TV & film – Duitsland – Nieuwe podcasts
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Begleitet die Gebrüder Grimmig auf ihrer durchgeknallten Reise durch die Filmgeschichte. Aber Vorsicht: Es wird Vogelwild!
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Direkt aus dem Rostocker Lichtspieltheater Wundervoll bringen Kinochefin Anne und Filmverführer Max »wundervolle Kinotipps« des anstehenden Filmprogramms des kommenden Monats in die Gehörgänge.
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Wir sind ein Ehepaar mit einem kleinen Konflikt: Pascal ist der totale Filmnerd, der jedes Detail analysiert und feiert โ und Steffi? Sie wรผrde die Filme oft lieber nicht gucken. Aber genau das macht unseren Podcast aus: Wir schauen uns Filme an, streiten, lachen und philosophieren darรผber โ aus der Perspektive eines echten Enthusiasten und einer, die stรคndig fragt: Mรผssen wir das wirklich anschauen?
Perfekt fรผr Filmliebhaber, Zweifler und alle, die sich andauernd Fragen: Was sollen wir heute Abend gucken? ๐ฅ๐๏ธ -
Join Josh and Carey as we talk about the lifeguards, ghosts, murderers, lawyers, mullets, and aliens of Malibu Beach. And sometimes Hawai'i.
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On Yes No Maybe, brother/sister duo Ryan and Willa Barnett analyze, synthesize, and immortalize their long-time favorite show, Malcolm in the Middle. Episode by episode, you'll learn what these two Brooklyn comedians think of Malcolm's family... and their own.
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Hey Ton-Lovers! ๐
Willkommen bei The Ton Talk – dem Fan-Podcast für alle, die Bridgerton lieben. ๐
Hier reden wir über bissige Buch-Recaps, Serienklatsch und die besten Tropes. Dazu gibt’s jede Menge Sarkasmus, Regency-Drama und absolut kein Urteil, wenn ihr euch zum 46. Mal die Carriage-Szene anschaut.
Also, schnappt euch euren Tee und taucht ein – willkommen in der aufregenden Welt des Tons! โจ -
Jan und Flo sprechen im Serienkonfekt über aktuelle Serien, die bei Netflix, Disney Plus, Amazon Prime und Co. laufen.
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Seit Monaten ist Wanda (Lea Drinda), die Tochter von Carlotta (Heike Makatsch) und Dedo (Axel Stein) spurlos verschwunden. Noch immer gibt es bei der Suche nach ihr keine Fortschritte. So setzt das Paar nicht länger auf die Hilfe der Polizei, sondern nimmt die Sache selbst in die Hand. Der technisch versierte Sohn Ole (Leo Simon) hilft ihnen bei der Beschaffung von Überwachungsgeräten. Verkleidet als Angestellte einer Elektronikfirma verwanzen Carlotta und Dedo zunächst ihre Nachbarschaft und schließlich den halben Vorort. Schnell merken sie, hinter verschlossenen Türen ist fast keiner der Nac
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Eine Münze bringt rivalisierende Gangs in ganz Europa gegeneinander auf, sodass sich ein Safeknacker im Ruhestand mit einem Gauner zu einem letzten Coup zusammentun muss.
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Matt Murdock, ein blinder Rechtsanwalt kämpft am Tag im Gericht für die Gerechtigkeit, während er nachts die Sache selbst in die Hand nimmt
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Charlie Chaplin, born Charles Spencer Chaplin on April 16, 1889, in London, England, is one of the most iconic and influential figures in the history of cinema. A pioneer of the silent film era, Chaplin’s work transcended the medium’s limitations through his extraordinary ability to blend humor, pathos, and social commentary. As an actor, director, composer, and writer, he created timeless films that continue to resonate with audiences around the world. His most enduring persona, the "Tramp," is a symbol of resilience, compassion, and the human spirit. Chaplin’s early life was marked by hardship and poverty. Born to Hannah Chaplin, a music hall performer, and Charles Chaplin Sr., a singer, his childhood was anything but stable. His parents separated when he was a toddler, and his father’s alcoholism left the family destitute. Hannah struggled to support her children, often performing in London’s music halls. However, her mental health deteriorated, and she was institutionalized when Charlie was only seven years old. This forced Charlie and his older half-brother, Sydney, into a series of workhouses and orphanages, experiences that profoundly shaped his worldview and later informed the themes of his films. Despite these challenges, Chaplin discovered a love for performing at a young age. He began working as a stage actor and comedian, joining a juvenile dance troupe called "The Eight Lancashire Lads" when he was just nine years old. By his teens, Chaplin was performing in vaudeville and touring with various theater companies. His big break came in 1908 when he joined Fred Karno’s vaudeville troupe, where he honed his skills in physical comedy and improvisation. During a tour in the United States in 1913, Chaplin caught the attention of Mack Sennett, the head of Keystone Studios, who invited him to work in Hollywood. Chaplin made his film debut in the 1914 short Making a Living, but it was his second film, Kid Auto Races at Venice, that introduced the world to his iconic character, the Tramp. Dressed in a bowler hat, oversized shoes, a tight jacket, baggy trousers, and carrying a cane, the Tramp was a humorous yet deeply empathetic figure, embodying the struggles and triumphs of the everyman. Audiences immediately connected with the character, and Chaplin’s star began to rise. During his time at Keystone, Chaplin quickly learned the art of filmmaking, transitioning from performer to director. By 1915, he had joined Essanay Studios, where he gained greater creative control over his work. It was during this period that he began to refine his comedic style, moving away from slapstick gags toward more nuanced humor and storytelling. Films like The Tramp (1915) showcased Chaplin’s ability to blend comedy with poignancy, establishing him as a unique voice in silent cinema. Chaplin’s career continued to flourish as he moved to Mutual Film Corporation in 1916 and then to First National in 1918. By this time, he was one of the highest-paid entertainers in the world. With classics like The Pawnshop (1916), The Immigrant (1917), and A Dog’s Life (1918), Chaplin cemented his reputation as a master of silent film. His work reflected not only his comedic genius but also his empathy for the downtrodden, as he often explored themes of poverty, injustice, and the resilience of the human spirit. In 1919, Chaplin co-founded United Artists with Mary Pickford, Douglas Fairbanks, and D.W. Griffith. This gave him unprecedented control over his films, allowing him to write, direct, produce, and star in his projects. His first film under United Artists, The Kid (1921), was a landmark achievement, blending comedy and drama in a way that had never been done before. The film, which tells the story of a poor man caring for an abandoned child, was both a critical and commercial success, further solidifying Chaplin’s status as one of the leading filmmakers of his time. Throughout the 1920s, Chaplin continued to push the boundaries of silent cinema with masterpieces like The Gold Rush (1925) and The Circus (1928). The Gold Rush, which features the iconic scene of Chaplin eating his shoe, is often cited as one of the greatest films of all time. These works showcased his meticulous attention to detail, innovative use of visual storytelling, and unparalleled ability to evoke emotion. As the film industry transitioned to sound in the late 1920s, many silent film stars struggled to adapt. Chaplin, however, resisted the shift, believing that the universality of silent cinema transcended language barriers. His first sound film, City Lights (1931), was a silent film with synchronized music and sound effects but no dialogue. The film, which tells the story of the Tramp’s love for a blind flower girl, is widely regarded as one of his finest achievements and a testament to his artistic vision. Chaplin’s next film, Modern Times (1936), marked the Tramp’s final appearance. A satirical critique of industrialization and the dehumanizing effects of modern technology, the film struck a chord with Depression-era audiences. Its mix of humor, social commentary, and heartfelt moments solidified Chaplin’s place as a cultural icon. In 1940, Chaplin took a bold step with The Great Dictator, his first fully sound film and a sharp political satire of Adolf Hitler and fascism. In the film, Chaplin plays both a Jewish barber and a dictator named Adenoid Hynkel, a parody of Hitler. The film’s final speech, a passionate plea for peace and humanity, remains one of the most powerful moments in cinema history. Though controversial at the time, The Great Dictator was a critical and commercial success, reflecting Chaplin’s courage to address pressing global issues through his art. However, Chaplin’s later years were marked by controversy. His outspoken political views and alleged sympathies for leftist causes made him a target during the Red Scare of the 1940s and 1950s. In 1952, while traveling to England for the premiere of his film Limelight, Chaplin was denied re-entry to the United States. He chose to settle in Switzerland, where he spent the remainder of his life with his wife, Oona O’Neill, and their eight children. Despite the challenges, Chaplin continued to make films, including A King in New York (1957) and A Countess from Hong Kong (1967), though they were not as successful as his earlier works. In 1972, after two decades of exile, Chaplin returned to the United States to accept an honorary Academy Award, recognizing his immeasurable impact on the film industry. The emotional reception he received underscored his enduring legacy. Charlie Chaplin passed away on December 25, 1977, at his home in Corsier-sur-Vevey, Switzerland. He was 88 years old. His death marked the end of an era, but his contributions to cinema and culture live on. As a filmmaker, he redefined the possibilities of storytelling, combining humor and humanity in a way that resonated across generations and borders. As an artist, he used his platform to speak out against social injustices, leaving a legacy that is as relevant today as it was during his lifetime. Charlie Chaplin’s journey from the slums of London to the heights of global stardom is a testament to the power of creativity, resilience, and vision. Through his work, he captured the struggles and triumphs of the human spirit, creating art that continues to inspire, entertain, and move audiences worldwide. His influence on cinema is immeasurable, and his name remains synonymous with the magic of the silver screen. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”
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Willkommen bei CRUISE CONTROL, dem Tom Cruise Film-Podcast des CINE ENTERTAINMENT TALK. Hier gehen wir die Filmkarriere des amerikanischen Schauspielers chronologisch durch und besprechen mit wechselnden Gästen pro Folge einen Film des letzten großen Superstars.
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Filme, Nerdkram und Geplauder mit den Zimbelaffen
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Die besten Sportdokus - Matthias Wolf und Paul Burba diskutieren รผber Sportdokumentationen. Reviews, Insights & Empfehlungen zu neuen Releases, Klassikern und kleinen Perlen.
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Two friends with wildly different taste in movies force each other watch to movies they think they'll hate.
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Step into the world of Showtime's Dexter with Dark Passengers, the ultimate podcast for fans of the darkly compelling franchise. Hosted by the team at All Pleasure No Guilt (APNG), we'll dissect every chilling detail of Dexter: Original Sin - the highly anticipated prequel that takes us back to Dexter Morgan's twisted origins.
And the story doesn't stop there. As we await Dexter: Resurrection in summer 2025, we'll keep you engaged with in-depth recaps, character deep dives, fan theories, and all the bloody breadcrumbs this universe has to offer.
Whether you're a longtime Dexter enthusiast or just discovering โthe codeโ, APNG has you covered.
Hosted on Acast. See acast.com/privacy for more information.
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Ein weiterer Supernatural Podcast
dieses Mal mit Sandra und Stefan -
Aus der Langeweile des Corona-Lockdowns entstanden behandelt dieser Podcast der beiden Freunde Fabian und Felix das große Thema Filme und Serien. Von Psycho bis 50 Shades of Black, jedes Genre aus jeder Epoche ist vertreten wenn sich Fabian und Felix Woche für Woche einen neuen Film als Hausaufgabe geben und ihre Meinung dazu als spannende Diskussion, glorifizierende Lobeshymne oder enthemmte Hasstirade präsentieren…
Jede Woche eine neue Folge. -
The FILMHOUNDS Film Podcast โ your essential companion for all things cinema with David Garlick, Katie Hogan and Paul Klein.
FILMHOUNDS is available in print from https://filmhounds.co.uk/magazine
Hosted on Acast. See acast.com/privacy for more information.
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House of Punjabis, a Punjabi podcast that will give you an insight into the Punjabi film industry.
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