Nieuws – Nieuwe podcasts
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Two girls, two coasts, a ton of stories from the world of entertainment and pop culture that you need to know. Plus a monthly deep-dive into noteworthy film and TV.
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Hamilton Latino Radio es la radio de los latinos en Canadá y el mundo.Entra a hamiltonlatino.com y escucha toda la programación que tenemos para ti!https://www.instagram.com/hamiltonlatinoradio/
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Welcome to the Newest way to Podcast! Peep The Perspective Podcast is a cast of five Extraordinary Women who discuss trending topics, and the topics that aren’t easily discussed! Peep the Tea With Lade Breez, Beauty SquareD, BlueBombshell, Mz ReeSee and ZeeThePromotHER!
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The Weekly Forecast is a once weekly satirical comedy podcast where two brothers pose as news anchors. Reviewing the latest news and news articles around the world, answer fan calls and give you a daily dose of sports. Segments include: Biased News: Small news around the entertainment world that intrigues us. The Lines are Open: Fan calls and messages are answered and observed. Random News Around The World: Self explanatory, the weirder the better! Sports: These guys are MMA fans and historians who also dive into Rugby, Football and Boxing news around the world. Call us at (502) 694-0749.
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O Alô Notícias podcast tem o objetivo de levar a vocês informações do entorno e DF. Além de trazer dicas para o cotidiano e rotina.
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Welcome to BlvdAve Radio, the flagship show of The NMG NETWORK! Tune in to here us discuss the latest happenings in the worlds of Music, Movies, Sports and Fashion with a Chicago twist!!! https://linktr.ee/NMGNetwork
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Sheridan Sheperd, production designer, and Clifford Taylor, story artist, talk about the latest in entertainment and pop culture. Quest Content delivers first hand experience in the industry and thoughts on all media-related topics. Support this podcast: https://podcasters.spotify.com/pod/show/questcontent/support
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Es un pequeño podcast sobre la moda para un trabajo de clase
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Hallo und herzlich willkommen zu meinem neuen Format “Hopps genommen”.
Wir sprechen in diesem Format über aktuelle politische Themen und auch über Populismus und Rechtsextremismus. Der Name ist Programm: Uns geht es ums politische Einordnen, inhaltliche Widerlegen, Kontextualisieren und Hopps nehmen!
Hopps genommen erscheint jede Woche in voller Länge auf YouTube und auch als Podcast-Folge über alle bekannten Kanäle! Und natürlich auch als Snippets auf Instagram und Tiktok.
Folgt also gerne für mehr!
YT: https://www.youtube.com/@hopp_stagram
IG: https://www.instagram.com/hopp_stagram/
TikTok: https://www.tiktok.com/@politik_hopp
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HOPPS GENOMMEN - wöchentlich auf YouTube und als Podcast.
Produziert und moderiert von Marcel Hopp. -
A podcast about Japanese Politics in English. Host Luke Whittaker is a Japan history and culture enthusiast who tries to get to grip with Japanese politics and current events.
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公明党ラジオ。略して「こめラジ」。「こめラジ」では、公明党所属議員などゲストをお迎えして、政治の話をゆるく時には深く掘り下げるポッドキャストです。
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From the Primaries to Pennsylvania Avenue, Kieran Cuddihy is joined by American comedian Jim Elliott to take a sideways look at the race to the 2020 US Presidential Election.
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Der EU-Plauderpodcast von Europapolitker Thomas Waitz und seinem Team.
Was passiert eigentlich so hinter den Kulissen des Europäischen Parlaments, woran arbeitet das Team Waitz gerade, worüber müssen sie sich ärgern, lachen oder wundern? Zwischen Ausschuss und Plenarwochen, im Büro und im Radiokeller - einmal im Monat nehmen sie euch mit, raw and mostly unedited.
Idee, Fragen und Anregungen für kommende Folgen gerne per Email an [email protected] Betreff "Parlamentskammerl" oder per DM auf allen Social Media Plattformen senden.
Ab 13. Jänner gibt es 1 Folge pro Monat. -
In deze podcast houdt schrijver, docu- en podcastmaker Johan Fretz Nederland iedere donderdag een spiegel voor. Hij legt op voor hem kenmerkende wijze de vinger op Haagse zere plekken, nodigt gasten uit die hem inspireren of irriteren en peilstokt de positie van ons land in de woelige wereld. Zo nu en dan wisselt de vaste vorm van Waanzinnig Land af met een spannende miniserie, bijvoorbeeld over de Haagse politiek. Vanaf 16 december hoor je hier de eindejaarsserie "Functie Elders tot Functie NAVO", een uitgebreide politieke thriller uit de achterkamertjes van de Haagse Binnenhof.
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一档由21世纪经济报道香港站制作的栏目，主要关注市场热点、科创前沿以及财经动态等多方面内容，邀请21记者以及行业人士深度解读相关内容，给听众最新最专业的解读。
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Bij Ombudsman Rotterdam-Rijnmond horen we iedere dag wel verhalen waar je oren van gaan klapperen. In Wat Zeg Je?! duiken host Laurence van Ham en ombudsvrouw Marianne van den Anker met ervaringsdeskundigen en changemakers in schrijnende kwesties die het leven van velen raken. Van het toeslagenschandaal tot woningnood en van armoede tot overlast in de buurt. Wij geven deze verhalen een menselijke stem en bespreken oplossingen die écht kunnen bijdragen aan verandering.
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最新の国際ニュースについて私の意見をコメントします。
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Daily round up of latest taxi industry news brought to you by the team from www.taxi-point.co.uk
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In the annals of Hollywood history, few names carry the weight of legacy quite like Lon Chaney Jr. Born into the shadow of his legendary father, Lon Chaney Sr., the younger Chaney carved out his own niche in the world of cinema, becoming an icon of horror in his own right. His journey from reluctant actor to beloved monster portrayer is a tale of perseverance, talent, and the complex dynamics of family and fame in the golden age of Hollywood. Born Creighton Tull Chaney on February 10, 1906, in Oklahoma City, Oklahoma, the future Lon Chaney Jr. entered a world where his father was already making a name for himself in vaudeville and silent films. Creighton's early years were far from stable. His parents' marriage was tumultuous, marked by his mother Cleva's alcoholism and eventual attempted suicide in 1913. This event led to his parents' divorce and young Creighton being shuffled between various relatives and boarding schools. Despite the instability of his childhood, Creighton maintained a close relationship with his father. Lon Sr., known as "The Man of a Thousand Faces" for his remarkable makeup and character acting skills, was determined that his son would not follow in his footsteps. He wanted Creighton to have a more stable, conventional life than the uncertain world of show business could offer. As a result, Creighton was actively discouraged from pursuing acting and instead was guided towards more practical pursuits. Following his father's wishes, Creighton attended business school and worked a variety of jobs in his young adulthood. He served as a plumber's apprentice, worked at a meat-packing plant, and even had a stint as a farm hand. These experiences, while far from the glamour of Hollywood, would later inform his portrayals of working-class characters and contribute to his reputation as a relatable, down-to-earth figure despite his famous lineage. However, the lure of Hollywood proved too strong to resist. In the late 1920s, Creighton began to take on small, often uncredited roles in films. He was careful to use his birth name rather than his father's famous surname, determined to make his own way without trading on the Chaney name. This period of his career was marked by struggle and anonymity, a sharp contrast to the fame and success his father was enjoying. Lon Chaney Sr.'s untimely death in 1930 marked a turning point in Creighton's life and career. The loss of his father was a personal tragedy, but it also removed the main obstacle to Creighton pursuing acting full-time. In the years following his father's death, Creighton's roles began to grow in size and importance, though true stardom still eluded him. It was in 1935 that Creighton Chaney became Lon Chaney Jr., a change that would alter the course of his career. The name change was suggested by producer Maurice Pivar as a marketing tactic, capitalizing on the enduring fame of the elder Chaney. While the younger Chaney was initially reluctant, concerned about the inevitable comparisons to his father, he eventually agreed. The decision proved to be a double-edged sword, opening doors but also creating expectations that would haunt him throughout his career. Chaney Jr.'s breakthrough role came in 1939 with his portrayal of Lennie Small in the film adaptation of John Steinbeck's "Of Mice and Men." His performance as the gentle giant with a mental disability showcased his acting abilities beyond mere name recognition. The role earned him critical acclaim and demonstrated that he was more than capable of carrying a film on his own merits. This success in a serious dramatic role seemed to point towards a career path distinct from his father's legacy in horror and character roles. However, fate and Hollywood typecasting had other plans. In 1941, Chaney Jr. was cast as Larry Talbot, the tragic protagonist of "The Wolf Man." This role would define the rest of his career and cement his place in horror film history. Chaney Jr.'s portrayal of the tormented Talbot, cursed to become a werewolf, resonated with audiences. He brought a sympathetic quality to the monster, much as his father had done with characters like Quasimodo and the Phantom of the Opera. The success of "The Wolf Man" led to Chaney Jr. becoming Universal Studios' go-to monster actor. Over the next decade, he would portray not only the Wolf Man in various sequels but also Frankenstein's monster, Dracula, and the Mummy. This versatility in monster roles echoed his father's chameleon-like ability to transform into various characters, though achieved through different means. Where Lon Sr. was known for his elaborate makeup techniques, Lon Jr.'s transformations were more often the work of the studio's makeup artists. Chaney Jr.'s most frequent and beloved monster role remained the Wolf Man. He portrayed Larry Talbot in five films, including various monster mash-up movies that pitted Universal's creatures against each other. His consistent portrayal of Talbot as a tragic figure, tormented by his curse and seeking release, added depth to what could have been a one-note monster character. Chaney Jr. often remarked that he felt a personal connection to Talbot, understanding the character's inner turmoil and loneliness. While his horror roles brought him fame and a dedicated fan base, they also led to typecasting that frustrated Chaney Jr. throughout his career. He longed to be taken seriously as a dramatic actor, to build on the promise he had shown in "Of Mice and Men." However, opportunities for such roles were few and far between. When they did come, such as his role in the 1952 western "High Noon," Chaney Jr. proved that he was capable of holding his own alongside major stars like Gary Cooper. Despite his frustrations with typecasting, Chaney Jr. maintained a prolific career throughout the 1940s and 1950s. He worked consistently in films and, as the film industry began to change, transitioned into television work. He appeared in numerous TV shows, including westerns like "Rawhide" and "The Texan," as well as thriller series like "Alfred Hitchcock Presents." One of the most interesting phases of Chaney Jr.'s later career was his work with director Fred Zinnemann. In addition to "High Noon," Chaney Jr. appeared in Zinnemann's "Teresa" (1951) and "Member of the Wedding" (1952). These films provided him with the opportunity to play more nuanced, dramatic roles, showcasing a talent that was often overlooked due to his association with horror films. Chaney Jr.'s personal life was as complex as his professional one. He was married twice, first to Dorothy Hinckley from 1928 to 1937, with whom he had two sons, and then to Patsy Beck from 1937 until his death. His relationship with alcohol was a recurring struggle throughout his life, echoing his mother's battles with alcoholism and affecting both his personal relationships and his professional reputation. As he aged, Chaney Jr. continued to work, though the quality of productions often declined. He appeared in numerous low-budget horror and science fiction films throughout the 1960s and early 1970s. While these films were far from the prestige of Universal's golden age of horror, they allowed Chaney Jr. to continue working and maintained his connection with horror fans. One of the most poignant aspects of Chaney Jr.'s later career was his relationship with the legacy of his father. Throughout his life, he struggled with comparisons to Lon Sr., often feeling that he could never quite live up to the towering reputation of "The Man of a Thousand Faces." However, as he aged, Chaney Jr. seemed to find a measure of peace with his place in Hollywood history. He became more comfortable discussing his father in interviews and even appeared in the 1957 biopic "Man of a Thousand Faces," playing a studio makeup artist opposite James Cagney's portrayal of Lon Chaney Sr. Chaney Jr.'s final film appearance was in the 1971 horror film "Dracula vs. Frankenstein," a low-budget production that was a far cry from the Universal classics of his heyday. His health had declined significantly by this point, affected by years of heavy drinking and the physical toll of his acting career. He died on July 12, 1973, in San Clemente, California, from heart failure at the age of 67. In the years since his death, Lon Chaney Jr.'s legacy has been reevaluated and celebrated by film historians and horror enthusiasts. While he may not have achieved the critical acclaim or versatility of his father, Chaney Jr. made an indelible mark on the horror genre. His portrayal of Larry Talbot/The Wolf Man, in particular, stands as one of the great sympathetic monster performances in cinema history. Chaney Jr.'s impact extends beyond his individual performances. He was part of a transitional period in horror cinema, bridging the gap between the gothic monsters of Universal's golden age and the more modern, psychological horrors that would emerge in the 1960s and 1970s. His Wolf Man, with its themes of inner turmoil and the beast within, presaged later explorations of the monster as a metaphor for human struggles. Moreover, Chaney Jr.'s career serves as a fascinating case study in the complexities of Hollywood fame and legacy. His journey from reluctant actor to horror icon, always in the shadow of his famous father, reflects the unique pressures faced by children of celebrities. His struggles with typecasting and his desire to be seen as more than just a monster actor echo the challenges faced by many actors who find success in genre roles. In recent years, there has been renewed interest in Chaney Jr.'s work beyond his monster roles. Film scholars have revisited his dramatic performances, particularly in "Of Mice and Men" and his collaborations with Fred Zinnemann, leading to a more nuanced appreciation of his abilities as an actor. These reappraisals have helped to round out the public's understanding of Chaney Jr., showcasing him as more than just the son of a famous father or a one-note monster
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HN dokumentär är en podcast från Hallands Nyheter.
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