Muziek – Taiwan – Nieuwe podcasts
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《鄒美合作•原來那麼好》是一個由鄒族及阿美族共同主持的多元文化節目。
來自阿里山鄒族的Faei toskx(杜有財)與縱谷平原阿美族的Panay‧Keliw(巴奈‧葛六)，節目透過不同族群的祭儀、歌謠、工藝、生活等多方面的內容，要帶著聽眾朋友深入探索並展示鄒族及阿美族與其他原住民族豐富的文化。
聽眾不僅可以聆聽到傳統祭儀背後的深刻意涵，還能欣賞到傳承千年的歌謠傳統及精湛的工藝技藝。
每集節目都像是一場文化的奇妙旅程，讓聽眾更加了解原住民族群的生活方式和價值觀念。無論是對於鄒族和阿美族或其他原住民族群文化的愛好者，還是對多元文化有興趣的觀眾來說，《鄒美合作原來那麼好》節目都是一個不可多得的文化饗宴，歡迎大家和我們一起遨遊在山林水澗。
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Biografía de los artistas (como nacen y crecen en la industria musical)
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Arturo Alcalá habla sobre tus artistas favoritos al puro estilo dosmilero.
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一首歌，一段故事。每一首歌背後都有一個感人的故事，有時講述的是一段情感，有時講述的是一段人生。為您精選華語流行樂壇優質音樂作品，一起在歌裡分享別人的故事，在故事裡找到自己的青春。
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Musica e riflessioni nel salottino del bel pianeta
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This podcast was created with the idea to uplift new artists and business owners while enriching our listeners with new forms of entertainment. Support this podcast: https://podcasters.spotify.com/pod/show/musicgenreassociation/support
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這是一個在消夜時段宣傳臺大管樂團70周年系列活動兼瞎聊的節目絕對不是手機選字選錯把校友寫成消夜Soundon: https://sndn.link/ntuwb70Spotify: https://open.spotify.com/show/4Xf7zRLa60vw7zRqF0zfpJKKBOX Podcast: https://podcast.kkbox.com/tw/channel/PZdc8RcwIMxl2P3sz0Apple Podcast: https://podcasts.apple.com/us/podcast/台大消夜管樂團/id1747134781歡迎使用匿名提問箱提問：https://peing.net/zh-TW/ntuwb70--Hosting provided by SoundOn
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這是一個關於爵士鼓分享的頻道，我本身是一位職業鼓手，從事爵士鼓教學、演奏的工作，在這邊會與大家分享生活上與音樂、爵士鼓有關的事情。
Instagram:drummer_tim.jiang
Youtube:Tim蔣爵士鼓
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日光下的，對創作與生活的想法與祝福，算是一種對歌曲的導讀，也像籤詩。
背景音樂會選用在旋律與歌詞生成之前，製作人Tower 為我創作的beat，希望大家在聆聽的時候，也能有所想像與感受，就像你們自己在創作一樣。
希望下次你聽到這些歌曲的時候，也許是透過隨機播放，也許是在世界上的某個角落，都能想起我對你的祝福。希望你一切都好。
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跟著我探索世界各地的絃樂器吧！-----完整節目內容敬請鎖定佳音Love聯播網【節目精華區】：https://pse.is/5ygbpk--Hosting provided by SoundOn
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歡迎收聽《建景聊天室》建中民謠吉他社以及景美吉他社即將邁入三十八屆。我們希望藉由這個節目，幫這個乘載了許多人回憶的社團、還有這些大大小小的故事，做一個紀錄，並分享給大家。《建景聊天室》由建中民謠吉他社26屆的虎牙主持，邀請建中民吉以及景美吉他不同時期的幹部，一起聊聊他們跟吉他社的故事、以及在音樂這條路上的心路歷程。--Hosting provided by SoundOn
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DAN + SHAY
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大家好，熱愛述說故事，結合最近很紅的Suno 作曲工具和自己創作改編的歌詞，探索不同風格和情感的音樂世界。
作品融合了喜歡的一些古典樂的音樂風格，也希望能傳遞真摯的情感和故事，希望能讓每一位聽眾找到共鳴。
如果妳聽完覺得超喜歡的話，可以往下滑去看資訊欄，裡面有這個節目的留言連結，請直接五星評論加留言。
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你覺得古典音樂很無聊嗎？
Playlist當中的音樂已經聽膩想換換口味嗎？
想知道鋼琴家私下不為人知的秘密嗎㊙️？
《音樂超慢跑》
由國內知名鋼琴家溫凱翔
攜手主持新星Elson
帶你從生活當中找樂子😍
節目中沒有令人想睡覺的音樂課
聽我們講屁話也能開心聽音樂🤣
原來古典音樂那麼好玩！ -
兄弟一組
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Feuds are as old as hip-hop itself, and often, they fuel creativity and public personas. One of the most captivating rivalries of recent years has been between two rap titans: Drake and Kendrick Lamar. Their lyrical sparring and subliminal jabs have left fans eagerly analyzing their every word, waiting for the next salvo in this ongoing battle. The Rise of Two Titans Drake's Journey to the Top Drake, born Aubrey Drake Graham, began his journey in the entertainment industry as an actor on the Canadian teen drama series Degrassi: The Next Generation. His transition from actor to rapper started with the release of his mixtape Room for Improvement (2006), followed by Comeback Season (2007), which showcased his unique blend of singing and rapping. Drake's breakthrough came with the release of his third mixtape So Far Gone in 2009, featuring hits like "Best I Ever Had" and "Successful." The mixtape's success earned him a deal with Lil Wayne's Young Money Entertainment. His debut studio album Thank Me Later (2010) topped the Billboard 200 chart and solidified his place in the music industry. Over the next decade, Drake became synonymous with chart-topping hits like "God's Plan," "Hotline Bling," and "In My Feelings." His blend of introspective lyrics, catchy melodies, and versatile music style resonated with a global audience. Albums like Take Care (2011), Nothing Was the Same (2013), and Views (2016) showcased his growth as an artist, leading to numerous awards, including four Grammy Awards. Kendrick Lamar: Compton’s Poet Laureate Meanwhile, Kendrick Lamar Duckworth grew up in Compton, California, where he was inspired by the legacy of West Coast hip-hop legends like Tupac Shakur and Dr. Dre. His first mixtape, Youngest Head Nigga in Charge (2003), released under the moniker K-Dot, hinted at his lyrical prowess. Kendrick's rise to prominence began with his acclaimed mixtape Overly Dedicated (2010) and was further solidified with his independent album Section.80 (2011). But it was his major-label debut, good kid, m.A.A.d city (2012), that cemented his place as one of the greatest lyricists of his generation. The album's storytelling, chronicling his teenage years in Compton, earned widespread critical acclaim. To Pimp a Butterfly (2015) elevated Kendrick to new heights, with its fusion of hip-hop, jazz, and funk, and its incisive exploration of race, politics, and identity. Songs like "Alright" became anthems for the Black Lives Matter movement. His follow-up album DAMN. (2017) won the Pulitzer Prize for Music, making Kendrick the first non-classical or jazz artist to receive the honor. Flashpoint: Origins of the Feud The seeds of the Drake-Kendrick rivalry were sown with subtle lyrical jabs that fans eagerly dissected. The tension became more apparent after Kendrick Lamar’s verse on Big Sean's track "Control" (2013), where he called out several rappers, including Drake, and proclaimed himself "the king of New York." Drake responded with comments dismissing Kendrick's claims, saying he was unaffected by them. This exchange set the tone for future subliminal shots, like Kendrick's "The Heart Part 4" (2017), where he implied Drake wasn't writing his lyrics, and Drake’s "Duppy Freestyle" (2018), which many interpreted as targeting Kendrick. Control Verse: The Turning Point Big Sean's track "Control" (2013), which featured Kendrick Lamar and Jay Electronica, was the turning point that brought the simmering tension between Drake and Kendrick to the forefront. Kendrick's verse took aim at several notable rappers, including Drake, J. Cole, and Big Sean himself. Some lines specifically targeting Drake included: "I'm usually homeboys with the same niggas I'm rhymin' with
But this is hip-hop and them niggas should know what time it is." While the verse didn't directly attack Drake, the competitive nature and self-proclaimed "king of New York" label stirred the pot. Drake's response in an interview with Billboard magazine was dismissive, stating, "I know good and well that Kendrick's not murdering me." Subliminal Jabs and Speculative Responses Over the next few years, both Drake and Kendrick continued their streak of chart-topping hits while taking subliminal jabs at each other: Kendrick's "The Heart Part 4" (2017): "Tables turn, lesson learned, my best look / You jumped sides on me, now you 'bout to meet Westbrook." Interpreted as a shot at Drake's infamous beef with Meek Mill and his switching affiliations between Young Money and OVO. Drake's "Duppy Freestyle" (2018): Although primarily aimed at Pusha T, many lines were seen as indirect shots at Kendrick. "I got a lot of friends within the rap game, but you ain't that, fam." 2015 BET Cypher and TDE vs. OVO The 2015 BET Cypher further fueled the rivalry, with TDE and OVO appearing in separate ciphers. Kendrick Lamar's cypher included lines perceived as jabs at Drake's "started from the bottom" narrative: "Nothing's been the same since they dropped 'Control'
And tucked a sensitive rapper back in his pajama clothes." The competitive energy between TDE and OVO was palpable, and fans began analyzing each lyric and social media post for hints of the ongoing rivalry. Impact on Their Music and Careers The rivalry between Drake and Kendrick Lamar didn't just remain in the realm of subliminal jabs; it had a tangible impact on their music and careers. Both artists pushed their creative boundaries, often releasing their best work during this period. Drake's If You're Reading This It's Too Late (2015): Released as a surprise mixtape, it contained several tracks that fans interpreted as aimed at Kendrick. "Energy" and "6 God" reflected a more aggressive tone in Drake's music. Kendrick Lamar's To Pimp a Butterfly (2015): Songs like "King Kunta" and "The Blacker the Berry" addressed identity and power, with some lines hinting at the competitive rap landscape. The album's experimentation with jazz and funk showcased Kendrick's willingness to evolve artistically. Drake's Views (2016): Focused more on dancehall and pop sounds, moving away from the aggressive style of If You're Reading This It's Too Late. "Hype" and "Weston Road Flows" retained some competitive energy. Kendrick Lamar's DAMN. (2017): Tracks like "DNA." and "HUMBLE." were seen as power statements, reinforcing Kendrick's dominance. The album's Pulitzer Prize win cemented his place as a top-tier lyricist. 2018: "Sicko Mode" Collaboration and Pusha T Beef Despite the rivalry, Drake and Kendrick appeared on the same song in 2018. Travis Scott's "Sicko Mode" featured both artists, albeit in different sections, leaving many fans wondering if they had buried the hatchet. However, the feud with Pusha T reignited tensions. Drake vs. Pusha T Drake's long-standing beef with Pusha T reached new heights in 2018 when Pusha released "The Story of Adidon," exposing Drake's secret son. While Kendrick Lamar didn't directly involve himself, his collaboration with Pusha T on "Nosetalgia" (2013) and continued partnership with Kanye West hinted at implicit support. 2024: The Feud Reignites In May 2024, the rivalry reached new heights when Kendrick released a scathing diss track titled "Euphoria," aimed directly at Drake. The song is packed with personal attacks, questioning Drake's authenticity, work ethic, and even his use of the n-word. Kendrick throws shade at Drake's mob boss persona, questions the legitimacy of his physique, and challenges the quality of his music. Lines like, "You ain’t even write your own book, so what you preachin' for?" and "Fake abs and fake flows, who are you reachin' for?" left no doubt that Kendrick was coming for Drake's crown. Current Situation (May 2024) The release of "Euphoria" has reignited the rap world, with all eyes on Drake to see how he will respond. Speculation is rife that this could escalate the feud further, with Drake rumored to be preparing a diss track of his own. Public and Industry Reaction Fans and fellow artists have taken sides, dissecting the lyrics for hidden meanings. Some view Kendrick's track as a masterful takedown, while others await Drake's response. Industry insiders are watching closely, as a response from Drake could reshape the rap landscape. Social Commentary Embedded in "Euphoria" The social commentary embedded in "Euphoria" regarding cultural appropriation and racial identity adds another layer to the conflict. Kendrick raises questions about authenticity, particularly with Drake's use of the n-word and perceived cultural appropriation. Whatever happens next will likely only serve to pad the bank accounts of all involved. Thanks for listening- Remember to like and Share wherever you get your podcasts. -
A conversation about our favorite songs from a musical and audio engineering standpoint. Look for new episodes every two weeks.
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歡迎來到「探戈，探歌」，Trevor帶您探索阿根廷傳統探戈音樂深邃美好的世界。無論您對阿根廷探戈舞蹈、探戈音樂、異國風情文化，或是各類經典音樂，懷有好奇心，期待在「探戈，探歌」的分享過程中，每位愛樂人都能找到自己鍾愛一生的探戈音樂。
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兩隻小豬---古典音樂家的故事
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The Crystal Clear: Music review is just a weird podcast that does album reviews, new and old, and how the genre of music and bands have related to our lives.
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