Kind en gezin – Marokko – Nieuwe podcasts
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this is my cool podcast
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Ein Podcast rund um die Welt mit wissen spannende Themen und Geschichte und und um den Alltag der Welt für jung und alt
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A podcast by a grade 10 student trying to help himself and others understand the troublesome period called adolescence using neurochemistry and devlopmental psychology.
Instagram - adolescence_explained -
Going into depth about pet therapy
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باقة من حكايات الزمن الجميل أرويها لكم بصوتي لنسافر معاً عبر ذكريات الطفولة و نعيش مغامرات شيقة في عالم الخيال
ريم العاني -
Hi semua ini Papi and Lio coba bikin Podcast buat kalian smua
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The Lux Radio Theatre was a popular American radio anthology series that ran from 1934 to 1955. It was created by the Lever Brothers Company, known for their Lux soap product, hence the name "Lux Radio Theatre." The show adapted Broadway plays and films into hour-long radio productions, featuring top Hollywood stars of the time. Lux Radio Theatre was well-known for its high production values and quality performances.During the Christmas season, the Lux Radio Theatre often featured special holiday-themed episodes. These episodes were designed to capture the festive spirit of Christmas and often included heartwarming stories, classic tales, or adaptations of popular Christmas movies. The shows aimed to bring entertainment and joy to listeners during the holiday season.Specific details about individual Lux Radio Theatre Christmas shows would depend on the year and the specific productions aired during those times. Some episodes may have featured adaptations of well-known Christmas stories or films, while others could have been original radio plays with a holiday theme.To explore the details of Lux Radio Theatre Christmas shows from a particular year or learn more about specific episodes, you may want to refer to historical radio archives, old radio show collections, or resources that specialize in vintage radio programs. These sources can provide specific information about the cast, plot, and production details of Lux Radio Theatre Christmas episodes from various years.
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Emerging from the dusty archives of early radio, "Death Valley Days" stands as a testament to the power of dedication and a well-spun yarn. In 1930, New York Vassar graduate Ruth Woodman, brimming with enthusiasm but lacking first-hand desert experience, took on the challenge of creating a show centered around the untamed wilderness and its hardy inhabitants. Back then, much of the area remained raw and untamed, traversed by more trails than paved roads.Undeterred, Ruth embraced the rugged landscape. Each year, she'd become a desert nomad, trekking to ghost towns, dusty saloons, and rugged campsites on the fringes of Death Valley. Gas station attendants, weathered bartenders, and small-town journalists became her storytelling heroes, their memories and lived experiences the raw material for her narratives. She wasn't afraid to get her hands dirty, delving into old newspapers, exploring dusty museum exhibits, and scouring the West for any tidbit that whispered a forgotten tale.This relentless pursuit of authenticity paid off handsomely. "Death Valley Days" captivated audiences for over two decades, its vivid portraits of the Old West unmatched in their realism and drama. Later, it even crossed the threshold into television, with none other than Ronald Reagan gracing the screen as its host. The show's enduring legacy is a testament to Ruth's dedication, proving that even with no initial desert grit, a thirst for authentic storytelling can carve its own path through history.
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"The Green Hornet" is a classic radio show that originally aired in the 1930s and 1940s, during the Golden Age of Radio. Created by George W. Trendle and Fran Striker, the series premiered on January 31, 1936, and became an iconic part of American radio entertainment.
**Main Characters:**
The Green Hornet, the alter ego of newspaper publisher Britt Reid, was portrayed by Al Hodge and later by Robert Hall. Britt Reid is a wealthy and influential figure in society, using his position to fight crime. His sidekick, Kato, played by Tokutaro Hayashi and later by Rollon Parker, is a skilled martial artist and mechanic. The dynamic duo takes on the criminal underworld, adopting the guise of villains to infiltrate and expose criminal activities.
**Format:**
"The Green Hornet" was a serialized radio drama, featuring weekly episodes that followed a continuous storyline. The show typically ran for 30 minutes and incorporated elements of action, mystery, and crime-solving. Unlike traditional superheroes, the Green Hornet operated in the gray area between law enforcement and vigilantism.
**Innovative Elements:**
One notable feature of "The Green Hornet" was its use of a gas gun that fired a non-lethal anesthetic to subdue criminals. The Green Hornet and Kato's approach of appearing as criminals to catch criminals added complexity to the narrative, distinguishing them from other crime-fighting protagonists of the time.
**Crossover with "The Lone Ranger":**
"The Green Hornet" shared a fictional universe with another popular radio show, "The Lone Ranger," as both were produced by WXYZ radio in Detroit. The shows featured a crossover episode titled "The Lone Ranger Meets the Green Hornet," which added an extra layer of excitement for fans.
**Legacy:**
"The Green Hornet" left a lasting impact on popular culture. The character has been adapted into various forms of media, including comic books, television, and film. One of the most well-known adaptations is the 1966 television series starring Van Williams as the Green Hornet and Bruce Lee as Kato.
The radio show's influence extended beyond its original run, contributing to the development of the superhero and crime-fighting genres in both radio and subsequent entertainment mediums. "The Green Hornet" remains a beloved and iconic piece of radio history, remembered for its innovative storytelling, memorable characters, and unique approach to crime-fighting. -
A Story For Us is a no frills podcast where I read some of my kids’ favorite children’s books to you! Sometimes I do voices, sometimes I don’t. This is like story time at the library, but you can sit in your favorite reading spot anywhere, anytime.
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The crux of these stroy was all about prince and his greedyness,stay turned and enjoy the full gist
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Disfruta de cuentos suaves e imaginativos diseñados para calmar y captar la atención de los más pequeños. Cada historia utiliza un lenguaje sencillo y cautivador, con temas reconfortantes, ofreciendo una experiencia de escucha sin anuncios ni interrupciones.
Se publica un nuevo episodio cada día, trayendo nuevas aventuras para hacer de cada historia antes de dormir algo especial. -
Jay Hanna "Dizzy" Dean (1910-1974) wasn't just a pitcher for the St. Louis Cardinals' "Gas House Gang" in the 1930s, he was a larger-than-life character who swaggered onto the national stage and never left. Even after hanging up his cleats, Dean's booming voice and colorful personality filled the airwaves, weaving tales of baseball's golden age with folksy charm and a generous sprinkle of malapropisms.His 15-minute radio broadcasts were less about play-by-play and more about storytelling. Anecdotes flowed like a lazy Mississippi river, peppered with fan mail responses and jokes delivered with a twinkle in his eye. This was baseball through Dizzy's kaleidoscope, where "he slud into third" and "the Giants is down, two to nothin', like a cow in a cactus patch."Not everyone enjoyed Dean's unpolished brilliance. During the Depression, a group of school teachers, clutching their pearls and dictionaries, deemed him a scourge to young minds. But Dizzy, ever the charmer, simply retorted, "Let the teachers teach English, and I will teach baseball. There is a lot of people in the United States who say 'isn't,' and they ain't eating."While his star burned brightest for barely a decade, Dizzy Dean's legacy stretched far beyond his playing days. His boastfulness, his insatiable need for the spotlight, and his unfiltered joy for the game made him a legend in the golden age of baseball. Even today, his radio tales hold a nostalgic charm, a window into a time when baseball was played under a sunlit sky and stories, like fastballs, soared high and true.
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Wir sind Christopher Goer und Silas Wiemann, Vater und Sohn und das ist 68/99 – eine Welt, zwei Seiten. Wir wollen voneinander wissen was in unser gemeinsame Vergangenheit gut gelaufen ist und was wir eher kritisch sehen, welche Themen uns heute bewegen und wagen einen Blick in die pädagogische Zukunft.
Viel Spaß im Generationenpodcast 68/99. -
الألبوم الثالث لمجموعة خالد بن الوليد الكشفية - صدر في عام 2018
Hosted on Acast. See acast.com/privacy for more information.
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هيا لنجعل ابنائنا يحبون سماع القصص باللغة العربية ليمنحهم شغف القراءة.. ونشجعهم على حبِ الكتاب.. لا حب الأجهزةِ والشاشات.. فلنستمعُ سوياً :)
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Esse podcast é sobre histórias infantis
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All things feminine energy, masculine energy, healthy polarity relationships and family legacy
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I'm Amanda Ahorn and I'm about to tell you a story. Having had a farm and horse farm for a few decades, I have a lot to share.
For my friends, the animals and the people it is often not so easy to do everything right, but they always learn something for their lives.
And every time they have learned something they feel happier.
I wish the same for you!
https://goodchoices.us/ -
Der Barbie-Podcast ist eine Show für Kinder mit großen Träumen, Herausforderungen, die es zu meistern gilt und einem neugierigen Geist. In jeder Folge bringen euch die Moderatorinnen Barbie (aka Malibu) und Barbie (aka Brooklyn) mit bemerkenswerten Expertinnen aus der ganzen Welt zusammen. Dieser Podcast steckt voller Tips, inspirierender Geschichten und lustiger Sachen, die ihr zu Hause machen könnt. Entdeckt grenzenlose Möglichkeiten, im Barbie-Podcast, überall wo es Podcasts gibt!
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