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Hey all y'all spooky people! Today's episode dives into the mystery of the Dyatlov Pass. Tessa shares some pretty mysterious and creepy reddit stories so grab your bowl of brains and let's have a spooky time!
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Happy Thanksgiving all you weirdos! In todays episode, Tessa shares creepy stories from Reddit, even an Christmas story and Jesse shares the horrific stories that come from Sloss Furnace.
Please check us out on Youtube and Instagram! That is where you can see the images we mention in each episode. You guys are all spookily amazing!
Insta: @spookysouppodcast
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Due to an error last week, this Dead Letter Office didn't make it to the main feed so here it is now! There's a NEW one tomorrow too!
In tonight’s dead letter, we explore the chilling tales of paranormal activity at a haunted firehouse, as recounted by volunteer firefighter Ken Sanner Jr. Ken details a series of unsettling events, from flickering lights and moving objects to disembodied voices and unexplained shadows—even a heavy metal door mysteriously opening on a windless day. There’s something more than meets they eye going on at this place, but what? -
This week, we dive into a viral story that is captivating social media and stirring global debate — a supposed discovery beneath the sands of Giza that some are calling the find of the century. Descriptions of a vast, multi-level complex with geometric passageways, deep shafts, and mysterious chambers have sparked theories ranging from ancient power plants to the legendary Halls of Amenti. Could this be a groundbreaking revelation? A misinterpretation of data? Something even stranger? We’ll explore the evidence, the claims, and the science behind this unfolding mystery to form some theories of our own. So join us as we examine another layer to one of history’s most enduring enigmas.
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Hey lovely folk!
So today we once again get more of your amazing true listener experiences and also hear about the new netflix hit "Incantation", spoiler, Kev gets freaked during the review!
We of course also take a journey to that dark and dingy (though very clean) corner where Bekah resides too.
Join our Patreon and get 8 extra shows each and every month! Had over to:
www.patreon.com/weneedtotalkaboutghosts
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Troy and I return to the Mummy movies made by Universal Studios in the 1940’s.
THE MUMMY’S TOMB (1942) has always been the film in this series that is the easiest to dump on. It begins with almost ten minutes of flashback footage from the previous movie THE MUMMY’S HAND (1940) and with a running time that barely breaks the one-hour mark it is one of the shortest features Universal ever released. Add to the film’s perceived crimes the decision to advance the story thirty years and bump off the first film’s cast and you have the foundation of decades of fan sneering. But is this film truly as bereft of horror thrills or as ridiculous as the carping has claimed? A deeper look may reveal some hidden qualities.
In this episode Troy and I follow Kharis through his change of actor and his change of address to Middleton, USA as the undead Egyptian monster stalks those who dared to violate the tomb of Ananka. We talk about the addition of Lon Chaney to the cast, the mysterious survival of the previous film’s High Priest and the fact that the 1970’s look a lot like the 1940’s. We use Thomas Feramisco’s book The Mummy Unwrapped to explore the alterations made from script to screen complete with the details of a few choice bits that should have been left in the film. I lay out my preferred version of this story and we discuss how some of the changes make for a less involving return for the characters. I think longtime listeners will be shocked by our final assessment of this entry as well as our ratings near the end.
We are joined by Beth in the final show segment for some feedback about our recent Sherlock Holmes episodes. It seems that some radio shows are not so accurate in their geological descriptions of England! And then we wrap the episode with a song from Nashville’s amazing punk band Peachy, giving us a blast of rock coolness for the summer.
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We don’t cover many comedies on The Bloody Pit for various reasons but 1941 (1979) ticks off many boxes for genre fans that makes it nearly perfect for discussion. Toshiro Mifune and Christopher Lee as bickering military leaders trapped together in a submarine? Is this a humorous variation on HELL IN THE PACFIC (1968) hiding in plain sight?
Mark Maddox joins me to dig into our mutual fascination with this much criticized epic of American madness and wartime paranoia. Told before production that they should make a serious World War II film on the subject instead of a comedy, Spielberg and his team forged ahead with their warped vision of post-Pearl Harbor attack fears. It’s an ambitious tale with dozens of characters and multiple storylines that slowly escalates into a long December night of chaos and violence. I’m sure that a serious movie about this historical incident could be made but I’m so glad that this farce exists in its place. 1941 is one of my favorite comedies of all time and I never cease to laugh at the insanity every time I watch it.
Using the sprawling template of IT’S A MAD, MAD, MAD, MAD WORLD (1964) we are given a scenario ripe with potential sparks while the plot scatters metaphorical open barrels of gasoline around to how they explode in flames. Combining oddball comedic characters with characters that are taking the spiraling events seriously keeps the entire affair grounded enough to seem believable and suspenseful enough to be thrilling. The nutty folks’ antics never overpower the forward momentum of the wild story even in the extended version of the film that Mark and I discuss. We talk about our first encounters with the film, its effect on us at the time and how popular opinion of it has changed over the years. We dig into the huge cast of amazing actors and debate some of the performances. The topic of the John Williams score is broached with a snippet or two of the music inserted into the show and we marvel at the amazing miniature work in the film’s climax. We do get off-track at least once trying to decide what Spielberg’s worst movie might be. As usual, Mark is wrong!
If you know which Spielberg film is the weakest the email address is [email protected] where we’d love to hear from you. And if you think Mark and I should just bash in each other’s heads and call it a day – let us know that too! Thanks for listening to the show.
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Where is the line between grotesque horror and dark comedy? Paul Morrisey’s FLESH FOR FRANKENSTEIN (1973) explores that blurry line with colorful delight. Often known as Andy Warhol’s FRANKENSTEIN this is a one-of-a-kind experience and is now finally available on Bly-Ray!
Mark Maddox and I discuss the film and our history with it as we look at what we like and/or love about this bizarre piece of cinema. The movie was produced without a full script while the director composed pages on the way to Cinecittà Studios every day of its three week shoot. This creates a strangely meandering story about Baron Frankenstein (Udo Kier) attempting to bring about a Serbian master race by creating a perfect mating pair. As you might expect, things do not go as planned. Scattered about the story we find the mad doctor’s sister/wife, their creepy children and the lower-class servants who are asked to participate in some grisly experiments. It’s a bloody, nudity filled madhouse of a movie and is sure to please or anger an almost equal number of viewers. Our talk ranges from the very talented cast and the opulent sets to the well-done gore effects and the disgusting visuals. Of course, by the end we are off track and talking about other things but we start with good intentions. Forgive us!
The email address is [email protected] and we’d love to know your thoughts on this odd work of cinema or any other subject we bump up against in our discussion. Thank you for listening.
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From misty mountains to deep-sea caves, we explore the dark side of Scottish folklore. Tales of Selkies - seal folk caught between sea and shore - Kelpies - murderous water-horses -and the ancient figure of the Cailleach. Maddy and Anthony's guest today is Donald Smith, founding director of the Scottish Storytelling Centre, and a storyteller who has written and lectured widely on the folklore of Scotland.
Edited by Tomos Delargy. Produced by Freddy Chick. Senior Producer is Charlotte Long.
Maddy's book, Writing on the Wall: Graffiti and Rebellion in Eighteenth-Century Britain, is now available on paperback! See more information here.
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All music from Epidemic Sounds.
After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast.
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In 1908, a girl was brutally murdered in a small town in upstate New York. The town was seemingly idyllic, but beneath the surface, it was crawling with prostitution, orgies, deceit, and corruption. It was fueled by a political machine so powerful it could cover up not just one but multiple murders. The truth behind the murder of Hazel Drew was meant to remain unsolvable. Just like the television show it inspired over 80 years later.
This episode contains themes that may be disturbing to some listeners, including graphic depictions of violence.
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Troy Guinn and I jump back to the 1940’s for our next Universal horror film of that decade.
NIGHT MONSTER (1942) has two ‘horror stars’ first billed in the credits – Bela Lugosi and Lionel Atwill – leading first time viewers to expect them to feature heavily in the scary tale being told. But both actors are relegated to supporting roles which gives unexpected players the chance to step forward and take the position of possible villain. This sidelining of Lugosi and Atwill has been cited for years as the reason this is less well known than it might otherwise be, but I would argue the opposite should be true. By allowing actors not usually associated with the genre to step forward and take on the prime roles NIGHT MONSTER becomes a rare thing in Universal’s horror output on the 40’s – a real mystery! And, to make it more impressive, the film attempts to create an entirely new screen monster that the studio could have used in the future. That the choice was made to continue producing Frankenstein, Dracula and Mummy sequels probably speaks more to making safe money decisions than to a desire for new, creative monsters and that is a shame.
We enthusiastically dive into this film asking all the usual questions horror movie fans have posited for decades. We don’t have all the answers but we do have some solid speculation and a few guesses. We remark on the casting choices including having a female doctor play such a prominent role. The treatment of Hindu mysticism in the story without the expected condescension for such ‘foreign’ religions is surprising, as is the relatively adult tone of the entire affair. The film strikes a more modern attitude in several ways even if it still seems to take place in a time oddly unaware of the then current war. We also note that the film seems to drop at least one character (Lugosi’s!) from the finale without ever letting us know if he was complicit in the crimes taking place in and around the crazy old dark house. The oddest point in the show might be when I conjure a fictious Three Dog Night song out of thin air leaving only a little blood on the floor!
If you have any comments or questions about the show [email protected] is the email account and we’d love to hear from you. Thank you for listening to the show!
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Author Nicholas Schlegel joins me for a deep dive into the underappreciated genre of the ‘krimi’! These underseen films are German adaptations of Edgar Wallace crime novels. During their most popular period in the 1960’s more than four or five were being released every year and they remained a huge box office draw for nearly fifteen years. Mr. Schlegel has just published a book about these crime thrillers called ‘German Popular Cinema and the Rialto Krimi Phenomenon: Dark Eyes of London’ and it is a perfect springboard for discussion.
THE GREEN ARCHER (1961) came pretty early in the cycle and is a good example of the black & white period of the series. At this time the scripts were trying to stick as close as possible to the adapted novel’s content which can make for an often confusing number of characters and subplots. Luckily, the film’s fast pace and sly humor keep the many strange happenings from feeling overwhelming with most loose ends wrapped up in the ‘ende’. Mr. Schlegel and I range across the krimi output of Rialto productions discussing the changes the series went through including moving to color and the gradually increasing horror elements incorporated into the scripts. We touch on the production history of the films and their evolution into another genre altogether. Eventually we compare lists of favorites with some concern for how to break the films down for newcomers or the mildly curious. We both hope that bringing attention to these entertaining gems will encourage more people to give them a try.
If you have any comments, suggestions or ideas [email protected] is the address. Let us know about your favorite krimi and how you discovered the genre as well. If you could, please rate and review the podcast wherever you grab it. And thanks for listening!
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Cort Psyops returns to the show to talk sword and sorcery!
RED SONJA (1985) is a film that gets very little respect even among hardcore cult film fans. Cort and I feel this is an oversight and we take about two and half hours to make our case! Hopefully you will join us on our quest.
Both of us are coming off of seeing the film on high-definition disc which enhances our appreciation of the visuals, especially the old school special effects craftsmanship. Who cares if that strange giant spider doesn’t really work! Wheel that sucker out there and photograph it correctly for the desired effect.
We discuss the movie’s strange production with last minute casting of the lead and extended participation from Arnold Schwarzenegger bending the story into different shape. I lament the lack of a novelization but I do point out some fascination information that can be gleaned from the Marvel comics adaptation. We discuss the multi-ethnic cast, the gorgeous cinematography and the incredible production design that shows off every penny of the budget. We talk a bit about the slight differences that make for a PG-13 rating rather than an R with this film flashing enough blood to make us wish for a more violent cut. The film’s stunt coordinator is given his due as we praise the visceral feel of the sword fights as well as the many ways that the wonderful score brings the entire movie to life. This really is a fun adventure film and I’m glad to see that it has aged well.
If you also love this odd sword & sorcery film [email protected] is where you can send your memories of seeing it for the first time. Are you like Cort who caught it between HBO screening s of BEASTMASTER? Or did you get to see it in the theater in 1985? Podcasters want to know! And thanks for listening.
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Troy, Beth and I convene to discuss the fourth of Universal’s Sherlock Holmes film series! Of course, the show is packed with spoilers but we just can’t resist.
SHERLOCK HOLMES FACES DEATH (1943) is based on an original Holmes story by Doyle, ‘The Musgrave Ritual,’ and has our favorite detective investigating what might be a cursed family. Pressed into wartime service Doctor Watson has been helping out at Musgrave Manor which is serving as a convalescent home for shell-shocked Allied officers. His young assistant, Dr. Sexton, is attacked with a knife and nearly killed. Watson travels to London to bring Holmes back with him, but upon their arrival they find the head of the household, Geoffrey Musgrave, dead. The lead suspect is an American airman, Vickery (returning Universal horror player Milburn Stone), who is in love with the youngest Musgrave, Sally (Hillary Brooke making her second appearance in the series) and was planned to marry her against Geoffrey’s wishes. The always-befuddled Inspector Lestrade shows up and quickly arrests him but Holmes knows there is more going on than such a simple murder. Might there be supernatural shenanigans afoot? Is there really a curse on the Musgrave family? And how does the game of chess factor into everything?
We dig into this nicely creepy film that shows a decided swing away from the espionage storylines of the first three of the series. All three of us are happy to finally have a scary Holmes tale to discuss even as we point out how many of the gothic touches don’t amount to much in the final analysis. After all, when is a broken clock just a broken clock? Beth brings up the story of Universal’s brilliant costume designer Vera West which adds some unexpected mystery to the conversation. I express my dislike of one element in the movie that presents the audience with false information. Troy takes note of how long Lestrade is lost in the secret passages in Musgrave Manor’s walls which is less time than I would have guessed.
We hope you enjoy our conversation and [email protected] is the email address for comments on the episode. Thank you for listening and have a happy October!
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Cort Psyops returns to discuss THE HORRIBLE SEXY VAMPIRE (1970)! Just how many words in this title accurately describe the film’s contents? Woo boy. Your mileage may vary……
Recently rescued from dodgy video presentations by Mondo Macabro, this Spanish oddity is one of the stranger examples of Euro-Horror. We start our discussion remarking that the story behind the making of the film is probably more interesting than the film itself, but that doesn’t mean there aren’t a lot of onscreen elements to puzzle over. While the movie does sport a standard Lugosi-style vampire lurking around gothic places, the majority of the killings are handled nontraditionally. By that I mean that this vampire can somehow render himself invisible! Was this a stylistic choice on the filmmakers’ part or a budgetary one? It hardly matters as it creates one of the more memorable aspects of the movie. Watching victims flail about fighting someone that isn’t there is sure to keep you staring at the screen wondering just how crazy things will get.
Mondo Macabro’s Blu-Ray has a few excellent extras that give an explanation for how and why this film was made. The most interesting information involves the star of the picture how he started an acting career. This disc proves that any film can be made fascinating the more you know about it. I can only imagine what viewers in the past thought of this bizarre movie with no frame of reference for what went on behind the scenes. This is the kind of thing I live for!
If you have any comments or questions [email protected] is the place to send them. Cort and I thank you for your time and attention! Happy Halloween.
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This episode I welcome writer Julian David Stone to discuss his new novel, It’s Alive! The book explores the struggle to produce FRANKENSTEIN (1931) at Universal Studio. Stone’s story uses the perspectives of Bela Lugosi, Boris Karloff and studio head Carl Laemmle, Jr. to relate the difficult path to getting that revered classic film off the ground. We get inside the heads of this trio of talented people giving us an insightful view of each and their motivations during this important period in film history. Fans of the Universal classic horror movies often think of these films in terms of one success leading inevitably to another but the resistance to bringing these macabre tales to the screen was strong. ‘It’s Alive’ presents an excellent look at the battle to create not just one movie but an entire cycle of them that changed how Hollywood thought about horror cinema.
Of course, I can’t have a discussion that touches on the Universal horror films without the conversation spiraling out to other movies in the series. We dig a little into favorite entries including defenses of some of the underpraised films of later years. As expected, Mr. Stone is a Monster Kid from way back and his love for these film shines through. We had a great time talking and I can highly recommend It’s Alive!
If you have any comments or questions [email protected] is the place to write or send voice messages. Thank you for listening and we’ll be back soon.
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FLESH AND FANTASY (1943) is a film that should be much better known both in Horror fan circles and among fans of classic cinema in general. Directed by one of the giants of French cinema transplanted to America Julien Duvivier, this film shows the care and craftsmanship of a fine storyteller working with the full resources of a major studio. Following the template he had used in his earlier film TALES OF MANHATTAN (1942), this is an anthology with three vignettes linked by a framing device with humorist Robert Benchley. But that wasn’t exactly the original vision of this movie, as we will discuss.
Troy and I return to the Universal horror films with a true outlier this time. FLESH AND FANTASY is easily the most expensive production on our list of these 1940’s films with its large budget and cast of major movie stars being just the most obvious differences from the monster sequels surrounding it. The movie uses all its resources wonderfully to present a dazzling series of visuals and at least one of the best (possibly) supernatural stories the studio would ever make. The cast is fantastic and filmmaking a delight! It is a shock how underseen and underappreciated this excellent movie has been but with a Blu-Ray release just around the corner we hope that is about to change. Join us a for an interesting conversation about the production, structure and underlying themes of this hidden gem.
The show’s email address is [email protected] and we’d love to hear your thoughts on FLESH AND FANTASY or any of the movies we’ve covered. Thank you for listening and we’ll be back with an email episode very soon.
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**Word of warning – the first fifty minutes of the show has less than great audio. For some reason a buzzing was on the track and the only way I could eliminate it was to crush some of the less loud portions of the sound out. Sadly, this dropped most of the laughter from the amused ladies in the room and causes the softer ends of some words to be lost as well. I’m sorry about this – I’ll work to make sure it doesn’t happen again.**
I am joined once again by Bobby Hazzard and John Hudson to roll around in Italian sleaze! This time I chose the film and, since I was in a post-apocalypse frame of mind, we end up talking about our first Bruno Mattei film. RATS NIGHT OF TERROR (1984) is probably my favorite of Mattei’s efforts, which some will claim is damning it with faint praise – I can’t disagree.
We talk about how we first encountered this mad movie and its regular video companion HELL OF THE LIVING DEAD (1980). Tied into that, Huson notes the strong similarities of this film’s plot to the classic NIGHT OF THE LIVING DEAD (1968) siege scenario. Other post-apocalypse exploitation movies are used for comparison with this one coming in as a lesser effort in some way but not in others. The portentous ‘Star Wars’ inspired opening voiceover has us trying to square the supposed 225 years ‘After the Bomb’ timeline it provides but we do have a lot of un noting that the world ended in 2015. Actress Geretta Geretta has talked about this film on several occasions and we relate a few of her more interesting tales of working in Italian cinema without speaking the language. Other topics include dodging iguanas, buckets of rats and well-done fire stunts complete with some unfortunate animal cruelty. We do eventually end up spoiling the excellent ending, so you have been warned.
If you have any comments about this film or any other we’ve covered on the show [email protected] is the place to send them. We thank you for listening and we will do our best to avoid audio problems in the future.
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I welcome writer Holger Haase to the show to discuss the 1960’s Dr. Mabuse films! Holger has written an essay published for Kindle called ‘The Many Masks of Dr. Mabuse: Mabuse in the 1960s’. Reading this prompted me to finally talk directly to Holger. The two of us have known each other for decades but it took our mutual love of these German crime films to use the internet to speak in a non-text based way. It was a little weird.
We go (mostly) chronologically through the six films discussing each in turn. If you want to follow along at home here’s a list of the movies we talk about in this episode:
1. THE 1000 EYES OF DR. MABUSE (1960)2. THE RETURN OF DR. MABUSE (1961) 3. THE INVISIBLE DR. MABUSE (1962) 4. THE TESTEMENT OF DR. MABUSE (1962)5. DR. MABUSE VS SCOTLAND YARD (1963)6. THE DEATH RAY OF DR. MABUSE (1964)
We touch on the cast members with extra attention to the ones that show up in multiple films even when their character’s names mysteriously change. Scriptwriter Ladislas Fodor’s impressive career is discussed as well as directors Fritz Lang and Harald Reinl who brought their many talents to the series. This series of films seems to have been forgotten over the past couple of decades, overshadowed by the original Lang films from 1922 and 1933. We hope to spur some interest in cinema fans curious to discover the hidden joys of these clever crime movies. They really are addictive!
If you have thoughts on the Mabuse films or the krimi cycle that they parallel [email protected] is where you can send them. We’ll be happy to hear from you. Thanks for listening.
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