considered doing this project as a 'zine (just like last week's guest!). We also discuss how he got started as an archivist, his favorite phases of the Met's history, how artists have responded to his book, his archive of illegible historical documents (!), the impact of digitization and electronics on the archivist field, what we lose when materiality goes away, the oblique influence of Bolaño's 2666 on Deaths of Artists, and how D'Hervilly's art-obit collection became a chronicle of the democratization of art. Follow Jim on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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With his amazing new book, THE WORK OF ART: How Something Comes From Nothing (Penguin Press), hall-of-fame magazine editor Adam Moss explores the artistic process by interviewing more than 40 creators about the evolution of a piece of their art. We talk about the archeology of early drafts and sketches, why he took up painting and how its vexations drove him into making this book, what it's like to tour artists' heads, the creative benefits of "the bounce," the differences between collaborative and solo art-making, and the dizzying iterations of a single artwork by Amy Sillman. We get into where his 40-year magazine editing career began (and where it ended), the process of figuring out how to write and edit his own prose for this project, the incredible design project of bringing The Work Of Art to life as a museum of creativity (& its early life as a 'zine), what happened when he pitched Warren Beatty on this project, and his ongoing attraction to the artifacts of artists in the midst of artworks. We also discuss why I may be the ideal reader for this book, how the introspection of COVID & lockdown influenced The Work Of Art and its subjects, what he learned about interviewing (& which subject intimidated him the most), how he finally learned to stop waiting for a catharsis and learned to take joy in the making of art rather than the finished artwork, and plenty more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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With WINGING IT: Improv's Power & Peril in the Age of Trump (Spring Publications), author, professor & philanthropist Randy Fertel explores the role of improvisation & spontaneity in the arts, sciences & culture. We talk about what drew him to the conflict between reason and intuition, the importance of "Yes, And" in more than just a comedic context, the neuroscience of Hot and Cold Cognition, and the moment in graduate school that started him down this path 50 years ago. We get into what improvisation really is, how it underlies creativity and innovation, how Trump embodies its dark side, and how his upbringing in New Orleans may have contributed to his improv-epiphany. We also discuss how canonical authors & works began as outsiders, why the essence of improv is disruption, the importance of ego death and unmediated experience (and why he futilely took heroic amounts of hallucinogens to prepare for a conference panel), the relationship of the Marvel Cinematic Universe to his archetypes, his love for Jon Batiste's 2023 Jazz Fest set, his next project exploring the emergence of global pop culture, and a lot more. Follow Randy on Twitter, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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For more than 40 years, the breathtaking pictures of photographer James Hamilton have chronicled New York City and America (and a couple of war zones), and now the amazing new documentary UNCROPPED (Greenwich Entertainment) by director D.W. Young has launched a rediscovery of James Hamilton's work, life & times. D.W. rejoins the show to talk about how James' career at the NY Herald, Village Voice, and NY Observer opened the door to a a bigger story about NYC, arts/culture and media, how NYC has changed and how the culture adapts, and how young viewers react upon learning about the city's vibrant newspaper & alt-weekly scene that preceded the internet. We get into the difference between empathy & formality in photography, how after D.W.'s previous movie (The Booksellers) he really didn't want to make another NYC film but wound up making the MOST, James' shift from film to digital (and why some of UNCROPPED is shot on film), why sit-down interviews in documentaries get a bad rap but why they can be so valuable, and how Wes Anderson ended up being interviewed in the movie in a largely empty room. Plus we discuss D.W.'s first post-lockdown movie-theater viewings, the relief of making a short narrative film (Dancing on the Silk Razor) in the midst of making Uncropped, what he learned from making The Booksellers (and what he had to unlearn), why it's a travesty that the Village Voice archives aren't digitized, and a lot more. Follow UNCROPPED on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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Author-playwright-screenwriter-poet Jen Silverman returns to the show to celebrate their amazing new novel, THERE'S GOING TO BE TROUBLE (Random House). We get into how Jen accidentally stumbled into the 2018 Gilets Jaunes protests in Paris and triggered this new book, the ways we're shaped by our parents' failures and secrets, the many routes of radicalization, and the theatricality of protests, how they draw people in (with a boost from Théâtre du Soleil), and how they contrast with theater itself. We also talk about the role of art in understanding the times, how Jen's stories start with character, their work on Tokyo Vice and how TV writing differs from other storytelling modes, what it means to protest alongside someone whose politics you disagree with, and what the pandemic era has taught them about community. Plus we discuss the nirvana of MacDowell Colony, learning to use research without being beholden to it, ways to be an effective, engaged human (not just engaged/enraged), the contrast between book and theater critics, the existential question of the past few years, and, oh yeah, whether or not people can change. Follow Jen on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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With Reading Shakespeare Reading Me (Fordham), professor Leonard Barkan blends memoir and deep reading of Shakespeare's greatest plays to explore his lifelong relationship with literature and the way(s) we use art to construct our identities. We get into what it means to read, hear, perform, direct, teach Shakespeare, why it took him a lifetime to get to this book, how he contrasts himself with a radically naive reader (and why it's important to try to capture our naïveté), the gayness of Shakespeare's two Antonios, the many stories he couldn't tell until his folks were gone, and the role Shakespeare played in Leonard's gay coming of age. We also talk about Narcissism vs. Wissenschaft, his next book about the WWII loss of 434 paintings by the Great Masters (!), Cervantes' role as Shakespeare's literary peer, the on-stage therapy session he held at his career-celebration, and his stint as a theater director and what it taught him about teaching. Plus we discuss the strangeness of King Lear's opening scene, the eerie humor of Hamlet, the fraught subject of having kids, the glory & limitations of mimesis, how it felt to see his book The Hungry Eye on a bookshelf in The Bear, the lifelong struggle of living up to his promise, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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After a ~10-year gap, Emily Raboteau rejoins the show to celebrate her amazing new essay collection, LESSONS FOR SURVIVAL: Mothering Against "The Apocalypse" (Holt). We talk about her sparkbird and the Audubon Mural Project in Washington Heights that center the book, her transformation into a climate activist, the joy of the flaneuse, her scavenger hunt for Justin Brice Guariglia's environmental art, and the idea of pain with a purpose. We also get into the differences between mothering & motherhood, the reason she put "the Apocalypse" in quotes in her subtitle, how COVID lockdown made her realize her kids' lives had been overscheduled (and how lockdown gave them some room to breathe), and the nor'easter-battered book-event in Princeton that corroborated her book's community-thesis. Plus we discuss her dream of interviewing Vivian Gornick, how we need to overcome pandemic-amnesia, the place her children really want to visit, how she's changed as a writer since we last talked, what the difference is between surviving and living, and a lot more. Follow Emily on Twitter, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter
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