TV & film – Italië – Nieuwe podcasts
-
A weekly show about horror movies and TV shows with celebrity guests that is hosted by Bryan Kluger, Preston Barta, and Chelsea Nicole.
-
Vi racconto, la rubrica di Cine34 dedicata al mondo del cinema, diventa anche un podcast.
Dieci episodi, con cadenza settimanale, narrati dalla voce di Enrico Vanzina, un viaggio tra le stelle del grande schermo, ricco di aneddoti e curiosità, alla scoperta di registi, attori e attrici con cui il celebre regista ha avuto il piacere e l’onore di lavorare durante tutta la sua carriera. -
A podcast exploring the dark corners of The Exorcist with Gina Brandolino, a lecturer who writes about and teaches courses in Horror at the University of Michigan and Gabrielle Thomas, an assistant professor in Early Christianity and Anglican Studies at Emory University and ordained priest in the Church of England.
Cover art by John Watson (johnnwatsonlinocuts.com) and design by Joe Carlough (displacedsnail.com).
-
Salam. Mən Fidan. Artıq 22 yaşım var. Normalda tək sosial şəbəkə aktivliyim, YouTube-da film və serialların emosional dərinliklərini kəşf edib, fikirlərimi "storytelling" vasitəsilə insanlarla bölüşməkdir. Amma normal deyə bir şey qalmayıb, gəlin söhbət edək!
Tam olaraq uyğun bir şey tapmadığım və özüm də nə danışdığımı bilmədiyim üçün tələb olunan kategoriya qismində film analizi seçimi etdim. Buna uyğunlaşacağam indi.
Zarafat edirəm - filmlərdən danışmayacağam -
PausaGeek è un podcast di confronto e discussione sui temi più caldi riguardo i videogiochi e i film in uscita. Partecipa come ospite scrivendo a [email protected] o compila il form Google e fatti travolgere dalla pausa!
Form Google: https://forms.gle/tPJfKJxsJDDf7dZC6
Seguici su Instagram: https://www.instagram.com/pausageekpodcast/
Seguici su Youtube: http://youtube.com/@PausaGeekPodcast -
On Escape into Period Pieces we talk all things related to the Period Piece Genre or TV/Films set in different time periods. Each episode we'll break down why people watch them, why they are continually loved, and why you should give them a chance. I'll give some background information on the episodes or film we'll be discussing before diving into a chat with a guest. Come along for the ride!
Episodes are posted biweekly
Cover art by Kristen Reese. Inspired by Green Gables, Orchard House, and Pemberley.
Email: [email protected] -
Benvenuti al podcast di funzione(animazione). Siamo Fabio e Cinzia, due fratelli appassionati di animazione. Visto che ci piace parlare e discutere di animazione, abbiamo pensato di allargare la conversazione ad una community più ampia. In ogni episodio parleremo di un film di animazione, e occasionalmente anche live action, che ci ha particolarmente colpito (nel bene o nel male). Quindi che aspetti? Vieni a far parte della conversazione e facci sapere la tua!
Seguici e partecipa su Twitter (@f_animazione_)
Visita il sito funzioneanimazione.it per saperne di più
-
A Spoiler-Free Alias Rewatch Podcast hosted by Bree Leach & Jess Koehler
-
Hai presente quando ricevi da un amico un vocale su un film che l’ha colpito? Cinevocale è proprio questo: un racconto appassionato e curioso dei film di cui tutti parlano o di cui dovrebbero parlare, per aiutarti a capire se fanno per te. Nè una recensione né un'analisi, quanto un consiglio su misura, una volta a settimana, che puoi ascoltare prima o dopo aver visto il film per apprezzarlo al meglio.
Hosted on Acast. See acast.com/privacy for more information.
-
In this bi-monthly podcast, Marina shows Emily everything the “Sex and the City” media empire has to offer for the first time -- but they’re watching it backwards and in heels. They're starting with “And Just Like That” and working their way to the very beginning season by season. In short – this is Carrie Bradshaw’s “Memento.”
-
Siete all’ascolto del L’ICONIC Podcast, il podcast che dà voce a chi nei titoli di coda compare in piccolo ma, fa grandi cose.
Intervisteremo persone iconiche, assolutamente normali, che lavorano dietro le quinte del mondo pubblicitario e cinematografico.
Conduce: Carola Del Bono. -
"FUORI DAGLI SCHE(R)MI - The Hub Podcast" esplora il mondo del cinema da ogni angolazione. Consigli e strategie sulla Film Industry, dietro le quinte di film iconici, interviste con registi e attori, e analisi delle tecniche che rendono i capolavori cinematografici indimenticabili. Che tu sia un appassionato di cinema o un aspirante filmmaker, questo è il posto giusto per scoprire tutto ciò che serve per vivere il cinema a 360 gradi! ▶ hub.adrama.it
-
Cinema Passengers è il podcast sul cinema di UniGe Radio, la voce dell'Università di Genova.
Analisi, commenti, interviste sui film del momento e sui grandi cult del passato
Evitiamo la serietà come Hannibal Lecter evita le insalate
Una puntata nuova ogni settimana
A cura di Luca Mignacco, Beatrice Vigorita e Diletta Culla -
La rubrica di cinema, film e serie in streaming a cura di Simone Fortunato, critico cinematografico, e Andrea Valle per l'ideazione e l'editing.
-
Marta Perego, giornalista cinematografica e culturale, ed Elisa Pellegrino, alias Cortomiraggi, presentano "Dissolvenze", il podcast di film e serie TV e dello spazio che si crea tra un'immagine e l'altra. Illustrazione a cura di Martina Francone.
-
Uno schedario cinematografico curato assieme a docenti e critici di cinema.
Classici fuori mostra è una rassegna di grandi film recentemente restaurati organizzata da La biennale di Venezia come percorso di avvicinamento alla Mostra internazionale di arte cinematografica.
L'edizione 2022 si tiene dal 10 febbraio al 26 maggio.
Info su labiennale.org -
Stanley Kubrick was born on July 26, 1928, in Manhattan, New York City. The son of Jacob Leonard Kubrick, a physician, and Sadie Gertrude Kubrick, Stanley grew up in the Bronx during the Great Depression. From an early age, Kubrick showed a keen interest in the arts, particularly photography and chess, two passions that would significantly influence his later work in film. Kubrick's father introduced him to photography when he gifted him a camera for his thirteenth birthday. This sparked a lifelong fascination with visual storytelling. As a teenager, Kubrick became an avid photographer, often skipping school to take pictures around New York City. His talent was recognized early when he sold a photograph of a news vendor reacting to the death of President Franklin D. Roosevelt to Look magazine in 1945. Despite his artistic inclinations, Kubrick was not a particularly strong student academically. He graduated from William Howard Taft High School in 1945 with a lackluster grade average. However, his poor academic performance did not hinder his intellectual development. Kubrick was a voracious reader and autodidact, consuming books on a wide range of subjects that would later inform his filmmaking. Early Career in Photography After high school, Kubrick's passion for photography led him to a job as a staff photographer for Look magazine. This position provided him with invaluable experience in visual storytelling and composition. During his time at Look, Kubrick honed his skills in capturing human drama and emotion through images, a talent that would later translate beautifully to his work in cinema. Kubrick's photographic work for Look was diverse, ranging from slice-of-life pieces about New York City to photo essays on celebrities and athletes. His ability to capture the essence of a subject or situation in a single frame was remarkable for someone so young. This period of Kubrick's life was crucial in developing his eye for detail and his understanding of visual narrative, elements that would become hallmarks of his filmmaking style. Transition to Filmmaking Kubrick's transition from photography to filmmaking was gradual but decisive. In 1951, at the age of 23, he used his savings to finance his first film, a 16-minute documentary called "Day of the Fight." The film, which followed a boxer named Walter Cartier on the day of a fight, was based on a photo-essay Kubrick had previously done for Look magazine. The success of "Day of the Fight," which was purchased by RKO Pictures for distribution, encouraged Kubrick to pursue filmmaking full-time. He followed this with two more short documentaries: "Flying Padre" (1951) and "The Seafarers" (1953). These early works, while modest in scope, showcased Kubrick's emerging talent for visual storytelling and his ability to capture authentic human moments on film. Early Feature Films Kubrick's first feature-length film, "Fear and Desire" (1953), was a low-budget independent production about a fictional war. While the film was not a commercial success and Kubrick later dismissed it as amateurish, it demonstrated his ambition and willingness to tackle complex themes. His second feature, "Killer's Kiss" (1955), showed significant improvement in terms of storytelling and visual style. The film's noir-ish atmosphere and inventive use of New York City locations caught the attention of critics and industry insiders alike. It was Kubrick's third feature, "The Killing" (1956), that truly announced him as a filmmaker to watch. This taut, nonlinear heist film showcased Kubrick's growing mastery of cinematic technique and his ability to elicit strong performances from his actors. The film's innovative narrative structure, which told the story of a racetrack robbery from multiple perspectives, was ahead of its time and influenced many later filmmakers. Hollywood and "Paths of Glory" The success of "The Killing" caught the attention of Hollywood, and Kubrick was hired by Kirk Douglas's production company to direct "Paths of Glory" (1957). This powerful anti-war film, set during World War I, was Kubrick's first major studio production and is considered by many to be one of the greatest war films ever made. "Paths of Glory" showcased Kubrick's ability to combine stunning visuals with deeply emotional storytelling. The film's famous tracking shots through the trenches and its unflinching portrayal of military injustice demonstrated Kubrick's growing confidence as a director and his willingness to tackle controversial subjects. "Spartacus" and the Move to England Kubrick's next project was the epic historical drama "Spartacus" (1960), again starring Kirk Douglas. While the film was a commercial and critical success, Kubrick found the experience of working within the Hollywood studio system frustrating. He had less control over the production than he was accustomed to, and this experience reinforced his desire for complete artistic freedom. Following "Spartacus," Kubrick made the decision to move to England. This move allowed him greater creative control and distance from Hollywood interference. It also marked the beginning of what many consider to be his most creatively fertile period. The Controversial "Lolita" Kubrick's first film after moving to England was an adaptation of Vladimir Nabokov's controversial novel "Lolita" (1962). The film's subject matter – the obsession of a middle-aged man with a young girl – was highly controversial for its time. Kubrick's handling of the material was masterful, managing to convey the story's themes while navigating the strict censorship of the era. "Lolita" demonstrated Kubrick's ability to adapt complex literary works for the screen and his skill in drawing nuanced performances from his actors. The film also showcased his dark sense of humor, a trait that would become more pronounced in his later works. "Dr. Strangelove" and Cold War Satire Kubrick's next film, "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (1964), is widely regarded as one of the greatest comedies ever made. This biting satire of Cold War politics and nuclear paranoia showcased Kubrick's ability to tackle serious subjects with humor and irony. The film's innovative mix of comedy and terror, along with Peter Sellers' tour-de-force performance in multiple roles, cemented Kubrick's reputation as a filmmaker of extraordinary range and vision. "Dr. Strangelove" also marked Kubrick's first collaboration with cinematographer Gilbert Taylor, resulting in the stark, documentary-like visual style that added to the film's impact. "2001: A Space Odyssey" - A Cinematic Revolution Kubrick's next project would be his most ambitious yet. "2001: A Space Odyssey" (1968) is considered by many to be his masterpiece and one of the most influential films ever made. This epic science fiction film, co-written with author Arthur C. Clarke, pushed the boundaries of special effects and narrative storytelling in cinema. "2001" was a testament to Kubrick's perfectionism and attention to detail. He spent years researching and developing the film, consulting with scientists and engineers to ensure the accuracy of its depictions of space travel. The result was a film of unprecedented visual beauty and philosophical depth. While initially polarizing critics, "2001" has since been recognized as a landmark in cinema history. Its groundbreaking special effects, innovative use of music, and open-ended narrative continue to influence filmmakers to this day. "A Clockwork Orange" and Controversy Kubrick followed "2001" with "A Clockwork Orange" (1971), an adaptation of Anthony Burgess's novel. This disturbing exploration of violence and free will sparked significant controversy due to its graphic content. The film's unflinching portrayal of violence and its complex moral questions demonstrated Kubrick's willingness to challenge audiences and tackle difficult subjects. The controversy surrounding "A Clockwork Orange" was so intense that Kubrick himself requested that the film be withdrawn from distribution in the United Kingdom after receiving death threats. This self-imposed ban remained in place until after Kubrick's death. Period Drama: "Barry Lyndon" Kubrick's next film, "Barry Lyndon" (1975), was a marked departure from his previous work. This meticulous adaptation of William Makepeace Thackeray's novel about an 18th-century Irish adventurer showcased Kubrick's versatility as a filmmaker. "Barry Lyndon" is renowned for its stunning cinematography, with Kubrick using specially adapted lenses to film scenes by candlelight. The film's painterly compositions and attention to period detail set new standards for historical dramas. While initially underappreciated, "Barry Lyndon" has since been recognized as one of Kubrick's finest achievements. "The Shining" and Horror Redefined Kubrick's foray into the horror genre, "The Shining" (1980), based on Stephen King's novel, became one of his most popular and enduring films. Kubrick's adaptation took significant liberties with the source material, creating a unique and deeply unsettling psychological horror film. "The Shining" showcased Kubrick's mastery of atmosphere and tension, as well as his innovative use of the then-new Steadicam technology. The film's ambiguous narrative and rich symbolism have made it a subject of endless analysis and interpretation. "Full Metal Jacket" and the Vietnam War After a seven-year hiatus, Kubrick returned with "Full Metal Jacket" (1987), a powerful and unconventional take on the Vietnam War. The film's structure, divided between boot camp training and combat in Vietnam, offered a unique perspective on the dehumanizing effects of war. "Full Metal Jacket" is notable for its intense performances, particularly from R. Lee Ermey as the drill instructor, and for its unflinching portrayal of the psychological toll of warfare. The film further cemented Kubrick's reputation as a master of every genre he tackled. Final Work: "Eyes
-
C'è una cosa che Francesco Nuti ha sofferto più di altre: non essere mai stato considerato a pieno titolo un autore, ma soltanto un comico. Questo ritratto intimo scritto da Emiliano Cribari prova a cucire i due mondi: quello comico e quello malinconico. Sei puntate che assomigliano a sei pagine di diario, poetiche e personali, in cui l'autore racconta a suo figlio chi è stato per lui Francesco Nuti, ripercorrendo alcune tra le tappe più importanti della sua carriera.
Zitti e Nuti è realizzato grazie al sostegno di Fondazione ChiantiBanca e Banca di Credito Cooperativo di Pescia e Cascina.
Scritto da Emiliano Cribari e prodotto da Officina del Podcast.
Coordinamento editoriale: Clara Collalti
Musiche originali e montaggio: Ettore Formicone, con la partecipazione straordinaria di Paolo Ganz
Registrazione, mix e master: Revoice Milano
Comunicazione: Francesca Mineo
Cover art: Marco Merlini.
Si ringraziano per la collaborazione Associazione Sound e Gianfranco Cribari. -
اثر پروانهای جاییه که میخوایم درباره فیلمها، سریالها و کتابهایی صحبت کنیم که اثر ویژهای روی زندگی و نوع نگاهمون داشتن
نسخهی تصویری قسمتها رو میتونید توی یوتیوب ببینید
http://youtube.com/@bfe_talk -
Amedeo Modigliani è uno degli artisti più famosi del XX secolo. Tutti abbiamo in mente le figure con i colli allungati e gli occhi vuoti e per questo, forse, crediamo di conoscerlo.
La vita di Modigliani, però, è piena di zone di ombra e di luce tutt’altro che note.
Jacopo Veneziani racconta Modì in un viaggio che ci porterà da Livorno a Parigi, passando per Napoli, Firenze e Venezia.
“Modì: inseguire un’ombra” è un omaggio al film Modì che racconta gli ultimi giorni di Amedeo Modigliani fra artisti bohémien, collezionisti d’arte e al cospetto della sua musa. Il film è diretto da Johnny Depp. Nel cast Riccardo Scamarcio nel ruolo di Modigliani Luisa Ranieri, Antonia Desplat e Al Pacino.
“Modì: inseguire un’ombra” è una serie podcast di Chora Media promossa da Be Water Film.
Scritta da Jacopo Veneziani e Ilaria Orrù.
La voce di Modigliani è di Luca Ward.
La cura editoriale è di Sara Poma.
La supervisione del suono e della musica di Luca Micheli
La post produzione e il montaggio sono di Cosma Castellucci.
Il project manager è Marco Paltrinieri.
Il producer è Alex Peverengo
Il coordinamento della post produzione è di Matteo Scelsa
Il fonico di studio è Luca Possi.
Le lettere di Modigliani sono tratte da Amedeo Modigliani - Le lettere, a cura di Elena Pontiggi, casa editrice Abscondita
Fonti:
Modigliani - L'ultimo romantico di Corrado Augias - Oscar Mondadori
Modigliani, mio padre - Jeanne Modigliani, Abscondita
Amedeo Modigliani - Le lettere - A cura di Elena Pontiggia, Abscondita - Laat meer zien
