TV & film – Frankrijk – Nieuwe podcasts
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Le feu de camp est un podcast créé par Seb et Tito qui vous rassemble autour d'un feu pour vous raconter des histoire de cinéma et plus particulièrement de cinéma fantastique et d'horreur.
A chaque épisode, un ou une invitée viendra s'assoir avec nous autour du feu pour discuter cinéma selon une thématique ou un(e) réalisateur(trice).
Les participants présenteront un film en fonction de la thématique de l'épisode afin de nous en donner sa vision et d'ouvrir le débat
L'idée première est de partager notre amour du cinéma afin de vous faire découvrir ou redécouvrir des films ou des cinéastes.
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Drop Time est un podcast dédié à l'univers du Steadicam. À travers des entretiens avec des opérateurs steadicam, nous vous offrons un accès privilégié aux coulisses de ce métier à la fois technique et artistique. Nos invités partagent leurs expériences, techniques, et conseils, tout en explorant les défis et innovations qui façonnent cet univers en constante évolution. Que vous soyez un passionné de cinéma, un professionnel ou simplement curieux de mieux comprendre l'art du mouvement en prise de vue, Drop Time est la ressource incontournable pour enrichir vos connaissances !
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Frame by Frame is a weekly audio podcast with David Alex and Mao talking movies! Join them as they watch trailers, talk about movies and rumors and news on what's going on in the industry, and lots of laughs!! They also feature guest speakers from average joes to film critics to producers. Join the fun!
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Revivez l'histoire de la télévision en surfant sur les pistes cathodiques accompagné par Nicolas et Jonathan, deux passionnés de petit écran !
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Podcast X explore l’univers des créateurs et créatrices de contenu sur MYM, OnlyFans et autres plateformes. Entre témoignages, coulisses et défis, découvrez des parcours uniques et des discussions sans tabous.
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Amour et Violence à Vesoul : le podcast ciné
Bienvenue sur le podcast ciné de trois potes : Agathe, Valentin et Victor.
Vous ne comprenez pas le nom ? Nous non plus. Ici vous trouverez des conversations entre copain sur le cinéma, avec à chaque fois un thème.
Vous ne voyez toujours pas le lien avec le nom ? Nous non plus.
Bref vous l’aurez compris [ou toujours pas] c’est 45 min de freestyle de temps en temps, de mini jeux ou de partage autour du 7ème art.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations. -
Merci! On vous rappelle, dévoile les dessous du casting à travers des anecdotes captivantes.
Attachez-vous bien pour un voyage au cœur des expériences uniques des acteurs , des réalisateurs , agents et tous les autres
NOUVEL EPISODE TOUS LES MARDIS
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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Le replay de la Spoiler room du mercredi enfin en podcast ! Avec Deviant Prod et Jordan Universe on analyse, décrypte et commente toute l'actualité de tes films et séries préférés.
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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Marlon Brando: The Revolutionary Actor Early Life and Beginnings Marlon Brando Jr. was born on April 3, 1924, in Omaha, Nebraska. The son of Marlon Brando Sr., a pesticide and chemical feed manufacturer, and Dorothy Julia Pennebaker, an actress and theatre administrator, Brando's early life was marked by complexity and contradiction. His mother, whom he adored, was an alcoholic, while his father was often absent and emotionally distant. Brando's childhood was tumultuous. He was expelled from several schools due to rebellious behavior, a pattern that would continue into his adult life. Despite these challenges, or perhaps because of them, Brando developed a keen sensitivity and a deep well of emotion that would later serve him well in his acting career. At his father's insistence, Brando was sent to Shattuck Military Academy in Minnesota. However, his rebellious nature persisted, and he was eventually expelled. After a brief stint working as a ditch-digger, Brando decided to follow in his mother's footsteps and pursue acting. He moved to New York City in 1943, at the age of 19, to study at the American Theatre Wing Professional School. The Actor's Studio and Early Stage Career In New York, Brando met Stella Adler, a renowned acting teacher who would have a profound influence on his career. Adler introduced Brando to the 'Method' style of acting, based on the techniques of Konstantin Stanislavski. This approach emphasized emotional truth and drawing from one's own experiences to inform performances. Brando took to this style immediately, and it would become the foundation of his revolutionary approach to acting. Brando also became involved with the Actor's Studio, founded by Elia Kazan, Cheryl Crawford, and Robert Lewis. Here, under the tutelage of Lee Strasberg, Brando honed his craft alongside other future stars like Montgomery Clift and James Dean. His first significant stage role came in 1944 with "I Remember Mama." However, it was his electrifying performance as Stanley Kowalski in Tennessee Williams' "A Streetcar Named Desire" in 1947 that truly announced Brando as a major talent. His raw, animalistic portrayal of Kowalski was unlike anything Broadway had seen before, and it set the stage for a new era in American acting. Breakthrough in Hollywood Brando made his film debut in "The Men" (1950), playing a paraplegic veteran. To prepare for the role, he spent a month in a veterans' hospital, demonstrating the commitment to realism that would characterize his approach to acting throughout his career. However, it was the 1951 film adaptation of "A Streetcar Named Desire," directed by Elia Kazan, that catapulted Brando to stardom. His portrayal of Stanley Kowalski, with his famous cry of "Stella!", became one of the most iconic moments in cinema history. The performance earned Brando his first Academy Award nomination and cemented his status as the most exciting young actor in Hollywood. Brando followed this with a string of critically acclaimed performances in films such as "Viva Zapata!" (1952), "Julius Caesar" (1953), and "On the Waterfront" (1954). The latter, which reunited him with Elia Kazan, won Brando his first Academy Award for Best Actor. His portrayal of Terry Malloy, particularly the famous "I coulda been a contender" scene, is considered one of the greatest performances in film history. Rebel Without a Cause Throughout the 1950s, Brando's off-screen persona began to match his on-screen intensity. He became known for his rebellious attitude, his disdain for Hollywood conventions, and his turbulent personal life. This period saw him take on a variety of roles, from singing and dancing in "Guys and Dolls" (1955) to playing a Nazi officer in "The Young Lions" (1958). Brando's reputation for being difficult on set grew during this time. He often clashed with directors and fellow actors, and his perfectionism and insistence on multiple takes became legendary. Despite this, his talent was undeniable, and he continued to be one of Hollywood's most sought-after actors. Decline and Comeback The 1960s saw a decline in Brando's career. Films like "One-Eyed Jacks" (1961), which Brando also directed, and "Mutiny on the Bounty" (1962) were commercial and critical disappointments. His behavior on set became increasingly erratic, and his reputation suffered as a result. However, Brando made a spectacular comeback in 1972 with his portrayal of Don Vito Corleone in Francis Ford Coppola's "The Godfather." His performance was a masterclass in subtlety and understatement, a stark contrast to the raw emotion of his earlier roles. The film was a massive success, and Brando won his second Academy Award for Best Actor, which he famously refused in protest of Hollywood's treatment of Native Americans. Later Career and Controversies Following "The Godfather," Brando continued to take on challenging and controversial roles. His portrayal of a middle-aged American expatriate in Bernardo Bertolucci's "Last Tango in Paris" (1972) was highly controversial due to its explicit sexual content. The film's infamous butter scene remains a subject of debate and controversy to this day. In 1979, Brando gave another memorable performance in Coppola's "Apocalypse Now," playing the renegade Colonel Kurtz. Despite appearing on screen for only a few minutes, Brando's presence dominates the film. However, his behavior during filming was notoriously difficult, arriving on set overweight and unprepared. As Brando aged, his appearances became less frequent and more eccentric. He took on roles in films like "The Formula" (1980), "The Freshman" (1990), and "Don Juan DeMarco" (1995), often for large paychecks rather than artistic merit. His final film appearance was in "The Score" (2001), alongside Robert De Niro and Edward Norton. Personal Life and Activism Brando's personal life was as dramatic and turbulent as many of his on-screen roles. He was married three times and had eleven children, including three with his housekeeper. His family life was marked by tragedy, including the murder of one of his sons and the suicide of his daughter. Throughout his life, Brando was a vocal advocate for civil rights and Native American rights. He was involved in the African-American Civil Rights Movement and famously sent Sacheen Littlefeather to refuse his Academy Award for "The Godfather" in protest of Hollywood's portrayal of Native Americans. Brando's later years were marked by health issues and personal tragedies. He became reclusive, rarely making public appearances. He struggled with obesity and diabetes, which contributed to his declining health. Legacy and Impact Marlon Brando passed away on July 1, 2004, at the age of 80. His death marked the end of an era in American cinema. Brando's impact on acting and cinema cannot be overstated. He revolutionized the craft of acting, bringing a new level of realism and emotional intensity to the screen. His naturalistic style, informed by the Method, influenced generations of actors who followed him. Beyond his acting technique, Brando's screen presence was unparalleled. He possessed a unique combination of masculine strength and vulnerable sensitivity that redefined the concept of the leading man in Hollywood. His performances in films like "On the Waterfront," "The Godfather," and "Apocalypse Now" are studied and admired to this day. Brando was also a pioneer in challenging the studio system and asserting the rights of actors. He was one of the first actors to demand profit participation in his films and to use his star power to champion social causes. However, Brando's legacy is complex. His later career was marked by eccentric behavior and a perceived waste of his immense talent. He became as famous for his off-screen antics and weight gain as for his performances. Despite this, Brando's place in the pantheon of great actors remains secure. He was named by Time magazine as one of its 100 Most Important People of the 20th Century, and the American Film Institute ranked him as the fourth greatest male star whose screen debut occurred before or during 1950. In conclusion, Marlon Brando was more than just an actor; he was a cultural icon who changed the face of cinema. His influence can be seen in countless performances by actors who followed him, and his best work continues to inspire and move audiences decades after it was first created. Brando's life and career serve as a testament to the transformative power of great art and the complex nature of genius. Thanks for listening and remember to like and share wherever you get your podcasts.
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Trois amis se retrouvent pour décortiquer la carrière cinématographique d'un des derniers grand mythes du cinéma américain : Clint Eastwood. Des westerns spaghettis à l'inspecteur Harry en passant par la route de Madison, c'est tout un pan de l'histoire du cinéma qu'ils vont revisiter.
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🎙 Podcast Exclusif : Plongée au cœur du Comte de Monte Cristo avec Pierre Niney !
Dans cet épisode captivant, nous explorons l'univers du chef-d'œuvre d'Alexandre Dumas, Le Comte de Monte Cristo. Rejoignez-nous pour une discussion fascinante avec l’acteur Pierre Niney, qui revisite avec passion les thèmes intemporels de vengeance, de justice et de rédemption. Ensemble, nous décrypterons les moments clés du film et les défis de donner vie à un personnage aussi complexe que celui d'Edmond Dantès.
🎬 Que vous soyez fan du livre, du film ou simplement curieux de découvrir les coulisses de cette -
Le Ciné-club universitaire de Lausanne élabore des cycles de projections thématiques, des séances avec des invité·exs, ou encore des ciné-concerts. Il défend des œuvres esthétiquement et thématiquement importantes, ainsi qu’un accès à la culture pour tous·texs.
En parallèle de ces événements, les membres du Ciné-club proposent des critiques de films en salle, des analyses d’œuvres classiques et des chroniques. -
Ici, on est fan de la Star Academy depuis les premières saisons (surtout la 2, Georges-Alain, Emma Daumas, nos stars). Le retour de l'émission alors qu'on a maintenant 35 ans c'était risqué mais banco, on est toujours accro. Quel bonheur de suivre ces élèves dans leurs cours, dans les primes, autour du piano, dans leur batailles de bouffe etc. Mais on a grandit donc on a aussi acéré notre regard (féministe, progressiste) et on est heureuse de voir que l'émission avance avec son temps. On va donc vous proposer chaque semaine un debrief de ce qu'on aura vu dans les quotidiennes et au prime, nos pronostics, nos coups de coeur, etc. Ah et on est marrantes donc c'est pas impossible qu'on se marre comme tout.
Un spectacle crée par Alicia Ligi et Camille Giry
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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Fine Beats & Cheeses with Leslie & Lynne celebrates cheesy pop culture.
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Et si nos journalistes avaient encore d'autres histoires à nous partager ?
Besoin d'infos ? Le compte instagram du podcast est là pour ça : @paroledejournalhist https://www.instagram.com/paroledejournalhist/ -
Bienvenue sur "Popcast", l'émission qui commente en toute mauvaise foi et impunité, la pop culture en général et principalement le cinéma.
#art #cinéma #podcast #série #critique #discussions #fun #pop-culture
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations. -
🎬 SEQUENCE - Le podcast qui décode l'art de l'écriture scénaristique !
Animé par David Frécinaux & Maxence Pierrard, SEQUENCE vous plonge dans les coulisses du storytelling. 📚 Découvrez les secrets d'écriture, des interviews exclusives de scénaristes, réalisateurs et producteurs, et bien plus encore !
📅 Nouveaux épisodes tous les 15 jours.
👉 Que vous soyez scénariste en herbe ou passionné de narration, abonnez-vous pour ne rien manquer !
🔗 Écoutez dès maintenant
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Salut, je m'appelle Kélian, je suis comédien spécialisé dans la voix depuis bientôt 3 ans. Je me suis toujours demandé pourquoi et comment des gens en sont arrivés à parler dans un micro.
J'ai décidé de leur demander directement !
Dans ce format podcast filmé, je reçois des personnalités aux parcours différents reliés par un objet : le microphone.
Comédien.ne.s, créateurs et créatrices de contenus, chanteurs et chanteuses, tous ont a coeur de vous partager leur parcours et leurs conseils.
Hâte d'avoir vos retours!
Réalisation par Grégoire Cornilleau :)
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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Tous les mois on met 2 films face à face et on voit ce qu’il se passe.
Podcast présenté par Max Dichael, Guillaume Scaillet et Nicolas Divincenzo -
Aliénor et Morgane se prêtent au jeu de regarder des pilotes de séries TV pour tenter de deviner leur final.
Vous vous êtes déjà demandé comment serait le final d’une série dès son premier épisode ? Ou vous êtes amusé des prédictions farfelues de vos amis ?
Dans “Les Deuxièmes seront les derniers”, Aliénor Lecomte et Morgane Dziurla-Petit regardent ensemble les pilotes de séries TV pour se lancer dans des pronostics sur leur final avant de les découvrir, sans jamais voir ce qu’il s’est passé entre les deux. Contact : IG @lesdeuxiemesserontlesderniers
Soutenez-nous par un don ! https://ko-fi.com/lesdeuxiemeserontlesderniers
Music provided by Epidemic Sound and Track: "Never Too Overproduced" provided by https://slip.stream
Free Download / Stream: https://get.slip.stream/rsw6g5
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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